|
Musician Name |
Instrument |
Dates |
|
|
[ A
]
| |
|
Abas, S. |
violin |
1901-1902 |
|
Abbas, Philip (Netherlands 1886-after 1946)
|
cello (also Bournemouth Winter Garden Symphony - England 1913-1916,
Rivoli Theater Orchestra, New York City 1918-1919, Detroit Symphony
Principal cello 1919-1925, Detroit Symphony String Quartet -
Ilya Scholnik first, William G. King second, Herman Kolodkin
viola, Philip Abbas)
Taught at
Michigan State University 1928-1929, Kansas State Teachers College,
Emporia Kansas in the 1930s. Also played concerti in Kansas and
Nebraska in 1930s. Retired in Santa Barbara, California in 1940s.
|
1916-1917 |
|
Abel, Alan D. (Indiana 1928- )
|
third percussionist 1959-1988, Associate Principal percussion 1988-1997 (also
U.S. Air Force Band 1951-1953, Oklahoma City Symphony 1953-1959)
Studied at Eastman School of Music 1947-1951 Performance Diploma.
|
1959-1997 |
|
Aleinikoff, Harry
(New York 1894-1986)
|
Principal Second violin (also a member of the
Rich Quartet:
Thaddeus Rich first,
Harry Aleinikoff second,
Romain Verney viola and
Hans Kindler cello)
|
1915-1959 |
|
Alemann, Paul Ernst Rudolph
(Germany 1877-after 1946) |
bass clarinet
In March, 1930, Leopold Stokowski was criticized for dismissing four
players for being 'stale' 152, of which Alemann was one.
After the Philadelphia Orchestra, Alemann lived for a decade in Atlantic
City, NJ and then to Berlin. In June, 1942 after delays Alemann succeeded in
returning from wartime Berlin, Germany to Atlantic City.
|
1904-1930 |
|
Alessi, Joseph (Michigan 1959- )
|
second trombone, succeeding M. Dee Stewart (Alessi was also
Principal trombone l'Orchestre symphonique de
Montréal 1984-1985, Principal trombone New York Philharmonic spring
1985-present)
Studied at the Curtis Institute Class of 1981. Gave the premier of Christopher
Rouse Trombone Concerto in 1992 with Leonard Slatkin/NY Philharmonic. Son
of Joseph Alessi, Principal trumpet of the Metropolitan Opera 1946-1959, and
grandson of Joseph Alessi, Principal trumpet of the Metropolitan Opera 1920-1927.
|
1981-1984 |
|
Altman, Baruch (?Mew York 1919- ) |
violin (entered second violin section 1942-1943 season, then into military)
Studied at the Curtis Institute Class of 1943.
|
1942-1943 |
|
Amoroso, Richard M. (Pennsylvania 1970- )
|
violin (also Concerto Soloists - now Chamber Orchestra of Philadelphia,
also Philly Pops)
Studied at the Settlement Music School - Philadelphia, and
Dickinson College, magna cum laude and Phi Beta Kappa.
|
1997-present |
| | |
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|
|
Anderson, Angela
wife of
Peter Smith
|
bassoon (also San Jose Symphony second bassoon, San Antonio Symphony
Assistant Principal/second bassoon)
Studied at University of New Mexico BMus 1988, University of Southern California
MMus 1991. Active in summer festivals, including Yale Summer School of Music and Art,
the Music Academy of the West Summer Festival - California, and Midsummer Mozart
Festival - California.
|
1997-present |
|
Angeloty, Louis M.
(Hungary 1882-1961) |
violin (also the Schmidt Quartet,
Emil Schmidt
first, Louis Angeloty second,
Alfred Lorenz viola,
William Schmidt,
brother of Emil, cello 1914-1921.
Also a founder of the Old York Road Symphony -
Montgomery County, Pennsylvania,
which he conducted 1932-1956)
Studied first with his father Carl E. Angeloty (1859-1941) who was later a violinist
in the Los Angeles Symphony. Louis Angeloty also studied at the Conservatoire royal
de Bruxelles 1902-1906. He recorded with the Victor Talking Machine Company in
1922.
|
1908-1922 |
|
Angelucci, Louis (or Adelchi)
(Pennsylvania 1912-1994)
|
Second bassoon (also National Symphony of Washington DC about 1937-1944,
Philadelphia ballet orchestra 1930-1950, Pennsylvania Symphony)
Studied first with his Italian-born musician father, Louis Angelucci
(1889- ) who played French horn in Philadelphia ballet and opera orchestras.
Louis then studeied at the Curtis Institute Class of 1937, where his
Cleveland Orchestra French horn brother
Ernaini Angelucci
also studied. Louis was said to be a 'character', and
well liked. A tuba musician based in Philadelphia, Jonathan Dorn said:
"[he] used to sell hoagies [sandwiches] during their orchestra
rehearsals to all the orchestra people...and at the break he would
sell them to the guys for like, a dollar." Brother Rhadames Angelucci
became Principal oboe with the Minnesota Orchestra 1937-1984.
|
1944-1945, 1950-1983 |
|
Antonelli, Pietro Biagio (Italy 1886- )
|
horn (later a theater orchestra musicians in late 1920s and 1930s,
then with Philadelphia WPA orchestra).
|
1920-1923 |
|
Arben, David (Poland 1927- )
|
Assistant Concertmaster 1973-1978, Associate Concertmaster, 1978-1993
Studied at the Curtis Institute Class of 1954. Holocaust survivor. After
the war, in Munich played for Efrem Zimbalist in a masterclass at the
Salzburg Mozarteum, which led to Arben’s invitation to attend the Curtis
Institute.
|
1959-1993 |
|
Arey, Rufus Mont (Maine 1887-1966)
|
Principal clarinet (also Detroit Symphony Principal clarinet 1919-1923,
solo clarinet Brooklyn Mark Strand Orchestra, a theater
orchestra, Philadelphia Orchestra Principal clarinet 1923-1924,
Rochester Philharmonic 1927-1954 and the Eastman Wind Ensemble
while teaching at the Eastman School of Music)
Long-time section teacher of clarinet Eastman School of Music 1927-1954.
153.
|
1923-1924 |
|
Argiewicz, (Ignatz) Bernard
(Poland 1885- )
|
cello (also a theater orchestra musician between Philadelphia
Orchestra session.)
Brother Arthur Argiewicz (1881-1966) was long-term violin with the
San Francisco Symphony about 1918-1946.
|
1917-1919, 1924-1928 |
|
Arian, Edward W.
(Ohio 1921-2010)
|
double bass (also Denver Symphony 1945-1946, San Francisco Symphony
1946-1947)
Studied at the Curtis Institute Class of 1944. After retiring from
the orchestra studied at Bryn Mawr College Ph.D. Political Science
1969. Wrote Bach, Beethoven and Bureaucracy, an indictment
of the Philadelphia Orchestra administration and Board. Joined Drexel
University (Philadelphia) in 1970 and became Chairman Department
of History and Politics in 1976.
|
1947-1967 |
|
Arkless, William Leon
(Pennsylvania 1881-1974)
|
violin 1900-1901, viola 1915-1918 (later played in the theater orchestra
of the Schubert Theater, Philadelphia in 1920s and 1930s)
|
1900-1901, 1915-1918
|
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|
|
Arnold, Paul J.
(New York 1956- )
|
violin (also Rochester Philharmonic Principal second violin,
a founding member of Society Hill Quintet and the Dalihapa Ensemble,
also active in Network for New Music Ensemble)
visit Paul Arnold's interesting website at http://paularnold.net/
including his interesting photography. He is also on the Board of
Overseers of the Curtis Institute.
|
1983-present |
|
Aronoff, Max
(1906-1981)
Orlando Cole cello, Benjamin Sharlip second, Jascha Brodsky first,
Max Aronoff viola in about 1934
|
viola (also Curtis String Quartet: Jascha Brodsky (1907-1997)
first,
Benjamin Sharlip second,
Max Aronoff viola, Orlando Cole cello (1908-2010)
quartet active 1934-1981 when Max Aronoff died. Orlando Cole was
son of Philadelphia Orchestra violin
Lucius Cole)
Studied at the Curtis Institute Class of 1934. With Jascha Brodsky,
founded the New School of Music in Philadelphia.
|
1944-1945
|
|
Aschke, Julius
(Germany about 1851- ) |
piccolo (also Büchner Orchestra - Berlin)
Recorded music for piccolo (which reproduced well in the acoustic recording
process) for the Gramophone Company and Odeon in Berlin between 1904 and 1909.
|
1901-1902 |
|
Asen, Simon
(New York 1911-1984)
|
viola (active as a conductor after 1950, including Mount Vernon Symphony
- New York 1951, Naumburg Orchestral Concerts in Central Park, New York
City in 1951, 1952, Lakewood Symphony - New Jersey 1957)
Studied at the Curtis Institute Class of 1936.
|
1936-1944 |
|
Asenmacker, Anton (Antoine Henri Jean)
(Belgium 1879- )
|
cello (also Théâtre de la monnaie Opéra, orchestra of Pau, France Principal
cello, Aix-les-Bains, France orchestra in summers, Diaghilev Ballets russes
1916 USA tour)
Studied at the Verviers Conservatoire - Belgium 1891, Premier prix Concour
of 1898 164.
Joined the Institute of Musical Art (later Juilliard) cello department in
1920.
|
1917-1919 |
|
Atkinson, Burnett F.
(South Dakota 1911-1991) |
flute, piccolo (also Philadelphia Opera Orchestra 1939, Philadelphia Orchestra
third flute 1944-1952 (or perhaps 1944-1949, 1950-1952) did not complete
1951-1952 Philadelphia season. Also listed as Minnesota
Orchestra Principal flute, succeeding Emil Opava 1949-1950, Chicago
Symphony Orchestra flute and piccolo 1952-1954,
Los Angeles Philharmonic, Glendale Symphony, Paramount Studio
Orchestra, Hollywood, also University of California at Santa Barbara)
Studied at Eastman School of Music, Curtis Institute Class of 1939.
|
1944-1952 |
|
Ayala, J. |
trumpet |
1916-1917 |
|
|
[ B
]
|
|
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|
Badollet, Frank (or Francis) V. (Iowa 1870-1934)
|
flute (also Pittsburgh Symphony under
Victor Herbert Principal flute 1896-1898
and 1904-1905, US Marine Corps band Washington, DC 1899-1901, Cincinnati Symphony
Principal flute under
Frank Van der Stucken 1905-1907 and 1909-1911,
Minneapolis Symphony, in 1922 moved to
Los Angeles playing in theater orchestras, and played with the Long Beach
Municipal Band)
Studied with Otto Oesterle (1861-1894) in New York City. While in Philadelphia,
recorded with the Victor Talking Machine Company 1900-1903, including as
"Badollet Flute Trio". Taught at the University of Oregon 1914-1921.
Said to have played a Haynes Bb tenor flute, having a lower flute voice.
|
1901-1904 |
|
Bailiff (Reyes), Jill (1925- )
|
harp (taught at Northwestern University)
Studied at the Curtis Institute Class of 1951.
|
1947-1952 |
|
Baker, Harry J.
(Iowa 1894- )
|
Principal percussion (also Houston Symphony)
Recorded Mikrokosmos with Bela Bartok in 1940.
|
1923-1924 |
|
Baltacigil, Efe
(Turkey 1978- )
|
Assistant Principal cello 2002-2003, Associate Principal cello 2003-2011
(also participated in Yo-Yo Ma's Silk Road Project, member of the Lincoln
Center Chamber Music Society, also Principal Cello Seattle Symphony
beginning in the 2011-2012 season)
Studied at Mimar Sinan University Conservatory - Istanbul BMus 1998, and
Curtis Institute Class of 2002. Visit his interesting website www.efebaltacigil.net
|
2002-2011 |
|
Balter, Boris (Ukraine 1953- )
|
violin (also Brooklyn Philharmonic, Mexico City Philharmonic,
Baltimore Symphony 1982-1985)
Studied at Stolyarsky Music School Odessa, Ukraine, Odessa State
Conservatory Performer's diploma.
|
1985-present |
|
Bancroft, Irving James (Massachusetts 1885-1973)
|
violin 1916-1929, 1940-1941, Principal Second violin 1929-1940.
Taught violin in Boston in 1910.
|
1916-1941 |
| | |
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|
|
Bansbach, Philip Anthony
(Missouri 1888-1974)
|
viola (later a theater musician in Philadelphia, and organist
in Philadelphia churches)
Bansbach was also a church organist before and after the Philadelphia
Orchestra, which was his principal occupation as a musician. His
German-born father Anton Bansbach was also a musician.
|
1919-1922 |
|
Bar-David, Ohad "Udi" (Israel about 1960- )
|
cello (also active in Intercultural Journeys, a chamber orchestra aimed at
reducing cultural barriers, also Concerto Soloists of Philadelphia,
also active in Network for New Music Ensemble)
Studied at the Curtis Institute Class of 1986, and the Juilliard School.
|
1987-present |
|
Barchewitz, Walter (Germany ) |
violin (also the Schweidnitz Opera in Silesia - now Poland - in the early 1890s,
chamber concerts in Berlin late 1890s)
|
1901-1904 |
|
Barnes, Darrel
(Kentucky 1942- ) grew up in Detroit.
twin brother of
Robert Barnes Boston Symphony viola 1967-present
and father of
Derek Barnes, cello 1995-present.
|
viola and sometimes horn (also Detroit Symphony in early 1960s, St. Louis
Symphony Principal viola about 1971-1973, Indianapolis Symphony Principal
viola in about 1988-1996, Fort Smith - Arkansas Symphony Principal viola,
Springfield-Drury Civic Orchestra Principal viola, St. Louis String Quartet
viola)
Studied with his musician parents, both orchestral musicians.
Darrel Barnes mother played horn with the Detroit
Symphony in 1940s. Darrel Barnes also studied at
Wayne State University BA as did his brother Robert.
|
1965-1971
An auto accident cut short Darrell Barnes's orchestral career.
|
|
Barnes, Derek S.
(Pennsylvania 1969- )
son of
Darrel Barnes Philadelphia viola 1965-1971, and
nephew of
Robert Barnes Boston Symphony viola 1967-present.
|
cello (Derek Barnes was a substitute in the Philadelphia Orchestra
cello section from 1989, before joining the Orchestra in February,
1995 and Co-Principal cello Concerto Soloists of Philadelphia - now the
Chamber Orchestra of Philadelphia. also Principal Cello South Jersey
Symphony, Santa Fe Opera Orchestra during summers.)
Studied at the Curtis Institute Class of 1991.
|
February, 1995-present |
|
Barone, Clemente (Italy 1877-1934)
brother of
Richard Barone
|
third flute 1900-1901, flute 1907-1907, Principal flute March, 1907 (following
the dismissal of August Rodemann) -1910 (Also a member of the
Henry Gordon Thunder Orchestra 1899-1900, played flute for
Victor Talking Machine Company recordings until about 1929,
including being a permanent member flute with the Victor Orchestra under
Josef Pasternack (1881-1940). Barone died in Philadelphia
of cancer in 1934 age only 57)
Clemente Barone was of a musical family: his father, Pasquale and
Pasquale's father were both harpists; his brother Albert was a
violinist, William was a pianist, and Richard, a violinist,
including with the Philadelphia Orchestra. Clemente Barone's wife,
Marian Setaro's father played with the Metropolitan Opera Orchestra,
and her brother Andrew was a timpanist 20.
Son Clement Barone Jr. was flute with the Houston Symphony and
Detroit Symphony.
|
1900-1901, 1904-1910 |
| | |
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|
|
Barone, Richard
(Italy 1884-1968)
brother of
Clemente Barone
|
violin (also a Philadelphia theater orchestra musician in
the 1920s)
|
1923-1924 |
|
Basse, Herman |
Principal trumpet 1904-1905, 1914-1915, trumpet 1915-1917 |
1904-1905, 1914-1917
|
|
Batchelder, Wilfred "Fred" (Massachusetts 1914-1974)
while in US Navy 1944
|
double bass / tuba
Studied at the New England Conservatory and the Curtis Institute
Class of 1941.
|
1951-1975
(announced for 1974-1974 season, but died
September 16, 1974, age 59)
|
|
Battles, Augustus
(Massachusetts 1880-1947)
Augustus Battles in 1912
|
flute (also Boston Symphony flute 1909-1918, piccolo 1918-1935,
also Boston Symphony Sextette whose membership in 1912 was:
Herman Goldstein first violin,
Placido Fiumara second violin,
Walter Blumenau viola,
Ludwig Nast cello,
Max Kunze bass, who was also group leader
188)
Studied with
André Maquarre about 1897-1902.
|
1906-1909
(some BSO records claim Battles was in Boston in
1908, but not listed in the BSO 1908-1909 roster -
he was in Philadelphia Orchestra that season)
|
|
Bauer, Jaroslav K. |
viola |
1936-1958 |
|
Baumel, Herbert
(New York 1919-2010)
|
violin (also All American Youth Orchestra 1940 South American
tour, Philadelphia Opera Company violin 1940-1942. Fort Wayne
Philharmonic Concertmaster 1945-1948, New York City Opera Concertmaster
1948-1949, Orquesta Sinfonica Venezuela Concertmaster 1949-1950.
RCA Victor house orchestra concertmaster 1954. Also Broadway
shows Fiorello!, 1959, She Loves Me, 1963, and Concertmaster for the
original 1964 Broadway production of Fiddler on the Roof, and
for eight years, he was the fiddler)
Studied at Mannes College of Music - NYC 1933-1935,
the Curtis Institute Class of 1942. Fulbright scholar to in Italy
1954-1956, from 1965-1969 teaching at Oregon State University. As
a student at Curtis, in 1939 Herbert Baumel performed the premier of
the Samuel Barber Violin Concerto with the Curtis Institute
Orchestra under Fritz Reiner.
|
1942-1945 |
| | |
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|
|
Bay, Victor brother of Heifetz accompanist
Emanuel Bay
(Russia 1896-1988)
|
violin (also active as a conductor, guest conducting Cleveland Symphony in 1930s,
and staff conductor for CBS radio in New York City in the 1950s,
became an active Hollywood sessions musician, particularly for Capital
Records and MGM)
Studied at the Saint Petersburg Conservatory, graduated in 1918.
|
1922-1923 |
|
Bean, Nancy R.
(Washington 1959- )
|
violin 1983-1989, Assistant Concertmaster 1989-2009, when she retired from
the orchestra to devote her activities to chamber music. (also Assistant
Concertmaster of Santa Fe Opera Company. Director of
1807 & Friends devoted to classical chamber music. First violinist
Wister Quartet and of Amerita Chamber Players. Also violinist of the Barnard
Trio, the Florian Trio, Duo Paganini and Duo Parisienne; a full chamber music
spectrum)
Studied at the Curtis Institute Class of 1981.
|
1983-2009 |
|
Beck, Jacob Henry
(Pennsylvania 1839-1906)
|
Second trumpet in the first season of the Philadelphia Orchestra
(also a member of the
Henry Gordon Thunder Orchestra 1899-1900)
Born July 3, 1839 perhaps the earliest-born Philadelphia Orchestra musician.
|
1900-1901 |
|
Beck, William J. |
violin |
1906-1909 |
|
Beiler, Jonathan P.
(Pennsylvania 1950- )
|
violin (also Saint Paul Chamber Orchestra. Saint Louis Symphony)
Studied at Yale University (French) and Indiana University (violin).
|
1976-present |
|
Beimel, George Alfred
(Hungary 1899-1983)
|
violin (also Pittsburgh Symphony in late 1940s under Fritz Reiner)
Studied at the Budapest Conservatory. Emigrated to New York City in January 1923.
|
1925-1945 |
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|
|
Belenko, Samuel
(then Russia, now Latvia 1899-1982)
|
cello (also Chamber Symphony of Philadelphia and
the Reading Symphony Assistant Principal cello, after the
Philadelphia Orchestra may have also played in Hollywood studio orchestras)
|
1925-1964 |
|
Belgiorno, Simone (or Simon)
(Italy 1888-after 1931)
|
principal trombone (also Cincinnati Symphony
trombone, Metropolitan Opera trombone, Boston Symphony Assistant
Principal trombone 1914-1918, Cleveland Orchestra
Principal trombone 1926-1928, Philadelphia Orchestra Principal
trombone 1930-1931)
Taught trombone at the Curtis Institute in 1930. According to
trombonist Harold McKinney, Simone Belgiorno "only lasted
14 weeks with Stokowski...", so apparently did not finish
the 1930-1931 season in which Stokowski fired a dozen other
orchestra musicians.
|
1930-1931
but apparently only for 14 weeks, as noted to left
|
|
Belinski, Mirko |
cello |
1904-1909 |
|
Bellois, John Frederick or Johann Friedrich Bellois Jr.
(Germany 1859-1947)
later signed himself as "J. Frederick Bellois"
|
violin (also a theater musician in Philadelphia in 1910s and 1920s,
and part-time band music publisher)
Studied with his violinist father Johann Friedrich Bellois Sr. who was
a first violin in the Theodore Thomas touring orchestra 175
based in New York City. The Bellois family emigrated to New York City
perhaps for Bellois Sr. to join the Theodore Thomas orchestra
when John Bellois was age 10, and then moved to Philadelphia.
|
1900-1901 |
|
Belov, Joel (Ukraine 1890-1964)
brother of
Samuel Belov and
Nikolai Sokoloff
|
violin (also recorded for Edison records in 1920s)
Picture at left shows (l to r)
Nikolai Sokoloff
(later Concertmaster of
the Russian Symphony Orchestra of New York and first conductor
of the Cleveland Orchestra), and brothers Joel and
Samuel Belov in 1900 while still in Ekaterinoslav (now Dnepropetrovsk)
in the Ukraine, then part of Russia.
|
1912-1920, 1923-1924, 1927-1931 |
|
Belov, Samuel (Ukraine 1884- )
brother of
Joel Belov and
Nikolai Sokoloff
Samuel Belov in 1900
|
Principal viola 1919-1920, viola 1908-1919 (also the
Eastman Rochester Orchestra and the Kilbourn Quartet, personally funded
by George Eastman (founder of Kodak) 1921-1932.
In 1920, taught at the Dossenbach-Klingberg Institute in Rochester,
New York. The next year, George Eastman formed the Eastman
School of Music in Rochester and Belov was invited to join the Eastman
faculty 53, where he served twenty eight years, 1921-1949
teaching violin and viola. Samuel Belov also helped create the
Eastman Rochester Orchestra.
|
1908-1920 |
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|
Benavente, Joseph |
cello |
1917-1918 |
|
Bender, August
(may have been born in Germany 1852- )
|
Principal trumpet 1901-1902, trumpet 1902-1903
|
1901-1903 |
|
Beneter, Franz |
violin |
1901-1902 |
|
Benfield, Warren A.
(Pennsylvania 1913-2003)
|
double bass 1942-1948, Principal double bass 1948-1949
(also Minneapolis Symphony Principal bass 1935-1937,
St. Louis Symphony Principal bass probably 1937-1942,
Philadelphia Orchestra double bass 1942-1948 and
Principal double bass 1948-1949, Chicago Symphony
Principal bass 1949-1951, bass 1951-1987)
Studied at the Curtis Institute Class of 1934.
|
1942-1949 |
|
Bennett, Harold
(Wyoming 1913-1985)
|
flute (also National Symphony of Washington, D.C. Principal flute 1935-1937
under Hans Kindler, in New York: Radio City Music Hall orchestra
Principal flute, an attractive, year-around job. Pittsburgh Symphony
Principal Flute under Fritz Reiner 1938-1940, Philadelphia Orchestra
Assistant Principal flute 1940-1944, Metropolitan Opera Orchestra Principal
flute for 21 seasons 1944-1965)
Studied at the Curtis Institute Class of 1936.
|
1940-1944 |
|
Berv, Arthur Isadore
(Poland 1906-1992)
|
horn 1923-1926, Co-Principal horn 1930-1935, Principal horn 1935-1938.
At age 17 in 1923, Berv was probably the youngest Philadelphia Orchestra
musician so far. (also New York Philharmonic Principal horn 1926-1927,
Cleveland Orchestra Principal horn 1928-1930, NBC Symphony Principal
horn 1938-about 1942, U.S. Air Force Band)
Brother of horn players and Curtis Institute graduates
Jack Berv (1908-1994) and Harry Berv (1911-2005).
|
1923-1926, 1930-1938 |
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|
|
Bettoney, Frederick (England 1884-1933) died during Boston
Symphony season March 31,1933
|
bassoon (also Boston Symphony bassoon 1920-1931, bass clarinet 1931-1933)
son of bassoon maker Harry Bettoney 1867-1953 of Cundy-Bettoney Company
|
1918-1920 |
|
Betts, A. Kendall |
horn
Studied at the Curtis Institute Class of 1969.
|
1970-1975 |
|
Bianculli, Pasquale
|
violin (also a member of the
Henry Gordon Thunder Orchestra 1899-1900)
|
1913-1914 |
|
Biava, Luis (Colombia )
Luis Biava in about 2008
|
violin 1968-1984, Principal second violin 1984-2000 (also
National Symphony of Washington DC 1963-1968. An assistant
conductor of the Philadelphia Orchestra, is a conductor of
National Symphony Orchestra of Colombia. A founder of
the Philarte String Quartet, first violinist with the
Philadelphia Chamber Ensemble, conducts the Temple University
symphony in Philadelphia)
Studied at Atlantic University - Colombia BMus, Manhattan School of
Music - New York MMus, Accademia Nazionale di Santa Cecilia - Rome.
|
1968-2000 |
|
Bielo, Henry (Austria/Czech 1895-1956)
brother of Julius Bielo
with wife Myrtle
|
bassoon (later a music teacher in Pittsburgh)
Julius and Henry Bielo emigrated to the US in 1920 from Bohemia
(now Czech Republic. Played first for two seasons in the Philadelphia
Orchestra, and spent most of their careers in Pittsburgh, PA.
|
1920-1922 |
|
Bielo, Julius (Austria/Czech 1885-1955)
brother of Henry Bielo
|
double bass (also taught at Carnegie Institute - Pittsburgh,
Pittsburgh Symphony double bass in 1940s under Fritz Reiner)
Julius and Henry Bielo emigrated to the US in 1920 from Bohemia
(now Czech Republic. Played first for two seasons in the Philadelphia
Orchestra, and spent most of their careers in Pittsburgh, PA.
|
1920-1922 |
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|
|
Bilger, David
(Wisconsin 1961- )
|
Principal trumpet (also Dallas Symphony Principal trumpet about
1991-1995, and played the summer season of the New York Philharmonic
in 1990)
Studied at the Juilliard School and the University of Illinois. Bilger
is also a composer, such as of Point/Counterpoint, a work for
trumpet, horn and piano, showing the expressive possibilities of the
trumpet. Beginning with the 2011-2012 season, David Bilger will cut
back his playing with the Philadelphia Orchestra in order to allow him to
expand his teaching, accepting a two year visiting professorship
at the Hugh Hodgson School Of Music - University of Georgia.
|
1995-present |
|
Black, Norman (1908- )
|
violin (retired at the then-mandatory retirement age of 65,
and became music director of a Philadelphia TV station. One of
the orchestra members who challenged the orchestra's retirement
age in court.)
|
1950-1973 |
|
Blackburn, Roger
(West Virginia about 1945- )
|
trumpet (also acting Principal trumpet Saint Louis Symphony,
Israel Philharmonic Principal trumpet, Houston Symphony Associate
Principal trumpet)
Studied at Asbury College - Kentucky, Westminster Choir College - New
Jersey, and the Curtis Institute Class of 1969. Also a Fulbright Scholar
at the University of Music and Performing Arts, Vienna (Universität für
Musik und darstellende Kunst). Also, listen to Roger's gospel quartet
4 His Glory singing a capella - inspiring.
|
1974-2011 |
|
Blaha, Antonin (Czech 1882-1972)
|
violin |
1906-1908, 1909-1912 |
|
Blake, Holly |
contrabassoon
Studied at the Curtis Institute Class of 1980.
|
1992-present |
|
Bleyer, Max |
Principal trumpet 1903-1904, trumpet 1904-1908 |
1903-1908 |
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|
|
Bloom, Robert (Pennsylvania 1908-1994)
|
second oboe 1930-1936 and English horn 1932-1936 (also
Rochester Philharmonic Principal oboe 1936-1938, NBC Symphony Orchestra
1938-1944 Principal oboe, New York City freelance in 1940s and 1950s,
Bach Aria Group 1946-1980)
Studied at the Curtis Institute Class of 1935.
Melvin Headman, Robert McGinnis,
and Robert Bloom entered the Philadelphia Orchestra directly from the
Curtis Institute in 1930 upon the decision of Leopold Stokowski,
although they 'officially' graduated in the Curtis Class of 1935.
|
1930-1936 |
|
Blumenfeld, Jonathan (New York 1956- )
|
oboe (also Savannah Symphony Principal oboe 1981-1984, Concerto Soloists -
Philadelphia 1984-1986, active in Network for New Music Ensemble)
Studied at Haverford College BA and the Curtis Institute Class
of 1981. You can hear Jonathan Blumenfeld playing the second movement
of the evocative Curt Cacioppo (1951- ) Concerto for Oboe and Strings
at Jonathan's website http://jonathanblumenfeld.com/
|
1986-present |
|
Blumenfeld, Max |
violin |
1904-1906 |
|
Blumenschein, José Maria
(Germany 1985- )
|
Associate Concertmaster (also Brazilian Symphony of Rio de Janeiro, Claudio Santoro
National Theater Orchestra - Brazil, Baden-Baden Philharmonic - Germany. Founding
member of Vertigo String Quartet, Co-Concertmaster WDR Symphony Orchestra - Cologne
beginning 2010-2011)
Studied at Pflüger Institute - Germany and the Curtis Institute Class of 2007.
|
2007-2011
on leave during the 2010-2011 season to play with the
WDR Symphony Orchestra - Cologne, and subsequently resigned from the
Philadelphia Orchestra.
|
|
Bobell, H. |
violin |
1903-1904 |
|
Boehm, Gustav |
violin |
1900-1901 |
| | |
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|
|
Boehse, Louis Jacob (New Jersey 1876- )
|
double bass |
1904-1907, 1908-1931 |
|
Bogdanoff, Leonard |
viola |
1955-2004
|
|
Bollinger, Blair J. (1963- )
|
bass trombone, contrabass trombone, and bass trumpet,
(also Music Director of the Bar Harbor Brass Week - Maine)
Studied at the Curtis Institute Class of 1986.
|
1987-present |
|
Bonade, Daniel Louis
(Switzerland 1894-1976)
|
Principal clarinet (also Garde républicaine Band - Paris 1915
with fellow-clarinetist and later Philadelphia Orchestra
musician
Lucien Cailliet
. Diaghilev's Ballet Russe 1916 tour under
Ernest Ansermet, Philadelphia Orchestra 1917-1922 and 1924-1930,
toured France, Italy, Switzerland, Belgium and England 1922-1924,
CBS Radio orchestra 1931-1933, Cleveland Orchestra Principal clarinet
1933-1940, NBC Symphony - Toscanini South American tour 1940, then back to
the CBS Radio orchestra 1942)
Studied at the Paris Conservatoire, Premier prix in the 1913 Concour.
|
1917-1922, 1924-1930 |
|
Bookspan, Michael "Mickey"
(New York 1929-2002)
|
percussion 1953-1972, Principal percussion 1972-2002 and also
Associate Principal timpani 1972-2002 (also the Little Orchestra
Society - New York, New York City Ballet, Xavier Cugat band,
the Goldman Band, Army Airforce Band in Texas)
Studied at the Juilliard School BMus 1953. Taught at the
Philadelphia University of the Arts and at the Curtis Institute.
|
1953-2002
died during the 2001-2002 season after 49 seasons of service
|
|
Booth, Davyd M.
(West Virginia 1950- )
|
violin also keyboard (also co-music director and harpsichordist for
the Amerita Chamber Ensemble, Philarte String Quartet,
Wister String Quartet)
Studied at the New School of Music - Philadelphia. Davyd
Booth is also the second keyboard of the Orchestra, performing
harpsichordist and has been featured on piano, celesta, harmonium,
organ, synthesizer, and accordion. Like Nero Wolfe, Davyd Booth is
an avid orchid grower, with two greenhouses and 8,000 plants.
|
1973-present |
| | |
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|
|
Bornstein, Milton Irving
(Pennsylvania 1898-1969)
|
violin (also Cleveland Orchestra violin 1920-1921)
Studied at the Philadelphia Musical Academy about 1915-1918.
Bornstein later became a sessions musician in New York City
in the 1940s.
|
1921-1925 |
|
Bourdon, Rosario Charles
(Canada 1885-1961)
|
cello (also he Cincinnati Symphony 1902-1904, St. Paul Symphony
Principal cello 1908-1911
under Henry Rothwell)
Bourdon studied cello initially with his mother and step-father
and then at the Conservatory of Ghent, Belgium. Following his orchestral
career, beginning in 1908 Rosario Bourdon joined the Victor Talking
Machine Company in Camden, New Jersey. He eventually became
Music Director for Victor and arranged and conducted hundreds
of Victor recordings, including of the Victor Concert Orchestra.
|
1904-1908 |
|
Bové, Domenico A.
(Pennsylvania 1891-1965)
|
violin (Bove was a child prodigy violinist, who appeared in concerts in Philadelphia by
1900)
Studied first with his Italian-born violinist musician father Joseph Bové. Then studied
in what was then the Austro-Hungarian Empire at the Prague Conservatory
1910-1915.
|
1917-1923, 1924-1957 |
|
Bransky, Isador |
viola |
1919-1920
|
|
Braverman, Gabriel husband of
Lois Putlitz
(Pennsylvania 1908- )
|
viola (also New York Philharmonic in early 1930s under Toscanini, Stringart String
Quartet in 1933 into 1950s with different members including
Jacob Krachmalnick first,
Irwin Eisenberg second,
Gabriel Braverman viola, and
Hershel Gorodetzky cello, Braverman was also the
Philadelphia Orchestra librarian, 1942-1946)
Studied at the Settlement Music School 1918 and the Curtis Institute
Class of 1934.
|
1938-1973 |
|
Brennand, Charles |
cello |
1956-1967 |
| | |
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|
|
Breuninger, Tyrone L.
(Pennsylvania 1939- )
|
Principal trombone 1967-1968, Associate Principal trombone 1968-1999
Studied at West Chester State College - Pennsylvania BMus, Temple University -
Philadelphia MMus. Succeeded Henry Charles Smith as Principal trombone.
|
1967-1999
|
|
Briglia, Giuseppi
(Italy 1865- ) |
flute |
1908-1910 |
|
Britt, Horace
(Belgium 1881-1971)
|
Principal cello (also Lamoureux Orchestra Paris 1897, Colonne Orchestra Paris 1898,
Chicago Symphony Principal cello 1905-1907, Philadelphia Orchestra Principal
cello 1907-1908, Metropolitan Opera Orchestra Principal cello in 1910s,
San Francisco Symphony Principal cello 1918-1924. In chamber music,
the Hans Letz Quartet:
Hans Letz first, Edwin Bachmann second (later of
Toscanini's NBC Symphony), Edward Kreiner, viola (also later of
Toscanini's NBC Symphony),
Horace Britt
cello. also the Elman String Quartet in the late 1920s:
Mischa Elman first,
Adolf Bak second,
Karl Rissland viola,
Horace Britt
cello. Britt was the first cellist recorded in a
sound movie in 1927)
Studied at the Paris Conservatoire 1892-1895, Premier prix
in the 1895 Concour (at age 14!). He had been preparing under the
supervision of his parents Ernst and Maria Britt since age 6. Taught at
the Curtis Institute 1925-1926 and the University of Texas, Austin
1950-1963.
|
1907-1908 |
|
Britt, Roger |
violin |
1914-1920
|
|
Brodo, Joseph |
violin |
1918-1924, 1943-1960 |
|
Broeckaert, Leopold |
flute |
1904-1905 |
| | |
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|
|
Broiles, Melvyn L.
(Kansas 1929-2003)
|
Associate Principal trumpet (note that The Philadelphia
Orchestra rosters show Melvin Broiles as Associate Principal trumpet,
but contemporary records, and the International Trumpet Guild Journal notes
of April, 2004 193 state that Melvyn Broils was Co-Principal.
1951-1955 Mel Broiles was in the US Army and served
with the West Point Military Academy Band. Mel Broiles also played in
the Metropolitan Opera stage band in 1956. then MET Orchestra Principal trumpet
1958-2001)
Studied at Juilliard School, where he also taught 1971-2001.
|
1957-1958 |
|
Brown, H. I. |
violin |
1921-1925 |
|
Brown, Keith |
trombone 1959-1961, Associate Principal trombone 1961-1962)
|
1959-1962 |
|
Brusilow, Anshel (Philadelphia 1928- )
|
Concertmaster (also New Orleans Symphony Concertmaster 1954-1955,
Cleveland Orchestra Associate Concertmaster 1955-1959,
founded Chamber Symphony of Philadelphia 1961-1965, which
caused friction with the Philadelphia Orchestra, leading to
Brusilow's departure, Dallas Symphony conductor 1970-1973)
Studied at Philadelphia Musical Academy and the Curtis Institute
Class of 1943.
|
1959-1966 |
|
Bukay, Anna |
harp |
1946-1947 |
|
Burkartmaeir, J. H. |
violin |
1900-1901 |
|
Burris, Curtis |
double bass |
1972-1978 |
|
|
[ C
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|
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|
|
Cafaro, Robert M.
(New York 1958- )
|
cello (also Metropolitan Opera Orchestra 1983-1984,
Baltimore Symphony 1984-1985, Rachmaninov Trio: Luba Agranovsky piano,
Dmetri Levin violin, Robert Cafaro cello
2003-present)
Studied at Juilliard School BMus, MMus about 1981. Organizes Philadelphia
Orchestra Habitat for Humanity events in Camden, NJ.
|
1985-present |
|
Cahan, Nathan H. (Russia 1872- )
|
double bass |
1900-1924 |
|
Cahon, P. |
cello |
1901-1902 |
|
Cailliet, Lucien
(France 1897-1985)
|
bass clarinet and Saxophone (also Garde républicaine Band -
Paris 1915 with fellow-clarinetist and later Philadelphia
Orchestra Principal clarinet
Daniel Bonade
, also principal librarian, 1934-1935, and
arranger of orchestrations for Stokowski and Ormandy, Associate
Conductor of the Allentown Band - Pennsylvania 1934-1969)
Studied at the Dijon Conservatoire graduating about 1917 or 1918,
graduate studies at the Philadelphia Musical Academy DMus 1937.
Moved to California taught at University of Southern
California 1938-1945, also composed and arranged music
for Hollywood films. Three Philadelphia Orchestra bass clarinets
in 89 seasons: Lucien Cailliet 1916-1938,
Leon Lester
1938-1966,
Ron Reuben
1967-2005 (with a one year gap for contractual reasons).
|
1916-1938 |
|
Callot, André |
violin |
1925-1931 |
|
Campowsky, Heinrich |
violin |
1903-1917, 1920-1923 |
|
Caputo, Domenico (Italy 1893-1974)
with wife Margherita in 1923
|
Co-Principal horn (came to New York City in 1911 to join the Metropolitan
Opera horn section until 1924. Also during the 1910s, Caputo was Principal horn
of the New Symphony Orchestra of New York under Arthur Bodansky 102.
In the 1920s, Domenico Caputo was Principal horn of the National Symphony Orchestra
of New York under Willem Mengelberg 105.
Said to be a favorite of Toscanini, Domenico Caputo seems to have returned to Italy
following World War 2, where he died in Imperia, Italy, not far from the French
border and Nice.
|
1929-1931 |
|
Carlson, C. Eric (1957- )
|
second trombone (also Baltimore Symphony second trombone about 1980-1986,
North Carolina Symphony about 1978-1980)
Studied trombone at Wheaton College - Illinois with Edward Kleinhammer and
Arnold Jacobs (as did his friend
Doug Yeo of the Boston Symphony
). Chairman of the Philadelphia
Orchestra musicians negotiating committee.
|
1986-present |
|
Carlyss, Gerald B (Illinois 1941- )
Carlyss, with Mason Jones behind him
|
Principal timpani (also Cincinnati Symphony Principal timpani 1965-1967)
Studied at the Juilliard School BMus 1964 and MSc 1965. Since 1988, has
taught at Indiana University.
|
1967-1988 |
| | |
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|
|
Carol, Norman
(Pennsylvania 1928- ) cousin of
Robert Karol of the Boston Symphony
|
Concertmaster (also Boston Symphony violin 1949-1952, Concertmaster of 3 orchestras:
New Orleans Symphony Concertmaster 1956-1960, Minneapolis Symphony
Concertmaster 1960-1966, Philadelphia Orchestra Concertmaster 1966-1994)
Studied at the Curtis Institute Class of 1947. Spent the years 1952-1956
after the BSO first in the Army, then pursuing a solo violin career. He abandoned
a solo career for his family, seeking a more stable life as an orchestra musician.
|
1966-1994 |
|
Carow, Herman |
violin |
1916-1918 |
|
Carow, Hugo |
viola |
1900-1904, 1908-1921 |
|
Caserta, Santo Francis
(Connecticut 1910-present) age 101 at the time of
this entry, and still living
Note: information and photo from Santo Caserta's grandson Michael
Caserta. Thanks!
|
cello (also Longines Symphonette under Mishel Piastro, National Symphony
of Washington DC, Fracati Trio)
Studied at the Juilliard School. Pursued a successful career as a violinist
before being forced to switch to cello due to a skin condition at age 35.
Auditioning with Eugene Ormandy for the Philadelphia Orchestra, Ormandy
asked "...'Whom did you study under at Julliard?' A sheepish Caserta
had to admit he had studied the violin, not the cello, that he was merely
self-taught on the cello. He could see his chance at the orchestra seat
floating right out the front doors... Instead, Ormandy was impressed.
'I don't believe it' he exclaimed; 'This is amazing!' 168.
|
1956-1976 |
|
Caston, Saul
(New York 1901-1970)
(born Solomon Gusikoff Cohen)
|
Principal trumpet 1923-1945, trumpet 1918-1923 (also Associate Conductor
of the Philadelphia Orchestra 1936-1945, Reading Symphony Orchestra -
Pennsylvania 1941-1945, Denver Symphony Orchestra conductor 1945-1964,
later renamed the Colorado Symphony Orchestra in 1989)
Studied with Max Schlossberg (1873-1936), considered by
many to be the founder of the American style of orchestral
trumpet playing 26.
|
1918-1945 |
|
Cauffman, Stanley Hart
(Pennsylvania 1880-1947)
|
cello (also a member of the
Henry Gordon Thunder Orchestra 1899-1900.
In about 1910, Stanley Cauffman left music and became an
auditor for Public Service Electric of New Jersey)
Studied with his musician father Frank Guernsey Cauffman (1860-1921) who
was chorus master of the Theodore Thomas Orchestra at the Philadelphia
Centennial Exposition in 1876.
|
1901-1904 |
|
Caviezel, Samuel R. (Washington 1974- )
|
Principal clarinet 1998-2002, Associate Principal clarinet 2005-present
(also Grand Rapids Symphony 1996-1998)
Studied at Interlochen Arts Academy - Michigan and the Curtis Institute
Class of 1996.
|
1998-present |
|
Cerminara, Napoleon L.
(Italy 1895-1980)
returned to Italy in 1960s, where he died in November 1980.
|
clarinet (also New York Philharmonic clarinet 1948-1960)
Dismissed from the Philadelphia Orchestra in March, 1940,
but reinstated after much controversy 166.
|
1931-1944 |
|
Chambers, James |
horn 1941-1942, Principal horn 1942-1945, Co-Principal horn 1945-1946
Studied at the Curtis Institute Class of 1941.
|
1941-1946 |
| | |
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|
|
Chang, Choong-Jin "C. J." (Korea 1968- )
|
Associate Principal viola 1994-2006, Principal viola 2006-present
(also founding member in 1977 of the Johannes Quartet, Robert Chen first,
Soovin Kim second, C.J. Chang viola, Peter Stumpf cello)
Studied at the Juilliard School 1981, moved to the Curtis Institute Class of
1994
|
1994-present |
|
Chazin, Harry |
violin |
1919-1923 |
|
Cheifetz, S. |
viola |
1924-1925 |
|
Chen, Che-Hung
(Taiwan 1968- )
|
viola (also Daedalus Quartet which won the Banff International String
Quartet Competition in 2001: Kyu-Young Kim and Min-Young Kim violins,
Che-Hung Chen viola, Raman Ramakrishnan cello)
Studied at the Curtis Institute Class of 2000. Active in summer
festivals including Marlboro Festival - Vermont, Ravinia Festival - Illinois,
Caramoor Festival - New York, Kingston Festival - Rhode Island,
Saratoga Festival - New York, Bridgehampton Chamber Music Festival -
New York, Music from Angel Fire - New Mexico.
|
2000-present |
|
Chen, Robert (Chen Murong)
(Taiwan about 1969- )
|
violin (Philadelphia Orchestra for one season 1998-1999,
founding member of the Johannes Quartet while in Philadelphia,
then Chicago Symphony Concertmaster 1999-present)
In his first season as Concertmaster in Chicago,
Robert Chen was Co-Concertmaster with Samuel Magad 58
Studied at the Juilliard School BMus, MMus. Also Jascha Heifetz
master classes in California. In 2006, Robert Chen,
with Barenboim/CSO gave the world premiere of the
Augusta Read Thomas Astral Canticle.
|
1998-1999 |
|
Chu, Jonathan
(New York about 1981- )
|
viola (also Saint Louis Symphony, Santa Fe Opera Orchestra,
IRIS Orchestra - Tennessee,
and a founding member of the Io String Quartet)
Studied at Vanderbilt University BMus (summa cum laude) with a second
second major in economics, the Juilliard School MMus. Active in summer
festivals including the Marlboro Festival - Vermont, Yellow Barn
Festival - Vermont, Taos Festival - New Mexico.
|
2009-present |
|
Chudnowsky, Josef |
violin |
1913-1924 |
|
Cianciarulo, John A. |
violin (also a member of the
Henry Gordon Thunder Orchestra 1899-1900)
|
1900-1901, 1903-1905 |
|
Cimino, Giuseppe |
horn |
1918-1919 |
| | |
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|
|
Clauser, Donald R. |
viola
Studied at the Curtis Institute Class of 1967.
|
1966-2004 |
|
Cole, Howard |
trombone
Studied at the Curtis Institute Class of 1940.
|
1948-1967 |
|
Cole, Lucius Syhanus
(New York 1878-1970)
father of Orlando Cole (1908-2010) of the Curtis String
Quartet
|
violin (also Swarthmore Symphony Orchestra - Pennsylvania
Concertmaster)
Studied at the Brussels Conservatoire 1903-1905 182.
Taught in the music faculty of the Baldwin School Bryn Mawr,
Pennsylvania.
|
1905-1919 |
|
Cole, Robert F. |
flute 1950-1952, Associate Principal flute February 1952-June 1952,
Assistant Principal flute June 1952-January 1962. (also Wingra Wind
Quintet at Univesity of Wisconsin, Madison Symphony Principal flute)
Studied at the Curtis Institute Class of 1951. To University of
Wisconsin, Madison in 1961 into 1970s.
|
1950-1962 |
|
Coleman, David |
violin |
1918-1952 |
|
Connolly, Patrick |
viola
Studied at the Curtis Institute Class of 1976.
|
1981-1983 |
|
Conrad, William |
bassoon |
1917, 1921-1922 |
|
Conyers, Joseph H.
(Georgia 1981- )
|
Assistant Principal bass (also Santa Fe Opera Orchestra in summers,
Grand Rapids Symphony - Michigan 2005-January 2009, Atlanta Symphony bass
January 2009-September 2010)
Studied at the Curtis Institute Class of 2004. Gave premier of Prayers of
Rain and Wind by John B Hedges with the Grand Rapids Symphony in 2008.
Co-founder of Project 440 in his hometown of Savannah, Georgia,
exposing youth and adults to classical music.
|
2010-present |
|
Cook, F. Wilson |
violin |
1906-1924 |
| | |
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|
|
Cooley, Carlton Samuel
(New Jersey 1898-1981)
|
viola 1919-1920, 1954-1956, Principal viola 1956-1963 (also Cleveland
Orchestra Associate Concertmaster 1921-1922, Principal viola 1922-1937,
NBC Symphony Principal viola 1937-1954)
Studied at the Philadelphia Musical Academy and at the
Institute of Musical Art (later Juilliard). Cooley also
recorded with Ormandy and the Philadelphia Orchestra his own
composition: the Aria and Dance for Viola and Orchestra,
which Nikolai Sokoloff had also performed in 1926 with the
Cleveland Orchestra.
|
1919-1920, 1954-1963 |
|
Cortadella, Santiago
(Spain 1886- )
|
double bass |
1923-1924 |
|
Cortese, Francesco |
Principal harp (also harp of the
Henry Gordon Thunder Orchestra 1899-1900)
|
1900-1901 |
|
Costanzo, Frank |
violin |
1941-1982 |
|
Costello, Marilyn
(Ohio 1925-1998)
|
harp 1945-1946, Principal harp 1946-1992 succeeding
Edna Phillips
(selected by Eugene Ormandy as second
harp to Edna Phillips while Costello was still a student at the Curtis Institute)
Studied initially as a pianist in Cleveland, Ohio and took up the harp
at age 14 194. Studied at the Curtis Institute Class of 1949.
|
1945-1992 |
|
Courtney, (Edward) Neil
(1932- )
photo from Neil Courtney, n.d.
|
double bass 1962-1988, Assistant Principal bass 1988-2010 (also
Rochester Philharmonic about 1951-1954 while studying at the Eastman School,
U.S. Marine Band 1954-1957,
National Symphony of Washington DC Principal bass 1958-1962, one of the founders
of Philadelphia Chamber Players)
Studied at the Eastman School of Music BMus 1954. Active in Musicians for Social
Responsibility and the Concert for Humanity. Composed works including
Trio for Bass, Trumpet and Piano performed in the Philadelphia Orchestra
chamber music series.
|
1962-2010 |
|
Cramer, David
(Ohio about 1954- )
|
flute 1981-1982, Assistant Principal flute 1982-1984, Associate
Principal flute 1984-present. (also active in Network for New
Music Ensemble)
As a student Eastern Music Festival - North Carolina, and also
studied at the Curtis Institute Class of 1975. Also active in
music festivals, including the Tanglewood Festival and the
Central City Colorado Opera Festival.
|
1981-present |
|
Cras, Roman (or Romain)
(Belgium 1867- )
|
horn (also Chicago Symphony horn 1904-1907, a theater musician in New York City
in 1910s, fourth horn of the Cleveland Orchestra 1922-1923, 1926-1929)
|
1919-1920
|
|
Curnow, Miyo Kono wife of
Jeffrey Curnow
(New York 1969- )
|
violin (also Dallas Symphony second violin 1995-1997, first violin
1997-2000)
Studied at the Juilliard School pre-college and college divisions,
Indiana University, San Francisco Conservatory MMus.
|
March, 2002-present |
| | |
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|
|
Curnow, Jeffrey husband of
Miyo Kono Curnow
(Pennsylvania 1959- )
Curnow in his great video
"What's Bothering Jeff?"
|
Associate Principal trumpet (also New Haven Symphony Principal trumpet
1983, Dallas Symphony 1995-2001, New York Trumpet Ensemble and Empire
Brass Quintet in 1980s)
Studied at Temple University BMus. Graduate studies at Wichita State University,
where he also taught; now teaching at the Curtis Institute and Temple University.
See his great video about the orchestra scene "What's Bothering Jeff?"
on youtube (you will love it)
|
2001-present |
|
Curtiss, Sidney (New York 1931- )
|
viola (also New Orleans Symphony Assistant Principal Viola, National Symphony of
Washington DC Assistant Principal Viola, Marlboro Music Festival)
Studied at the High School of Music and Arts, New York City
and Philadelphia Conservatory of Music.
|
1960-2002 (assistant principal, 1988-2002) |
|
Czaplinski, Henri (Poland about 1889- )
 |
violin
Studied with Ottokar Sevcik (1852-1934). Taught violin at the Hamburg Conservatory
in Toronto in 1922-1923 and at Princeton University while in Philadelphia.
Returned to Poland in 1933, where he was imprisoned by the Russian authorities
then occupying Poland. Released in 1941 171.
|
1924-1927 |
|
|
[ D
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|
|
D names alphabetically |
names such as de Pasquale and D'Amelio are listed alphabetically
as if they were "dep" and "dam"
So: Dalschaert, D'Amelio, Dandois, Deak, de Gomez,
D'Orio
|
As specified by the MLA Handbook |
|
Dabrowski, Stanislaw |
violin |
1923-1956 |
|
Dalschaert, Cathleen C. O'Carroll wife of
Stephane Dalschaert
(Australia 1930- )
|
violin (also New Orleans Symphony, Cleveland Orchestra 1960-1967)
Studied at the Royal Schools of Music, London 1950-1952.
Patricia O'Carroll and Maureen O'Carroll were musicians in
the New Zealand National Orchestra. As a student, Cathleen
O'Carroll gave recitals with the young Joan Sutherland. Cathleen
O'Carroll Dalschaert and Stephane Dalschaert toured together in Europe
and then Joined the New Orleans Symphony in the late 1950s, the
Cleveland Orchestra together 1960-1967 and then the Philadelphia
Orchestra.
|
1967-1991 |
|
Dalschaert, Stephane husband of
Cathleen O'Carroll Dalschaert
(Belgium 1930-2007)
|
violin (also Musica Viva Chamber Orchestra - Brussels Concertmaster,
New Orleans Symphony, Cleveland Orchestra 1960-1967)
Born into a musical family with his 7 siblings all playing instruments,
he studied at the Brussels Conservatoire. Well-known as a crafter of
violin bows.
|
1967-2007
|
|
D'Amelio, Benjamin Augusta
(Italy 1883-after 1943)
came to Philadelphia at age 1
|
violin (also violin in the Schubert Majestic theater in Philadelphia prior
to the Philadelphia Orchestra)
Director of the Music Department for many years at
Catholic Girls High School, Philadelphia.
|
1919-1924 |
|
Dandois, Marcel Joseph (Belgium 1890-1970)
|
English horn (also Cincinnati Symphony Principal oboe about 1930-1955
and long-time Cincinnati College-Conservatory of Music teacher)
In December, 1928 in mid-season, Leopold Stokowski dismissed
Victor Leoncavallo
as English horn, and hired Marcel Dandois.
Dandois's contract was not renewed the next season, and between
1928 and 1932, during four seasons, Stokowski went through five
English horns. In 1932-1933, Stokowski appointed
Robert Bloom as English horn.
|
December 1928-1929 |
|
Deak Stephen
- born Stephan Stanley Imre De'ak
(Hungary 1892-1975)
|
cello (also Cincinnati Sympony in 1920s 174. Deak was
conductor of the Hagerstown Symphony - Maryland 1935-1938.
This orchestra later became the Potomac Symphony)
Studied at the Royal Academy of Music - Budapest under David Popper
(1843-1913) whose biography Deak wrote in 1973. Taught at the
Curtis Institute 1927-1930 173 where he also gain a BMus
in the Curtis Institute Class of 1930. During the 1930s, Deak taught
at the Peabody Conservatory - Baltimore 1930-1938. Beginning
in 1938 and perhaps into the 1960s, Stephen Deak
taught in the music faculty of the University of Southern California.
|
1925-1927 |
|
DeAlmeida, Cvnthia Louise Koledo
(Vermont 1959- )
|
Associate Principal oboe (also Pittsburgh Symphony Principal Oboe
1991-present)
Studied at the University of Michigan BMus, Temple University - Philadelphia
MMus. In Pittsburgh, premiered the Leonardo Balada Oboe Concerto with
Lorin Maazel in 1993. Also recorded the André Previn Oboe, Bassoon and
Piano with the composer.
|
1989-1991 |
|
de Boer, Jules |
violin |
1901-1902 |
|
Dechert, Georg |
trombone |
1901-1904 |
| | |
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|
|
de Clerck, George |
viola |
1912-1919
|
|
DeCray, Marcella
(Pennsylvania 1928-2011)
|
harp (also Metropolitan Opera harp about 1948-1952,
San Francisco Symphony about 1963-1993, San Francisco Opera
1963-1993 and San Francisco
Ballet 1980-2005. While in San Francisco was a founder with
Charles Boone and Jean-Louis LeRoux of the
San Francisco Contemporary Music Players in 1973)
Studied in France with Henriette Renié (1875-1956) and then
at the Julliard School in 1948, but did not complete since
she had been hired by the Metropolitan Opera Orchestra. While in
Philadelphia, was active in teaching at the Peabody Institute -
Baltimore and the Aspen Music Festival - Colorado.
|
1952-1963 |
|
de Gomez, Victor |
cello |
1916-1919
|
|
de Lancie, John Sherwood
(California 1921-2002)
|
oboe 1946-1948, Associate Principal oboe 1948-1954 (with Tabuteau),
Principal oboe 1954-1977 (also Pittsburgh Symphony in 1940-1942)
Studied at the Curtis Institute Class of 1940. John de Lancie met
Richard Strauss in Germany in 1945 and suggested to Strauss
to write his first and only Oboe Concerto. Ironically, it was not
until 10 years after his retirement that de Lance first performed
the Strauss Concerto for Oboe.
|
1946-1977 |
|
Delli Gatti, Frank |
viola/violin |
1920-1921 (viola), 1921-1923 (violin) |
|
Del Negro, Ferdinand Gaetano "Del"
(New York 1896-1986)
|
bassoon and contrabassoon 1922-1962, Principal bassoon 1944-1945
(also during World War 1, Del Negro served on the presidential yacht
"Mayflower". Del Negro came to Philadelphia to play in the
Fairmount Park summer concerts in 1921, leading to his hiring into
the Philadelphia Orchestra in the 1922-1923 season)
Although his father Luca Del Negro (1873-1940) was a tuba player in the
New York Symphony and New York Philharmonic, Ferdinand Del Negro
was said to be self-taught on the bassoon 30.
|
1922-1962
40 seasons, but not a record |
|
Demers, Paul R. (Maine about 1972- )
|
bass clarinet (also National Symphony of Washington DC, Baltimore Symphony,
'The President’s Own' Marine Band, Washington, DC 1997-2001, a member of
Network for New Music - Philadelphia)
Studied at DePaul University BMus, MMus.
|
March 2006-present |
|
Dennis, Carrie (New York 1977- )
|
Assistant Principal viola (also Berlin Philharmonic Principal
viola 2006-2008, Los Angeles Philharmonic
Principal viola September 2008-present)
Studied at the Curtis Institute Class of 2002 and BA 1999.
Active in summer festivals including Verbier Festival - Switzerland,
Grand Tetons Music Festival - Wyoming, Barga Chamber Music Festival
- Italy.
|
2002-2006 |
| | |
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|
|
de Pasquale, Francis (Pennsylvania 1921- ) |
cello
Studied at the Curtis Institute Class of 1944.
|
1943-1972 |
|
de Pasquale, Gloria (Indiana about 1950- ) wife of
William De Pasquale
|
cello (also Associate Principal cello Buffalo Philharmonic)
Studied at the New England Conservatory BMus 1971, MMus 1973. Also a
member of the Board of Directors and the Executive Board of
the Philadelphia Orchestra, and the Members' Board.
|
1977-present |
|
de Pasquale, Joseph
(Philadelphia 1919- )
Married to the niece of Serge Koussevitzky's wife,
Natalya Ushkov Koussevitzky.
 |
Principal viola (also during World War 2, de Pasquale played in the
US Marine Band and Orchestra, Boston Symphony Principal viola
1947-1964, Philadelphia Orchestra Principal
viola 1964-1996)
Studied at the Curtis Institute Class of 1942. Succeeded Jean Lefranc at the end
of 1946-1947 as Principal viola of the Boston Symphony beginning in
1947-1948 season. Jean Cauhapé remained in the second chair of the
BSO viola section.
|
1964-1996
|
|
de Pasquale, Robert
(Pennsylvania 1928- )
|
violin 1964-1966, Assistant Principal second violin 1966-1988,
Associate Principal second violin 1988-1997 (also New York
Philharmonic violin 1957-1964)
Founded Academy of Community Music in Ambler, suburban Philadelphia,
to aid children develop music skills.
|
1964-1997 |
|
de Pasquale, William
(Pennsylvania 1933- )
|
violin 1963-1966 violin, 1966-1995 Associate Concertmaster, Second
Concertmaster 1995-2005. (also New Orleans Philharmonic Concertmaster
1958-1966)
Studied at the Curtis Institute Class of 1954.
|
1963-2005 |
de Pasquale brothers in about 1970: (left to right) William de Pasquale,
Robert de Pasquale, Joseph de Pasquale, Francis de Pasquale.
|
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|
|
DePue, Jason (Ohio 1976- )
brother of
Zach De Pue
|
violin (also New York String Seminar Concertmaster, founder of the
Guarneri Quartet Room - Philadelphia, plays with his violin
brothers Alex, Wallace, and
Zach in the
DePue Brothers Band)
Studied at the Curtis Institute Class of 2000
|
2002-present |
|
DePue, Zachary (Ohio 1980- )
brother of
Jason DePue
|
violin (also Concertmaster Indianapolis Symphony September, 2007-present,
plays with his violin brothers Alex,
Jason, and
Wallace in the DePue Brothers
Band, also plays in Time for Three Nicolas Kendall violin and
Ranaan Meyer double bass)
Studied at the Cleveland Institute of Music, and Curtis Institute
Class of 2002.
|
2002-2007 |
|
de Santis, Louis
(Italy 1880-prior to 1960)
|
Principal clarinet (also Chicago Lyric Opera early 1920s,
Saint Louis Symphony in about 1924-1926, Cleveland Orchestra
Principal clarinet 1926-1929. At the end of the 1929-1930 season,
Leopold Stokowski made sweeping changes to the Philadelphia Orchestra
roster, including replacement of several Principals, including
Principal clarinet Daniel Bonade. Stokowski hired Louis deSantis,
but this lasted only one season 1930-1931. de Santis then was
CBS radio orchestra Principal clarinet under Howard Barlow.
Member of the Philadelphia region WPA Orchestra in early 1940s)
|
1930-1931 |
|
Devaux, Eugène
(Belgium 1865-before 1930)
|
oboe (also Chicago Symphony oboe 1893-1894, Pittsburgh Symphony oboe
during 1900s, Boston Festival Orchestra under
Emil Mollenhauer
in 1904, Sousa Band 1900-1905,
Philadelphia Orchestra second oboe 1910-1911)
Eugène Devaux was considered to replace Alfred Doucet as
Principal oboe of the Philadelphia Orchestra in the
1913-1914 season, but Stokowski had hear bad reports
concerning his professional habits 163, so
Attilio Marchetti was selected instead.
|
1910-1911 |
| | |
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|
|
Deviney, Christopher J.
(Florida 1965- )
|
Principal percussion (also Houston Symphony percussion,
also active in Network for New Music Ensemble)
Studied at Florida State University BMus, Temple University MMus.
|
2003-present |
|
Díaz, Roberto (Chile 1960- )
|
viola (Minnesota Orchestra under Sir Neville Marriner 1984-1985,
Boston Symphony 1985-1990, Principal viola National Symphony of Washington
under Rostropovich 1990-1996, Philadelphia Orchestra Principal viola 1996-2006,
then President Curtis Institute of Music 2006-present)
Studied at the Chile Conservatory where his father taught,
then at New England Conservatory 1978, and Curtis Institute
Class of 1984.
|
1996-2006 |
|
Di Camillo, Armand (1918?- )
|
violin (also Pittsburgh Symphony Principal second violin about
1935-1946)
Studied at the Curtis Institute Class of 1935.
|
1946-1982 |
|
Diestel, William A. (or Wilhelm)
(Germany 1869-1926)
William Diestel with Alfred Lorenz behind him in 1913
|
Principal viola (also Chicago Symphony violin 1895-1897, Chicago Symphony
viola 1905-1908, Principal viola Philadelphia Orchestra
1908-1915, Chicago Grand Opera 1915-about 1919,
Chicago-based Spierling Quartet:
Theodore Spierling
first,
Otto Roehrborn second,
William Diestel viola,
Hermann Diestel cello in 1893-1905)
Taught at the Spiering Violin School of Chicago.
|
1908-1915
William Diestel died March 29, 1926 in Chicago at the relatively
young age of 56.
|
|
Dieterichs, Fritz |
Principal clarinet |
1901-1913 |
|
Di Fulvio, Louis |
oboe |
1925-1958 |
|
Di Natale, Joseph |
violin |
1917-1918 |
|
Dodge, William F. |
violin |
1906-1907 |
| | |
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|
|
Dodson, Glenn A.
(Pennsylvania 1931-2007)
|
Principal trombone (also US Marine Band in Washington, DC,
New Orleans Symphony 1956-1965, Santa Fe Opera in the summers during
1950s and 1960s, Chicago Symphony Assistant Principal trombone 1965-1968,
then to Philadelphia Orchestra 1968-1995)
Studied at the Curtis Institute Class of 1953.
|
1968-1995 |
|
Doell, Carl
(Germany 1871-after 1930) |
First Concertmaster of the Philadelphia Orchestra. Later
became a violin teacher in Philadelphia and later in
Atlantic City, NJ.
He emigrated to the US in 1899 to Philadelphia, where he joined
the faculty of the Philadelphia Musical Academy 159.
|
1900-1901 |
|
Donatelli, Philip A. (Italy 1885-1954)
|
tuba (played in bands in Philadelphia and Atlantic City, NJ
prior to the Philadelphia Orchestra.
|
1923-1948 |
|
Donath, Frederick |
viola/keyboard |
1923-1924 |
|
Donath, Paul |
violin |
1903-1904, 1907-1917 |
|
Donner, Max |
violin |
1907-1908 |
|
d'Orio, John |
fourth horn (also Cleveland Orchestra 1920-1921)
In the 1920-1921 season in which John d'Orio played, the
horn lineup was Wendell Hoss, Morris Speinson, Alphonse J. Pelletier,
John d'Orio and Robert H. Brown.
|
1907-1918, 1921-1928, 1931-1932 |
|
Doucet, Alfred |
Principal oboe |
1902-1913 |
|
Dreyfus, George |
violin |
1953-2001 |
| | |
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|
|
Druian, Joseph (Russia 1916- ) |
cello for 44 seasons. Born in Russia, but grew up in Havana, older
brother of Rafael Druian (1922-2002), Concertmaster of New York Philharmonic
and Cleveland Orchestra.
Studied at the Curtis Institute Class of 1939.
|
1944-1988 |
|
Dubinsky, David (Ukraine 1878- ) |
violin 1900-1901, 1908-1912, Principal second 1912-1929 and viola 1901-1902
also Personnel manager 1915-1929. (also manager of the New York City Stadium
concerts in 1930s. Also a member of the
Henry Gordon Thunder Orchestra 1899-1900)
In the spring of 1929, Mischa Mischakoff and
David Dubinsky resigned from the Philadelphia Orchestra because of
"rudeness" by Leopold Stokowski 7,8.
|
1900-1902, 1908-1929 |
|
Dubinsky, Vladimir (Russia 1873-1938) died during an
orchestra rehearsal in Syracuse, NY
|
Principal cello (also Minneapolis Symphony, Rochester Philharmonic)
Studied at the Moscow Conservatory in about 1888
at the same time as Serge Koussevitzky.
|
1906-1907 (principal) |
|
Dupuis, André Jean Auguste (France 1888-after 1940)
André Dupuis and his wife Germaine in an old family photo
|
oboe (also Minneapolis Symphony, played at the Stanley Theater,
Philadelphia after the Philadelphia Orchestra, then San Francisco
Symphony in 1920s and 1930s)
|
1916-1918 |
|
|
[ E
]
|
|
| | |
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|
|
Earley, Robert W. (1955- )
|
second trumpet (also l'Orchestre symphonique de Montréal Associate
Principal trumpet 1982-1991, Opera Company of Boston Principal trumpet)
Studied at Baldwin-Wallace Conservatory of Music BMusEd 1977,
New England Conservatory MMus 1979.
|
1992-present |
|
Ebann, William Benedict
(Germany 1873-after 1930)
|
Principal cello
Ebann came to the US at age 9 and studied at the Cincinnati College
of Music. He later went to study in Berlin, and on his return
he taught cello at the Cincinnati College of Music 1897-1898. He also
taught at the New York German Conservatory of Music, later named
the New York College of Music 1908 into the 1930s.
|
1901-1902 |
|
Eckstein, Sol (Solomon) "Solly"
(Pennsylvania 1870- )
|
bass clarinet (also clarinet and bass clarinet of the
Henry Gordon Thunder Orchestra 1899-1900,
played in the John Philip Sousa Band 1910-1911)
Eckstein was also a regular extra or substitute clarinet with
the Philadelphia Orchestra in the seasons of 1907-1916.
|
1900-1901 |
|
Edwards, Renard
(Pennsylvania 1944- )
|
viola (also played in the orchestra of Broadway shows)
Studied at the Settlement Music School with Leonard Mogill,
and the New School of Music - Philadelphia. Active teaching
in the Philadelphia International Music Festival, an intensive
instrumental study program at Bryn Mawr College.
|
1970-present |
|
Eiler, Oscar John
(Wisconsin 1883-after 1950)
|
also Statler Hotel orchestra - Cleveland 1910,
Cleveland Orchestra Principal cello 1918-1919, cello 1919-1921,
active in the Philharmonic Quartet - Cleveland during 1917-1928,
which membership changed during its life, but which at that time was
Sol Marcosson first,
Charles Rychlik second, Johann Beck viola,
Oscar Eiler cello, also the Russian Trio: Ninia Mesirow piano,
Michel Wilkomlrsky violin and Oscar Eiler cello in 1930s,
Civic Opera Company of Chicago, Cincinnati Orchestra, Nashville
Symphony)
Studied cello in Germany with Carl Schroeder (1848-1935).
|
1912-1914 |
|
Einhorn, Bruno |
cello |
1913-1917 |
|
Eisenberg, Benjamin |
violin |
1918-1919 |
|
Eisenberg, Irwin |
Assistant Principal second violin, 1964-1966, violin 1946-1964, 1966-1967
(also Stringart String Quartet in 1950s including
Jacob Krachmalnick first,
Irwin Eisenberg second, Gabriel Braverman
viola, and
Hershel Gorodetzky cello)
|
1946-1967 |
|
Eisenberg, Maurice |
cello |
1917-1919 |
|
Elkan, Henri |
viola |
1920-1928 |
|
Elkind, S. |
double bass |
1921-1922 |
| | |
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|
|
Elst, Otto |
trombone |
1906-1916 (principal) |
|
Emery, Kenneth B. |
flute
Studied at the Curtis Institute Class of 1943.
|
1943
|
|
Eney, Frank Gilbert
(Maryland 1907-1975)
|
double bass (also Philadelphia Grand Opera orchestra)
Studied at the Curtis Institute Class of 1933. Frank Gilbert Eney
was also a chess grand master in the 1940s.
|
1943-1972 |
|
Engel, Rudolph |
viola 1904-1931, fourth trumpet 1908-1931 (succeeded by
Melvin Headman)
|
1904-1931 |
|
Epstein, David |
viola |
1922-1938 |
|
Epstein, Leonard (Pennsylvania 1894-1974)
|
viola |
1920-1924, 1945-1960 |
|
Epstein, Meyer B. |
violin |
1923-1924 |
|
Euler, Christian |
viola |
1984-1991 |
|
Ezerman, D. Hendrik
father-in-law of Elsa Hilger
|
cello
long-time teacher at the Philadelphia Musicial Academy
|
1901-1902 |
|
|
[ F
]
|
|
| | |
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|
|
Fabris, Pasqual |
violin |
1924-1927 |
|
Fahsbender, Rudolph |
double bass |
1920-1923 |
|
Falk, Julius (Philadelphia 1877-after 1944) |
violin
Studied at Philadelphia Musical Academy graduated 1899. Studied in
Vienna and Prague 1903-1906. Presumably of some means, since he bought
a Stradivarius in Paris in December 1906, now known as the 1723 "Julius
Falk Stradivarius". Upon his return, Falk pursed a solo career in
New York and Philadelphia, but did not succeed in breaking through in
this competitive arena. Falk later was an orchestra musician in Philadelphia
theaters in the 1920s and 1930s, and later in Atlantic City, New Jersey
where he also played for the radio.
|
1900-1903 |
|
Fanelli, Vincent, Jr.
(New York 1881-1966)
Vincent Fanelli in 1913
|
Principal harp (also Kalamazoo Symphony 1932-1961)
Studied with his father, Italian harpist Vincent Fanelli Sr.
(1855-after 1920). Developed hand problems which cause him to stop
playing During 1930-1932. Fanelli taught 1908-1912 at the
Institute of Musical Art (later Juilliard), New York.
|
1913-1930 |
|
Farago, Marcel (Romania 1924- )
|
cello (also the Budapest Municipal Orchestra about 1947-1948,
Capetown Municipal Orchestra - South Africa 1952-1954, Porto Alegre
Orchestra - Brazil Principal cello 1954-1956). Also and active
composer.
Studied in Bucharest in 1946-1947, and later in Paris.
|
1956-1994 |
|
Farnham, Allan |
violin 1931-1947, keyboard 1931-1940 |
1931-1947
|
|
Fasshauer, Carl Albin
(Pennsylvania 1894-1980)
|
violin (also Chicago String Quartet: (
Herman Felber Jr.
first, Carl Fasshauer
second,
Robert Dolejsi
viola,
John Lingeman cello)
Relocated to Chicago from Philadelphia where he was active in chamber
music including the Chicago String Quartet.
|
1912-1918 |
|
Fasshauer, John L. (Germany 1858-after 1921)
|
double bass (taught at the Philadelphia Musical Academy 1899-1900)
|
1900-1905, 1907-1921 |
|
Fawcett, James W. |
viola 1962-1967, Assistant Principal viola 1967-1988, Associate
Principal viola 1988-1994
|
1962-1994 |
| | |
RETURN TO TOP
|
|
Fay, David (England about 1961- )
but grew up in Ottawa, Canada.
|
double bass (also National Arts Centre Orchestra of Canada)
Studied at the Curtis Institute Class of 1982.
See the great picture at left of Duane Rosengard (l) and David
Fay in the Palace of Catalan Music - Barcelona (but not all touring
is so picturesque).
|
1984-present |
|
Fearn, Ward O. |
horn |
1942-1965 |
|
Feher, Milton (New York 1906-1986)
|
violin (also the Los Angeles Philharmonic, the Noack String Quartet, Sylvain Noack
first, Milton Feher second, Sven Reher viola, Kurt Reher cello)
Studied with his Hungarian musician father, with Leopold Lichtenberg
(1861-1935), and at the Juilliard School, Class of 1924.
|
1930-1936 |
|
Fehling, Henry W. |
violin |
1900-1901 (principal second)
|
|
Feldman, Harry |
violin |
1923-1924 |
|
Ferguson, Paul |
viola |
1930-1970 |
|
Ferir, Emile |
viola |
1918-1919 (principal) |
|
Ferrara, Antonio
(Italy 1888- )
|
violin |
1916-1920, 1921-1923, 1924-1928 |
|
Ferrara, Luigi |
violin |
1917-1918, 1919-1929 |
|
Feustel, William
(Pennsylvania 1868- )
|
cello (also a member of the
Henry Gordon Thunder Orchestra 1899-1900,
was a theater musician in Philadelpha in the 1910s and 1920s)
|
1900-1901 |
| | |
RETURN TO TOP
|
|
Fillsack, Paul
(Germany 1873- )
|
mostly played second violin, but also clarinet (also
orchestra of the Steel Pier, Atlantic City, New Jersey)
|
1901-1924 |
|
Filosa, Albert J. Jr.
(New York 1942- )
|
viola (also Summers at Yale Summer School of Music and Art, and
New Haven Symphony - Connecticut 1965 - 1971, Baltimore Symphony
viola 1971-1973, second chair viola 1972-1973)
Won AFM scholarships to the AFM Congress of Strings in Puerto Rico
and Michigan State. Studied at the Eastman School of Music BMus
with Distinction and Performer's Certificate. Fulbright Scholar
1964-1965 studying in Salzburg, Austria and while there a member
of Camerata Academica, Akademie Mozarteum. Also Goethe Institut,
Bad Reichenhall, Germany advanced diploma in German language 1965.
|
1973-2009 |
|
Fischer, John A. |
flute 1909-1950, piccolo 1909-1948 |
1909-1950 |
|
Fischer, Carlo
(District of Columbia 1872- )
|
cello (also Pittsburgh Symphony Principal cello about 1901, Cincinnati Symphony
Principal cello 1903-1906, Minneapolis Orchestra 1906-1911)
Studied at the Hochschule für Musik - Frankfurt with Hugo Becker.
|
1902-1903 |
|
Fisher, Kimberly (Canada about 1969- )
|
violin 1992-2001, Principal second violin 2001-present (also
Victoria Symphony)
Studied at the Curtis Institute Class of 1991. She is a co-founder of the
Strings International Music Festival, beginning in 1997, an outreach musical
program for youth. She also teaches at the Temple Music Preparatory School.
|
1992-present |
|
Fisher, Philip |
assistant first trumpet
Fisher studied with
Harry Glantz, with whom he developed a mouthpiece.
|
1945-1946 |
|
Fishzohn, Louis |
violin |
1925-1929 |
|
Fisnar, John |
bassoon |
1922-1950 |
|
Fizzell, T. |
flute |
1907-1908, 1910-1912 |
| | |
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|
|
Fogg, Clarence |
viola |
1900-1902, 1903-1904, 1906-1908 |
|
Folgmann, Dr. Emil Ernst Erich
(Germany 1889-after 1946)
|
cello (also Boston Symphony cello 1912-1918, Philadelphia Orchestra
cello 1919-1920, 1921-1927, Lester Ensemble with Hermann Weinberg
in 1930s after both left the Philadelphia Orchestra. Conductor
Philadelphia Civic Symphony 1936)
In 1933, Flogmann received his PhD. from the University of Pennsylvan and
in 1930s and 1940s practiced as psychologist in Philadelphia (!)
Perhaps music lovers should have their head examined.
|
1919-1920, 1921-1927 |
|
Foscolo, Marco |
violin |
1925-1926 |
|
Franke, Cornelius |
Associate Concertmaster (also Chicago Symphony violin 1902-1903)
|
1901-1902
|
|
Frantz, Leonard |
viola |
1944-1960 |
|
Frazer, John H. |
cello |
1925-1928 |
|
Frengut, Leon |
viola |
1931-1936 |
|
Frey, George O. |
tuba/trombone |
1922-1923 (tuba), 1923-1924 (trombone) |
|
Frey, Nathan |
viola |
1921-1924 |
| | |
RETURN TO TOP
|
|
Fries, Robert M. |
Co-Principal horn |
1963-1965 |
|
Friese, Alfred |
percussion |
1901-1905 (librarian, 1903-1904) |
|
Froelich, Max |
cello |
1918-1920 |
|
Fruncillo, John |
viola (also a member of the
Henry Gordon Thunder Orchestra 1899-1900).
also permanent member viola with the Victor Orchestra under
Josef Pasternack (1881-1940).
|
1900-1901 |
|
Fuchs, Paul |
bassoon and contrabassoon (also in 1904 Boston Festival Orchestra organized by
Emil Mollenhauer)
|
1902-1908 |
|
|
[ G
]
|
|
| | |
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|
|
Gabowitz, Louis |
violin |
1928-1939 |
|
Garaffoni, Mario |
double bass |
1924-1929 |
|
Gardner, Randy C. (1952- )
|
second horn
Studied at Indiana University School of Music BMus.
Since 1996, teaches at University of Cincinnati College-Conservatory
of Music: Chair of the Winds and Percussion Department.
|
1975-1997 |
|
Garfield, Bernard Howard (1924- )
you can always recognize that black bassoon
|
Principal bassoon (also Bernard Garfield, with John Barrows founded the
New York Woodwind Quintet in 1946 55. Little Orchestra Society of New
York Principal bassoon 56. Orchestra of the New York City Ballet Principal
bassoon 1950-1957.
Studied at the Royal College of Music in London in 1945 while in the US Army,
receiving an ARCM degree. Then at New York University BA in English Literature,
and at Columbia University MMus.
|
1957-1999
42 seasons, but not a record !
|
|
Gastel, Edgar A.
(Pennsylvania 1879- )
|
violin (also a member of the
Henry Gordon Thunder Orchestra 1899-1900)
Studied with his German musician father Emil Gastel (1837-before 1920)
and music teacher mother Emma Roeder Gastel (1851-1930)
|
1900-1901 |
|
Gastel, Erwin E.
(Pennsylvania 1874-1941)
|
cello (also a member of the
Henry Gordon Thunder Orchestra 1899-1900,
Moore Theater - Seattle in 1910s, Seattle Symphony cello
under Karl Krueger late 1920s and early
1930s)
Studied with his German musician father Emil Gastel (1837-before 1920)
and music teacher mother Emma Roeder Gastel (1851-1930).
Moved to Seattle, Washington in 1910 where was a theater musician, and
played with the Seattle Symphony.
|
1900-1901 |
|
Gauthier, Roger |
oboe |
1925-1926 |
|
Geffert, Edward William (Illinois 1880- )
|
second trombone (also Chicago Symphony trombone 1921-1929 and
1939-1941, Principal trombone 1929-1939)
Brian Frederiksen in his fine book on Arnold Jacobs quotes Frank
Crisafulli: "...Geffert, who was ailing, did not want the
responsibility of being first chair and actually asked that I
play first..." 157
|
1917-1921 |
|
Geib, Fred |
tuba |
1904-1905 |
| | |
RETURN TO TOP
|
|
Geist, Judy |
viola
Studied at the Curtis Institute Class of 1974.
|
1983-present |
|
Geller, Noah
|
violin (active in student orchestras: Civic Orchestra of Chicago,
the Juilliard Orchestra, the Tanglewood Music Center Orchestra.
Studied at Merit School of Music - Chicago and the Juilliard School
BMus, MMus 2008. Involved in contemporary music,
giving premier of Eugene O’Brien Two Inventions for Violin and Cello.
|
January 2008-present |
|
Geoffrion, Victor |
double bass |
1922-1927 |
|
Gerhard, Charles Edward
(Pennsylvania 1877-1953)
 |
bass trombone 1900-1901, 1904-1909, 1922-1946 trombone
1921-1922. (also a member of the
Henry Gordon Thunder Orchestra 1899-1900)
|
1900-1901, 1904-1909, 1921-1946 |
|
Gershman, Paul |
violin |
1931-1932 |
|
Gesensway, Louis |
violin
Studied at the Curtis Institute Class of 1929.
|
1925-1930, 1931-1971 |
|
Gibson, William McHargue
(Oklahoma 1916-2002)
|
second trombone (also National Symphony of Washington Principal
trombone 1939-1940, Indianapolis Symphony Principal trombone
about 1942-1945, New York City Center Symphony Principal trombone
about 1945-1946, Pittsburgh Symphony about 1946-1955, Opera Company
of Boston Principal trombone after 1977.)
Gibson studied at the Curtis Institute Class of 1939.
|
1940-1942 |
|
Giese, Waldemar |
double bass |
1929-1943 |
|
Gigliotti, Anthony M. (Pennsylvania 1922-2001)
father of
Mark Gigliotti
 |
Principal clarinet (also Orchestra of the Ballet Russe de Monte Carlo
and the Little Orchestra Society of New York 1948-1949)
Studied with his father Joseph Gigliotti, a well-known clarinet
soloist and teacher and at the Curtis Institute Class of 1947.
|
1949-1996
Following Anthony Gigliotti, the Philadelphia Orchestra went
several seasons without finding a Principal clarinet with whom
they were satisfied
|
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|
|
Gigliotti, Mark D. (Pennsylvania 1954- )
son of
Anthony Gigliotti
|
Assistant Principal bassoon 1982-1984, Associate Principal bassoon
1984-1992, Co-Principal bassoon 1999-present (also Pittsburgh Symphony Principal bassoon,
Philharmonic of den Hague Principal bassoon)
Studied at the Curtis Institute Class of 1979. Has recently branched out
into conducting.
|
1982-present |
|
Gilbert, Yoko |
violin |
1978-1979 |
|
Ginsburg, Abraham |
violin |
1924-1925 |
|
Giurato, Angelo (Pennsylvania 1871-1967)
|
violin (also a theater orchestra musician in Philadelphia in the
1910s)
|
1900-1901 |
|
Glantz, Harry (Hersch)
(Ukraine 1896-1982)
|
Principal trumpet (also From New York Russian Symphony Orchestra Society
Principal trumpet 1911-1915, San Francisco Exposition Orchestra Principal
trumpet 1915, New York Symphony Principal trumpet 1919-1922,
San Francisco Symphony Principal trumpet 1922-1923, New York Philharmonic
Principal trumpet 1923-1942, NBC Symphony Principal trumpet 1942-1954)
Studied with Max Bleyer, Christian Rodenkirchen, and Gustav Heim, all
of whom were at various times Philadelphia Orchestra Principal trumpets.
After retirement, he taught at the University of Miami Graduate School
of Music 1972-1982.
|
1915-1917 |
|
Glass, Beaumont |
violin |
1910-1917 |
|
Glassman, Joseph |
double bass |
1917-1918 |
|
Glaze, Martha L. (Glaze-Zook) (Pennsylvania 1948- )
|
horn
Studied at the Curtis Institute Class of 1973. Now teaches at the
Settlement Music School - Philadelphia.
|
1974-1986 |
|
Goberman, Max |
violin |
1929-1934 |
| | |
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|
|
Godlis, Abraham "Al"
(Ukraine 1911-1978)
|
trombone (also New York City session player in the 1950s)
Student of the legendary teacher Max Schlossberg (1873-1936)
Godlis was part of the great 1931-1938 Philadelphia Orchestra trombone
section of Abraham Godlis, Paul Lotz. and Charles Gerhard)
|
1932-1939 |
|
Goldfuss, Abram |
violin |
1918-1921 |
|
Goldstein, Ernest L. |
violin
Studied at the Curtis Institute Class of 1942.
|
1948-1979 |
|
Goldstein, Jerome |
violin |
1917-1921 |
|
Gomberg, Robert brother of Boston Symphony
Principal oboe
Ralph Gomberg and New York Philharmonic Principal oboe
Harold Gomberg
(Massachusetts 1912-1980)
|
violin
Studied at the Curtis Institute (as did brothers Harold, Leo, and Ralph, and
sister Margret) Class of 1933.
|
1931-1940 |
|
Gorodetsky, Aaron |
violin |
1920-1964 |
|
Gorodetsky, Hershel |
cello (also in early 1950s Stringart String Quartet including
Jacob Krachmalnick first,
Irwin Eisenberg second,
Gabriel Braverman viola,
and Hershel Gorodetzky cello)
|
1948-1956 |
|
Gorodetzer, Harry |
cello
Studied at the Curtis Institute Class of 1938.
|
1936-1985 |
|
Gorodetzer, Samuel |
double bass (also Portland Symphony - Maine 170)
Studied at the Curtis Institute Class of 1947.
|
1954-1983 |
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|
|
Goslee, George F. |
Principal bassoon |
1945-1946 |
|
Gottlieb, Victor |
cello
Studied at the Curtis Institute Class of 1935.
|
1935-1936 |
|
Govatos, Barbara S. (Rodescu) (1958- )
Barbara with Delaware Chamber Music Festival students as a string quartet
|
violin (also Music Director of the Delaware Chamber Music Festival,
from 1990, served as Assistant Concertmaster of the Maggio Musicale
Festival Orchestra - Florence in 1998, active in the Academy Chamber
Players)
Studied at the Juilliard School BMus, MMus.
|
1982-present |
|
Granat, (Juan) Wolfgang
(Germany 1918-1998)
|
viola (also Liberty Bell Trio)
Granat's obituary said "...[he] once serenaded a Senate committee to
lobby against the orchestra's mandatory retirement age..." 154.
Since he was nearly 73 at his retirement, it would seem he prevailed. Left
Nazi Germany in 1939 to play in Switzerland, Argentina and Cuba.
|
1956-1991 |
|
Gravagno, Emilio J. "Lee" (Illinois 1934- )
|
double bass (also New Orleans Symphony 1960-1962, Baltimore Symphony 1962-1967)
Studied at Southeastern Louisiana College, DePaul University, Curtis
Institute Class of 1958.
|
1967-2010 |
|
Gray, Alexander |
viola
Studied at the Curtis Institute Class of 1928.
|
1926-1951 |
|
Gray, John |
cello
Studied at the Curtis Institute Class of 1935.
|
1927-1959 |
|
Grayson-Standley, Julia |
violin |
1964-1995 |
|
Grebe, Charles G. |
cello (also a member of the
Henry Gordon Thunder Orchestra 1899-1900)
|
1900-1901, 1903-1904, 1908-1917 |
| | |
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|
|
Greenberg, William S. |
viola |
1923-1965 |
|
Greims, Frederick P. (England 1870- )
|
cello (later in 1920s and 1930s was a violin maker in
New York City)
|
1900-1901 |
|
Greims, Herbert Spencer (Maryland 1876- )
|
viola (in 1913 was an orchestra musician in New York City)
|
1901-1902 |
|
Grevesmuhl, Hermann |
violin (was a concerto soloist with the Orchestra in 1903)
|
1902-1903 |
|
Griffin, Charles |
viola
Studied at the Curtis Institute Class of 1967.
|
1968-1984 |
|
Grika, Larry Arnold
(Illinois 1932- )
|
violin (also the Lyric Opera - Chicago, the Cincinnati Symphony
and in summers, the Santa Fe Opera)
Studied at the Chicago Musical College - Roosevelt University.
While in the Philadelphia Orchestra, was active in the Members’
Committee and Chairman of the Negotiation Committee.
|
1964-2005 |
|
Grisez, Georges (France 1884-1946 died during Baltimore Symphony concert)
|
principal clarinet (also Société des Concerts du Conservatoire Orchestra
1903-1904, Boston Symphony Principal clarinet 1904-1914, Georges Longy Club
while in Boston, member of the New York Chamber Society in 1921,
Philadelphia Orchestra Principal clarinet 1922-1923, Minneapolis Symphony
Principal clarinet about 1923-1934, NBC Symphony 1938, Baltimore Symphony
1939-1946)
Studied at the Paris Conservatoire, prix in about 1903.
|
1922-1923 |
|
Grolle, Johann |
violin |
1902-1905, 1907-1911 |
|
Grossi, Arnold |
violin |
1969-2004 |
| | |
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|
|
Grossman, Rudolf |
cello |
1901-1902 |
|
Grover, Harry F. |
viola |
1918-1919 |
|
Gruner, William
(Germany 1881-1971)
|
Principal bassoon, 1906-1907, bassoon 1907-1917 and 1929-1951
(also bassoon for the Victor Talking Machine Company 1917-at least
1929 including on Blue Seal and Red Seal disks. Much of this
recording was with the Victor Orchestra under
Josef Pasternack (1881-1940).
also Music Director of the
Delaware County Music Club - Pennsylvania and the Concert Society
of Upper Darby - Pennsylvania in the 1920s 185)
Came to Philadelphia from Germany in 1906 to become Principal
double bass at the request of Fritz Scheel.
|
1906-1917, 1929-1951 |
|
Grunschlag, David
(Poland 1914-1996)
|
violin (also briefly in a string trio, shown at left with
Irving Segall viola,
Marcel Farago
cello and David Grunschlag violin)
Studied with Adolf Bak (1878-1943) in Vienna and Willie Hess (1859-1939) at the
Akademische Hochschule für Musik in Berlin. Bak and Hess had both played in the
Boston Symphony,
Bak in the first violins, and
Hess as Concertmaster. Also
studied with Bronislaw Huberman and was one of the musicians saved by Huberman, convincing
Grunschlag to leave Nazi Germany in 1936 for Huberman's Palestine Symphony. Grunschlag was
later the Concertmaster before relocating to the Philadelphia Orchestra 165.
|
1959-1984 |
|
Grupp, David (Russia 1898-1975)
|
Timpani 1946-1947, Principal timpani 1947-1951(also NBC radio staff
orchestra in New York City about 1929-1937, then with Toscanini's NBC Symphony
1937-1946)
Studied with his musician father, Sam Grupp in this Russian-Jewish musical
family (brothers Lewis, Morris and Jack were also musicians) Also a sessions
musician in New York City, recording actively in 1930s through 1950s.
|
1946-1951 |
|
Guetter, (Julius) Walter (Pennsylvania 1895-1937) nephew of
Adolf Guetter, Boston Symphony Principal bassoon
|
Principal bassoon 1922-1937 (also Chicago Symphony bassoon 1915-1916,
Chicago Principal bassoon 1916-1918, 1919-1922, for the Philadelphia
Orchestra, Walter Guetter played briefly for the Philadelphia Orchestra
in early 1915, upon return from Germany, then auditioned for CSO in
Summer 1915, and joined Chicago in September, 1915. Moved to Philadelphia
Orchestra in 1922-1923 season)
Studied with uncle Adolf Guetter at Klindworth-Scharwenka Conservatory -
Berlin 1910-1914.
Walter Guetter, sickly during 1930s, died of cancer May 1, 1937 aged only 42. |
1922-1937 (died during season)
|
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|
|
Gusikoff, Benjamin "Benji"
(New York 1900-1956?) father Morris Gusikoff
|
cello |
1920-1956 |
|
Gusikoff, Charles (New York 1897-1966)
|
Principal trombone 1931-1954, 1955-1957, Co-Principal 1954-1955
as well as euphonium - see picture at left with Gusikoff and a
double bell euphonium, rarely used in today's orchestra.
(also Sousa Band in 1918, Cleveland Orchestra Principal trombone
1919-1920)
From the musical Gusikoff family; Saul Caston was also a Gusikoff
(born Solomon Gusikoff Cohen).
|
1931-1959 |
|
Gusikoff, Isadore (New York 1901-1962)
|
Principal cello 1935-1939, cello 1921-1935
|
1921-1939 |
|
Gusikoff, Michel (or Mishel) (New York 1893-1978)
|
Concertmaster (also Russian Symphony of New York Concertmaster 1915-1916,
St. Louis Symphony Concertmaster 1917-1926, New York Symphony Concertmaster
1927-1928, later a successful New York City sessions musician)
Studied with
Franz Kneisel, Concertmaster, Boston Symphony 1885-1903
and founder of the Kneisel Quartet.
|
1926-1927 |
|
Gussen, William H.
(Pennsylvania 1871-1920)
|
violin
Studied in Germany under Gustav Hollaender (1855-1915) at the Stern
Conservatory, Berlin about 1889-1892. Gussen with his pianist wife Edna taught
at the Birmingham College Conservatory of Music - Alabama from 1903-1920, where
he died age only 49. Edna Gockel Gussen (1871-1937), trained at the Cincinnati
Conservatory of Music under Xaver Scharwenka (1850-1924), and continued teaching
until her death.
|
1900-1901 |
|
Guyon, William H. (Pennsylvania 1863-1929)
|
flute, piccolo (also San Francisco Symphony) Guyon was later a musician
in Los Angeles and in Salt Lake City, Utah until his death.
Recorded the piccolo for the Gramophone Company and Odeon 1904-1909.
|
1907-1909 |
|
|
[ H
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|
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|
|
Haas, Jennifer (Delaware )
|
violin (also active in the Philadelphia Chamber Ensemble)
Studied at the Curtis Institute Class of 1995.
|
2001-present |
|
Haferburg, Carl |
viola |
1901-1904 |
|
Haffner, Barbara |
cello |
1966-1973 |
|
Hahl, Emil |
viola |
1902-1919 |
|
Hainen, Elizabeth S. (Ohio 1966- )
|
Principal harp (also Kennedy Center Opera Orchestra - Washington, D.C.)
Studied at Indiana University Performance Certificate 1987, and later
degrees in 1991. The Philadelphia Orchestra has commissioned a harp concerto
from Chinese composer Tan Dun (1957- ), which is planned for its premier by
Elizabeth Hainen in 2013.
|
1994-present (principal) |
|
Haines-Eitzen, John A.
(1964- )
|
cello (also Columbus Symphony - Ohio, also active
in a quartet made up
of
Paul Roby first,
Hirono Oka second,
David Nicastro viola,
John Haines-Eitzen cello)
Studied at Indiana University Jacobs School of Music BMus and
Performer's Certificate. Teaches at Cornell University.
|
1995-2006
departed to teach at Cornell.
|
|
Hale, Leonard |
horn |
1954-1969 |
|
Halfmann, Virginia A. (New York 1944- ) |
violin (also Rochester Philharmonic while studing at Eastman,
Detroit Symphony in late 1960s-1972)
Studied at the Eastman School of Music BMus 1965.
|
1972-2010 |
|
Hall, Raymond J. |
cello |
1920-1923 |
| | |
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|
|
Haltnorth, Erich |
violin/viola |
1901-1902 (violin), 1904-1924 (viola) |
|
Haltnorth, H. |
violin (also in 1904 Boston Festival Orchestra organized by
Emil Mollenhauer)
|
1903-1904 |
|
Hamer, A. Sidney |
cello |
1918-1922 |
|
Hamer, Charles F. |
cello |
1919-1920 |
|
Han, Daniel (Kentucky 1976- )
|
violin (also Fort Worth Symphony until late 2005, Minnesota
Orchestra 2005-2006)
Studied at University of Cincinnati College - Conservatory of Music
Preparatory and at Boston University, BMus, MMus.
|
2006-present |
|
Handke, Paul
(Germany 1867-1944)
 |
Philadelphia Orchestra trumpet, perhaps invited by Fritz Scheel
for two seasons: 1901-1902 and Principal trumpet 1902-1903.
(also Munich Hofoper trumpet 1894-1899, Vienna Hofoper and Vienna
Philharmonic 1899-1900 190. Chicago Symphony Principal
trumpet 1903-1907, Second trumpet 1907-1912, Librarian 1916-1943.
In Philadelphia, played in the
Spring Bethlehem Bach Festival one hour outside Philadelphia, and the
the Cincinnati May Festival in 1903)
Studied in Munich with Albert Meichelt Sr., father of
Albert Meichelt Jr., who also was a Philadelphia Orchestra
colleague for two seasons 1902-1904. When Paul Handke
emigrated to the U.S. in 1901, he brought with him his hand
transcriptions of the Haydn Trumpet Concerto in E flat major
composed in 1796.
|
1901-1903 |
|
Hara, Burt (California 1963- )
|
Principal clarinet (also Alabama Symphony Principal clarinet in the
mid-1980s, Minnesota Orchestra 1987-1988, Philadelphia Orchestra Principal
clarinet 1996-1997, then returned to Minnesota Orchestra 1997-present)
Studied at the Curtis Institute Class of 1984.
|
1996-1997 |
|
Harlow, Richard (Michigan 1954- )
|
cello (also Toledo Symphony Assistant principal cello,
Dearborn Symphony, Flint Symphony)
Studied at the University of Michigan BMus.
|
1976-present |
|
Harnack, Ch. |
percussion |
1903-1904 |
| | |
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|
|
Haroz, Nitzan Har
(Israel 1969- )
|
Principal trombone (also New York Philharmonic Assistant Principal trombone
1993-1995 although listed in the New York Philharmonic roster through the end
of 1995-1996, Rishon LeZion Symphony - Israel, Israel Defense Forces Orchestra
first trombone)
Studied at the Juilliard School BMus 1993. Also established with his mother,
harpist Adina Haroz, the Duo Haroz. Also in January, 2005, Haroz performed
the Nino Rota Trombone Concertos with the Curtis Symphony conducted by
Christoph Eschenbach.
|
1995-present |
|
Harper, Robert S. (1915-1991)
|
trombone 1943-1946, bass trombone 1946-1981, with Principal trombones Charles
Gusikoff, Henry Charles Smith, Tyrone Breuninger, and Glenn Dodson. (also
Indianapolis 1938-1943, Assistant Principal trombone of the Philadelphia Orchestra
1943-1945, then US Army, then Philadelphia Orchestra bass trombone 1946-1981
167)
Studied at the Curtis Institute Class of 1938
|
1943-1981
38 seasons in the trombone section
|
|
Harpham, George A.
(about 1947- )
|
cello 1969-1977, Assistant Principal cello 1977-1988,
Associate Principal cello 1988-1990 (also Pasquale String Quartet with
William De Pasquale first,
Robert De Pasquale second,
Joseph De Pasquale
viola, George Harpham cello)
Studied at the Curtis Institute Class of 1969. Taught at the
Philadelphia Music Academy and Philadelphia College of the Performing Arts.
|
1969-1990
|
|
Hartmann, F. H.
(probably Pennsylvania 1859-)
|
second trombone for one season: the first season of the
Philadelphia Orchestra (also a member of the
Henry Gordon Thunder Orchestra 1899-1900,
also US Marine Band)
|
1900-1901 |
|
Hartmann, H. |
double bass |
1900-1901 |
|
Hase, Albert |
double bass |
1901-1904 |
|
Hase, Albin |
double bass |
1904-1906, 1920-1946 |
|
Haubenreisser, Otto |
violin |
1905-1909 |
|
Headman, (Frank) Melvin, Jr.
(Pennsylvania 1908-1971)
|
fourth trumpet
Studied at the Curtis Institute Class of 1935. Melvin Headman,
Robert McGinnis, and
Robert Bloom
entered the Philadelphia Orchestra directly from the
Curtis Institute in 1930 upon the decision of Leopold Stokowski,
although they 'officially' graduated in the Curtis Class of 1935.
|
1930-1944 (did not complete the 1943-1944 season) |
| | |
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|
|
Heifetz, Benar
(Mogilyov, Russia now Belarus 1899-1974)
|
Principal cello - Benar Heifetz was Principal cello at the beginning
of the 1939-1940 season, but in November, 1939 Samuel Mayes was appointed
Co-Principal cello with Heifetz by Eugene Ormandy. (also NBC Symphony
1943-1954. From 1943-1954, the NBC Symphony featured a first Viola stand
of Carlton Cooley and Milton Katims (1909-2006) and a first cello
stand of Frank Miller and Benar Heifetz. Also cello of the Kolisch Quartet,
Rudolf Kolisch, first, Felix Khuner, second, Eugene Lehner, viola and Benar
Heifetz 1927-1939)
Studied with with Julius Klengel (1859-1933), perhaps at the Leipzig
Conservatory.
|
1939-1943 (Principal, 1939; Co-Principal, 1939-1943) |
|
Heim, Gustav Friedrick (Germany 1879-1933)
Died in New York City after a sudden illness October 30, 1933 age only 54
|
principal trumpet (also Orchestra of the Louisiana Purchase Exposition
trumpet 1904, Trumpet for an amazing number of orchestras: Philadelphia
Orchestra Principal trumpet 1905-1907, Boston Symphony third trumpet
1914-1915 then Principal 1915-1920, Detroit Symphony Principal trumpet
1920-1921, New York Philharmonic Principal trumpet 1921-1923, Cleveland
Orchestra Principal trumpet 1923-1924, New York Symphony trumpet 1925-1928,
American Symphonic Ensemble of New York Principal trumpet 1929-1930)
Studied at then music school in Schleusingen, Germany from 1893-1897.
|
1905-1907 |
|
Heine, Adolf |
violin |
1903-1904 |
|
Helleberg, John brother of August Helleberg
|
bassoon |
1900-1901 |
|
Heller, Herman |
violin
Studied at Philadelphia Musical Academy graduated 1899.
|
1900-1902 |
|
Henkelman, Peter Lambertus
(Netherlands 1874-1949)
|
Long-term English horn of the orchestra, playing for the first
decade with Alfred Doucet and Karl Stiegelmayer, and then with
Marcel Tabuteau and the Raho brothers, Edward Raho and Lewis Raho.
(also New York Symphony beginning 1925-1926 season)
Listen to the beautiful extended English horn solo with viola
played by Peter Henkelman, English horn, with
Romain Verney
, viola in 1925 Ippolitov-Ivanov Caucasian Sketches opus 10:
in the Village.
Click here to listen to (download) the 1925 Ippolitov-Ivanov
'In the Village'
|
1901-1925 |
|
Henneberg, Otto |
horn
In March, 1930, Leopold Stokowski was criticized for dismissing four
players for being 'stale' 152, of which Henneberg was one.
During his career with the Philadelphia Orchestra, the horn section
was: Anton Horner, Joseph Horner, Albert Riese, and
Otto Henneberg.
|
1905-1930 |
|
Hennig, Rudolph (Germany 1844-1904)
|
Principal cello (also Walnut Street Theater Orcestra in 1866,
helped found the Philadelphia Musical Academy in 1869,
Beethoven String Quartet (William Stoll Jr.
first, Edwin A. Brill second,
Richard Schmidt viola,
Rudolph Hennig cello) and the
Mendelssohn Quintette Club of Boston. Theodore Thomas
Orchestra Principal cello 1872-1879, Handel and Haydn Society
Orchestra in 1867 and 1868)
Studied at the Leipzig Conservatory. See, at left the famous
Thomas Eakins painting "The Cellist" of Rudolph
Hennig practicing in 1896.
|
1900-1901 |
|
Henry, Dayton M. |
violin |
1918-1958 |
| | |
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|
|
Hering, Sigmund
(then Austro-Hungary, now Ukraine 1898-1986)
one of many Hering studies and etudes - Hering was one of the most
published teachers for the trumpet, other brass and woodwinds.
|
Assistant Principal (second trumpet) 1925-1952, fourth trumpet 1952-1964
(also Cleveland Orchestra Principal Trumpet 1922-1924)
Studied at the Akademie für Musik und darstellende Kunst, Vienna 1915-1921.
Hering student Wilmer Wise (Brooklyn Symphony) wrote that Hering studied
both double bass and trumpet at the Curtis Institute. Hering is listed
as a Curtis graduate Class of 1930, when he would have been 31 years
old and already in the Philadelphia Orchestra for 5 seasons.
Trumpet scholar Dr. Thomas R. Erdmann wrote that Hering "...was
perhaps the most influential trumpet teacher in America during the mid
20th century...He is the most published trumpet pedagogue in the
world..." 156 . Sigmund Hering for more than
fifty years taught at the Settlement Music School - Philadelphia.
|
1925-1964 |
|
Hess, Patricia Weimer |
cello |
1979-1993 |
|
Hewitt, Stevens |
oboe |
1965-1989 |
|
Heynen, Achille |
bassoon |
1901-1902 |
|
Hildebrandt, Charles (Germany 1845- ) |
bassoon (also Principal bassoon of the
Henry Gordon Thunder Orchestra 1899-1900)
|
1903-1904, 1907-1908 |
|
Hilger, Elsa (Austria, now Czech 1904-after her 100th birthday)
|
cello 1935-1944, Associate Principal cello 1944-1969
(first woman musician of a major US orchestra other than the
few orchestral harpists, after Dorothy Passmore, cello of the San
Francisco Symphony in 1925. Second woman musician of the Philadelphia
Orchestra following
Edna Phillips,
harp and followed by
Lois Putlitz,
violin in the next season).
Studied at the Vienna Conservatory 1912-about 1916. Came to the
US in 1920 and toured as a trio with her violin and pianist sisters
during 1920s.
|
1935-1969 |
|
Hilsberg, Alexander (Poland 1900-1961)
|
violin 1926-1935, Concertmaster 1935-1951 (also Guarnerius Quartet
with Alexander Hilsberg first, David Madison second and Samuel Lifschey
viola, van den Berg cello in 1930s, Associate conductor of the Philadelphia
Orchestra in the 1940s. Conductor of the semi-professional Reading Orchestra -
Pennsylvania, New Orleans Symphony Music Director 1952-1961)
Studied at the St. Petersburg Conservatory 1911-1912.
|
1926-1951 |
|
Himmer, Hans |
cello |
1904-1914 |
|
Hinger, Fred D. |
percussion/timpani |
1948-1951 (principal percussion), 1951-1967 (principal timpani) |
| | |
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|
|
Hoffman, Jacob |
percussion |
1950-1952 |
|
Hoffman, Melvin |
trombone |
1929-1932 |
|
Hood, John (Texas about 1956- )
|
double bass (also North Carolina Symphony 1977-1978, National Symphony
of Washington DC 1978-1982, the Santa Fe Opera summer 1978)
Studied at the Interlochen and the University of Michigan - Ann Arbor.
|
1982-present |
|
Hornberger, Harry J. |
violin |
1900-1904 |
|
Horner, Anton
(Bohemia, now Czech 1877-1971)
brother of Joseph Horner
|
Principal horn 1902-1929, Co-Principal 1929-1931, third horn 1931-1946
(also Pittsburgh Symphony under Victor Herbert Principal horn 1898-1902,
Panama-Pacific International Exposition orchestra - San Francisco 1915)
Studied with his horn playing father Frank Horner 161 and with
Friedrich Gumpert (1841-1906) at the Leipzig Conservatory 1890-1894
24. Anton Horner was an early advocate of the double horn
working with his teacher, Friedrich Gumpert, and passed this on to his
many Curtis Institute students.
|
1902-1946 |
|
Horner, Joseph P.
(Bohemia, now Czech 1882-1944) said to be a suicide. Brother of
Anton Horner
|
second horn (also a member of the
Henry Gordon Thunder Orchestra 1899-1900. After the 1900-1901
season at the Philadelphia Orchestra, joined the Pittsburgh Symphony
under Victor Herbert 1901-1902, where his brother Anton Horner had
previously been Principal horn. Returning to the Philadelphia
Orchestra in 1902, the horn section was: Anton Horner, Joseph Horner,
Albert Riese, and Otto Henneberg.
)
Studied with his horn playing father Frank Horner 161 and at the
Vienna Conservatory about 1896-1898 161.
|
1900-1901, 1902-1938 |
|
Huber, Ernest |
double bass |
1919-1920 |
|
Huster, A. |
violin/trombone |
1901-1902 |
|
Hutinet, L. |
trombone |
1916-1917 |
|
Huxley, Roland |
violin |
1906-1908 |
|
|
[ I
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|
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|
|
Iglitzin, Alan |
viola |
1960-1966 (assistant principal, 1964-1966)
|
|
Ingle, John G. |
violin |
1900-1901 |
|
|
[ J
]
|
|
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|
|
Jaeger, William |
trumpet |
1900-1901 |
|
Jaffe, Charles |
violin |
1934-1935 |
|
Jakob, Joseph A. |
horn |
1909-1910 |
|
Janson, Glenn E. |
horn |
1962-1975, 1995-1997 |
|
Jantsch, Carol (Ohio 1985- )
|
Principal tuba (substituted in the Philadelphia Orchestra
during 2005-2006 season as a trial)
Studied at the University of Michigan BMus. Also Interlochen Arts Academy
- Michigan. See her interesting website www.caroljantsch.com
|
2006-present
|
|
Jarrow, Solomon Elias (Russia 1862- )
|
viola (also taught at the Philadelphia Musical Academy)
|
1905-1906 |
|
Jocher, Lewis Christopher
(Pennsylvania 1873- )
|
double bass (also played in theater orchestras, toured South
America in the 1920s)
|
1900-1901, 1903-1904, 1907-1913 |
|
Johnson, Gilbert D. (1927-2002)
|
Co-Principal trumpet 1958-1959 with Samuel Krauss, Principal trumpet
1959-1975 (also New Orleans Philharmonic Principal trumpet about
1951-1958)
Studied at the Hartt School of Music, University of Hartford BMus, then at
the Curtis Institute Class of 1950. After retiring from the Philadelphia
Orchestra, Gilbert Johnson was Professor of Trumpet, University of Miami
1975 until his death in 2002.
|
1958-1975
|
|
Johnson, Kirsten |
Associate Principal viola
Studied at the Curtis Institute Class of 1997.
|
2007-present
|
|
Jones, Mason (New York 1919-2009)
 |
horn 1938-1939, Co-Principal horn 1939-1941, 1945-1946,
Principal horn 1946-1978. Also Personnel Manager 1963-1986
Studied at the Curtis Institute Class of 1938. When Mason Jones
returned from his World War 2, he found was in competition with
James Chambers for the Principal horn position of the Philadelphia
Orchestra. Jones prevailed, and James Chambers went on to a successful
career as Principal horn with the New York Philharmonic 1946-1969.
|
1938-1978
|
|
Jordan, Clarence |
violin |
1924-1925 |
|
|
[ K
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|
|
Kaderabek, Frank John (Illinois 1929- )
|
Principal trumpet (also West Point Band during Korean war,
Dallas Symphony 1952-1957 and Grant Park Symphony during summers,
Chicago Symphony third trumpet 1958-1966, Detroit Symphony Principal
trumpet 1966-1975, Philadelphia Orchestra Principal trumpet 1975-1995.
Studied at the Chicago Musical College about 1945-1948.
|
1975-1995 |
|
Kaehler, Ernst |
violin (also a member of the
Henry Gordon Thunder Orchestra 1899-1900)
|
1900-1901, 1907-1913 |
|
Kahn, Gordon |
viola |
1925-1962 |
|
Kalendareva, Elina (Uzbekistan 1967- )
|
violin (also Moscow Conservatory Quintet, Moscow Ars Viva
Chamber Orchestra, Society Hill String Quintet - Philadelphia)
Studied at the Moscow Conservatory MMus.
|
2002-present |
|
Kang, Juliette
(Canada 1976- )
|
First Associate Concertmaster (also Kennedy Center Opera Orchestra
Washington DC Principal second violin 1999-2000, Metropolitan Opera Orchestra
2001-2003, went to Philadelphia as Associate Concertmaster in 2005)
Studied at the Curtis Institute Class of 1991, also Juilliard School MMus 2001.
Married to cellist Thomas Edward Kraines Curtis Institute Class of 1992, and
also Juilliard School MMus 2001.
|
2005-present
|
|
Kaplan, Maurice |
viola (also String Art Quartet,
Santa Fe Opera Orchestra in summers)
Studied at the Metropolitan School of Music - Chicago 1913.
|
1920-1932 |
|
Kaplow, Maurice |
viola |
1956-1957, 1958-1963 |
|
Karella, Clarence |
tuba |
1948-1949 |
|
Kastner, Alfred |
harp 1901-1902, Principal harp 1903-1904
|
1901-1902, 1903-1904
|
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|
|
Kates, Philip (Pennsylvania 1963- )
|
violin (also Liebesfreud, a Philadelphia-based Sting Quartet:
Geoffrey Michaels first, Philip Kates second, David Giles viola,
Charles Forbes cello)
Also Chair of the Philadelphia Orchestra Musicians'
Education Committee.
|
November 1980-present |
|
Kaufman, Schima |
violin |
1925-1962 |
|
Kayaloff, Yasha |
violin |
1925-1948 |
|
Kearney, Joseph E. |
viola |
1903-1904 |
|
Keller, Oscar |
clarinet |
1902-1904 |
|
Kendall, Yumi H. (Colorado 1981- )
|
Assistant Principal cello (also member of the Dryden String Quartet,
with her brother Nicolas Kendall, violin, her cousin Daniel Foster, Principal
viola National Symphony and Nurit Bar-Josef, Concertmaster the National Symphony
of Washington DC)
Studied at the Curtis Institute Class of 2004.
|
2004-present (assistant principal)
|
|
Kesselman, Robert (Pennsylvania 1957- )
|
double bass (also Pittsburgh Symphony 1980-1987.
also active in Network for New Music Ensemble)
Studied at Temple University and the Curtis Institute Class of 1980.
|
1987-present |
|
Keyser, George William |
viola |
1908-1919 |
|
Khaner, Jeffrey (Canada 1958- )
|
Principal flute (also Atlantic Symphony - Halifax, Nova Scotia Principal
flute, Pittsburgh Symphony Co-Principal flute, with Bernard
Goldberg 1981-1982, Cleveland Orchestra Principal flute 1982-1990)
Studied at the Juilliard School BMus 1980.
|
1990-present |
| | |
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|
|
Kihlman, Carl |
violin |
1903-1919 |
|
Kim, David (Illinois 1963- )
|
Concertmaster (also Associate Concertmaster Dallas Symphony 1997–1999,
Diaz Trio, with
Roberto Díaz, viola and
Andres Díaz, cello 1991-1996. Kim was founder of Kingston Chamber Music
Festival at the University of Rhode Island in 1999)
Studied at the Juilliard School BMus and MMus degrees. Recorded a beautiful
album of classic hymns on Paul Jones Music label The Lord is My Shepherd.
Visit his interestin website www.davidkimviolin.com
|
May, 1999-present
|
|
Kincaid, William
(Minnesota 1895-1967)
A young William Kincaid in about 1920
|
Principal flute (also New York Symphony 1914-1919, playing with his teacher
Principal flute Georges Barrère, New York Chamber Music Society
1920-1921, Philadelphia Woodwind Quintet 1950-1960)
Studied at the Institute of Musical Art (Juilliard School) with
Artist's Diploma in 1913. Taught several generations of flutists
at the Curtis Institute 1928-1960.
|
1921-1960 |
|
Kindler, Hans
(Netherlands 1892-1949)
died following surgery, perhaps a suicide
|
cello 1914-1916, Principal cello 1916-1920 (also Charlottenburg Opera - Berlin
Principal cello 1910, then Philadelphia Orchestra, Music Director Reading Symphony
(Pennsylvania) for 8 seasons in late 1920s. Founded the National Symphony
of Washington DC in 1930, Music Director until 1949 in spite of constant lack
of finances and frequent musician turnover. also a member
Rich Quartet:
Thaddeus Rich first,
Harry Aleinikoff second,
Romain Verney viola and
Hans Kindler cello)
Studied at the Rotterdam Conservatory.
|
1914-1920
|
|
Kirschen, Jeffry M.
(Pennsylvania 1952- )
|
third horn (also Utah Symphony Co-Principal horn 1984-1993, Seattle Opera Principal
horn, Dallas Symphony Assistant Principal horn, National Ballet of Canada
Principal horn)
Studied at Temple University and the Curtis Institute Class of 1977.
|
1989-present |
|
Klein, Herold R.
(1945- )
|
violin (also Indianapolis Symphony, Detroit Symphony,
US Army Band Strolling Strings. Also active with community
orchestras as Concertmaster - Trenton Symphony Orchestra
and Lansdowne Symphony)
As a student, studied at the National Music Camp at Interlochen,
Michigan and at Wayne State University in 1962.
|
1971-2011 |
|
Kliachko, Samuel
(Russia 1883-1941)
|
cello (also Principal cello Pittsburgh Symphony 1930s, also Pennsylvania
radio KDKA staff orchestra in 1930s. Also Shapiro String Quartet: Max
Shapiro first, William Loesel second, Francis Kelyle viola, Samuel Kliachko
cello 1930s)
Studied at the St. Petersberg (Russia) Conservatory.
While Principal cello of the Pittsburgh Symphony in 1930s, taught at the
Pittsburgh Musical Institute.
|
1920-1922 |
|
Klupp, Karl
(Germany 1874-1954)
|
horn |
1901-1904 |
|
Knecht, Albert Aloysius
(Pennsylvania 1884-1954)
|
saxophone (also played saxophone for the John Philip Sousa
Band about 1905-1917 including the 1910-1911 around-the-world
tour. also the Arthur Pryor Band, Buffalo Bill Cody's Wild West
Show, W. Paris Chambers Band, the American Saxophone Quartet.
later was proprietor of a musical instrument
store in Philadelphia and President of the Pennsylvania Bandmasters
Association)
Studied with his German musician father Jacob Knecht
(1836-1917)
|
1917-1920 |
|
Kneisel, Carl
(Austria 1882- )
does not seem related to Franz Kneisel of the Boston Symphony
and Kneisel Quartet
|
cello
After leaving the Philadelphia Orchestra, Carl Kneisel taught at the
Temple University School of Music - Philadelphia under Dean
Thaddeus Rich
.
|
1908-1917, 1919-1922 |
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|
|
Knorr, Frederic Hayes
(Pennsylvania about 1868- )
|
double bass (also a member of the
Henry Gordon Thunder Orchestra 1899-1900)
Studied at Lehigh University Class of 1888.
|
1900-1901 |
|
Koch, Henry (Germany 1852- )
|
horn (also a member of the
Henry Gordon Thunder Orchestra 1899-1900, John Philip Sousa Band
solo - Principal - horn during 1890s 169)
Shown at left in his John Philip Sousa Band uniform in about
1893.
|
1900-1901, 1907-1912 |
|
Koehler, A. |
trumpet |
1903-1904 |
|
Koehler, George |
saxophone |
1917-1920 |
|
Koen, John Franklin
(Texas 1966- )
|
cello (also as a student El Paso Youth Symphony, also Friends
Chamber Music Society 1990-1993, member of the
Mondrian Ensemble and of the Network for New Music,
Lansdowne Symphony - Pennsylvania Principal cello)
Studied at the New School of Music - Philadelphia 1984-1985, and
the Curtis Institute Class of 1990. Also active in music festivals,
including the Schleswig-Holstein Musik Festival - Germany. Teaches
at the Boyer College of Music - Temple University.
|
1990-present
On sabbatical September 2005 - March 2006, going to Bulgaria
where he was soloist with the New Symphony Orchestra of Sofia.
|
|
Koenig, H. |
violin |
1903-1904 |
|
Koert, Jan (Netherlands 1853-1911)
Jan Koert died in Atlantic City, New Jersey
on February 2, 1911, age only 57 159
|
violin 1900-1901, Associate Concertmaster 1901-1902, Principal viola
1902-1908 (also Ostend, Belgium orchestra Second Concertmaster
with Eugène Ysaÿe as Concertmaster in early 1880s. also Rubinstein Quintet
in Paris 1880s. New York Symphony Principal viola 1894-1895,
then third chair violin, and finally NY Symphony Concertmaster
1895-1898.
Studied violin in Rotterdam, Netherlands.
|
1900-1908 |
|
Kohler, Hugo |
cello |
1902-1903 |
|
Kohon, Benjamin
(then Russia, now Ukraine 1890-1984)
|
bassoon (also Russian Symphony 1907-1908, New York Philharmonic Principal
bassoon 1908-1912 including under Gustav Mahler, Philadelphia Orchestra
Principal bassoon under Stokowski 1912-1915. Joined Diaghilev's Ballet Russe
American tours in 1915 and 1916; under Ansermet in 1915, recorded Schumann
Columbia Graphophone. US Navy Band during World War 1. In 1919, joined the
National Symphony of New York which in 1921 merged with the New York Philharmonic
so Kohon was again Principal bassoon until 1942)
Began bassoon instruction in 1901 at age 11 with his father Marcus Kohon,
also a bassoonist.
|
1912-1915 |
|
Korb, Anton |
violin |
1901-1906 |
| | |
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|
|
Kosman, Elkan (Netherlands 1871-returned to Europe before World War 1)
|
Concertmaster (also Crystal Palace Orchestra - London Concertmaster
1894, Kosman String Quartet in Philadelphia: Elkan Kosman first,
Edwin Brill second, Howard Rattay viola, Rudolph Hennig cello)
Toured as violin soloist in England 1894-1899,
but with secondary orchestras and venues. Not rehired in
Philadelphia following the 1901-1902 season,
Kosman pursued a solo violin career in New York City, still with
mixed reviews and results, again proving a solo career is hard.
|
1901-1902 |
|
Koussewitzky, Fabien (Russia 1893-1967)
Nephew of Serge Koussevitzky, adopted the stage name of
"Fabian Sevitzky"
|
double bass (also conductor of Indianapolis Symphony 1937-1955,
Music Director Greater Miami Philharmonic Orchestra 1960-1967.
While in Philadelphia, Sevitzky organized the Philadelphia Chamber String
Simfonietta - his spelling)
Studied double bass at the institute run by the Moscow Philharmonic.
|
1923-1930 |
|
Koutzen, Boris
(then Russia, now Ukraine 1901-1966)
|
violin (also Moscow State Opera orchestra 1918, State Philharmonic Orchestra
of Petrograd while Serge Koussevitzky was still conducting, NBC Symphony under
Toscanini 1937-1945)
Studied at the Moscow Conservatory in 1918-1922, and the Berlin Akademische Hochschule
für Musik in 1922 with Karl Klingler. Taught at Vassar College 1944-1966.
|
1924-1927 |
|
Krachmalnick, Jacob Morris
(then Russia, now Ukraine 1922-2001)
|
Concertmaster 1951-1958 (also St. Louis Symphony
for several months in 1942 before being drafted, Cleveland Orchestra
Assistant Concertmaster 1946-1951, 1960-1961, Philadelphia
Orchestra Concertmaster 1951-1958 and left suddenly after disagreements
with Ormandy, Concertgebouw Orchestra Concertmaster 1958-1960 before
returning to Cleveland, New York Philharmonic on Japan tour Spring 1962,
briefly Concertmaster Dallas Symphony about 1963, San Francisco
Symphony and San Francisco Opera Concertmaster 1964-1970, Stringart String
Quartet while in Philadelphia)
Studied at the Curtis Institute Class of 1941. Jacob Krachmalnick was
said by his colleagues to be a difficult and sarcastic leader.
|
1951-1958 |
|
Krauss, Samuel G. (Ohio 1909-1992)
|
trumpet 1944-1945, Principal trumpet 1945-1958, Co-Principal
trumpet 1958-1959, second trumpet 1959-1967, fourth trumpet 1967-1974,
but did not complete the 1973-1974 season. (also National Symphony - Washington,
D.C. Principal trumpet 1935-1936, St. Louis Symphony Principal trumpet 1936-1944)
Studied at the Curtis Institute Class of 1934.
|
1944-about January 1974 |
|
Krayk, Stefan (Poland 1914-1999)
|
violin
Studied at the Berlin Akademische Hochschule für Musik with Carl Flesch
(1873-1944) in about 1931. After the Philadelphia Orchestra, taught
at Oberlin College - Ohio, and then for nearly 30 years at University
of California Santa Barbara 1950-1977.
|
1946-1947 |
|
Kreisler, Hugo (Austria 1883-1931)
brother of Fritz Kreisler
Fritz Kreisler on piano with Hugo Kreisler cello
|
cello (also Vienna Philharmonic, Fitzner Quartet: Rudolf Fitzner first,
Max Weissgärber second, Hugo Kreisler cello, Wiener
Konzertverein Quartet, Baltimore Symphony)
Recorded a series of famous disks with Fritz Kreisler including Rubinstein -
Melody in F, Fritz Kreisler Apple Blossoms,
Marche Miniature Viennoise, Syncopation and Liebesleid,
Chaminade Sérénade espagnole, Drigo Arlekinada, and a composition
by Hugo Kreisler Viennese Folksong Fantasy with Fritz Kreisler accompanying
at the piano, recorded for HMV in the 1920s.
|
1906-1907 |
|
Krell, John |
piccolo |
1952-1981 |
|
Kresse, Emil
(Germany 1874-about 1963)
|
violin 1901-1945, Principal timpani 1901-1903,
Principal percussion 1903-1904
Long term teacher at the Philadelphia Conservatory of Music,
which later became the Philadelphia College of Performing Arts.
Although primarily a violinist, Kresse played timpani in a number
of concerts in the 1930s when Oscar Schwar was ill. Kresse played
several instruments, including the cornet.
|
1901-1945 |
| | |
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|
|
Kresse, George (Georg)
(Germany 1882- )
not clear if related to Emil Kresse
|
violin (also seems to have played in the Amsterdam Concertgebouw under
Mengelberg)
|
1901-1903, 1906-1907 |
|
Kriens, Christian |
viola |
1902-1904 |
|
Krueger, E. |
violin |
1903-1905 |
|
Krueger, Richard |
bassoon 1901-1906, 1907-1908, 1909-1912, Principal bassoon
1915-1922 (also in 1904 Boston Festival Orchestra organized by
Emil Mollenhauer, Panama-Pacific International Exposition
orchestra - San Francisco 1915)
|
1901-1906, 1907-1908, 1909-1912, 1915-1922
|
|
Kruger, Otto |
violin |
1905-1917 |
|
Krummeich, Paul |
violin |
1903-1907 |
|
Kruse, William, Jr. |
bassoon |
1920-1921 |
|
Krzywicki, Paul M. (Pennsylvania 1944- )
|
Principal tuba (also Youngstown Symphony, US Military Academy Band,
New York Brass Sextet, Cambridge Brass Quintet, Portland Symphony -
Maine, Buffalo Philharmonic, also conductor of
Network for New Music Ensemble)
Studied at Indiana University BMus, MMus. Paul is also President of
Philadelphia Orchestra Retirees & Friends. You can read more
and find out how to contribute and support your great orchestra musicians at
www.philorch.org/porf.html
|
1972-2005 |
| | |
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|
|
Ku, Rachel (Taiwan )
|
viola (active in Network for New Music Ensemble.
also active in summer music festivals: Marlboro Festival - Vermaon, Sarasota
Music Festival - Florida, Taos Festival and Angel Fire festivals - New Mexico,
International Music Festival - Italy)
Studied at the Curtis Institute BMus Class of 2004, New England Conservatory
MMus 2009.
|
2004-present |
|
Kudisch, Alexis |
violin |
1918-1919 |
|
Kumme, Julius Gustav
(Pennsylvania 1877-after 1924)
|
viola and librarian
Studied with his Prussian father Herman Kumme, as did his musician brother
Herman Kumme Jr.
|
1900-1901
|
|
|
[ L
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|
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|
|
La Monaca, Joseph (Italy
|
second flute |
1910-1940 |
|
Lackmuth, Max |
oboe / English horn (also second oboe and English horn of the
Henry Gordon Thunder Orchestra 1899-1900).
He was also a regular theater musician in the 1900s.
Lackmuth was also a regular sub with the Philadelphia Orchestra
1911-1913.
|
1900-1901 |
|
Lambert, Lisa-Beth L. (Maryland 1972- )
|
violin (also National Symphony of Washington, D.C. 1995-2001)
Studied at the Curtis Institute Class of 1993 and Cleveland
Institute of Music. Lisa-Beth Lambert and Lambert Orkis programmed
s cycle of Mozart violin sonatas over two seasons in Washington, DC
and Philadelphia.
|
2001-present |
|
Lambert, Robert
(1917-2003)
|
trombone 1946-1948, Assistant Principal trombone 1948-1952,
Associate Principal trombone 1952-1955 (also Chicago Symphony
Principal trombone 1955-1965, appointed by Fritz Reiner to
succeed Frank Crisafulli)
Studied at the Curtis Institute Class of 1942. Robert Lambert told an
amusing story about the brass instrument maker Vincent Bach (and also
Boston Symphony trumpet 1914-1915
): Lambert said that when he spoke
to Bach about any problem with his instrument, Bach's hearing aid would
function poorly, but that when Bach's instruments were being praised,
Bach heard perfectly !)
|
1946-1955 |
|
Lampink, L. |
cello |
1902-1903 |
|
Lannutti, Charles
(Italy 1898-1976)
|
horn (also Principal horn Baltimore Symphony 1930s,
Hagerstown Civic Band - Maryland in 1940s)
Brother Nicholas Lannutti (1889-1991) was a long-lived orchestra
oboist and English horn player in the Philadelphia area who
taught Louis Rosenblatt.
|
1942-1963 |
|
Lang, Jeffrey (New Jersey about 1975- )
|
Associate Principal / section horn (also Principal horn American Symphony -
New York, Israel Philharmonic Principal horn. Also was Principal horn of Disney`s Beauty and the Beast on Broadway)
Studied at Temple University and the Juilliard School BMus. Married to
Finnish cellist Elina Snellman-Lang. Visit his interesting website at
www.jeffrey-lang.com
|
2007-present |
|
Lanza, Joseph (Pennsylvania 1933-2006) brother of
Louis Lanza
|
violin 1958-1988, Assistant Principal second violin 1988-2006. Succeeded his
cousin Robert De Pasquale as Assistant Principal second, with Robert moving
up one chair to become Associate Principal second violin.
Father of Joseph Lanza, Concertmaster of Orchestra London - Ontario.
Cousin of the four
de Pasquale musicians.
|
1958-2006 (48 seasons) died during the season
May 16, 2006. |
|
Lanza, Louis (Pennsylvania 1936- ) brother of
Joseph Lanza
|
violin (also National Symphony of Washington DC 1961-1964)
Studied at the Juilliard School. Cousin of the four
de Pasquale musicians.
|
1964-present |
| | |
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|
|
Lapetina, Frank M.
(Italy about 1859-1930?)
|
viola (also a theater musician in Philadelphia in the 1910s)
|
1900-1901 |
|
Lapitino, Francis Joseph
(New York 1880-1949)
Neapolitan Trio (l to r): Francis J. Lapitino,
Clement Barone flute,
Howard Rattay violin
|
Principal harp (from 1904-1926 frequently recorded for the Victor Talking
Machine Company in Camden, New Jersey, including as part of the groups
called the Florentine Quartet, with fellow Philadelphia Orchestra
musicians
Alexander Schmidt
violin,
Alfred Lennartz
cello, Clement Barone
flute, Francis J. Lapitino harp and also the Neapolitan Trio of
Howard Rattay violin,
Clement Barone flute,
Francis J. Lapitino harp, and accompanying leading Victor artists
including Enrico Caruso, John McCormack, Giovanni Martinelli,
Amelita Galli-Curci, Alma Gluck, Emilio de Gogorza
and Geraldine Farrar. also also permanent member harp with the
Victor Orchestra under
Josef Pasternack (1881-1940).
) |
1911-1913 |
|
Latisch, Emile (Germany 1872- )
|
double bass (also Cincinnati Symphony)
|
1910-1917 |
|
Lazzaro, Vincent, Jr.
(Pennsylvania 1898-1996)
|
double bass |
1921-1964 |
|
Le Barbier, Henri C.
(Alsace-Lorraine 1873-after 1940) Alsace-Lorraine was then part of
Germany and later returned to France after WW1
|
Principal trumpet (also Concertgebouw Orchestra Principal trumpet 1904-1909,
Minneapolis Symphony 1912-1920, 1923-1936)
|
1909-1914 |
|
Leavitt, Earl (New York 1919-1999)
|
second trombone (also Metropolitan Opera Orchestra in 1950s)
|
1945-1948 |
|
Lehnhoff, Sheppard I.
(Illinois 1905-1978)
|
viola (also Chicago Symphony viola 1930-1945 and 1953-1978,
also a founder of the the Fine Arts Quarter which initially was:
Leonard Sorkin first (1946–1982),
Joseph Stepansky second
(1946–1954),
Sheppard Lehnhoff viola (1946–1952) and
George Sopkin cello(1946–1979).
also founded the Lehnhoff Trio:
Samuel Magad violin,
Sheppard Lehnoff viola,
John Bandy cello 184)
Studied at the Curtis Institute Class of 1930.
|
1929-1930
while still a Curtis student
|
|
Lein, Morris |
trumpet |
1923-1925 |
|
Leman, John W. F.
(Maryland 1880-about 1955)
|
viola (also conductor of the Steel Pier orchestra Atlantic City, New Jersey
in 1917, conductor of the Ocean City Pops Orchestra, New Jersey,
conductor Philadelphia Civic Symphony 1937-1939,
conductor of Philadelphia Women's Symphony 1930s)
|
1908-1918 |
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|
|
Lemisch, Milu
(Romania 1847-after 1910)
|
viola (also a member of the
Henry Gordon Thunder Orchestra 1899-1900)
Emigrated to Philadelphia in August, 1887 following the pogrom in his home
town of Jassy, Roumania.
|
1900-1901 |
|
Lennartz, (Mathieu) Alfred
(Germany 1878-after 1943)
|
cello (from 1911-1929 frequently recorded for the Victor Talking Machine Company
in Camden, New Jersey, including as part of the groups called the
Florentine Quartet, with fellow Philadelphia Orchestra musicians
Alexander Schmidt violin, Alfred Lennartz cello, Clement Barone flute,
Francis J. Lapitino harp and also the Venetian Trio.
also permanent member cello with the Victor Orchestra under
Josef Pasternack (1881-1940). Lennartz was later
a theater orchestra musician in Philadelphia)
|
1902-1916 |
|
Leoncavallo, (Aniello) Victor
(Italy 1898-1981)
Also used the stage name of "John Leoncavallo"
|
English horn. (also New York Symphony oboe in early 1920s,
Teatro Nacional - Cuba, Minneapolis Symphony Principal oboe,
Metropolitan Opera Orchestra)
To hear the beauty of Leoncavallo's English horn solo
in the 1928 Albéniz Iberia - 'Fête Dieu à Seville'
click here.
In December, 1928 in mid-season, Leopold Stokowski dismissed Victor
Leoncavallo as English horn, and hired
Marcel Dandois. Dandois's contract was not renewed the next
season, and between 1928 and 1932,
during four seasons, Stokowski went through five English horns.
In 1932-1933, Stokowski appointed
Robert Bloom as English horn.
|
1926-1928 |
|
Lester, Leon (West Virginia 1910-2003)
|
bass clarinet. Succeeded Lucien Cailliet as bass clarinet upon
his retirement in 1966. Three Philadelphia Orchestra bass clarinets
in 89 seasons:
Lucien Cailliet
1916-1938, Leon Lester 1938-1966,
Ron Reuben
1967-2005 (with a one year gap for contractual reasons).
Came from a mostly non-musical family in rural West Virginia, and
studied at the Curtis Institute Class of 1934.
|
1938-1966 |
|
Leventhal, B. F. |
viola |
1911-1923 |
|
Levin, Dmitri (Belarus 1952- )
|
violin (also Minsk Opera and Ballet Principal second violin,
Pittsburgh Symphony violin and Co-Principal second violin 1979-1984
also the Rachmaninov Trio: Luba Agranovsky piano, Dmitri Levin violin,
Robert Cafaro cello)
Studied at Central Music School - Moscow and the Moscow Conservatory.
|
1984-present |
|
Levy, Harry |
violin |
1918-1919 |
|
Lewin, Morris |
cello |
1928-1952 |
|
Lewis, Arthur |
viola |
1967-1968 |
| | |
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|
|
Lifschey, Samuel
(New York 1889-1961)
|
Principal viola (also New York Symphony viola during WW1, Maverick Festival at
Woodstock, New York during the summers in early 1920s, Cleveland Orchestra
Principal viola 1921-1923, Philadelphia Orchestra Principal viola for thirty
seasons, 1925-1955. Also Detroit String Quartet in 1920s, Guarnerius Quartet
with Alexander Hilsberg first, David Madison second and Samuel Lifschey
viola, van den Berg cello in 1930s)
Studied violin under Arnold Volpe (1869-1940) in New York City
in the 1910s.
|
1925-1955 |
|
Light, Herbert M.
(Pennsylvania 1936- )
|
violin (also US Army Band - Washington, DC, Baltimore Symphony,
a founding member of the New Philadelphia Quartet)
Studied at Philadelphia Musical Academy.
|
1960-present |
|
Lind, Loren N. (Hawaii 1944- )
|
flute (also Honolulu Symphony, Philadelphia Lyric Opera)
Studied at the University of Hawaii. Teaches at Temple University -
Philadelphia.
|
1974-present |
|
Lindemann, Robert
(Germany 1884-1977)
Robert Lindemann in 1921
|
Principal clarinet (also Saint Paul Symphony Orchestra Principal clarinet
130, Philadelphia Orchestra Principal clarinet 1913-1917 but not
rehired by Stokowski, New York Symphony Principal clarinet 1918-1919 or perhaps
later, Chicago Symphony Principal clarinet 1923-1949 until retired by
Rafael Kubelik. Also played in the Chicago Woodwind Quintet in the 1930s)
Studied first with his father Eduard Lindemann in Germany, before relocating
to the US in 1911.
|
1913-1917 |
|
Lipkin, Arthur B.
|
violin |
1922-1949 |
|
Liuzzi, Don Stephen
(Massachusetts 1959- )
|
Principal timpani (also Pittsburgh Symphony percussion 1982-1989,
and while a student the Flint Symphony, Michigan Opera Theater
Orchestra)
Studied at the Settlement Music School - Philadelphia, the University
of Michigan BMus, Temple University MMus.
|
1989-present |
|
Livoti, George
(Massachusetts 1900-1977)
|
violin |
1923-1924 |
|
Lloyd, Peter
(Pennsylvania 1956- )
|
double bass (also Minnesota Orchestra Principal Bass 1986-2007
under Edo de Waart, Eiji Oue, and Osmo Vanska)
Studied first at the Settlement Music School - Philadelphia and then
at the Curtis Institute Class of 1978. Active in summer music
festivals, including the Marlboro Festival - Vermont, Chamber Music
Northwest - Oregon, Music From Angel Fire - New Mexico, the
Vail Valley Music Festival - Colorado and the Pacific Music Festival
- Japan. Teaches at Northwestern University and the Jacobs School of
Music - Indiana University.
|
1978-1986 |
|
Loeben, Gustave Albert, Jr.
(Pennsylvania 1899-after 1960)
|
viola 1919-1954, keyboard 1927-1932, 1940-1941, 1945-1946.
Notable for his celesta playing in the
1926 and
1934 recordings of Tchaikovsky Nutcracker Suite.
|
1919-1954
|
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|
|
Lorenz, Alfred (Germany 1878- )
|
viola 1901-1943, except Principal viola 1917-1918, Assistant Concertmaster
1941-1943. (also the Schmidt Quartet, Emil Schmidt
first, Louis Angeloty second,
Alfred Lorenz viola, William Schmidt,
brother of Emil, cello 1914-1921, in 1904 Boston Festival Orchestra organized by
Emil Mollenhauer).
|
1901-1943 |
|
Lorenz, Franz |
cello |
1909-1917 |
|
Lotz, Paul P. (Germany 1870-1945)
|
First Principal trombone of the Philadelphia Orchestra 1900-1901,
returned as trombone 1907-1909, then bass trombone 1909-1922,
second trombone 1922-1940, personnel manager and utility trombone
1940-February 1945. (also a member of the
Henry Gordon Thunder Orchestra 1899-1900)
|
1900-1901, 1907-1945
died during 1944-1945 season February 18, 1945
|
|
Lucas, Heinrich
|
viola |
1901-1902 |
|
Luck, Arthur
(Pennsylvania 1892-1976)
Arthur Luck in Detroit supervising a performance of one of
his compositions for band
|
double bass (also, following service in the US Navy Band in World War 1,
joined the Detroit Symphony 1919-1954, playing double bass 1919-1954
and percussion 1923-1942 and 1952-1954, as well as orchestra librarian)
Arthur Luck's responsibilities at orchestra librarian of the Detroit
Symphony lead to his creation of a music business: Luck’s Music Library, Inc.
|
1914-1918 |
|
Ludwig, Irving father of
Michael Ludwig, Philadelphia Orchestra violin and
Boston Symphony viola
Mark Ludwig
(Pennsylvania 1928- )
Irving Ludwig as conductor
|
violin (also following retirement from the Philadelphia Orchestra, conductor of
the Lansdowne Symphony in suburban Philadelphia 1991-present)
Studied at the Settlement Music School - Philadelphia.
|
1949-1951, 1954-1990 |
|
Ludwig, Michael
(Pennsylvania 1967- )
son of Philadelphia Orchestra violin
Irving Ludwig, and brother of
Boston Symphony viola
Mark Ludwig
 |
violin 1991-1993, Associate Concertmaster 1993-2006 (also
Buffalo Philharmonic Concertmaster 2006-present)
Studied first with his violinist father
Irving Ludwig, and then at the Curtis Institute
Class of 1982. He recorded the premier of the Piano Trio in F Major
by Marcel Tyberg (1893-1944) for NAXOS, and of the Red Violin Concerto
by John Corigliano (1938- ) with JoAnn Falletta conducting the
Buffalo Philharmonic.
|
1991-2006
|
|
Lusak, Owen
(Canada 1918-1999) |
violin (also National Symphony of Washington DC)
|
1944-1984 |
|
|
[ M
]
|
|
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|
|
Mackey, (Charles) Stanley
(Pennsylvania 1877-1915)
|
tuba (also personnel manager 1905-1915, librarian, 1907-1915
succeeded as tuba by Andrew Thomae. also Director of the
Philadelphia Band, (also a member - playing double bass
and tuba - of the
Henry Gordon Thunder Orchestra 1899-1900)
Died suddenly age only 38 of blood poisoning in the Philadelphia Hospital
September 26, 1915 "...despite
heroic efforts made to save his life through blood transfusion..." At
his funeral the Philadelphia Orchestra and Stokowski performed the Beethoven
Funeral March from Symphony no 7.
|
1900-1904, 1905-1915 |
|
Madison, David Tevye
(Pennsylvania 1907-1992)
|
violin 1927-1941, Assistant Concertmaster 1941-1959, Associate Concertmaster
1959-1972. (also Guarnerius Quartet with Alexander Hilsberg first,
David Madison second and Samuel Lifschey viola, van den Berg cello in 1930s)
Studied privately in New York City with Leopold Auer.
Fifty one seasons with the Philadelphia Orchestra, starting at age 20.
|
1927-1978
|
|
Maedler, Robert |
double bass |
1902-1907 |
|
Maestre, Emilio (Spain 1888-1983)
|
cello (also a theater musician in New York City at New Bedford Theater
and others)
Studied cello with his Catalan father José Maestre.
|
1922-1924 |
|
Malach, E. |
double bass |
1918-1919 |
|
Mansfelt, Theodore |
cello |
1904-1905 |
|
Maquarre, André
(Belgium 1875-1933) brother of
Daniel Maquarre
|
principal flute (also Boston Symphony Principal flute 1898-1918, then
Philadelphia Orchestra Principal flute 1918-1921. He was dismissed by Stokowski
in April, 1921 during a rehearsal 21. Georges Longy Club
while in Boston, New York Chamber Music Society Principal flute 1921-1922,
Los Angeles Philharmonic Principal flute from 1922-1929.)
Studied with his flutist father, Clement Maquarre, then Paris Conservatoire
Premiere prix for flute in 1893. André Maquarre returned to France in about
1930 and became a member of La Société des auteurs, compositeurs et éditeurs
de musique, a government-organized company responsible for the management
of authors and composers rights and copyrights, where he died in 1936.
|
1918-1921
Partial season in 1920-1921 dismissed by Stokowski in April
|
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|
|
Maquarre, Daniel
(Belgium 1881-after 1930) brother of
André Maquarre
|
Principal flute (also Lamoureux Orchestra and Colonne Orchestra - Paris
Principal flute 1900-1902, Boston Symphony flute 1903-1909,
New York Symphony Principal flute 1918-1919, National Symphony of
New York 1920-1924 58, with the National Symphony of
New York merging with the New York Philharmonic in 1921.
Late 1920s, Daniel Maquarre was an independent musician in New York City,
including for growing live radio broadcasts. Radio performances
included of the Classical Trio: Stefano de Stefano harp,
Luclen Klrsch cello and Daniel Maquarre flute 179)
Studied with his flutist father, Clement Maquarre, then Paris Conservatoire,
where he won a first 'Accessit', or runner-up flute prize in 1894 and Premier
Prix in about the 1899 Concour. Daniel Maquarre may have departed
from the Boston Symphony due to a scandal. According to newspaper
accounts, Daniel Maquarre was arrested in San Francisco in 1909 "...
upon telegraphic advices from Boston Police where he la wanted
upon an Indictment charging him wlth a serious offense for eloping
with Mrs. Matilda Lenom..." 176. Matilda Lenom
was the wife of
Clément Lenom
, fellow Belgian and second oboe of the
Boston Symphony 1901-1925. (No doubt a juicy story and scandal
at the time. Clément Lenom remarried that same year). Daniel Maquarre
seems to have returned to France in about 1930.
|
1910-1918 |
|
Marchetti, Attillio
(Italy 1883-1965)
|
Principal oboe (also La Scala, Milan Principal oboe under Arturo Toscanini,
Costanzi Theater, Rome - later renamed the Teatro dell'Opera di Roma of which
Ricardo Muti is now Music Director - Principal oboe under Luigi Mancinelli
(1848-1921), Chicago Opera Principal oboe, Philadelphia Orchestra Principal
oboe 1913-1915 during Stokowski's second season with the Philadelphia Orchestra.
Then, concert groups such Maine Music Festivals during 1920s.) In the 1950s, he
was active in the importing of woodwinds into the U.S.
According to correspondence, Leopold Stokowski wanted to recruit the Belgian
oboe Henri de Busscher (1880–1975) as Principal oboe to replace Alfred Doucet,
but could not due to union problems. Stokowski settled on Marchetti, but with
the intention of only retaining him for a season 163. In fact, Marchetti
lasted two seasons until Marcel Tabuteau was hired.
|
1913-1915 |
|
Maresh, Ferdinand or Fernando (Ohio 1918-1986)
|
Assistant Principal bass 1967-1970, double bass 1970-1986 (also
All-American Youth Orchestra of 1940, Cleveland Orchestra 1941-1942, 1945-1948,
Philadelphia Orchestra 1967-1986)
Studied at the Curtis Institute Class of 1940. Wrote the interesting book
Transatlantic passenger steamships to Philadelphia in 1985. Maresh
died suddenly November 29, 1986.
|
1948-1986 |
|
Marquardt, John (Johann)
(Germany 1859-after 1930)
|
Concertmaster 1902-1903 (also first violin Boston Symphony 1886-1889,
Philharmonic String Quartet based in Cleveland 1889-1891, Chicago
Symphony 1892-1893, Concertmaster Tivoli Opera House - San Francisco
1900-1902, Concertmaster Philadelphia Orchestra 1902-1903)
Studied violin at the Berlin Akademische Hochschule für Musik
in late 1870s.
|
1902-1903 |
|
Martin, Christopher (Georgia 1975- )
|
Associate Principal trumpet (also Atlanta Symphony Principal
trumpet early 2001-2005, Philadelphia
Brass Ensemble, Chicago Symphony Principal trumpet 2005-present)
Eastman School of Music BMus 1997. Martin can be heard in the 2003 Grammy
Award recording by the Atlanta Symphony of the Vaughan Williams
A Sea Symphony conducted by Robert Spano.
|
1997-2001 |
|
Martonne, Herman (Hungary 1879-1970)
|
violin (also New York Philharmonic including under Mahler 1905-1910, string quartet
with Alexander Saslavsky first, Herman Martonne second, A. Bernstein viola,
Herbert Riley cello about 1912-1915)
Studied at the Vienna Conservatory about 1897-1900.
|
1917-1920 |
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|
|
Masoudnia, Elizabeth Starr
(Pennsylvania 1965- )
|
English horn (active in Network for New Music Ensemble)
Studied at the Curtis Institute Class of 1985. In April 2005, Masoudnia
played the premiere of Nicholas Maw Concerto for English Horn
with the Philadelphia Orchestra.
|
1995-present |
|
Matsukawa, Daniel (Argentina 1968- )
|
Principal bassoon (also St. Louis Symphony Principal bassoon, Memphis Symphony
Principal bassoon, National Symphony of Washington DC Principal bassoon 1997-2000)
Studied at pre-college division of Juilliard School, Manhattan School
of Music. He then entered the Julliard School for two years before
studying at the Curtis Institute, graduating in the Class of 1992.
|
2000-present |
|
Mayer, Clarence |
Principal horn 1938-1942, Co-Principal horn 1931-1935, 1939-1941,
horn 1926-1931, 1941-1965
Taught at the Philadelphia Conservatory of Music
|
1926-1965
|
|
Mayer, Gustav brother of
Henry Mayer
(Pennsylvania 1879-after 1943)
|
percussion
Studied with his musician father Henry Mayer Sr. (1845-after 1922) of
Württemberg, Germany as did his older brother Henry Mayer,
Philadelphia Orchestra Principal percussion player.
|
1916-1923 |
|
Mayer, Henry, Jr. brother of
Gustav Mayer
(Pennsylvania 1873-1963)
|
Principal percussion 1908-1909, percussion 1907-1908, 1911-1916,
1917-1923
Studied with his musician father Henry Mayer Sr. (1845-after 1922) of
Württemberg, Germany. His brothers were also orchestra musicians,
Gustav with the Philadelphia
Orchestra and Albert Mayer with Philadelphia theater orchestras.
|
1907-1923
|
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|
|
Mayes, Samuel Houston (1917-1990) married to
Winifred Schaefer Mayes
|
Philadelphia Orchestra cello 1936-1948, Co-Principal cello 1939-1943,
Principal cello 1943-1948 and 1964-1973 (also Boston Symphony Principal cello
1948-1964, Los Angeles Philharmonic Principal cello 1974-1975)
Studied at the Curtis Institute Class of 1937, played in the Philadelphia
Orchestra cello section prior to graduation. Met and married Winifred Schaefer
while in Boston. Samuel Mayes had a genuine American west background: one of
his grandfathers was a Cherokee chief, and two Oklahoma counties were
named for his forbearers, Rogers County and Mayes County. |
1936-1948, 1964-1973 |
|
Mayes, Winifred Schaefer Winograd (Washington 1919- )
married to Principal cello Samuel Mayes,
Samuel and Winifred 1956
|
cello 1964-1970, Assistant Principal cello 1970-1977 (also Boston Symphony
cello 1957-1964)
Studied at the Curtis Institute Class of 1942. First woman to be a
Boston Symphony string player. Winifred had been married to
Arthur Winograd (1920-2010), cellist of the Juilliard String Quartet.
Samuel and Winfred met at the Boston Symphony, where Winifred's sister
Lois Schaefer
was a piccolo of the Boston (and Chicago) Symphony.
|
1964-1977 |
|
McComas, Donald Earl Jr.
(Montana 1932-2011)
Donald McComas with Seymour Rosenfeld behind
|
trumpet 1964-1967, Assistant Principal trumpet 1967-1973,
Associate Principal trumpet 1973-1997 (also during the Korean War,
McComas played in the US Army Band at Fort Myer, Virginia. Also
the Buffalo Symphony, the National Symphony of Washington DC)
Studied at the University of Michigan BMus, Catholic University -
Washington DC MMus. He taught at the New School of Music - Philadelphia,
Temple University - Philadelphia and the Philadelphia Bible College.
|
1964-1997
|
|
McGinnis, Robert E. (Pennsylvania 1910-1976)
|
clarinet 1930-1931, Principal clarinet 1931-1940 (also Cleveland
Orchestra Principal Clarinet 1940-1941, during World War 2,
1942-1945 U.S. Navy Band, Cleveland Orchestra Principal Clarinet
again 1945-1946. In the 1947-1948 season, McGinnis was Principal
clarinet of the NBC Symphony under Toscanini, then New York
Philharmonic as Principal clarinet 1948-1960, Co-Principal clarinet
(with Philip Fath) with the San Francisco Symphony Orchestra 1964-1969.
Studied at the Curtis Institute Class of 1935. Robert McGinnis,
Melvin Headman, and
Robert Bloom entered the
Philadelphia Orchestra directly from the Curtis Institute in
1930 upon the decision of Leopold Stokowski, although they
'officially' graduated in the Curtis Class of 1935. 1930 was the
year that Stokowski dismissed many Philadelphia Orchestra musicians,
including Principal clarinet
Daniel Bonade, seeking youth.
|
1930-1940
|
|
McLane, Ralph (Massachusetts 1907-1951)
Unfortunately, Ralph McLane died during his last 1950-1951 Philadelphia
season of cancer on February 18, 1951, age only 43
.
|
Principal clarinet
Studied with
Gaston Hamelin
, Principal clarinet of the Boston Symphony
both in Boston and in Paris after Koussevitzky had fired Hamelin.
Ralph McLane gave the premiere performance of the Aaron Copland
Clarinet Concert in New York City on November 24, 1950.
|
1943-1951 |
|
Meichelt, Albert Jr. brother-in-law of Philadelphia trumpet
Paul Handke
(Germany about 1868- )
|
trumpet - probably second trumpet (also Royal Hoftheater Munich
where his father Albert Meichelt was first trumpet 1885-1912 27.
Came to Philadelphia for two seasons probably recruited by Fritz Scheel
who scouted for musicians for the Philadelphia Orchestra each summer
in Germany)
Studied with his father Albert Meichelt Sr. (1850-1914) as he grew up
in Munich, Germany.
|
1902-1904 |
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|
|
Melatti, Nicola |
violin |
1922-1924 |
|
Meriz, Emilio Marin
(Spain 1881-1975)
|
violin (also Sigmund Beel String Quartette: Slgmund Beel first,
Emilio Meriz second,
Nathan Firestone
viola, Wanceslso Villalpando
cello in San Francisco in 1910s in chamber music and orchestral
concerts)
Most of Meriz's career was as a musician in San Francisco. He may
have played in the San Francisco Symphony under Henry Hadley.
|
1917-1918 |
|
Mertz, Herbert G. |
violin |
1919-1920
|
|
Messias, John |
cello |
1901-1902 |
|
Meyer, Harry W. |
violin |
1904-1915 |
|
Meyer, John A. |
violin (also a member of the
Henry Gordon Thunder Orchestra 1899-1900)
|
1900-1901 |
|
Meyer, Paul |
violin |
1914-1921 |
| | |
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|
|
Michaux, Henry Joseph
(Belgium 1882- )
|
Principal viola 1915-1917, viola 1917-1940 |
1915-1940
|
|
Miller, Charles S. |
violin |
1918-1919, 1943-1964 |
|
Miller, Frank (Maryland 1912–1986)
Frank Miller in 1947
|
cello (also Minneapolis Symphony Principal cello 1935-1937, NBC Symphony
Principal cello 1938-1953, conductor conduct the Florida Symphony 1954-1959,
Chicago Symphony Principal cello 1959-1960 and 1961-1985, Chicago
Symphony String Quartet for 35 years, conductor of the Evanston Symphony -
Illinois)
Studied at the Curtis Institute Class of 1933 - played in cello section of
the Philadelphia Orchestra even before graduation. Miller was cousin of
Leonard Rose (1918-1984).
|
1930-1935 |
|
Miller, Max |
violin |
1962-1977 |
|
Miller, Nolan (Pennsylvania 1939- )
|
horn 1965-1966, Associate Principal horn 1966-1978, Principal
horn 1978-2005.
Studied at Lebanon Valley College, PA and at the Curtis Institute
Class of 1965.
|
1965-2005
|
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|
|
Minsel, Robert |
horn |
1901-1904 (principal, 1901-1902)
|
|
Minsker, John |
English horn |
1936-1959 |
|
Mischakoff, Mischa (Russia 1895-1981) born Mischa Isaakevich Fischberg, part of the
musical Fishberg-Glantz family.
Mischakoff as Concertmaster Warsaw Philharmonic 1921
|
Concertmaster (also Blüthner Orchestra, Berlin 1912, St. Petersburg Philharmonic
Concertmaster 1913-1914, Bolshoi Theatre Orchestra 1920, Warsaw Philharmonic
Concertmaster 1921, New York Stadium concerts Orchestra 1922, New York Symphony
Concertmaster 1924-1927, Philadelphia Orchestra Concertmaster 1927-1929, Chicago
Symphony Concertmaster 1930-1937, NBC Symphony 1937-1952, Chautauqua Symphony
Concertmaster 1926-1964, Detroit Symphony Concertmaster 1952-1968 - wow)
Studied at the Imperial Conservatory, St. Petersburg. In the spring of 1929,
Mischa Mischakoff and David Dubinsky
resigned from the Philadelphia Orchestra
because of "rudeness" by Leopold Stokowski 7,8.
|
1927-1929 |
|
Modess, Oskar Max
(Germany 1868-after 1930)
Oskar Modess, with wife Anna, sons Walter and Edgar in 1922
|
Principal bassoon
Modess came to the US to the Chicago Orchestra in 1893, recruited by Theodore Thomas,
where he was Principal bassoon 1893-1895. He was the first Principal
bassoon of the Philadelphia Orchestra, recruited by Fritz Scheel.
After he left the Philadelphia Orchestra, Modess played in New York concerts.
Modess joined the John Philip Sousa Band 1910-1911 and went on their
1911 around-the-world tour to England, South Africa, Australia and New Zealand.
In the 1920s and 1930s, he played oboe in New York theatre and hotel orchestras.
|
1900-1901 |
|
Mogill, Leonard (Pennsylvania 1911-1997)
Leonard Mogill, right with fellow PO viola Irving Segall
on Japan tour 1967
|
viola
Leonard Mogill grew up in Philadelphia, son of Polish-Jewish immigrants
who came to the US in 1900, when Russia still ruled Poland. Leonard Mogill
seems to be remembered most
as a teacher of viola and violin, even more than his 46 season tenure
with the Philadelphia Orchestra. An example is the picture to the left
showing Mogill with his former student Irving Segall, who became a
colleague in the Philadelphia Orchestra viola section.
|
1935-1981 |
|
Molieri, Gaetano |
viola |
1971-1999 |
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|
|
Mollenhauer, Bernhard |
violin |
1900-1901 |
|
Molloy, John W. |
violin |
1920-1948 |
|
Monasewitch, Grisha |
violin |
1927-1936 |
|
Montanaro, Donald L (Connecticut 1933- ) married to
Margarita Csonka Montanaro
 |
Assistant Principal clarinet 1957-1984, Associate Principal
clarinet 1984-2005 (also New Orleans Philharmonic, founding
member of the Philadelphia Chamber Ensemble, and its Music
Director since inception)
Studied at the Curtis Institute Class of 1954.
|
1957-2005
|
|
Montanaro, Margarita Csonka (1941- ) married to
Donald Montanaro
|
Associate Principal harp 1986-1994, Co-Principal harp 1994-present
(joined the Philadelphia orchestra immediately on graduating from the
Curtis Institute. Also a founding member of the Philadelphia Chamber
Ensemble)
Studied at the Curtis Institute Class of 1963.
|
1963-present
|
|
Montone, Jennifer (Virginia 1974- )
 |
Principal horn (also New Jersey Symphony third horn,
Dallas Symphony Associate Principal horn 2000-2003,
Saint Louis Symphony Principal horn 2003-2008. Also
active in chamber music festivals including Bay Chamber Concerts
- Maine, Chamber Music Society of Lincoln Center, La Jolla Chamber Music
Festival - California, Santa Fe Chamber Music Festival - New Mexico,
Bellingham Music Festival - Washington, Spoleto Chamber Music Festival
- Italy and the Marlboro Music Festival - Vermont)
Studied at the Juilliard School BMus in about 1997.
|
2008-present
|
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|
|
Moon, Marvin (Pennsylvania 1980- )
|
viola (also Chamber Orchestra of Philadelphia, Boston Symphony 2005-2007)
Studied at Boyer College of Music - Temple preparatory and Curtis Institute
Class of 2003.
| 2007-present |
|
Morales, Dara (Pennsylvania )
sister-in-law of
Ricardo Morales
|
Assistant Principal Second violin (also Northern Kentucky Symphony Concertmaster,
Puerto Rico Symphony Principal Second violin, Interim
Associate Concertmaster, Utah Symphony Principal Second violin)
Studied at University of Cincinnati College-Conservatory of Music BMus, MMus.
|
summer 2007-present |
|
Morales, Ricardo (Puerto Rico 1972- )
husband of Amy Oshiro
|
Principal clarinet (also Florida Symphony Principal clarinet, Metropolitan Opera
Orchestra Principal clarinet 1993-2003. In October, 2010, the New York Philharmonic
offered Morales the postion of Principal clarinet, a position which had been
open the end of the 2008-2009 season. In April, 2011, the Philharmonic
announced that Ricardo Morales would take up the Principal clarinet postion
in New York beginning in September 2012, following his final Philadelphia
commitments in the summer of 2012. )
Studied at Escuela Libre de Musica, San Juan, University of Cincinnati
College-Conservatory of Music, Indiana University.
|
2003-probably 2012 |
|
Moret, Albert R. |
violin |
1902-1921 |
|
Morris, Charles Major
(Pennsylvania 1921-1998)
|
Assistant Principal oboe 1954-1959, oboe 1959-1986 (also Kansas City
Symphony in 1950s 170)
Studied at the Curtis Institute Class of 1947.
|
1954-1986
|
|
Morton, Frank S. |
violin |
1906-1907 |
|
Mueller, Herman (Germany 1878- )
|
viola 1910-1917, bassoon 1910-1937 |
1910-1937
|
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|
|
Mueller, Matthew J.
(Germany 1889-1953)
Killed by an automobile at the Worcester Festival on October 23, 1953
where the Philadelphia Orchestra was touring.
|
violin
Emigrated to New York City as a child in 1895. Studied at the
Curtis Institute Class of 1925. Dismissed from the orchestra in
March, 1940, but reinstated after much controversy 166.
|
1922-1953 |
|
Mueller, Otto F.
(Germany 1870- )
|
violin (later a theater orchestra musician in Philadelphia)
|
1907-1914, 1921-1924 |
|
Muller, C. H. |
double bass |
1900-1901 |
|
Munroe, Lorne A. (Canada 1924- )
Lorne Munroe in New York
|
Principal cello (also Cleveland Orchestra Principal cello 1949-1950,
Minneapolis Symphony 1950-1951, Philadelphia Orchestra Principal cello
1951-1964, New York Philharmonic Principal cello 1964-1996)
When 14, Lorne Munroe was taken to London by his sponsor,
Australian composer/pianist Arthur Benjamin (1893-1960), where he
studied with Benjamin and with cello teacher Ivor James (1882-1963)
at the Royal College of Music. He also studied at the Curtis Institute
in the same class as
Paul Olefsky,
graduating in 1947.
|
1951-1964 /td> |
|
Munsch, Georg |
clarinet |
1901-1902 |
|
Murphy, Charlton Lewis
(Pennsylvania 1878- )
|
violin (also a theater musician in the 1910s)
Studied violin in Geneva, Switzerland 1904-1906.
Taught at the Philadelphia Musical Academy in the
1920s.
|
1900-1901 |
|
Murray, Edward |
viola |
1924-1935, 1936-1938 |
|
|
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|
|
Nast, Ludwig Max
(born Strasbourg, then Germany, later France 1872-1933)
Ludwig Nast in 1909
|
cello (also Kiev Symphony Orchestra - Russia Principal cello,
Boston Symphony cello 1904-1919,
later Detroit Symphony from about 1920-about 1933,
also Mendelssohn Piano Trio: Ray Groff violin, Ludwig Nast cello,
Victor Baxter piano in 1910s, also Boston Symphony Sextette whose
membership in 1909 was:
William F. Krafft first violin,
Placido Fiumara second violin,
John Mullaly viola,
Ludwig Nast cello,
Max Kunze bass, who was also group leader
188)
Studied at the Strasbourg Conservatoire.
|
1902-1904 |
|
Nava, Genaro Martinez (or Martinez-Nava)
(Mexico 1895- )
|
viola
brother of Luciano Neva French horn of the Pittsburgh Symphony in 1910s
and the Rialto Theater, New York in the 1920s.
|
1922-1923 |
|
Neeter, Philip (Netherlands 1882- )
|
viola (also St. Louis Symphony in 1930s, also Wendling Sting Quartet:
Carl Wendling
first, Hans Michaelis second, Philipp Neeter viola,
Alfred Saal cello)
In 1921, received the gold medal award from the University of
Buenos Aires - Argentina.
|
1925-1929 |
|
Nelson, Angela Zator
(Illinois 1975- )
|
timpani 1999-2003, Associate Principal timpani 2003-present
(also active in Network for New Music Ensemble)
Studied at Northwestern University and Temple University Master of
Musical Performance 2001. Active in contemporary music, she performed in
the premiere of the first five American Songbooks by George
Crumb (there are now six), chamber music for percussion, piano, and
voice.
|
1999-present |
|
Ni, Hai-Ye
(China 1972- )
photo: Philadelphia Orchestra, n.d.
|
Principal cello (also Associate Principal cello New York Philharmonic
1999-2006, although she is still listed in the Philharmonic roster
through the end of the 2006-2007 season)
Studied at Shanghai Conservatory of Music, then San Francisco Conservatory
late 1980s, the Juilliard School about 1990 followed by William Pleeth in
London. also active in summer music festivals, including the
Marlboro Music Festival - Vermont, the Spoleto
Festival - South Carolina, the Santa Fe Chamber Music
Festival - New Mexico, the Aspen Music Festival - Colorado,
the La Jolla SummerFest - California, the Kuhmo Festival -
Finland, and the Pablo Casals Festival - France.
Hai-Ye Ni performed the music of Ellen Taaffe Zwilich
(1939- ) at the Carnegie Hall Weill Recital Hall in
2004.
|
September 2006-present |
|
Nicastro, David B.
(born in New York, but grew up in the Netherlands 1966- )
|
viola (also San Francisco Opera Orchestra Associate Principal
viola, Kono Quartet - Indiana, also active in a quartet made up
of
Paul Roby first,
Hirono Oka second,
David Nicastro viola,
John Haines-Eitzen cello)
Studied at Boston University BA English and BMus in violin,
Indiana University Jacobs School of Music Artists Diploma.
|
1995-present |
| | |
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|
|
Nicoletta, Frank Anthony
(Maryland 1884-1963)
|
harp (also a theater musician in Philadelphia and at the
Steel Pier in Atlantic City, New Jersey.
Taught at the Philadelphia Conservatory of Music, which later
became the Philadelphia College of Performing Arts.
|
1923-1931 |
|
Nowinski, David (or Nowiński)
(Poland 1875-perhaps returned to Poland)
|
violin (also Stanley Theater orchestra - Philadelphia, also
Worcester Festival Orchestra - Massachusetts 1915,
Cleveland Orchestra under Nicolai Sokoloff 1922-1924)
Taught at the University of Pennsylvania School of Music prior
to the Philadelphia Orchestra.
|
1906-1917 |
|
Numazawa, Yayoi
(Japan about 1971- )
photo: Philadelphia Orchestra, n.d.
|
violin
Studied at the Curtis Institute Class of 1989. Won the Albert M.
Greenfield Student Competition at Curtis two times.
|
1995-present |
|
|
[ O
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|
|
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|
|
O'Carroll (Dalschaert), Cathleen C. wife of
Stephane Dalschaert
(Australia 1930- )
|
violin
See the entry for
Cathleen O'Carroll Dalschaert
|
1967-1991 |
|
Oberstein, Bram |
cello |
1923-1924 |
|
Oesterreicher, Walter |
flute/piccolo |
1903-1904 (principal) |
|
Ofer, Erez (Israel 1959- )
|
Concertmaster. A fine violinist, but the post did not work out, and
Ofer departed in March, 1998. (also Co-Concertmaster Bavarian State Radio
Orchestra 1992, Amernet Quartet 1999-2003. Berlin Radio Orchestra
(Rundfunk-Sinfonieorchester Berlin) Concertmaster 2001-present)
Studied in Israel with Ilona Feher (1901-1988), and at Indiana University
with Josef Gingold in the late 1970s. Also Freiburg Musikhochschule in
Germany and the Juilliard School in 1991.
|
1995-March 1998 |
|
Oka, Hirono
(Japan 1957- )
|
violin (also active in the Delaware Chamber Music Festival,
and in Network for New Music Ensemble,
also active in a quartet made up
of
Paul Roby first,
Hirono Oka second,
David Nicastro viola,
John Haines-Eitzen cello)
Studied at the San Francisco Conservatory and the Curtis Institute
Class of 1982.
|
1990-present |
|
Olanoff, Max (Russia 1900-1980)
|
violin (a concert soloist in New York City 1917-1918, and again in
the early 1920s, but with mixed reviews, then played lesser concerts
with community orchestras - the solo career was not working, during the
1930s played in radio staff orchestras, with the advantage of 52 week
employment, Buffalo Philharmonic 1946-1947)
Studied at the Von Ende School of Music (New York) and with Leopold Auer
in New York City (before Auer was at Juilliard or Curtis).
|
1918-1919 |
|
Olefsky, Paul (Illinois 1926- )
|
Cello 1946-1948, Principal cello 1948-1951 (In 1956,
Paul Olefsky is listed as being Principal cello in the Chicago
Symphony roster 1, but he seems not to have served with the
Chicago Symphony for the entire 1956-1957 season, if he did in fact take the
Principal chair. By February, 1957, Paul Olefsky is again listed as
Principal cello of the Detroit Symphony. Detroit Symphony Principal cello 1952-1957.
After Detroit his career was devoted to teaching - University of Texas, Austin)
Studied at the Curtis Institute Class of 1947.
|
1946-1951 |
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|
|
Olk, Gustav (Germany 1862- ) brother of
Hugo Olk |
viola
Studied violin at the Berlin Akademische Hochschule für Musik.
|
1903-1904 |
|
Olk, Hugo (Germany 1868-after 1930) brother of Gustav Olk
|
Associate Concertmaster 1902-1903, Concertmaster 1903-1904.
In Chicago Symphony records, Olk is also listed as
"Concertmaster" in 1908 but was not - perhaps Olk was
briefly Associate Concertmaster to Leopold Kramer in Chicago,
just as he was Associate to Concertmaster John Marquardt in
Philadelphia 1902-1903. (also Helsinki Orchestra in
1880s, Kroll Opera Berlin, Kiev Symphony Concertmaster - Ukraine,
Philadelphia Orchestra Associate Concertmaster 1902-1903 and
Concertmaster 1903-1904, Concertmaster Cincinnati Symphony 1904-1906,
Concertmaster St. Louis Symphony 1907-1917, then viola into 1920s)
Studied violin at the Berlin Akademische Hochschule für Musik.
|
1902-1904 |
|
Ollstein, Samuel |
violin |
1920-1922 |
|
Orlando, Anthony C. (Pennsylvania 1946- )
|
percussion 1972-2003, Associate Principal percussion 2003-present
(also percussion/timpani Pennsylvania Ballet Orchestra, Lyric Opera
Orchestra, and the Greater Trenton Symphony. active in Network
for New Music Ensemble)
Studied at the Philadelphia Music Academy. Also performs ragtime xylophone
and contemporary music for marimba and solo percussion concerts. Also contemporary
music with Penn Contemporary Players performing George Rochberg and Richard Wernick.
|
1972-present |
|
Oshiro (Morales), Amy (Illinois 1972- )
wife of
Ricardo Morales
|
violin (also Assistant Concertmaster Grant Park Orchestra - Illinois,
Associate Concertmaster Colorado Symphony, violin and Assistant Concertmaster
Saint Louis Symphony 1998-January 2008)
Studied at Oberlin Conservatory BMus 1995 and the Juilliard School.
|
July, 2008-present |
|
Owen, Charles E.
|
percussion (also US Marine Band about 1934-1954 170)
|
1954-1972 (principal) |
|
|
[ P
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|
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|
|
Paepke, Gustav |
violin |
1902-1905, 1922-1923 |
|
Panitz, Murray W. |
flute |
1961-1989 (principal) |
|
Park (Chen), Laura (about 1963- )
|
violin (also Boston Symphony 1991-1997, Brooklyn Philharmonic,
Chicago Lyric Opera)
Curtis Institute Class of 1984
|
1984-1992 |
|
Park, Sang-Min |
cello |
1988-1995 |
|
Parme, Frederic |
clarinet |
1925-1927 |
|
Paul, Ferdinand |
saxophone |
1917-1920 |
| | |
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|
|
Pauli, Matyas (or Mathias) Peter
(Hungary 1888-after 1943)
|
double bass (also a Philadelphia theater musician before the Philadelphia
Orchestra)
|
1918-1923, 1926-1942 |
|
Pellegrini, Alfonso L. (Italy 1885- )
|
violin |
1919-1920 |
|
Pellerite, James John (1926- )
|
Principal flute (also Indianapolis Symphony Principal flute 1949-1951,
Detroit Symphony 1952-1956, L'Orquestra Sinfonica de Puerto Rico Principal
flute, Philadelphia Orchestra Principal flute 1960-1961)
Studied at the Juilliard School graduating in 1948. Professor of Flute at
Indiana University 1962-1987.
|
1960-1961 (principal) |
|
Penha, Michel (Netherlands 1888-1982)
Michel Penha in about 1920
|
Principal cello (also Tollefsen Piano Trio - New York, Philadelphia Orchestra
Principal cello 1920-1925, San Francisco Symphony Principal cello
1925-1930, California String Quartet 1925 into the 1940s, Abas String Quartet
based in San Francisco, Neah–Kah–Nie String Quartet in Oregon in 1930,
also San Francisco String Quartet founded by SFS Concertmaster
Naoum Blinder:
Naoum Blinder first,
William Wolski second,
Romain Verney viola, and
Michel Penha cello in 1938. Then, theRoussel Trio in
Los Angeles 1952. Also MGM Studio Orchestra in Hollywood in 1950s)
Studied at the Amsterdam Conservatoire with Isaac Mossel (1870-1923)
graduating in 1905. Penha also studied with Hugo Becker (1864-1941),
perhaps at Dr. Hoch’s Konservatorium in Frankfurt.
|
1920-1925 |
|
Pepper, Joseph |
violin |
1948-1951 |
|
Petersen, Anna Marie Ahn
(Korea 1969- )
|
viola (also Brandenburg Ensemble and the New York-based Jupiter Symphony
(now the Jupiter Symphony Chamber Players) Principal violin)
Studied at the Curtis Institute Class of 1992. Also active in summer
music festivals, including the Ravinia Festival - Illinois, the Casals
Festival - Puerto Rico, the Seoul Arts Festival - Korea, Saratoga Chamber
Music Festival - New York and Kingston Chamber Music Festival - Rhode
Island.
|
1992-present |
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|
|
Pfannkuchen, William |
bassoon |
1906-1907 |
|
Pfeiffer, Walter |
violin |
1910-1919 |
|
Pfeuffer, Robert J. |
contrabassoon |
1962-1991 |
|
Pfouts, Earl |
Principal Second violin 1911-1912, violin 1912-1918 |
1911-1918
|
|
Phillips, Bert |
cello |
1959-1990 |
|
Phillips (Rosenbaum), Edna (Pennsylvania 1907-2003)
thanks to Mary Sue Welsh for this photo
|
Principal harp (first woman musician of the Philadelphia Orchestra
- and at age only 22 - to be followed by
Elsa Hilger, cello
and
Lois Putlitz, violin). (Phillips also
was harp briefly with the Roxy Theater orchestra - New York City)
Studied at the Curtis Institute Class of 1930. Listen to Edna Phillip's
famous recording of Debussy Danses sacrée et profane.
Taught at the
Philadelphia Conservatory of Music 1932-1972. She commissioned the Concerto for Harp
by Alberto Ginastera (1956).
|
1930-1941, 1942-1946
on sabbatical 1941-1942
|
|
Pick, Hanns (Switzerland 1883-1957)
at University of Michigan
|
Principal cello
Studied at the Karlsruhe Conservatory - Germany. Taught at the
University of Michigan, head of the Cello Department about
1929-1949. also conducting the University orchestra.
|
1925-1926 (principal) |
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|
|
Pierson, Herbert |
horn |
1938-1974 |
|
Pieschel, Paul |
bassoon |
1908-1909 (principal) |
|
Pillischer, Stephen |
violin |
1924-1925 |
|
Pitkowski, Paul |
violin |
1921-1925 |
|
Planert, Paul |
double bass |
1901-1905 |
|
Podemski, Benjamin |
percussion |
1923-1948, 1951-1954 (principal, 1924-1948, 1951-1954)
|
|
Polk, William husband of
Kerri Ryan
|
violin (also Minnesota Orchestra Associate Principal second violin
2005-2007, co-founded the Minneapolis Quartet:
Vali Phillips first, William Polk second, Kerri Ryan viola,
Joseph Johnson cello 2002-2007. In Minnesota, Polk was
also guest Principal Second violin Saint Paul Chamber
Orchestra)
Studied at Louisiana State University, University of Minnesota.
Also active in summer festivals, including the Mainly Mozart
Summer Festival - San Diego, Bach Dancing and Dynamite Society
- Wisconsin 2006.
|
October, 2007-present |
|
Pollikoff, Max
(New Jersey 1904-1984)
|
violin (also a New York sessions musician including for radio and
television commercials. Remembered for sessions such as his playing in the
Morton Gould recording of Copland's Billy the Kid and Rodeo)
Studied in Europe and the US under a scholarship from the MacDowell
Music Club.
Max Pollikoff was an advocate of contemporary and in New York City
created Music in Our Time 1954-1974.
|
1929-1930 |
|
Popoff, Alexander |
violin |
1923-1925 |
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|
|
Pöpperl, Franz
|
violin and contrabassoon
|
1901-1902 |
|
Portnoy, Bernard
(Pennsylvania 1914-2006)
(photograph by Zinn, Arthur, and Kufeld, n.d. Courtesy of the
Cleveland Orchestra Archives)
|
Principal clarinet (also Pittsburgh Symphony Principal clarinet under
Fritz Reiner about 1937-1940, Philadelphia Orchestra Principal
clarinet 1940-1943, Cleveland Orchestra Principal clarinet 1947-1953,
in 1950s,a New York sessions musician, including the Broadway cast
recording of My Fair Lady with Rex Harrison and Julie Andrews,
also in New York, played regularly in the WOR Mutual Broadcasting
Orchestra)
Studied at the Curtis Institute Class of 1937. Taught at both the
Juilliard School and the Curtis Institute.
|
1940-1946
In 1943, Portnoy entered the US Merchant Marine, but remained on the
official roster of the Philadelphia Orchestra until 1946. After WW2,
Portnoy was not returned to the Principal clarinet position, so
is listed here as Principal clarinet 1940-1943.
|
|
Pottag, Max Paul
(Germany 1876-1970)
|
horn (also the band of the German Navy in 1890s,
Hamburg Symphony Principal horn, Philadelphia Orchestra horn 1901-1902,
Pittsburgh Symphony 1902-1905, Cincinnati Symphony 1905-1907,
Chicago Symphony second horn 1907-1944, fourth horn 1944-1946,
Little Symphony Orchestra - Chicago)
Studied with Friedrich Gumpert (1841-1906) at the Leipzig Royal Conservatory
as did
Anton Horner and
Max Hess, graduating in 1899.
Max Pottag was a prolific writer and
arranger of music for the horn.
|
1901-1902 |
|
Price, Calvin C. |
trumpet |
1989-1990 (assistant principal) |
|
Price, Irwin L. |
trombone |
1942-1945 |
|
Primavera, Joseph P., Jr.
(Pennsylvania 1926-2006)
Joseph Primavera in favorite career: conductor of the
Philadelphia Youth Orchesta
|
viola (also Baltimore Symphony viola 1949-1950,
Conductor Philadelphia Youth Orchestra 1954-2005)
Studied with his father Joseph Primavera Sr. (1892- ), and Italian
immigrant who was a violinist and a violin maker in Philadelphia.
During World War 2, studied at the Navy School of Music in Washington,
while playing in Navy bands. Also Combs College of Music - Philadelphia
BMus in conducting.
|
1951-1966 |
|
Prinz, Milton
(New York 1903-1957) Died fighting cancer age only 55
|
cello (also Toscanini's NBC Symphony 1937-about 1950,
New York Philharmonic in the early 1950s.
also in the 1950s, a New York City session musician,
also in 1930s New York String Quartet: Ottokar Cadek first,
Jaroslav Slskovsky second, Ludvik Schwab viola, Milton
Prinz cello, also ABC Radio staff orchestra in NYC,
Voice of Firestone radio orchestra Principal cello)
Studied with his father Arthur Prinz, an amateur cellist. His
sister Pearl Prinz was also a professional cellist in theater
orchestras in the New York City area.
|
1924-1930 |
|
Pulis, Gordon M.
(New York 1923-1987)
|
trombone (also Toronto Symphony, Metropolitan Opera Orchestra,
New York Philharmonic Principal trombone 1946-1956,
also New York Philharmonic bass trumpet 1949-1956)
Studied at the Curtis Institute Class of 1936 and also with
Emory Remington (1891–1971) of the Eastman School.
|
1939-1946 |
|
Putlitz, Lois P. wife of
Gabriel Braverman
(Nebraska 1910-1961) born in Nebraska but grew up in California
|
violin / keyboard (one of the pioneering women of the professional orchestral world -
third woman musician to join the Philadelphia Orchestra
after
Edna Phillips, harp and
Elsa Hilger, cello. In 1938, the press wrote that the
Philadelphia Orchestra was "...the single great orchestra that does not
restrict women to the harp section..." 201)
Studied in Germany during the summer of 1925, and then admitted to the Curtis Institute
in 1927, graduated in the Class of 1931. Under the sponsorship of the Curtis
Institute, made her New York debut at Town Hall March 14, 1928 200.
|
1936-1962
died September 13, 1962 just prior to the beginning of the 192-1963 season
|
|
|
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|
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|
|
Querengaesser (or Querengässer), Karl Theodor
(then Germany, now Poland 1878- )
|
double bass |
1901-1915 |
|
Querze, Raoul Mario (1934- )
photo: Chris Lee, n.d.
|
second clarinet and principal saxophone, succeeding
Jules Serpentini (also U.S. Marine Band in
Washington, D.C, the Baltimore Symphony, the Goldman Band,
Aeolus Woodwind Quintet, Metropolitan Opera Orchestra)
Studied at Manhattan School of Music BMus, and the Curtis Institute
Class of 1956.
|
1962-present |
|
|
[ R
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|
|
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|
|
Rahmig, Paul R. (Germany 1872- ) |
Principal double bass 1901-1914, double bass 1914-1917,
1919-1920, 1924-1926 |
1901-1917, 1919-1920, 1924-1926 |
|
Raho, Edward
(Italy 1873-1952)
|
oboe (also
Russian Symphony of New York
oboe and English horn in 1911 186)
In March, 1930, Leopold Stokowski was criticized for dismissing four
players for being 'stale' 152, of which Edward Raho was
one. The changes were likely greater than the 4, since 13 musicians
did not return the next season.
|
1913-1930 |
|
Raho, Lewis |
oboe |
1918-1924 |
|
Ranti, Richard
(Canada 1962- )
photo: Boston Symphony Orchestra, n.d.
|
bassoon (also also Boston Symphony Associate Principal
bassoon 1989-present, he is founding member of the
Walden Chamber Players:
Tatiana Dimitriades
violin, Irina Muresanu violin,
Alexander Velinzon violin, Yehonatan Berick
violin, Christof Huebner viola, Ashima Scripp cello, Donald Palma bass,
Marianne Gedigian flute, Laura Ahlbeck oboe,
Thomas Martin clarinet,
Richard Ranti bassoon,
Clark Matthews horn, Jonathan Bass piano)
Studied as a student at the Interlochen Arts Academy, the Tanglewood
Music Center - 1982, and then at the Curtis Institute Class of 1983.
He has released his latest bassoon recording on Nonantum Records.
He has also recorded for NAXOS. He teaches at the New England
Conservatory and Boston University. Active in music festivals, including
the Spoleto Festoval - Italy and the Marlboro Festival - Vermont.
See Richard Ranti's interesting website http://people.bu.edu/rranti/ |
1983-1990
(Richard Ranti seems not to have completed 1989-1990 season due to
his appointment as Boston Symphony Associate Principal bassoon)
|
|
Rapier, Wayne born Elma Wayne Raper
Texas 1930–2005) 14
|
oboe (also US Marine Corps Band, Indianapolis Symphony, Kansas City
Symphony, Baltimore Symphony Principal oboe about 1956-1960,
Philadelphia Orchestra Associate Principal oboe 1960-1965,
Boston Symphony oboe 1970-1995, Santa Fe Opera during summers,
Trio Concertante with Chicago Symphony
Principal flute
Donald Peck for 20 years)
Studied at the Eastman School, and privately with Marcel Tabuteau
in Philadelphia. Like Philip Farkas, Wayne Rapier was an active
aircraft pilot, as is
Mike Roylance, Boston Symphony tuba.
|
1960-1965 |
|
Rattay, Howard Field
(Pennsylvania 1876- )
|
violin (also Kosman String Quartet:
Elkan Kosman first, Edwin Brill second,
Howard Rattay viola,
Rudolph Hennig cello)
Studied at the Philadelphia Musical Academy, graduated in 1899.
Then studied in Germany 1900-1902.
|
1905-1906 |
|
Read, Kathryn Annette Picht
(Iowa 1953- )
photo: Jean Brubaker, n.d.
|
cello (also Kalamazoo Symphony Principal cello, Springfield - Massachusetts
Symphony, Battle Creek Symphony Principal cello, and the
Champagne-Urbana Symphony.
Studied first with her mother and then the University of Wisconsin,
the University of Illinois BMus, Boston University MMus. Taught at the
New School of Music - Philadelphia and at Temple University.
|
1979-present |
|
Reeder, Deborah F.
|
cello
|
1973-1979 |
|
Rehrig, Harold W. |
third trumpet
|
1923-1963 |
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|
|
Reiter, Josef |
horn |
1900-1901 (principal) |
|
Rensch, Albert |
oboe |
1901-1902 (principal librarian, 1901-1902) |
|
Reuben, Ronald (Pennsylvania 1932- )
 |
bass clarinet; succeeded Leon Lester as bass clarinet.
(also Stan Kenton Orchestra jazz tenor saxophone 1958, based in
Los Angeles, and with other bands, Pennsylvania Ballet Principal clarinet,
Chamber Orchestra of Philadelphia prior to the PO)
Studied at the Curtis Institute Class of 1955, Temple University,
Los Angeles City College. He also writes that he was a stand-up
comedian in California. Three Philadelphia Orchestra bass clarinets
in 89 seasons:
Lucien Cailliet
1916-1938,
Leon Lester
1938-1966,
Ron Reuben 1967-2005 (with a one year gap for contractual reasons).
|
1967-2005 |
|
Reve, Kalman (Austria-Hungary, now Hungary 1894-1979)
|
violin (also Cleveland Orchestra Second Concertmaster - i.e. Assistant
Concertmaster 1930-1932. In 1930s was in summers a cruise ship musician,
in 1940s was a New York City Broadway and sessions musician, and played in
the Tommy Dorsey orchestra).
|
1923-1924 |
|
Rex, Charles |
violin |
1972-1980 |
|
Rex, Christopher D. |
cello |
1973-1979 |
|
Reynolds, Veda |
violin |
1943-1967 (assistant concertmaster, 1958-1959)
|
|
Rhodes, John |
viola |
1901-1902 |
| | |
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|
|
Rice, L. M. |
viola |
1902-1903 |
|
Rich, Thaddeus (Indiana 1885-1969)
in 1913
|
Concertmaster (also Leipzig Gewandhaus Orchestra violin in 1900, age
only 16. In Berlin, Opera des Westens Concertmaster at age 19. Also founding
member of the Rich Quartet:
Thaddeus Rich first,
Harry Aleinikoff second,
Romain Verney viola and
Hans Kindler cello)
Studied at the Leipzig Conservatory 1896-1900. Rich left the Philadelphia
Orchestra after 1925-1926 season after a falling out with Stokowski. He then
became curator of the instrument collection of Rodman Wanamaker. In the 1930s and
1940s he taught at Temple University, where he was Dean of Music.
|
1906-1926 |
|
Richardson, John |
violin |
1929-1931 |
|
Riese, Albert (Germany 1860-1941)
|
third horn
Emigrated to New York City in 1883. During his career with the Philadelphia
Orchestra, the horn section was: Anton Horner, Joseph Horner,
Albert Riese, and Otto Henneberg.
|
1904-1909, 1910-1931
|
|
Rietzel, Herman |
oboe |
1911-1913 |
|
Ritter, Albert |
timpani |
1902-1903 |
|
Ritzke, A. |
clarinet |
1900-1901 |
|
Robinson, Harold "Hal"
(Texas 1952- )
|
Principal double bass (also Albuquerque Symphony Principal bass 1975-1977, Houston
Symphony Assistant Principal bass 1977-1985, National Symphony of Washington DC
Principal bass 1985-1995)
Studied at Northwestern University and the Peabody Conservatory. His parents were
musicians in the Houston Symphony, father Keith Principal bass, mother Dorothe
was violin.
|
1995-present |
|
Roby, Paul E. Jr.
(Massachusetts 1966- )
|
violin 1991-2000, Associate Principal second violin 2000-present
(also Baltimore Symphony, National Symphony of Washington DC.
Founding member of the Salzau Quartet, also active in a quartet
made up of
Paul Roby first,
Hirono Oka second,
David Nicastro viola,
John Haines-Eitzen cello)
Studied at the Curtis Institute Class of 1988. His father and first teacher,
Paul Roby Sr., was Concertmaster and then, like his son Principal second
violin of the Terre Haute Symphony - Indiana. In 1997, they performed
the Mozart Sinfonia concertante in which Paul Roby Sr. played
the viola.
|
1991-present
|
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|
|
Rodemann, August Hilmar (Germany 1870-after 1930)
|
Principal flute and assistant conductor. (also conductor of the
Tankopanicum Orchestra - now the Delaware Symphony, Cincinnati
Symphony Principal flute, New York Symphony second flute 1919-1926,
then to Syracuse University - New York)
On February 23, 1907, August Rodemann acting as conductor for the
contralto Ernestine Schumann-Heink (1861-1936), got into and on-stage
argument with the singer, and was summarily dismissed 18.
|
1902-February 1907
|
|
Rodenkirchen, Christian
(Germany 1858-1915)
Rodenkirchen died on February 6, 1915,
just days before his 57th birthday.
|
Principal trumpet 1907-1909, Second trumpet 1911-1915
(also the Cologne Municipal
Orchestra in 1880s, in which Frederick Stock also played, the Aamold Concert
Company, a mid-west touring orchestra in 1890, Chicago Symphony Principal cornet
1891-1902, New York Symphony Principal trumpet 1903-1904, Metropolitan Opera
Orchestra Principal trumpet 1904-1905, New York Philharmonic Principal trumpet
1905-1907, Philadelphia Orchestra Principal trumpet 1907-1909,
returned to the New York Philharmonic Principal trumpet 1909-1911 under
Gustav Mahler, returned to the Philadelphia Orchestra as second trumpet
1911-his early death on February 6, 1915)
|
1907-1909, 1911-1915
did not complete the 1914-1915 season due to his death on February 6, 1915
|
|
Roelofsma, Edmond
(Netherlands 1875-1943)
|
bass clarinet (also Winterthur Orchestra Principal clarinet - Switzerland
and Geneva Symphony Principal clarinet, Hamburg Symphony in 1890s.
Principal clarinet of the Rotterdam Philharmonic in late 1890 while
also teaching at the Rotterdam Royal Conservatory 177.
Following the Philadelphia Orchestra, Roelofsma was the
New York Philharmonic bass clarinet 1920-1942)
Roelofsma studied violin, piano and clarinet at the Groningen
Conservatory - Netherlands.
|
1902-1920
|
|
Roens, Samuel
(then Russia now Ukraine 1894-1954)
|
viola (also New York Symphony probably 1920-1921)
Samuel Roens participated in a well-know Philadelphia Orchestra recording
still sold today: Paul White - Sea Chantey for Harp and Strings
with Edna Phillips harp, Alexander Hilsberg and Sol Ruden violins,
Samuel Roens viola, Samuel Mayes cello, Anton Torello bass recorded
for Columbia M-259 in 1945.
|
1919-1920, 1921-1954
Samuel Roens died while on tour with the Philadelphia Orchestra
at a concert in Ann Arbor, Michigan on April 30, 1954 just one
week after his 60th birthday 178.
|
|
Roeschmann, Benjamin
(Germany about 1869- )
|
violin (also the Symphony Society of Philadelphia 1893-1899,
a mostly amateur musician orchestra, conducted by
William Wallace Gilchrist 1846-1916)
|
1900-1901, 1903-1904 |
|
Rogister, Jean
(Belgium 1879-1964)
|
viola (also Quatuor Chaumont and in 1925 Quatuor de Liège:
Henri Koch first, Joseph Beck second, Jean Rogister viola,
Lydie Schor cello)
Studied at the Conservatoire de Liège, Belgium and on graduation
in 1900 was appointed Professor of viola at the Conservatoire. Also
taught there in the 1920s after returning from Philadelphia. Rogister
was a composer, particularly of chamber music said to show influences
of Vincent d'Indy.
|
1923-1924 |
|
Rosen, Irvin
|
violin 1945-1954, Principal second violin 1954-1984 |
1945-1984
|
|
Rosenblatt, Louis
(Pennsylvania 1928-2009)
|
Assistant Principal oboe in the 1959 and later that year succeeded
John Minsker as English horn 1959-1995. (also US Army Field Band first
oboe during the Korean War, Houston Symphony English Horn 1954-1955,
New Orleans Philharmonic 1955-1959)
Studied at the South Philadelphia High School for Boys and
at Curtis Institute Class of 1951. Taught at Temple University -
Philadelphia for five decades.
|
1959-1995 |
|
Rosenfeld, Seymour |
trumpet |
1946-1988 (assistant principal, 1952-1955)
|
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|
|
Rosengard, Duane (Illinois about 1961- )
|
double bass (also Orquesta Sinfónica de Veracruz, Mexico,
Rochester Philharmonic, Buffalo Philharmonic)
Studied at Interlochen, and the Cleveland Institute of Music.
See the great picture at left of Duane Rosengard (l) and David
Fay in the Palace of Catalan Music - Barcelona (but not all touring
is so picturesque). Also he has published on Italian double basses
from the 16th to 20th centuries.
|
December, 1986-present |
|
Roth, Manuel |
violin/percussion |
1924-1972 |
|
Rovetti, Marc (Connecticut )
|
violin 2007-2009, Associate Concertmaster 2009-present
(also New World Symphony - Florida, International Contemporary
Ensemble, Rothko String Quartet)
Studied at Juilliard BMus, MMus. and New York University Advanced Certificate.
Active in contemporary music, he has premiered works such as Augusta Read Thomas
Two movements from Spirit Musings at Tanglewood in 2003.
|
2007-present |
|
Rowe, Booker (Kentucky 1940- )
but raised in Philadelphia
|
violin (musician trainee of the Philadelphia Orchestra 1970-1971.
also Nashville Symphony Orchestra, 1963-1965, New Haven Symphony 1965-1968
while studying at Yale, National Symphony of Washington DC 1969-1970)
Temple University BMus 1963, Yale University MMus 1968. Played the
José White Violin Concert with the Royal Ethiopian Philharmonic
Orchestra in Washington in 1992.
|
1971-present |
|
Rowe, George D.
(about 1893- )
|
E-flat Clarinet (also Cleveland Orchestra Associate
Principal clarinet, E-flat clarinet 1924-1944, bass clarinet
1927-1928)
Studied clarinet with
Paul Mimart of the Boston Symphony and
Joseph Schreurs
Principal clarinet of the Chicago Symphony. While serving in the
Navy during the First World War, he studied with Prosper Mimart
(1859-1918) of the Paris Conservatoire. While in Cleveland, taught
Cleveland Institute of Music and in summers at the National Music Camp
at Interlochen, Michigan. After the Philadelphia Orchestra, taught
at the Philadelphia Musical Academy in the 1960s.
|
1944-1957 |
|
Rozanel, Elizer (Poland about 1885-probably during 1960s)
|
trumpet (also Cleveland Orchestra Principal trumpet 1918-1920)
Elizer (or Eliezer) was one of five brass musician brothers, Louis,
David, Morris, Meyer, and Elizer Rozanel who emigrated from Poland, then
under Russian rule, to play mostly in New York City orchestras, but
also in the case of Elizer in Philadelphia and Cleveland, and David
in Cleveland)
|
1917-1918 |
|
Ruden, Sol (New York 1903-1990)
Sol Ruden standing left with Toscanini in 1942
|
violin 1929-1941, 1956-1968, Principal second violin 1941-1953
His father Joseph, a pharmacist, had emigrated from Minsk, Russia
(now Belarus) in the 1890s 158. A dedicated follower of
Theosophy, which he pursued during travels.
|
1929-1953, 1956-1968
|
|
Ryan, Kerri C. wife of
William Polk
|
Assistant Principal viola (also Minnesota Orchestra Assistant Principal
viola 2002-2007, Charleston Symphony Associate Concertmaster
in late 1990s. With husband William Polk, while in Minnesota
founded the Minneapolis Quartet:
Vali Phillips first, William Polk second, Kerri Ryan viola,
Joseph Johnson cello)
Studied at the Curtis Institute Class of 1998
|
2007-present |
|
Rykmans, Roelof |
double bass |
1901-1902 |
|
|
[ S
]
|
|
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|
|
Saal, Alfred |
cello |
1904-1906 (principal) |
|
Saam, Frank E. |
violin |
1958-1997 |
|
Saidenberg, Daniel
(Canada 1906-1997)
Mischakoff Quartet in 1933: left to right: Daniel Saidenberg cello,
Mischa Mischakoff first, Milton Preves viola Samuel Thaviu second
|
cello (also Chicago Symphony Principal cello 1930-1936,
Mischakoff Quartet in Chicago starting in 1933:
Mischa Mischakoff first,
Samuel Thaviu second,
Milton Preves viola,
Daniel Saidenberg cello.
also developed a conducting career: conductor of the Alka Seltzer
Radio Hour on NBC radio in 1940, and in 1946 founded and was
conductor of the the Connecticut Symphony Orchestra)
Studied at the Paris Conservatoire winning his Prix in about the
1921 Concour. Then he studied at the Institute of Musical Art
(later Juilliard) 1925-1930 while still playing in the Philadelphia
Orchestra.
|
1925-1929 |
|
Sandby, Herman (Denmark 1883-1966)
|
Principal cello (the Philadelphia Orchestra was Sandby's
only orchestral post)
Studied at the Frankfurt Conservatory 1886-1901. Sandby toured the
U.S. during 1903-1904. Several of Sandby's compositions, including
a cello concerto were premiered in February, 1916 by Stokowski and
the Orchestra. Incidentally, Sandby was a lifelong vegetarian.
|
1902-1904, 1908-1916 |
|
Saputelli, William |
cello/percussion |
1952-1988 (percussion, 1972-1983) |
|
Sargeant, Emmet R. |
cello |
1929-1944 |
|
Sauder, Adolph |
Principal oboe 1900-1901, oboe 1907-1911
(also Principal oboe of the
Henry Gordon Thunder Orchestra 1899-1900)
|
1900-1901 (principal), 1907-1911 |
|
Savitt, Jacob (also billed as Jan Savitt)
(Russia 1908-1948)
Savitt as a band leader in late 1930s
|
violin (also toured US in late 1930s and early 1940s as Jan Savitt Swing Band, also on NBC
network radio)
Studied at the Curtis Institute of Music Class of 1930. One of the musicians who
played in the Philadelphia Orchestra while still studying at the Curtis Institute.
He became music director of Philadelphia radio stations KYW and WCAU, and was
a popular swing band leader on radio and touring at similar venues as Benny Goodman
191. Died October 4, 1948 touring in California of a cerebral hemorrhage,
age only 39 192.
|
1926-1934 |
|
Saylor, Herbert F. |
violin |
1904-1905 |
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|
|
Schaefer, Fritz |
viola |
1904-1905 |
|
Schaeffer, John A. |
double bass |
1949-1951 |
|
Scheel, Julius Heinrich Diedrich
(Germany 1860-probably after 1930)
Probably younger brother of Philadelphia Orchestra conductor
Fritz Scheel
|
Principal Second violin (also Principal Second violin in 1904
Boston Festival Orchestra organized by
Emil Mollenhauer)
|
1901-1912 |
|
Scheele, Paul |
viola |
1902-1915 |
|
Schewe, Reinhold
(Germany 1877- )
|
violin (also Piano Quartet with Henry Albert Lang piano, Frederich Hahn violin,
Reinhold Schewe viola, Bertrand Austin cello in early 1900s. after Philadelphia Orchestra
he was a musician in the Schubert Theater orchestra - Philadelphia in the 1920s)
Taught at the Philadelphia Musical Academy in the 1910s.
|
1900-1901, 1907-1916 |
|
Schinner, Karl |
horn |
1901-1902 |
|
Schlechtweg, William "Billy"
(Pennsylvania 1874-1919) born in Philadelphia to German parents
|
second trombone (also Ringling Brothers Circus band 1897,
Stanley Theater musician, Philadelphia 1915-1919)
Philadelphia Orchestra Trombone section during
William Schlechtweg's service was Otto Elst, Principal Trombone,
Schlechtweg, second trombone, and Charles E. Gerhard and then
Paul P. Lotz, bass trombones. Brother Matthew Schlechtweg was
clarinet (or their term: clarionet) of the
Henry Gordon Thunder Orchestra 1899-1900)
Hit by a car and died on April 18, 1919, age 44.
|
1904-1915 |
|
Schlegel, Hans |
flute/piccolo |
1916-1940 |
|
Schmidt, Alexander |
violin (from 1908-1929 frequently recorded for the Victor Talking
Machine Company in Camden, New Jersey, including as part of the groups
called the Florentine Quartet, with fellow Philadelphia Orchestra
musicians Alexander Schmidt violin,
Alfred Lennartz cello,
Clement Barone
flute,
Francis J. Lapitino harp)
|
1908-1912 |
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|
|
Schmidt, Emil Fredrick
(Philadelphia 1877- )
brother of
William A. Schmidt
|
viola 1900-1901, violin 1900-1901, 1903-1904, 1908-1923
(also a member of the
Henry Gordon Thunder
Orchestra 1899-1900, also the Schmidt
Quartet, Emil Schmidt first,
Louis Angeloty
second,
Alfred Lorenz viola,
William Schmidt,
brother of Emil, cello 1914-1921)
Studied at the University of Pennsylvania. Father Gustav Schmidt taught
at the Philadelphia Musical Academy in the 1880s and 1890s.
|
1900-1901, 1903-1904, 1908-1923
|
|
Schmidt, Georg |
viola |
1902-1911 |
|
Schmidt, Henry W.
(Pennsylvania 1898-1988)
|
violin (also Ann Arbor May Festival orchestra - Michigan.
he was personnel manager 1945-1963)
Studied at the Philadelphia Conservatory of Music 195.
|
1920-1963 |
|
Schmidt, Richard (New York 1867-after 1930) does not seem related to
William and Emil Schmidt.
|
Principal viola (also Beethoven String Quartet
(
William Stoll Jr
. first, Edwin A. Brill second,
Richard Schmidt viola,
Rudolph Hennig
cello. Also he later conducted and played violin in Philadelphia
theater orchestras)
Taught at the Philadelphia Musical Academy in 1890s.
|
1900-1901 |
|
Schmidt, William A.
(Philadelphia 1883- )
brother of
Emil Schmidt
|
Acting Principal cello (as we would say today) 1935-1936 and
February-May, 1939, cello 1903-1904, 1911-1912,
1914-1935, 1936-1946 (except February - May, 1939)
Played a Nicholas Lupoy cello of 1762.
|
1903-1904, 1911-1912, 1914-1946
|
|
Schmitz, Charles M. |
cello |
1900-1901 |
|
Schmitz, Philip |
cello |
1903-1913, 1919-1925 |
|
Schoen, William |
viola |
1963-1964 (principal) |
|
Schoenbach, Sol |
bassoon |
1937-1957 (principal) |
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|
|
Schoenthal, Charles F. |
flute |
1900-1901 (principal), 1909-1910 |
|
Schon, Gerold A.
(Illinois 1893-1971)
Gerold Schon as Detroit Symphony contrabassoon in the 1946-1947 season.
That may be Leonard Sharrow behind Schon.
|
cello (also Chicago Grand Opera Company orchestra under
Joseph Rafaelli prior to Philadelphia, US Marine Band in 1920s. Detroit Symphony
cello and bassoon 1927-late 1940s. Gerold Schon seems to have
played bassoon, like his father John Schon Sr. and his
brother John Schon Jr.)
Studied first with his German-born theater musician father John Schon
(Johann Schön 1859- ) who played oboe and bassoon.
|
1918-1920 |
|
Schon, John Casper
(Illinois 1885-1966)
|
bassoon (also prior to Philadelphia, a theater musician in Chicago in the
1910s, also Chicago Grand Opera Company orchestra under
Rafaelli prior to Philadelphia. after Philadelphia, bassoon of the Chicago Civic Opera
in the 1920s and 1930s until at least 1945)
Studied first with his German-born theater musician father John Schon
(Johann Schön 1859- ) who played oboe and bassoon.
|
1916-1920 |
|
Schoppe, Walter |
saxophone |
1917-1920 |
|
Schott, George |
cello |
1912-1918 |
|
Schrader, Fred |
Principal trombone 1904-1905, trombone 1905-1906, 1908-1912
(also permanent member trombone with the Victor Orchestra under
Josef Pasternack (1881-1940).
|
1904-1906, 1908-1912 |
|
Schreibmann, B. |
trumpet |
1921-1923 |
|
Schuch, Benno |
Associate Concertmaster |
1901-1902 |
|
Schuchholz, Otto |
bassoon/contrabassoon |
1903-1905 |
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|
|
Schuecker, Edmund (Austria 1860-1911) older brother to famed harpist
Heinrich Schuecker (1867-1913) of the Boston Symphony,
who also died young. also uncle of Philadelphia Orchestra harpist
Joseph Schuecker
Edmund Schuecker in 1890
|
Principal harp (also Park Orchestra - Amsterdam solo harp 1877-1882,
Parlow Orchestra - Hamburg 1882-1883, Staatskapelle Orchestra Dresden 1883-1884
198, Leipzig Gewandhaus Orchestra harp 1884-1891
under Carl Reinecke (1860-1911) as was his brother Heinrich Schuecker
197, Vienna Hof Oper in late 1880s,
Chicago Orchestra Principal harp 1891-1900, New York Symphony about 1902-1903,
Pittsburgh Symphony 1903-1904, Philadelphia Orchestra 1904-1909)
Studied at the Vienna Conservatory 1871-1877 198. Recruited directly
to Chicago from Vienna by Theodore Thomas for the first season of the
Chicago Orchestra 199.
|
1904-1909 |
|
Schuecker, Joseph E. son of Philadelphia Orchestra harpist
Edmund Schuecker
(Germany 1886-1938)
|
Principal harp (also Pittsburgh Symphony Principal harp)
Studied 1900-1901 at the Vienna Conservatory with Alfred Zamara (1863-1940) who
also taught his fther
Edmund Schuecker and unlce
Heinrich Schuecker.
|
1909-1911 |
|
Schulman, Julius
(Maasachusetts 1915-2000)
|
violin (also Boston Symphony violin 1960-1970, Pittsburgh Symphony violin,
Metropolitan Opera Assistant Concertmaster, New Orleans Symphony Concertmaster,
in Boston the Stockbridge String Quartet:
Julius Schulman first,
William Marshall
second,
Jerome Lipson viola,
Mischa Nieland cello, later a Hollywood studio
recording musician)
Studied at the Curtis Institute Class of 1938.
|
1937-1944 |
|
Schulman, Leonard |
percussion 1945-1953, Principal timpani 1946-1947 (succeeded the great Oscar Schwar as
Principal timpani for one season, succeeded in turn by David Grupp as Principal
timpani. also New York City Opera Principal timpani after Philadelphia)
Also active in summer music festivals including the Marlboro Music Festival - Vermont.
|
1945-1953 |
|
Schulz, Max |
violin (also in 1904 Boston Festival Orchestra organized by
Emil Mollenhauer) |
1902-1905 |
|
Schurig, (Wilhelm) Richard
(Germany 1870-1950)
|
Principal double bass 1900-1901, double bass
1901-1902 under Fritz Scheel (also
Los Angeles Philharmonic 1920-1930 under Arthur Rodzinski)
Richard Schurig was also a composer, including the opera The Traitor
in 1910.
|
1900-1902 |
|
Schwar, (William) Oscar
(Germany 1875-1946)
Schwar in 1934
|
Principal timpani
Came to Philadelphia at the request of Fritz Scheel to become Principal
timpani in the fourth season of the Philadelphia Orchestra.
Long-term teacher at the Curtis Institute trained two generations of
US percussion players.
|
1903-1946
(43 seasons - died in November, 1946 while on tour with the
orchestra)
|
|
Schwartz, Isadore "Izzy"
(Pennsylvania 1896-1981)
|
violin and Principal Second violin (after Curtis, also played in Philadelphia radio
orchestras at WFIL and KYW 196. active in chamber music, including the
Amerita Chamber Players and the Rittenhouse String Quartet)
Studied at the Curtis Institute Class of 1931.
The concert pianist Susan Starr is daughter of Isadore Schwartz. Active in
orchestra - musicians negotiations in the last two decades of his service with
the Philadelphia Orchestra. Schwartz loved horses and sometimes shared ownership with
Carl Torello.
|
1945-1985 |
|
Sciapiro, Michel M.
(then Russia, now Ukraine 1885-1962)
|
violin (raised as a violin child prodigy, including concerts in Germany before age
ten. violin in the Arnhem Symphony - Netherlands. after Philadelphia, pursued
composing and from the late 1930s, he was a New York City freelance musician)
Studied briefly with Hugo Heermann (1844-1935) at Hoch Conservatory, Frankfurt Germany.
Sciapiro also wrote a series of latin-style tango and other music for violin and
piano under the name "Michael Fielding".
|
1914-1915 |
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|
|
Scott, Henry G. (maybe Massachusetts 1944- )
husband of
Yumi Ninomiya Scott
|
double bass (also Baltimore Symphony, Chamber Symphony of Philadelphia,
Music Director Main Line Symphony - Pennsylvania 1981-present)
Studied at the Eastman School of Music. Also Heed University Doctor of
Psychoanalysis. Also, an active runner.
|
1974-present |
|
Scott, Roger M. (Pennsylvania 1919-2005)
|
double bass 1947-1949, Principal double bass 1949-1955. (also All-American
Youth Orchestra of 1941, US Marine Band - Washington DC playing baritone horn
or euphonium, New York freelance musician in about 1946, Pittsburgh Symphony
double bass 1946-1947)
Studied at the Curtis Institute Class of 1941.
|
1947-1995 |
|
Scott, Yumi Ninomiya (Japan 1943- )
wife of
Henry Scott
Yumi Ninomiya Scott and Henry Scott
|
violin (also Curtis String Quartet 1969-1982, Concerto Soloists of
Philadelphia, Main Line Symphony Concertmaster since 1981)
Studied at Toho Conservatory of Music - Tokyo, and the Curtis Institute
Class of 1967. Active in summer music festivals, including the Casals
Festival - Puerto Rico since 1994. She teaches at the Curtis Institute,
at Temple University, as well as the Temple Music Preparatory courses.
|
1984-present |
|
Scutt, Kenneth E.
(1923-2005)
|
Associate Principal flute 1962-1976, flute 1961-1962,
1976-1981 (also Kansas City Philharmonic Principal flute
about 1950-1955 and was succeeded in Kansas City 1955-1957
by
Donald Peck
, later Principal flute of the Chicago Symphony,
also New Orleans Symphony 1955-about 1961, also Santa Fe Opera during
summers)
Studied first with his music teacher mother Enid Mary Powell Scutt
in Elyria, Ohio, one year at nearby Oberlin College conservatory - Ohio,
then at the Curtis Institute Class of 1950.
|
1961-1981
Kenneth Scutt retired after being disabled by a lip operation
181.
|
|
Seder, Theodore A.
(Pennsylvania 1911-1997)
|
horn (also Cleveland Orchestra horn 1934-1937, Cleveland Principal horn
1933-1934, Detroit Symphony Principal horn prior to the
Philadelphia Orchestra, probably about 1937-1939)
Studied at the Curtis Institute Class of 1932. Artur Rodzinski knew
Seder from Curtis and hired him as Principal horn in Cleveland, before
having second thoughts, and demoting him. The Benhard Heiden
Sonate for Horn and Piano was written in 1939 for Theodore Seder
who at that time was First horn of the Detroit Symphony. Seder
later became the Librarian of the Fleisher Music Collection
at the Free Library of Philadelphia. One of his achievements
was completion of a score for the Ives Symphony number 4 which
was then given its premier by Stokowski and the American Symphony
in April, 1965.
|
1939-1942 |
|
Segall, Irving J.
(Pennsylvania 1921-2004)
|
viola (also WCAU local radio Orchestra, Baltimore Symphony
viola)
Studied at the Philadelphia Musical Academy in 1939. Active
for many years in the Philadelphia Orchestra musicians'
orchestra committee, as member or chairman negotiating
musician contracts with the orchestra management.
|
1963-1994 |
|
Selinski, Max |
violin |
1907-1914 |
|
Seltzer, Frank |
trumpet |
1907-1912 |
|
Serly, Tibor
(Hungary 1901-1978)
 |
viola (also NBC Symphony about 1938-1939)
Studied at the Budapest Conservatory with Zoltan Kodaly. It
is said that he compiled the sketches for the Bartok
Viola Concerto into a performable composition. Composed
his own works, including the Serly Concerto for Viola and
Orchestra (1929). Serly taught composition at the Manhattan
School of Music. He relocated back to England where he died
in London on October 8, 1978.
|
1928-1936 |
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|
|
Serpentini, Ernest |
oboe |
1924-1926 |
|
Serpentini, Jules J. |
clarinet |
1920-1962 |
|
Shahan, (Richard) Michael
(Washington, DC 1940- )
|
double bass 1964-1970, Assistant Principal bass 1970-1987, Associate Principal
1987-present (also National Symphony Washington DC 1962-1964. Co-Music Director
Amerita Chamber Players, Philadelphia Chamber Ensemble bass. Plays viola da
gamba with American Society of Ancient Instruments, also bass with the
Philadelphia Jazz Quintet)
Studied at the Curtis Institute Class of 1962. Shahan taught for 35 years
at the New School of Music - Philadelphia (which has becomre the Boyer School
at Temple University).
|
1964-present |
|
Shaievitch, David
(then Russia, now Belarus 1888- )
|
flute
Emigrated at age 4 with his family to New York City.
|
1905-1906 |
|
Shamlian, John Victor
(Pennsylvania 1920-2006)
|
third bassoon and second bassoon
(also bassoon with the London Symphony Orchestra about 1946-1951)
Studied at the Curtis Institute Class of 1943. After retiring,
became a well-know repairer of bassoons, as well as maker of
reeds. In World War 2, volunteered for the Canadian Navy in order
to enter service, and stationed in England, married and remained
in London after the war, studying at the Royal Academy of Music.
|
1951-1982 |
|
Shannon, J. Byron |
double bass |
1920-1924 |
|
Shapiro, Vladimir
(Russia 1952- )
|
violin |
1979-retired during 2000s |
|
Sharlip, Benjamin
(Pennsylvania 1909-1988)
Orlando Cole cello, Benjamin Sharlip second, Jascha Brodsky first,
Max Aronoff viola in about 1934
|
violin (also Curtis String Quartet: Jascha Brodsky (1907-1997)
first,
Benjamin Sharlip second,
Max Aronoff viola, Orlando Cole cello (1908-2010)
quartet active 1934-1981 when Max Aronoff died. Orlando Cole was
son of Philadelphia Orchestra violin
Lucius Cole)
Studied at the Curtis Institute Class of 1934.
|
1935-1968 |
|
Sharp, Sidney |
violin |
1945-1946 |
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|
|
Sherbow, Marcus |
violin (also a member of the
Henry Gordon Thunder Orchestra 1899-1900)
|
1900-1904 |
|
Sherman, Joseph |
violin |
1923-1925 |
|
Showers, Shelley A.
(Pennsylvania 1961- )
|
Assistant/Utility horn (also Cleveland Orchestra acting Principal horn 1995-1997,
Utah Symphony Principal horn 1989-1995, Cincinnati Symphony acting Associate
Principal horn, New Jersey Symphony horn)
Studied at the Curtis Institute Class of 1985; Shelley Showers is
also a trustee of the Curtis Institute. She is on the Board of
Philadelphia Orchestra Retirees & Friends with
Paul Krzywicki.
|
1998-present |
|
Shulik, Morris |
violin |
1947-2001 (principal second, 1953-1954)
|
|
Shure, Paul C. |
violin |
1941-1946 |
|
Siani, Severino John
(Italy 1891-1964)
|
double bass
Severino Siani was also a composer of salon music of
minor success, but which were performed in the 1930s.
|
1924-1947 |
|
Siegel, Adrian
|
cello 1922-1959 and oboe / oboe d'amore 1937-1953
|
1922-1959 |
|
Siegert, Bernard |
cello |
1920-1921 |
|
Siekierka, Israel Abram
(Poland 1891-1960)
in 1939 |
violin (also hotel orchestras 1923-1924 when first
arrived in US)
After the orchestra, Siekierka later became an osteopath, but
with fatal results: "Dr. Israel Siekierka, 69, who shot
and killed a woman patient he had been seeing died Sunday
of wounds he inflicted on himself...Siekierka, a former
violinist with the world-renowned Philadelphia Orchestra
had been in critical condition since the shootings October 17
[1960]." 162.
|
1924-1943 |
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|
|
Silberman, Harry |
violin |
1917-1918 |
|
Silverstein, Joseph (Michigan 1932- )
|
violin for one season.
(also Houston Symphony 1950-1953, Philadelphia Orchestra 1953-1954,
Concertmaster, Assistant conductor Denver Symphony 1954-1955,
Boston Symphony 1955-1956 taking the last chair of the second
violins, Concertmaster 1962-1984. Assistant Conductor of the BSO
beginning in 1971. Helped found the Boston Symphony Chamber Players
in 1962 and served as its Music Director until 1983. Conductor
Utah Symphony 1983-1998.
Studied at Silverstein the Curtis Institute 1946-1950, but was
expelled from the Curtis Institute in 1950, at age 17.
He later said "I was too distracted by girls and baseball
4 |
1953-1954 |
|
Simkin, Meyer |
violin |
1930-1971 |
|
Simkins, Jascha
|
violin |
1920-1923, 1924-1961 |
|
Simon, Emile |
cello |
1907-1914 |
|
Simonelli, John |
horn |
1965-1975 |
|
Simons, Gardell Howard (Michigan 1878-1945)
|
Principal trombone (also NBC Symphony under Toscanini, trombone)
Succeeded Otto Elst who moved for one season to the second trombone
chair for one season, prior to departing at end of 1915-1916.
Student of Alfred F. Weldon (1862-1914) of Chicago. Gardell
Simons seems to have been dismissed by Stokowski who changed 13
players, including 3 section heads at the end of the 1929-1930 season.
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1915-1930 (principal) |
|
Sinatra, Frank |
timpani/percussion |
1945-1946 |
|
Singer, Jacques |
violin |
1930-1937 |
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|
|
Singer, Samuel |
viola |
1940-1944 |
|
Small, J. C. |
piccolo |
1900-1901 |
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Smit, Josef |
cello |
1924-1925 |
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Smit, Kalman |
violin |
1926-1931 |
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Smith, Henry Charles, III
|
Associate Principal trombone 1955-1957, Principal trombone 1957-1967
(resigned in 1967 to pursue a conducting career: guest conductor Minnesota
Orchestra, Principal guest conductor Cedar Rapids Symphony, Music Director
South Dakota Symphony for 12 seasons, about 1996-2008)
Studied at Curtis Institute Class of 1955.
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1955-1967 |
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Smith, Lloyd (Ohio 1941- )
father of Peter Smith
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cello 1967-1988, Assistant Principal cello 1988-2002, Acting Associate
Principal cello 2002-2003 season. (also Huntingdon Trio
with former wife Rheta Smith oboe, Wister Quartet 1987-present)
Studied at the Curtis Institute Class of 1965. Active as a composer, his major
compositions include: two string quartets, a cello sonata, a string quintet, a
cello octet.
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1967-2003 |
|
Smith, Peter (Pennsylvania about 1970- )
son of Lloyd Smith, husband of
Angela Anderson
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Associate Principal oboe (also member of the Conwell Woodwind
Quintet)
Studied at the Settlement Music School and the Curtis Institute
Class of 1991.
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1991-present |
|
Smith, William R. |
keyboard |
1952-1985 (principal) |
|
Snader, Nathan |
violin |
1946-1950 |
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|
|
Sokoloff, Isador |
cello |
1914-1918 |
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Sorlien, Barbara- violin |
1963-1999 |
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Sottnek, Max |
violin |
1909-1913 |
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Speckin, Willy |
double bass |
1903-1904, 1905-1910 |
|
Speil, Alfred |
violin (also Assistant Concertmaster in 1904 Boston Festival
Orchestra organized by
Emil Mollenhauer) |
1901-1903 |
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Spoor, Simon Hendrik (Netherlands 1868-1953)
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violin (also Boston Symphony Orchestra
1911-1919)
Studied at the Rotterdam Conservatory
|
1919-1920 |
|
Stahl, Jacob |
violin |
1950-1970 |
|
Stange, Gustav |
trombone |
1902-1904 |
|
Stark, Kurt |
double bass |
1902-1903 |
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|
|
Starzinsky, Ludwig (Germany 1873- ) |
viola (also in 1904 Boston Festival Orchestra organized by
Emil Mollenhauer)
Studied violin in Berlin with Karl Halir (1859-1909)
|
1901-1910 |
|
Steck, V. William |
violin |
1961-1964 |
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Stein, Robert |
cello |
1902-1903 |
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Steinke, Bruno |
cello |
1919-1920 |
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Sterin, Jack |
cello |
1927-1958 |
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Stewart, M. (Mark) Dee (Indiana about 1936- )
Dee Stewart (left) with Philip Farkas
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second trombone (also spring tour of Boston Pops in 1957 as bass trombone,
New Orleans Philharmonic 1957 155)
Studied at Ball State University - Indiana BMusEd 1957 155,
Northwestern University MMusEd. Now Chair of the Brass Department at Indiana
University Jacobs School of Music (Dee Stewart studied with Arnold Jacobs
in the mid-1950s); teaching at IU since 1980. Also well worth
reading is his book Philip Farkas: Legacy of a Master,
published 1990 by Instrumentalist Publishing Company. Also visit Dee
Stewart's fine website www.stewartsounds.com
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1962-1980 |
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Steyer, Bruno |
viola |
1924-1925 |
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Stiegelmayer, Karl
(probably Germany 1869-after 1920)
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Principal oboe 1901-1902, second oboe 1902-1910 (also Chicago
Symphony second oboe 1909-1920)
Philadelphia Orchestra records show Stiegelmayer serving
in Philadelphia until the end of the 1909-1910 season, but Chicago
Symphony records show Stiegelmayer's service beginning in the
1909-1910 season.
|
1901-1910 |
|
Stobbe, William R. (Wilhelm)
(Germany 1845- )
|
percussion (also a Principal timpani and percussion of the
Henry Gordon Thunder Orchestra 1899-1900)
|
1900-1901 |
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|
|
Stockbridge, A. F. |
violin |
1906-1907 |
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Stokking, William Jr.
(New Jersey 1933- )
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cello 1960-1966, Principal Cello 1973-2005.
(also Cleveland Orchestra 1958-1960, Boston Symphony cello 1968-1971,
Cleveland Orchestra Principal cello 1971-1973, following retirement,
Princeton Chamber Symphony in 2000s)
Dutch-born father, William Stokking Sr. was a professional violinist,
his son his first musical instruction. Studied at the Curtis
Institute, graduating in the Class of 1949.
|
1960-1966, 1973-2005 |
|
Stoll, Fred C. |
trombone |
1907-1912, 1942-1946 |
|
Stoll, Leon (Philadelphia 1879- ) son of
William Stoll, Jr.
|
viola
Studied at Philadelphia Musical Academy.
|
1900-1901 |
|
Stoll, William, Jr. (Pennsylvania 1847-after 1910)
|
violin (also the Beethoven Quartet, William Stoll first, Edward Brill
second, Richard Schmidt viola,
Rudolph Hennig cello)
Trained by his father, William Stoll Sr. (1816-1907), a
violinist and clarinetist 160. William Stoll Jr.
was conductor of the
Germania Orchestra of Philadelphia between
1888-1895 in what were called "Promenade Concerts"
13.
|
1900-1901 |
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Storch, Alfons |
violin |
1904-1906 |
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Strahlendorf, P. |
violin/bass clarinet |
1901-1902 |
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Strassenberger, Max (Germany 1896- )
|
double bass |
1927-1962 |
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|
|
Streubel, K. |
double bass |
1901-1902 |
|
Stringer, Edward A. |
violin |
1900-1901 |
|
Stroble, Jacob |
violin |
1900-1901 |
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Stumpf, Peter E. (Connecticut 1964- )
 |
cello 1990-1991. Associate Principal cello 1991-2003 (also Hartford
Symphony at age 16, following Philadelphia, Los Angeles Philharmonic
Principal cello 2003 to present. Previously active with Boston Musica Viva,
and in summers with the Yellow Barn Music Festival and the Musicorda
Summer String Program. Also the Johannes String Quartet: Soovin Kim first,
Catherine Cho second, C.J. Chang viola, Peter Stumpf cello)
Studied at the Curtis Institute Class of 1985, and New England Conservatory
Artists Diploma.
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1990-2003
|
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Sturm, Julius |
cello |
1902-1904 |
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Sverdrofsky, Michael |
violin |
1904-1906 (concertmaster) |
|
Szulc, Bronislaw |
horn |
1932-1933 |
|
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Tabuteau, Marcel (France 1887-1966)
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Principal oboe (also Metropolitan Opera Principa
|