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Musician Name
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Instrument
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Dates
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| |
[ A
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Abloescher (or Ablöscher), Johannes Alfred Franz
(Austria 1871-1940)
detail of 1891 Boston Musical Herald photo: Boston Symphony Archives
|
Second trombone with Principal trombone Carl Hampe and bass trombone Alfred Rigg.
Abloescher was succeeded by long-time Second trombone Fredrick Mausebach.
It seems that Johannes Abloescher's life following the Boston Symphony was somewhat
troubled. The Boston Globe of May 7, 1901 under the headline "He Ran Off With
The Baby and She Followed Him Up" stated that following their divorce,
Abloescher returned to Vienna, and that the "Divorced wife of Johannes
Abloescher traveled from Boston to Austria to abduct her own
child..." 179. Mrs. Abloescher was a student of Johannes
Abloescher at the New England Conservatory when they married. (Only the
best gossip featured here...)
|
1891-1898 |
|
Adam, Eugène (France - Metz, Alsace-Lorraine at that time
Germany, later restored to France - 1881-1965)
|
Principal trombone 1919-1920, Assistant Principal trombone
1920-1926, trombone and tuba, 1926-1934, like
Vinal Smith
moved full-time from trombone to tuba 1934-1947
(also St. Louis Symphony tuba 1947-1955)
Studied at the Paris Conservatoire, Premier prix in the 1903
Concour. Read a very interesting account of Eugène Adam at BSO
bass trombone Doug Yeo website page by
CLICKING HERE
|
1919-1947 |
|
Adamowski, Joseph J.
(Poland 1862-1930)
brother of
Timothée Adamowski
|
cello (also Adamowski String Quartet with brother Timothée Adamowski
and Joseph's wife Antoinette Szumowska)
Studied at the Warsaw Conservatory 1873-1877 and
later at the Moscow Conservatory.
|
1889-1901, 1902-1907 |
|
Adamowski, Timothée (Tymoteusz)
(Poland 1857-1943) brother of
Joseph Adamowski
|
violin and
conductor of the Boston Pops Orchestra
1891-1894, 1903-1907
(also Worcester Festival - Massachusetts 1880, 1906, Adamowski String
Quartet with brother Joseph Adamowski and Joseph's wife Antoinette Szumowska)
Studied at the Warsaw Conservatory and the Paris Conservatoire,
Prix in about the 1877 Concour.
|
1884-1887, 1888-1907 |
|
Agnesy, Karl (Austria 1876-1940)
|
double bass
(also Detroit Symphony 1920-1921, then went to teach
at the Eastman School of Music beginning 1921 or 1922. By 1930,
Karl Agnesy was playing double bass in a New York City radio orchestra.
Such orchestras offered the advantage of year-around employment,
not the case in any US symphony orchestra at that time.)
|
1907-1920 |
|
Akeroyd, Evans (England 1857-1920) brother of
Julius Akeroyd and
Vincent Akeroyd
|
Principal clarinet |
1888-1889 |
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Akeroyd, Julius (England 1858-1928) brother of
Evans Akeroyd and
Vincent Akeroyd
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violin
(also member of the the "Beethoven Quartette" in 1873
composed of pioneering Boston musicians
Charles Allen, first,
Julius Akeroyd, second,
Henry Heindl, viola,
Wolf Fries, cello 63,
also in 1904 Boston Festival Orchestra organized by
Emil Mollenhauer)
|
1881-1913 |
|
Akeroyd, Vincent (England 1849-before 1930) brother of
Julius Akeroyd and
Vincent Akeroyd
|
violin (also taught at the New England Conservatory)
|
1881-1887 |
|
Allard, Raymond
(France 1898-1977)
detail of photo: Boston Symphony Archives, n.d.
|
Principal bassoon 1936-1953, bassoon 1922-1936
Studied at the Douai Conservatory, followed by the
Paris Conservatoire Premier prix in the 1922 Concour.
According to his nephew bassoonist Maurice Allard (1923-2004),
he was recruited on the spot for the Boston Symphony:
;"...My uncle told me the day of his public concour
for first prize at the Conservatoire in Paris, the manager
of the Boston Symphony, present in the hall, proposed
engagement with the BSO and signed him up right there..."
58
|
1922-1953 |
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Allegra, Edmondo
(Switzerland 1890-returned to Switzerland)
|
clarinet
Busoni wrote his 1918 Concertino for Allegra. Also, Igor Stravinsky who
lived summers in Morges, Switzerland wrote his Three Pieces for Clarinet Solo
for Allegra, who gave the premier in Lausanne November 8, 1919. Allegra had also
played the important clarinet part in the premier of Stravinsky's l'Histoire du
soldat in 1918.
|
1925-1933 |
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Allen, Charles N.
(England 1837-after 1900) |
violin - second chair first violins, what would be termed today
Assistant Concertmaster.
(also founded the "Beethoven Quartette" in 1873
composed of pioneering Boston musicians Charles Allen, first,
Julius Akeroyd, second,
Henry Heindl, viola,
Wolf Fries, cello 63.
Also formed the Beethoven Club chamber music group 1880s,
Mendelssohn Quintette Club 49,
Played in the Worcester Festival - Massachusetts 1878)
|
1881-1882 |
|
Alloo, Modeste Eugene Emile
(Belgium 1884-1975)
|
second trombone 1911-1914, Principal trombone 1914-1918
(also New York Symphony timpani and trombone about 1908-1911,
Cincinnati Symphony trombone and Associate Conductor about 1919-1923.
Head of Music Department University of California, Berkeley 1923-1935.
University of Miami Music Director 1942-1965)
Studied at the Conservatoire Royal de Musique - Brussels
Premier prix in solfège, Deuxième prix in trombone in the 1905
Concour 66, conservatoire de Verviers - Belgium
Premier prix 1906.
|
1911-1918 |
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Amerena, (Albert) Pasquale (England 1890-1937)
Born in England of Italian parents and came to Boston age 1
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second flute (played flute in theater and restaurant orchestras prior
to joining the Boston Symphony. His father Domenico was a flutist)
Amerena succeeded
Charles De Mailly
as second flute in 1920-1920. Although this occurred at the same
time as the disruption of the 1920 Boston Symphony musician's
strike, this change was not part of the 33 musicians replaced.
Charles De Mailly had dropped dead at the end of the 1919-1920
season, age only 27. Surprisingly, Pasquale Amerena also died
during a BSO season April 25, 1937, age only 47.
|
1920-1937 |
|
Andrews, Scott
(Virginia 1973- )
|
clarinet (also New England Chamber Orchestra, Boston Musica Viva,
Auros Group for New Music)
Studied at the New England Conservatory class of 1994. In 2005,
Andrews went to St. Louis Symphony as Principal clarinet.
|
January, 1996-2007
took the BSO second clarinet chair subsequent to William Hudgins
moving to Principal clarinet in the 1994-1995 season.
|
|
Ansell, Steven A.
(Washington 1954- )
|
Principal viola (also Pittsburgh Symphony Assistant Principal viola
1977-1979. left Pittsburgh in 1979 to found the Muir String Quartet
initially in the San Francisco Bay area and later in residence at
Boston University since 1983. the
Muir String Quartet featured fellow Curtis Institute graduates:
Lucy Chapman Stoltzman
first (later Peter Zazofsky first, son of
George Zazofsky), Bayla Keyes second (later
Lucia Lin
second),
Steven Ansell
viola and Michael Reynolds cello)
Studied at the Curtis Institute Class of 1975. active in many music Festivals
over the years. Advocate of chamber music: after more
than 30 seasons of performing, the Muir String Quartet still is touring actively.
|
September, 1996-present |
|
Arbós, Enrique Fernández (Spain 1863-1939)
| Concertmaster (also returned as BSO guest conductor
1928-1931, including conducting the 1931 Fiftieth Anniversary
Concert of the BSO)
Studied at the After studying violin at the Madrid Conservatory, and
in Brussels with Henri Vieuxtemps. Also and later in Berlin at the
Royal Academy of Music under Joseph Joachim.
|
1903-1904 |
|
Arcieri, Emil (Massachusetts 1901-1949) died during 1948-1949 season
detail of photo: Boston Symphony Archives, n.d.
|
clarinet 1921-1934, percussion 1934-1949 (switched from clarinet
to percussion due to a heart condition)
Is said to have used the Cundy-Bettoney Silva-Bet metal clarinet,
although Koussevitzky did not like metal clarinets.
|
1921-1949 |
|
Artières, Louis
(France 1894-1983)
detail of photo: Boston Symphony Archives, n.d.
|
viola (was one of 5 - out of 10 - violists hired for
the 1920-1921 season, following the 1920 musicians
strike. Also the Colonne Orchestra Paris in about 1919)
Studied at the Paris Conservatoire, prix in the Concour
of about 1919, delayed by World War 1 and a finger injury which caused him
to switch from violin to viola. Pierre Monteux was a member of the Concour
jury, and hired Artières for the Boston Symphony.
|
1920-1955 |
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Arzewski, Cecylia
(Poland 1948- )
Cecylia Arzewski with Atlanta Symphony Orchestra conductor Robert Spano accompanying
|
violin 1970-1985, Assistant Concertmaster 1985-1987
(also Buffalo Philharmonic Principal violin 1969-1970,
Cleveland Orchestra Associate Concertmaster 1987-1990,
Atlanta Symphony Concertmaster 1990-2008)
Father Stanislaw Arzewski was pianist for the
Krakow Philharmonic. Studied first with with Eugenia Uminska (1910-1980) of the
Krakow Music Academy. in 1957, with the help of Isaac Stern, went to Israel where
she studied with Odeon Partos (1907-1977). Then to the Juilliard School in about
1960, followed by the New England Conservatory. Arzewski’s lifelong devotion to
Bach led to her recording the complete Sonatas and Partitas for solo violin in
2010 (thanks to
Paul Krzywicki for information)
|
1970-1987 |
|
Avierino, Nicholas K.
(Russia 1872-1950) father-in-law of
Paul Fedrovsky
from Boston symphony Orchestra charcoal drawings by
Gerome Brush: Boston Symphony Archives
|
viola
Studied at the Imperial Conservatory, Moscow starting in
about 1888, where he was friend and student roommate of
Alexander Scriabin, graduating in 1892. Named director
of the Imperial Conservatory - Rostov in 1905. Following
the Russian revolution in 1919, went to Athens, and then
to Paris.
|
1925-1939 |
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[ B
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Babcock, Martha M.
(Illinois 1948- )
wife of
Harvey Seigel
photo: Michael Lutch
|
Cello 1973-1982, Assistant Principal Cello 1982-present (also
l'Orchestre symphonique de Montréal 1968-1970, joining at age 19, also Collage New
Music)
Studied at the Tanglewood Music Center summer 1972 winner of the
Piatigorsky Prize, and at Radcliffe
College cum laude, Boston University School graduate
studies. Martha Babcock recorded Harvard composer James Yannatos (who just
recently died 1929-2011) Sonata for Solo Cello on Albany Records
(see right) |
1973-present
(sabbatical leave 1993-1994)
|
|
Bach, Vincent (born Vincent Schrotenbach) (Austria 1890-1976)
|
trumpet (also in 1916, Bach became
US Army bandmaster of the 306th Field Artillery, Long Island, New York.
At end of World War 2 Rivoli Theater Orchestra, New York City. Also about 1920,
Vincent Bach began a career of manufacturing brass instruments, founding the
Bach instrument company)
Bach began study of the trumpet in 1905 at the relatively late age of 15. Bach-made
trumpets were a success from the beginning, but his trombones apparently were thought
by some have slides which were too tight. Bach would say that wider slides would leak,
and he predicted that the slide trombone would soon be extinct in orchestras, to be
replaced by valve trombones or bass trumpets. Perhaps he later changed his mind.
|
1914-1915
left the Boston Symphony before the end of the 1914-1915 season
when the orchestra was in California
|
|
Bagley, Ezra Mahon (Vermont 1853-1886)
Edwin Eugene Bagley
|
Principal trumpet (also Worcester Festival - Massachusetts 1879 and 1882-1885,
Boston Common Band, Germania Orchestra of Boston, the David C. Hall
'New Concert And Quadrille Band')
Ezra Bagley died at an early age, reportedly from exhaustion,
on a European tour he had organized for the summer of 1886. He
died in Liverpool, England on July 8 1886, age only 33 91.
Ezra Bagley was brother of the march composer Edwin Eugene Bagley
(1857-1922), composer of the National Emblem March.
|
1881-1886 |
|
Bak, Adolf or Adolph (Hungary 1878-1943)
| violin (also the Mischa Elman String Quartet,
Assistant Concertmaster of National Symphony Orchestra of
New York 1920 58)
One of 21 Boston Symphony musicians in the violin, viola and cello
sections to leave the orchestra following the disastrous 1920
musicians strike. After leaving the Boston Symphony, Adolf Bak taught
at the Vienna Conservatory for 20 years, with Felix Galimir (1910-1999)
being among his students.
|
1900-1920
(left following 1920 musicians strike) |
|
Balas, J. (1870?- ) |
violin |
1918-1919 |
|
Ball, Alvin H. McCarthy
(Arizona 1908-1980) |
trumpet
Alvin Ball is something of a mystery musician. In newspaper accounts,
he is listed as "former Boston Symphony musician"; Symphony
records list him as trumpet from 1937, with his correct birth location
(Miami, Arizona) without an exit date. Mr. Ball was not in the musician
list of any contemporary BSO program.
|
1937 (?)
|
|
Baraniecki, Carl Albert
(Germany 1875-1951)
|
violin (after leaving the BSO, a theater musician in
Boston, and beginning 1920, a theater musician in Los Angeles
in the 1920s and 1930s)
|
1913-1918 |
|
Bareither, George (Georg)
(Bohemia, now Czech 1842- ) brother of
Jacob Bareither
Chicago Symphony oboe
|
double bass (also toured the Chautauqua Circuit in 1899 with
the International Symphony Clus with Nikolai Sokolof violin, W. W. (Walter)
Swornsbourne violin, A. S. Martin viola, and Eric Loeffler cello)
|
1882-1885, 1887-1907 |
|
Bar-Josef, Nurit (Massachusetts 1975- )
|
Assistant Concertmaster (also St. Louis Symphony Assistant Principal
second violin about 1997-1998, National Symphony of
Washington DC Concertmaster 2002-present)
Studied at the Curtis Institute Class of 1996, further study at
the Juilliard School 1997.
|
1998-2002 |
|
Barker, Edwin B. (Arizona 1954- )
|
Principal double bass (also a sub for New York Philharmonic, Chicago
Symphony for one season 1976-1977 - from the New York Philharmonic to the
Chicago Symphny to the Boston Symphony all in less than 2 years.
Also a member of Collage New Music - Boston)
Studied at Tanglewood Music Center summer 1975, and at the
New England Conservatory BMus class of 1976 with honors.
Performed the world premieres of James Yannatos Bass Concerto and
Theodore Antoniou Concertino for Contrabass and Chamber Orchestra
and John Harbison Concerto for Bass Viol and Orchestra.
|
1977-present |
|
Barleben, Carl, or Karl (1866-1938) |
viola 1894-1900, violin 1903-1912 |
1894-1900, 1903-1912 |
|
Barnes, Robert (Kentucky 1942- ) grew up in Detroit
twin brother of
Darrel Barnes
Philadelphia Orchestra viola 1965-1971, and uncle of
Derek Barnes
, Philadelphia Orchestra cello 1995-present.

|
viola (also Detroit Symphony violin 1961-1965, then viola 1965-1966
while studying at Wayne State University, Francesco Quartet,
Collage New Music)
Studied with his musician parents, both orchestral musicians.
Robert Barnes mother played horn with the Detroit
Symphony in 1940s. Robert Barnes also studied at
Wayne State University as did his brother Darrel.
|
1967-present |
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Barozzi, Socrate Jean
(Romania 1893-1973)
|
violin (also Cleveland Orchestra Second Concertmaster
1929-1930, New York Philharmonic 1934-1959)
Barozzi was one of 17 violinists hired for the Boston Symphony
1920-1921 season, following the 1920 BSO musicians strike.
After leaving the BSO, Barozzi pursued a solo violin career,
playing in Carnegie Hall in 1924, and with the Reading Symphony -
Pennsylvania in 1926 and 1927. New York reviews were mildly
favorable: "...as an artist, be still avoids summits of
musical thought, preferring the sunlit foothills..." said
the New York Times 71.
|
1920-1923
Socrate Barozzi left the Boston Symphony in March, 1923.
|
|
Barr, Kelly M. (Illinois 1968- )
Kelly Barr with her home-town teacher Susan Starrett
|
violin (also the Boston Pops Esplanade Orchestra - the Pops touring
orchesta, St. Louis Symphony Orchestra, and the American Soviet Youth
Orchestra - an orchestral musician training orchestra)
Studied at the University of Minnesota BA and the New England Conservatory
MMUs.
|
February 1996-2009 |
|
Barrier, C. |
viola |
1918-1919 |
|
Barron, Ronald
(Pennsylvania 1946- )
|
Principal trombone 1975-2008, trombone 1970-1975 (also Montreal Symphony Orchestra)
9 Studied at Conservatory of Music - University of Cincinnati.
visit Ron Barron's interesting website:
http://web.me.com/ronbarron/Ron_Barron/Home.html
including description of his CD recordings with Boston Brass Series
demonstrating a wide and interesting repertoire
|
1970-August 2008 9, 34 |
|
Barth, Carl (Germany 1869- )
| cello (joined the BSO with his close friend Hugo Litke in
the 1894-1895 season).
Studied at the Leipzig Conservatory.
|
1894-1937 |
|
Barth, Charles A. (Germany 1849- ) |
double bass |
1888-1903 |
|
Barth, W. |
percussion |
1900-1901 |
|
Barwicki, John F. (Boston 1910-2000)
|
double bass (also the Boston Pops Esplanade Orchestra, the touring
orchestra during 1930-1936)
Studied at the New England Conservatory.
|
1937-1987 24 |
|
Basrak, Catherine J 'Cathy'
(Illinois 1977- ) wife of
Timothy Genis
|
Assistant Principal viola
Studied at the Curtis Institute Class of 2000. Active in summer
music festivals, including the Marlboro Music Festival - Vermont,
Banff Centre for the Arts - Alberta, and the Norfolk Chamber
Music Festival - Connecticut. She currently teaches at
the Boston Conservatory and Boston University. In 2009, Cathy
Basrak gave the premier of John Williams Concerto for
Viola and Orchestra (2009) with the composer and
Ann Hobson-Pilot.
|
2000-present |
|
Battles, Augustus
(Massachusetts 1880-1947)
Augustus Battles in 1912
|
flute 1909-1918, piccolo 1918-1935 (also Philadelphia Orchestra
flute 1906-1909, also Boston Symphony
Sextette whose membership in 1912 was:
Herman Goldstein first violin,
Placido Fiumara second violin,
Walter Blumenau viola,
Ludwig Nast cello,
Max Kunze double bass, who was also group leader
171)
Studied with
André Maquarre about 1897-1902.
|
1909-1935
(some BSO records claim Battles was in Boston in
1908, but not listed in the BSO 1908-1909 roster -
he was in Philadelphia Orchestra that season)
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Bauch, Daniel
(Massachusetts )
|
timpani (also Detroit Symphony, Assistant Principal timpani
2006-2009, Alea III ensemble, founding member of New Music Detroit a
chamber group for contemporary music, Classical Tangent,
a group combining classical and folk origin music)
Studied at Tanglewood Music Center summer 2001 and 2002.
Played the premiere in Carnegie Hall of Ayre by Osvaldo Golijov, the hot
contemporary composer, with Dawn Upshaw, who commissioned the work. Golijov's
music often includes a percussive base and memories of the tango.
|
2009-present |
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Bayrhoffer, Carl (1859- ) |
cello |
1881-1882 |
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Beale, Minot Alfred
(Massachusetts 1897-1982)
detail of photo: Boston Symphony Archives, n.d.
|
violin (also chamber group The Aeolians:
George Madsen, flute,
Minot Beale, violin,
Carl Stockbridge,
cello, Nellie Zimmer, harp. The Aeolians also recorded
for Victor in the 1930s. During World War 1, Beale played
the trombone in the US Navy band in Newport News, Virginia)
Studied at the New England Conservatory 1917-1921.
|
1927-1967 |
|
Beckel, Joseph (1859-1908) |
Principal double bass (
also Principal double bass Chicago Symphony 1891-1908, died during the season
. Also played in summer music festivals, including the
1885 Virginia State Music Festival, also Boston Symphony Orchestral Club,
a chamber group which Beckel joined after departing the BSO)
|
1885-1888 |
|
Bedetti, Jean
(France 1883-1973)
 |
Principal cello, succeeding Joseph Malkin who left for the Chicago
Symphony (in Paris also Opéra Comique Principal cello and Colonne Orchestra
Principal cello)
Studied with his father, also a cellist and a teacher at the Lyon
Conservatory which he entered in the 1890s. Gained admission to the
Paris Conservatoire where he won cello Premier prix in the 1902
Concour 128. While still in France, Bedetti first recorded
for Pathé in 1908.
|
1919-1948 |
|
Behr, Carl (Massachusetts 1853-1942) |
cello (also organizer of a series of popular concerts in
Massachusetts and New Hampshire in the 1910s, also
leader of the Wentworth Hotel Orchestra, Portsmouth, New
Hampshire in the 1910s, also of the Carl Behr Orchestra
of Boston)
Contemporary accounts remark on Carl Behr's performances on the
zither. His parents were from Bohemia, so zither performance
may have come from his family instruction. In the 1930 census,
Carl Behr has relocated to Ashville, North Carolina, where he
is listed as Musicial Director - Orchestra at age 77.
|
1881-1891 |
|
Behr, John (Massachusetts 1854- ) |
violin |
1881-1884 |
|
Belgiorno, Simone (or Simon)
(Italy 1888-after 1931)
|
Assistant Principal trombone (also Cincinnati Symphony
trombone, Metropolitan Opera trombone, Boston Symphony Assistant
Principal trombone 1914-1918, Cleveland Orchestra
Principal trombone 1926-1928, Philadelphia Orchestra Principal
trombone 1930-1931)
Taught trombone at the Curtis Institute in 1930. According to
trombonist Harold McKinney, Simone Belgiorno "only lasted
14 weeks with Stokowski...", so apparently did not finish
the 1930-1931 season in which Stokowski fired a dozen other
orchestra musicians.
|
1914-1918 |
|
Belinski, A. V. |
violin |
1902-1903 |
|
Belinski, Mirko Vaisz
(Croatia 1867-1939) |
cello (also London orchestras) |
1902-1903, 1909-1927 |
|
Bennett, J. C. |
violin |
1884-1885 |
|
Benson, Stanley W.
(Massachusetts 1909-1988) 18
|
violin (also founding member and Concertmaster of the Brockton
Symphony - Massachusetts. also Tanglewood Quartet 1953-1970:
Rolland Tapley first,
Stanley Benson second,
George Humphrey viola,
Karl Zeise cello)
After graduating from Brockton High School in 1928, Benson studied
violin with Concertmaster Richard Burgin.
|
1946-1976 18 |
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Benthin, Betty
(Oregon 1930- )
|
viola (also Minnesota Orchestra, St. Paul Chamber Orchestra)
Studied at the New School of Music - Philadelphia, the Curtis Institute
Class of 1949, Yale School of Music.
|
1977-1990 36 |
|
Beresina, C. (? Charles father of Théodore Beresina 1849- ) |
violin |
1885-1886 |
|
Berger, Henri L. (France 1866-1941) |
violin |
1890-1918, 1920-1923 |
|
Berger, Louis (1932- ) |
cello |
1953-1963 17 |
|
Berlin, Vladimir (Ukraine 1876-1936) |
viola (also National Symphony Orchestra of New York) |
1912-1920 (left following 1920 musicians strike) |
|
Bernard, Albert Yves (France 1903-1979)
detail of photo: Boston Symphony Archives, n.d.
|
viola |
1925-1967 (42 seasons) |
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Bernhardi, Fedor Ernst (Germany 1852- )
|
Principal bassoon (also New York Philharmonic
Principal bassoon)
|
1883-1886 |
|
Bernstein, Giora Ph.D. (Austria 1933- )
|
violin (also University of Colorado) |
1963-1967 |
|
Bersina, C. |
violin
|
1885-1886 |
|
Bettoney, Frederick
(England 1884-1933)
died during Philadelphia season March 31,1933
|
bassoon 1920-1931, bass clarinet 1931-1933 (also Philadelphia Orchestra)
son of bassoon maker Harry Bettoney 1867-1953 of Cundy-Bettoney Company
|
1920-1933 |
|
Bewick (Brown), Bonnie J. (Hawaii 1963- )
|
violin (also Columbus Symphony 1986-January 1987,
New England Philharmonic Concertmaster and summer festivals including:
Spoleto, Interlochen, Spoleto and the Grand Teton in Yellowstone Park)
Studied at the University of Michigan - Ann Arbor and the
Curtis Institute Class of 1986. Bonnie also likes
traditional Irish fiddle music. As such, a founding member of
Classical Tangent, a group combining classical and folk origin music.
|
January 1987-present |
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|
Beyer, Edward |
viola |
1881-1885 |
|
Bielski, Noah (Poland 1919-1972) |
violin |
1955-1972 |
|
Birnbaum, Alexander Z. (Germany 1875-likely returned to Germany)
|
violin |
1903-1904 |
|
Blackman, Alexander (Lithuania 1896- ) |
violin (also Cleveland Orchestra 1920-1921) |
1919-1920 |
|
Bladet, Gaston Daniel (France 1879-1938)
died during season April 13, 1938 |
violin |
1923-1938 |
|
Blaess, Alexander (Belgium 1867-seems to have relocated to England)
|
cello, perhaps Principal cello for Pops
|
1896-1902 |
|
Blettermann, John (or Johannes) D. B. (Germany 1856- )
|
double bass (also New York Symphony) |
1881-1885 |
|
Blot, George |
horn |
1927-1933 |
|
Blumenau, Walter
(Germany 1884-1967)
Walter Blumenau in 1912
|
viola (also Helsinki Symphony in 1910, Berlin Philharmonic
1910-1912, long time Detroit Symphony viola, also Boston Symphony
Sextette whose membership in 1912 was:
Herman Goldstein first violin,
Placido Fiumara second violin,
Walter Blumenau viola,
Ludwig Nast cello,
Max Kunze double bass, who was also group leader
171)
Studied at the Berlin Akademische Hochschule für Musik, graduating in
about 1904. Karl Muck knowing Blumenau from Berlin invited him to join
the Boston Symphony in the 1912-1913 season.
|
1912-1918, 1919-1920
(seems to have left following the 1920 musicians strike,
probably directly to Detroit)
|
|
Boder, Emanuel |
violin (also New York Philharmonic) |
1977-1979 |
|
Boehm, G. |
violin |
1890-1892 |
|
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|
|
Boernig, E. Hugo
(Germany 1863-after 1930) |
double bass |
1892-1894 |
|
Boettcher, George or Georg (Germany 1885-1936)
died in Rangsdorf, Germany in December, 1936, age 51 148
from Boston symphony Orchestra charcoal drawings by
Gerome Brush: Boston Symphony Archives
|
Principal horn (also Berlin Opera, Berlin Philharmonic) |
1928-1936
resigned from BSO to return to Germany for an orchestra position
|
|
Bolter, Norman Howard
(Minnesota 1955- )
|
trombone and euphonium (also founding member of Empire Brass
Quintet, serving for 5 years)
New England Conservatory class of 1977. Bolter is an active composer,
including works for trombone and orchestra, and chamber works. Norman
Bolter also teaches at the New England Conservatory and the Boston
Conservatory and Longy School of Music.
|
November, 1975-January, 2008 34 |
|
Borok, Emanuel (Russia 1944- )
|
Assistant Concertmaster (also Bolshoi Theater Orchestra
1969-about 1971, Moscow Philharmonic Assistant Concertmaster
1971-1973, Israel Chamber Orchestra Concertmaster 1973-1974,
Dallas Symphony Concertmaster of the Dallas Symphony 1985-2010)
Studied at the Darzinya Music School - Latvia
|
1974-1985 |
|
Bower, Harry A. (Massachusetts 1865-1948)
| percussion (also a famous drum manufacturer)
|
1904-1907 |
|
Bowron, Benjamin
(England 1849-before 1935) |
trumpet (also solo cornet in the Germania Band under
Emil Mollenhauer
, also New York Symphony ?)
|
1881-1885, 1886-1887 |
|
Bracken, Nancy H. (Missouri 1951- )
|
violin (also Colorado Philharmonic Concertmaster, Cleveland
Orchestra 1977-1979, Boston Symphony 1979-present, Cambridge
String Quartet)
Studied at the Curtis Institute Class of 1973, University of Buffalo,
Eastman School MMus 1977.
|
1979-present (sabbatical leave 1991-1992) |
|
Brenton, Harold E.
(Massachusetts 1872-1947)
|
trumpet (also a Boston theater musician in the 1910s,
also was a music trustee supporting the music programs of
the Boston Public School system 149)
Learned to play the cornet and trumpet at the Boston Church Home for
Orphans and Destitute Children. He was a close friend of trombonist
LeRoy Kenfield
, five years older, who also learned his instrument
at the Thompson Island School for Indigent Boys.
|
1902-1907 |
|
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|
|
Brewster, Theodore E.
(Ohio 1906- )
detail of photo: Boston Symphony Archives, n.d.
|
bassoon
Studied at the New England Conservatory, and the Berkshire
Music Center in 1947 and 1949.
|
1949-1961 |
|
Brightwell, Kyle
(Maryland about 1988- )
|
percussion
Studied at the Juilliard School, and at Boston University MMus 2012,
where he studied with
Timothy Genis. Summer fellowship programs
including the Tanglewood Music Center (3 times), Pacific Music Festival.
Also National Orchestral Institute - Maryland, as did his friend and fellow
newly-appointed Boston Symphony percussionist
Matthew McKay. Dramatic solo
debut March 2012 with the Dubuque Symphony (Iowa) performing James MacMillan
(1959- ) percussion concerto Veni, Veni, Emmanuel.
|
beginning September, 2012
|
|
Brooke, Arthur
(England 1866-1950)
| Assistant Principal flute 1909-1923, flute 1896-1909
(also assisted Georges Longy Club, was briefly conductor of the
Honolulu Symphony 65, also the Boston Symphony Quartet consisting of:
Arthur Brooke flute,
Ludwig Nast cello,
Hubert Sauvlet violin, and
Theodore Cella harp 181)
In 1917, Arthur Brooke recorded two flute pieces for the Victor Talking
Machine Company of which one The Whirlwind by Adolph Krantz
was issued on Victor 10 inch / 25 cm disk Victor 18312 in a stylish
performance. Retired to San Diego, California where he taught until his
death in 1950.
|
1896-1923 |
|
Brown, Lila R.
(Connecticut 1956- )
|
Viola (also Baltimore Symphony viola)
Studied at the State University of New York - Purchase 1979 and at the
Juilliard School MMus 1981.
|
1982-1984
|
|
Bryant, Melvin Hurd
(Massachusetts 1895-1987)
detail of photo: Boston Symphony Archives, n.d.
|
violin (also Celeste)
Studied with
Karl Scheurer,
Alexander Ribarsch and
Karl Rissland. Bryant was a well-known rose gardner.
|
1918-1960
42 seasons of music making.
|
|
Burgin, Richard Moiseyevich
(Poland 1892-1981)
|
Concertmaster |
1920-1962
|
|
Burkhardt, Hermann E. (Germany 1862-1921) died during the season
|
violin 1891-1892, percussion 1905-1921, also trumpet
|
1891-1892, 1905-1921 |
|
Butler, Herbert J. (Connecticut 1845- ) |
double bass |
1881-1902, 1903-1907 |
|
Buyse, Leone K.
(New York 1947- )
|
Associate Principal flute and after Doriot Anthony Dwyer retired
as BSO Principal flute, Leone Buyse was acting Principal flute
of the Boston Symphony
her last three years in Boston 1990-1993 (also San Francisco
Symphony Assistant Principal flute, Rochester Philharmonic piccolo
and second flute)
Studied at the Eastman School and Emporia State University -
Kansas. Fulbright scholar in Paris 1968. Also active in summer
music festivals, including the New Hampshire Musical Festival
Principal flute, and Aspen Festival - Colorado, Sarasota Festival -
Florida, Orcas Island Chamber Music Festival - Washington,
Domaine Forget - Québec, Lake Placid Institute - New York,
Park City International Festival - Utah. After retiring
from the Boston Symphony, Leone Buyse became the Mullen Professor
of Flute at the Shepherd School of Music, Rice University,
Houston where her husband
Michael Webster also teaches.
|
1983-1993
Leone Buyse has recorded several CDs, Chamber Music for Flute
by Jean Rivier (1896-1987) - Crystal Records
|
|
|
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|
|
Came, Louise Langford (Mrs. James Pappoutsakis)
(Massachusetts 1914-2003) |
harp
New England Conservatory class of 1937.
|
1937-1938 (second woman to be BSO musician after
Lydia Savitzkaya)
|
|
Campanari, Giuseppe
(Italy 1859-1927) born November 17, 1859
in Roviga, Italy, not other dates sometimes given. Brother of
Leandro Campanari
|
cello (also La Scala Orchestra) left to sing opera in New York
|
1885-1893 |
|
Campanari, Leandro (Italy 1857-1939) Brother of
Giuseppe Campanari
|
violin (also San Francisco) |
1884-1886 |
|
Cardillo, Pasquale A. "Patsy"
(Massachusetts 1918-1998)
|
second clarinet (also Drury Band)
Studied at the New England Conservatory. Also with his clarinetist
father Anthony Cardillo. Substituted as clarinet at the Berkshire
Music Festival in the summer of 1939 which led to his joining the
Boston Symphony in the 1939-1940 season.
|
1939-1984
(45 year service) 30 |
|
Carol, Norman
(Pennsylvania 1928- ) cousin of Robert Karol
|
first violin (also Concertmaster of three orchestras: New Orleans
Symphony Concertmaster 1956-1960, Minneapolis Symphony Concertmaster
1960-1966, Philadelphia Orchestra Concertmaster 1966-1994)
Studied at the Curtis Institute Class of 1947. Spent the years 1952-1956
after the BSO first in the Army, then pursuing a solo concert career. He abandoned
a solo career for his family, seeking a more stable life as an orchestra musician.
|
1949-1952 |
|
Caughey, Charles Elford
(Pennsylvania 1904-1963) |
harp (also a prolific poet) |
1925-1926, 1928-1937, 1938-1951 |
|
Cauhapé, Jean Marcelin
(France 1902-1972)
at Tanglewood 1949
|
Assistant Principal viola (also
Chardon String Quartet:
Norbert Lauga first,
Clarence Knudson second,
Jean Cauhapé viola,
Yves Chardon cello)
Studied at the theological seminary in Toulouse and both the
Toulouse Conservatoire (at age 9) and Paris Conservatoire with
Premier prix in viola in about 1921. Recruited by Koussevitzky
during Paris auditions in the summer of 1925.
|
1925-1967 |
|
Ceci, Jesse Arthur
(Pennsylvania 1924-2006) |
violin (also New Orleans Philharmonic, New York Philharmonic, Minnesota
Orchestra Concertmaster, National Ballet of Canada, Denver Symphony/Colorado
Symphony Concertmaster)
|
1954-1959 |
|
Cella, Theodore
(Pennsylvania 1896-1960)
Theodore Cella in 1917
|
harp (also National Symphony of New York, New York Philharmonic
Principal harp. Cella while in Boston also played in the interesting
Boston Symphony Quartet consisting of:
Arthur Brooke flute,
Ludwig Nast cello,
Hubert Sauvlet violin, and
Theodore Cella harp 181)
Took up conducting as was an Assistant Conductor of the New York Philharmonic under
John Barbirolli. Theodore Cella was also the fifth husband of Mabel Boll (1895-1949),
known as the "Queen of Diamonds" because of the quantity of gold and diamonds
she like to wear 182. They both understated their age by 5 years
(only the finest gossip reported here...)
|
1915-1920
(left following 1920 musicians strike) |
|
Chapman, Peter R.
(Canada 1945- )
|
Second trumpet (also Opera Company of Boston and Boston Ballet Principal trumpet, and
MusicaViva in Boston)
Studied at Boston University School for the Arts BMus and MMus. Chapman won the
Boston University Night at Pops concerto competition as a student, resulting
in his concert performance of the Hummel Trumpet Concerto with Arthur Fiedler and the
Boston Pops. He was a Tanglewood Fellow 1964-1968. Also active in music festivals,
including the Grand Teton Music Festival - Wyoming. Chapman now teaches at the
New England Conservatory.
|
July, 1984-August, 2008 34 |
|
Chardon, Yves Henri
(France 1902-2000)
from Boston symphony Orchestra charcoal drawings by
Gerome Brush: Boston Symphony Archives
|
cello (also Principal cello, Principal cello and associate conductor
of the Minneapolis Symphony 1946-about 1950, founded the Orlando Symphony
- later the Central Florida Symphony in about 1950-1951, Alternate
Principal cello Metropolitan Opera 1952-1976, in Boston, founded
the Chardon String Quartet:
Norbert Lauga first,
Clarence Knudson second,
Jean Cauhapé viola,
Yves Chardon cello,
also conductor of the Havana Symphony in 1949)
Studied at the Paris Conservatoire Premier prix in 1918. Chardon
also taught at the Athens Conservatoire - Greece where he and his
wife Henriette de Constant met Dimitri Mitropoulos, leading to
Chardon's appointment at Minneapolis Principal cello and Henriette
as Assistant Principal cello under Mitropoulos.
|
1928-1943 |
|
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|
|
Cherkassky, Paul
(then Russia, now Ukraine 1891-1973) |
violin (premiered Sibelius Humoresques conducted by
Sibelius Helsinki, 1919) |
1923-1952 |
|
Cherry, Glen A.
(South Dakota 1973- )
husband of
Elizabeth Rowe
photo: Boston Symphony Orchestra, n.d.
|
violin (also New World Symphony, Fort Wayne Philharmonic, National
Symphony of Washington 2001-2004)
Studied at the New England Conservatory class of 1995.
Glen Cherry is active in contemporary
music, such as his premiere of the Sonata for violin and piano by
Kevin Beavers (1971- ) performed at Tanglewood in summer 1996.
|
January 2006-present |
|
Chevrot, Albert
(Switzerland 1889-may have returned to Europe)
incorrectly listed as 'André Chevrot' by some sources
|
flute (Premier prix Paris Conservatoire 1909 Concour)
|
1912-1915 succeeded Paul Fox |
|
Chu, Jonathan
(New York about 1981- )
|
viola (also Philadelphia Orchestra viola 2009-2012,
Saint Louis Symphony, Santa Fe Opera Orchestra,
IRIS Orchestra - Tennessee,
and a founding member of the Io String Quartet. He joined the East Coast
Chamber Orchestra in 2010)
Studied at Vanderbilt University BMus (summa cum laude) with a second
second major in economics, the Juilliard School MMus. Active in summer
festivals including the Marlboro Festival - Vermont, Yellow Barn
Festival - Vermont, Taos Festival - New Mexico
|
beginning September, 2012
|
|
Churchill, Marylou Speaker
(1945-2009)
detail of photo: Boston Symphony Archives, n.d.
|
Principal Second violin 1977-2000, violin 1970-1977.
New England Conservatory class of 1967.
|
1970-2000 |
|
Cioffi, Gino B. (Italy 1911-1992)
|
Principal clarinet 1950-1970 (also orchestra of the New York Radio City Music
Hall 1937-about 1940, Pittsburgh Symphony about 1940-1942, Cleveland Orchestra
1942-1944, Metropolitan Opera 1944-1950, and briefly for the New York
Philharmonic, Boston Symphony Principal clarinet 1950-1970)
Studied at the Naples Conservatory - Italy graduating in 1930.
|
1950-1970 |
|
Coffey, John W.
(Massachusetts 1907-1981)
|
Bass trombone succeeding
William Lilleback
(Hans Valdemar Durck Lilleback), while Lilleback took John Coffey's
position as Bass trombone of the Cleveland Orchestra; a
sort of player swap. In 1941, John Coffey joined several other first
chair musicians, including
Merritt Dittert
trombone,
Louis Davidson
trumpet,
Leonard Sharrow
bassoon, and
Rudolph Puletz
horn to go to
Argentina to play under Arturo Toscanini at the Teatro Colon.
Studied at the Curtis Institute Class of 1932, same class as
Guy Boswell
, trombone of the Cleveland Orchestra.
Doug Yeo, Bass trombone of the Boston Symphony wrote: "Bartok
Concerto for Orchestra was first performed in 1944, with John
Coffey being the first bass trombonist to negotiate the gliss from
low B to F. (visit Doug Yeo's excellent site
www.yeodoug.com )
|
1941-1952 |
|
Collins, Wesley
(about 1984- )
|
viola (also Atlanta Symphony May 2008-August 2012. while studying in Cleveland, also played
as Cleveland Orchestra sub and with the Canton Symphony, Cleveland Chamber Symphony,
City Music Cleveland, and Akron Symphony Assistant Principal viola)
Studied first with his musician parents: violinist mother Sandy Collins and father
Philip Collins Cincinnati Symphony Principal trumpet. Then at the Cleveland Institute
of Music BMus 2007. Active in summer music festivals,
including the Tanglewood Music Center, Sarasota Music Festival - Floriday,
Encore School for Strings - Ohio, and the Pacific Music Festival - Japan.
|
beginning September, 2012
|
|
Côme, André
(Massachusetts 1934-1987)
|
Second trumpet and Principal trumpet of the Boston Pops. Succeeded
his teacher and uncle
Marcel LaFosse
as second trumpet to
Armando Ghitalla
.
(also US Air Force Band, Baltimore Symphony)
Studied privately with his uncle Michel Lafosse. André Côme died
unexpectedly just after the Boston Pops season during surgery June,
1987, age only 53.
|
1957-1987 |
|
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|
|
Cook, Theodore, Jr.
(Massachusetts 1854-after 1920)
|
violin (also Boston Opera Company orchestra)
|
1884-1885 |
|
Cooke, James
James Cooke with daughter Elizabeth Cooke
|
violin (also Handel and Haydn Society, Boston Ballet, SinfoNova,
Boston Composer's String Quartet, with Andrew Mark)
Studied at the University of Illinois BMus and at Boston University
MMus.
|
1987-present |
|
Coticone, Geralyn N.
(New Jersey 1965- )
|
piccolo (also National Symphony of Washington, New York Chamber Symphony)
Studied at Boston University BMus summa cum laude. teaches at Boston University
and the Boston Conservatory. Also has been active in festivals, including the
Mostly Mozart Festival - New York City and the Casals Fesitval - Puerto Rico.
With the National Symphony, gave the premier of the Ezra Laderman (1924- )
Sinfonia concertante (1989).
|
1990-2003
(retired due to focal dystonia, as suffered by
other musicians such as Leon Fleisher) |
|
Cowden, Hugh Alan
(England 1915-1988)
|
horn (also Chicago Symphony 1951-1954, Chicago Symphony Brass Ensemble
with
Adolph Herseth trumpet,
Renold Schilke trumpet,
Hugh Cowden horn,
Frank Crisafulli trombone,
Arnold Jacobs tuba. Cowden also played in the
Symphony of the Air's Far East tour in May and June, 1955. Cowden was
a freelance horn in New York City in the 1960s)
While a Broadway musician, played My Fair Lady 1956-1963
|
1945-1947 |
|
Currier, Frank Stephen
(Germany 1875- ) |
violin (also Minneapolis Symphony 1914-1915)
|
1905-1912 |
|
Cutter, Benjamin
(Massachusetts 1856-1910) died of a heart attack,
age only 53 170.
|
viola (also New England Conservatory)
Studied first at the Warren Academy - Massachusetts, followed by
the Royal Conservatory - Stuttgart (where Victor Herbert also
studied) studying with Percy Goetschius
(1853-1943) and Max Seifritz (1827–1885). Taught at the New
England Conservatory 1888-1910.
|
1881-1882, 1884-1885 |
|
Czerwonky, Richard Rudolph
(then Germany, now Poland 1886-1949)
|
Assistant Concertmaster, although the title was not
then used (Czerwonky made his debut with the Berlin Philharmonic
in 1910. after Boston, Minneapolis Symphony Concertmaster 1910-1919,
Chicago Opera Concertmaster during 1930s 19
Taught in Chicago at the Bush Conservatory, the Chicago Conservatory
from 1932-1935 and at de Paul University.
|
1907-1908 |
|
|
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|
|
D names alphabetically |
names such as De Guichard and D'Amelio are listed alphabetically
as if they were "deg" and "dam"
|
As specified by the MLA Handbook |
|
Dannreuther, Gustav William brother of English pianist
Edward George Dannreuther 1844-1905
(Ohio 1852-1923)
| violin (also Mendelssohn Quintette Club 49, long-time teacher
at New England Conservatory)
|
1881-1883 |
|
Daval, Charles J.
(California 1956- )
|
Associate Principal trumpet (also Seattle Symphony, Cincinnati
Symphony, Orchestre symphonique de Montréal, Carmel Bach Festival
1977-1983, Pittsburgh Opera Principal trumpet - his wife has
been violin with Pittsburgh Symphony)
Studied at San Jose State University BMus 1979, after starting late
as a trumpet player at age 17. Northwestern University MMus.
|
1983-1987 |
|
Deane, Charles Louis
(Maine 1881-1936)
died following season September, 1936
| violin 1918-1921, viola 1921-1936 |
1918-1936 |
|
Debuchy, Albert
(France 1864-returned to France)
| Principal bassoon 1901-1905, bassoon 1905-1907
(also Théâtre de l'Opéra-Comique)
|
1901-1907 |
|
De Guichard, Ann M.
(Massachusetts 1910- )
Boston Symphony orchestral photo 1946
|
bassoon - she also played saxophone when necessary - she
succeeded her teacher Abdon Laus after his sudden death.
(also Boston Womens Orchestra in 1940.
Jane Taylor, bassoon of the Dorian Wind Quintet who played in
the New York City freelance community with De Guichard said that Ann
De Guichard was "...a very French bassoon player...", meaning
her tone had a distinctive, breathy sound not usually heard in orchestras today.)
Studied with
Abdon Laus, whom she succeeded. Also active in summer music festivals,
including the Brandeis Festival Orchestra.
|
1945-1947
(third woman to be BSO musician after the two harpists
Lydia Savitzkaya and
Louise Came) 26 |
|
Dehn, John W.
(Germany 1849- ) |
violin |
1882-1884 |
|
Déjardin, Blaise
(France 1984- )
photo: Boston Symphony Orchestra, n.d.
|
cello (also European Union Youth Orchestra 2001-2004,
Gustav Mahler Jugend Orchester 2001-2004,
a founder of the Boston Cello Quartet:
Blaise Déjardin,
Adam Esbensen,
Mihail Jojatu,
and
Alexandre LeCarme)
Paris Conservatoire Premier prix in about the 2005 Concour and
the New England Conservatory. New England Conservatory MMus 2007,
doctorate of music 2008. In 2008, Déjardin gave the US premiere
of Edith Canat de Chizy (1950- ) Les Formes du vent
(2003) for solo cello. |
2008-present |
|
Delcourt, L. - seems to be Lucile Adèle Wurmser-Delcourt, famous French
chromatic harpist who had premiered Debussy's Danses sacrées et
profanes in 1904.
(France 1879-1933) |
harp
Lucile Adèle Wurmser-Delcourt studied at the Paris Conservatoire, where the
chromatic harp was taught 1903-1933 64.
The chromatic harp has a string for each of the notes of the chromatic
scale. The sharp/flat strings are slightly crossed, and are like the
black keys of the piano. If it was Lucile Wurmser-Delcourt, presumably
she played on a standard orchestral harp.)
|
1920-1924 |
|
Delescluse, Pierre V.
(France 1901- )
|
double bass (also Aix en Provence Conservatoire) |
1938-1939 |
|
de Lisle, Ch. de Lapradie (or de Laprade) |
violin |
1888-1892 |
|
Del Sordo, Raphael (Italy 1895-1963)
detail of photo: Boston Symphony Archives, n.d.
|
violin (also Mandolin and Guitar when needed 54)
|
1920-1955 |
| | |
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|
|
De Mailly, Charles (France 1892-1920)
|
second flute (also Paris city band and Concerts Colonne
Orchestra - Paris 1913-1915)
Del Sordo, Raphael
Studied at the Paris Conservatory, Deuxième prix in 1911, Premier
prix in the 1912 Concour. 65
|
1915-1920 (died at end of season July 26, 1920, age only 27) |
|
Demetriades, Lazare (incorrectly listed as 'Demetrides')
(Greece 1880-1964)
|
double bass |
1920-1930 |
|
Demuth, Louis (Germany 1859-may have returned to Germany) |
oboe |
1883-1896 |
|
Denayer, Frédéric (France 1878-to Amsterdam after 1921)
|
viola (also Concertgebouw Orchestra Principal viola during 1920s
and early 1930s. Denayer joined the BSO in 1919 invited by
Pierre Monteux - prior to the arrival of Henri Rabaud - taking
the same ship with his friend
Jean Bedetti)
Shown at left in 1928 when he was Principal viola of the Concertgebouw Orchestra
of Amsterdam. Left to right: Frédéric Denayer, Ferdinand Helman leader of
the second violins, conductor Willem Mengelberg, Concertmaster Louis Zimmerman)
|
1919-1921 |
|
de Pasquale, Joseph (Philadelphia 1919- )
Married to the niece of Serge Koussevitzky's wife,
Natalya Ushkov Koussevitzky.
|
Principal viola (also during World War 2, de Pasquale played in the
US Marine Band and Orchestra, Philadelphia Orchestra Principal
viola 1964-1996)
Studied at the Curtis Institute Class of 1942. Succeeded Jean Lefranc at the end
of 1946-1947 as Principal viola of the Boston Symphony beginning in
1947-1948 season. Jean Cauhapé remained in the second chair of the viola
section.
|
1947-1964 |
|
DeRibas, Dr. Antonio L. (Spain 1814-1907) oldest born BSO musician, born
January, 1814, 10 years before Beethoven composed Symphony no 9 !
Likely Paul Clemens Fischer, left and Antonio De Ribas, right
in this 1882 composite photo-collage of the Boston Symphony Orchestra:
Boston Symphony Archives
|
oboe (also Handel and Haydn Society Orchestra 46,
also the Boston Cadet Band led by J. Thomas Baldwin 161)
Antonio De Ribas made his London debut as an oboe soloist in 1837.
De Ribas first appeared in New York in 1839 139.
By 1857, Dr. De Ribas was teaching music in Boston.
He later taught at the New England Conservatory.
Philip Hale wrote that Antonio De Ribas was the first in the
US to play the English horn in concerts as a solo instrument
139, although
it would seem hard to establish such a claim.
|
1881-1882 |
|
De Sève, Alfred
(Canada 1858-1927) |
violin (went back to Canada: McGill University) |
1907-1920 |
|
Deutsch, S. |
violin |
1885-1888 |
|
Devergie, Jean-Constant
(Paris 1900-1975)
|
Assistant Principal oboe (also Paris Opéra Orchestra)
Studied in his home town, Marseille at the Marseille Conservatoire in preparation for
his entrance examination for the Paris Conservatoire. At the Paris Conservatoire, won
his Second accessit 1919, Second prix 1920, Premier prix 1921. When Jean Devergie was
second oboe to Principal oboe Fernand Gillet, Devergie made reeds for Gillet, who did
not like to work on this manufacture.
|
1925-1964 (succeeded Clement Lenom) |
|
Diamond, Samuel
(Massachusetts 1893-1968)
detail of photo: Boston Symphony Archives, n.d.
|
violin (also Victor Herbert Orchestra, touring in 1916-1917,
Scollay Square, Boston theater musician, Boston Opera)
Studied with his Lithuanian-Jewish uncle Isaac Diamond. Died August 14, 1968
during the Tanglewood season after 50 years of service with the Boston Symphony.
|
1918-1968
fifty years of service |
|
Díaz, Roberto (Chile 1960- )
|
viola (Minnesota Orchestra under Sir Neville Marriner 1984-1985,
Boston Symphony 1985-1990, Principal viola National Symphony of Washington
under Rostropovich 1990-1996, Philadelphia Orchestra Principal viola 1996-2006,
then President Curtis Institute of Music 2006-present)
Studied at the Chile Conservatory where his father taught,
New England Conservatory 1978, Curtis Institute Class of 1984.
|
1985-August, 1990 39 |
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|
|
Dickson, Harry Ellis (Massachusetts 1908-2003) father-in-law
of Governor Michael Dukakis
|
violin, Associate Conductor Boston Pops
Studied at the Akademischen Hochschule für Musik -
Berlin and the New England Conservatory class of 1929.
|
1938-1987 6 |
|
Dietsch, Christoph
(Germany 1852-after 1930)
|
bassoon (also Maine Festival Orchestra 1919)
|
1882-1893 |
|
Dimitriades, Tatiana Anastasia
(New York 1962- )
|
violin (also Concertmaster of New Philharmonia Orchestra of Newton,
Massachusetts, member of the Walden Chamber Players:
Tatiana Dimitriades
violin, Irina Muresanu violin,
Alexander Velinzon violin, Yehonatan Berick
violin, Christof Huebner viola, Ashima Scripp cello, Donald Palma double bass,
Marianne Gedigian flute, Laura Ahlbeck oboe,
Thomas Martin clarinet,
Richard Ranti bassoon,
Clark Matthews horn, Jonathan Bass piano)
(also active in chamber music, including
Walden Chamber Players, Classical Tangent,
a group combining classical and folk origin music)
|
1987-present |
|
Di Natale, J. |
violin |
1918-1920 |
|
Ding, Xin (China 1972- )
|
violin |
January, 1999-present |
|
DiNovo, Nancy Mathis (California 1948- )
|
violin (also St. Louis Symphony, Toronto Symphony, Toronto Repertory
Ensemble, Chamber Players of Toronto 1979-1980, New Chamber Orchestra
of Canada, Te Deum Orchestra and Singers, Hamilton Ontario 1980-1983)
Studied at the University of Toronto BMus performance and MMus
performance and with teachers including Marylou
Speaker, Joseph Silverstein, and four summers at the Aspen Festival. Married
to composer Milton Barnes. Relocated to Vancouver, teaching at the University
of British Columbia, and playing frequently with the West Coast Symphony
(formerly the Vancouver Chamber Players.)
|
1983-1985 |
|
Dorn, William Ward (Massachusetts 1851- )
|
violin |
1881-1882 |
|
Droeghmans, Emil Josef Hippolyte
(Belgium 1884-1968)
detail of photo: Boston Symphony Archives, n.d.
|
cello
Studied at the Conservatoire royal de Liège.
|
1927-1953 |
|
Dubbs, Harry L. (1911-1953) (died in hospital during the Boston
Pops summer season June 20, 1953 age 42) |
violin |
1939-1953 |
|
Dufresne, Gaston Louis Albert
(France 1898-1998) died 3 months after
his 100th birthday
|
double bass (also Colonne Orchestra - Paris 1923-1925, Concerts Koussevitzky - Paris,
Chicago Symphony Principal double bass 1951-1952 for one season before returning
to Boston)
Studied at the Lille Conservatoire 1907-1918, Paris Conservatoire with his
Premier prix in about 1923. Also interested in ancient instruments, and active
in the Society of Instruments, where he played the bass viol.
|
1927-1951, 1952-1957 |
|
Dworak, Josef F. |
tuba |
1900-1910 |
|
Dwyer, Doriot Anthony (Illinois 1922- )
detail of photo: Boston Symphony Archives
|
Principal flute (also National Symphony of Washington DC 1943-1945,
Baltimore Symphony, moved to Los Angeles and in 1946 becoming a Hollywood
studio player. Played in the 'Standard Hour' radio orchestra 1946-1949,
Los Angeles Philharmonic second flute 1946-1952. Summer of 1947, Bruno Walter
appointed Doriot Dwyer as Principal flute of the Hollywood Bowl).
Studied at the Eastman School of Music BMus 1943. Doriot Anthony
was often said to be the first woman appointed permanently
to a Principal chair of a major US symphony orchestra, although
Helen Kotas
(Helen Kotas Hirsch) Principal horn of the Chicago Symphony 1941-1947
may well claim that title.
|
1952-1990 35
photo: Boston Symphony Archives 1956
|
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|
[ E
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|
|
Eichheim, Henry (Illinois 1870-1942) son of
Meinhard Eichheim,
cello of the Chicago Symphony 1891-1892, 1897-1899.
|
violin
(
also a composer recorded by Stokowski-Philadelphia Orchestra
)
|
1891-1912 |
|
Eichler, Carl H. (Germany 1833-1912) brother of Julius Eichler, Sr.
|
violin (organizer of Boston's Germania Orchestra, also director of
Harvard Musical Society, Handel and Haydn Society Orchestra musician 46)
|
1881-1885 |
|
Eichler, Julius Edward (Germany 1824-1893) father of Julius Eichler Jr. |
violin (a pioneer in US music education, came to Boston with the Saxonia
Orchestra about 1850 49, Handel and Haydn Society Orchestra
musician 46) |
1881-1894 |
|
Eichler, Julius Edward, Jr. (1868- ) son of Julius Eichler |
violin (active in Germania Band) |
1886-1912 |
|
Eisler, Daniel (Russia 1885-1976) |
violin |
1925-1950 |
|
Elcus, Gaston (France 1884-1974)
|
violin (also Paris Opéra Comique, Orchestre de la Société
des Concerts du Conservatoire, Orchestre Colonne)
Studied in Amsterdam, preparing for entrance exam for the Paris
Conservatorie. Entered Paris Conservatorie with Premier prix in
the 1904 Concour.
|
1925-1952 |
|
Elias, Gerald (New York 1952- )
 |
violin (departed to become Associate Concertmaster of Utah Symphony
1988-present, also founding member of Abramyan String Quartet, has
taken up conducting.)
Studied at Oberlin College Conservatory, and Yale School of Music graduating
1975, both BA and MM.
|
1975-1988
On sabbatical 1986-1987
|
|
Elkind, S. |
double bass |
1894-1908 |
|
Eller, M. |
oboe |
1884-1885 |
|
Eltz, Paul Richard Sr. (Germany 1817-before 1900)
Paul Eltz, Sr. in this 1882 composite photograph-drawing
|
Principal bassoon (also Handel and Haydn Society Orchestra 46)
|
1881-1883 |
|
Eltz, Paul Richard Jr., called Richard (Germany 1845-after 1920) |
viola (later a hotel orchestra and theater musician) |
1881-1882 |
| | |
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|
|
Emery, Steven A. (1952- ) married to pianist Deborah DeWolf Emery
|
trumpet (also Kansas City Philharmonic, Columbus Symphony Orchestra)
|
1988-1991 |
|
Epstein, Frank (Netherlands 1942- )
|
percussion (also San Antonio Orchestra, founder in 1972 of Collage
New Music, which he also directs.)
Studied the Studied Tanglewood Music Center summer 1962, 1966, 1972,
and at the University of Southern California and the New
England Conservatory MMus 1969.
|
July 1968-present
(succeeded Harold 'Tommy' Thompson who was
killed in car accident) |
|
Ericsson, Sarah Schuster (Pennsylvania 1958- )
|
Second harp (also Baltimore Symphony, Boston Musica Viva)
Studied at the Cleveland Institute of Music BMus 1980.
|
1990-1998 |
|
Erkelens, Henri Antonie
(Netherlands 1890-1976) note: BSO programs
incorrectly give 1894 as birth |
violin |
1920-1951 |
|
Esbensen, Adam M.
(Oregon 1976- )
photo: Boston Symphony Orchestra, n.d.
|
cello (also Louisville Orchestra 2001-2003,
Oregon Symphony 2003-2008, Louisville Orchestra,
a founder of the Boston Cello Quartet:
Blaise Déjardin,
Adam Esbensen,
Mihail Jojatu,
and
Alexandre LeCarme)
Studied at the Cleveland Institute of Music BMus, Mannes College of Music
MMus and Performance Certificate. Active in summer music festivals, including
Taos Mountain Music Festival - New Mexico, Vail Valley Music Festival - Colorado,
Spoleto Music Festival - Italy, and San Luis Obispo Festival - California.
|
2008-present |
|
Eskin, Jules Louis married to BSO violin
Aza Raykhtsaum
(Pennsylvania 1931- )
photo: Boston Symphony Orchestra, 1983
|
Principal cello (also City Center Opera - New York Principal Cello,
Dallas Symphony 1948-1949, a New York sessions musician in 1950s,
Cleveland Orchestra Principal cello 1961-1964)
Studied at the Studied Tanglewood Music Center summer 1948, and
the Settlement School of Music - Philadelphia, Philadelphia
Musical Academy, the Curtis Institute Class of 1952. Made a concert tour
of Europe in 1954-1955. Among his fine recordings were the Leon Kirchner:
Concerto For Violin, Cello And Piano with Gilbert Kalish piano
and Malcolm Lowe violin, the Nutcracker and the American Album
with Seiji Ozawa (see right)
|
1964-present
|
|
|
[ F
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|
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|
|
Fabrizio, Carmine Alysious (Italy 1888- ) older brother of
Enrico or Henry Fabrizio
|
violin (also recorded for Edison)
Carmine Fabrizio was born in the family village of Sant'Angelo all'Esca,
Italy, but the other children, including Enrico Fabrizio were born in
Boston.
|
1910-1912 |
|
Fabrizio, Enrico (or sometimes Henry) Edwardo
(Massachusetts 1892-1952)
Fabrizio making a cello
|
cello (also St. Louis Symphony 1913-1918)
Studied with
Horace Britt probably about 1907-1908 while
Britt was with the Philadelphia Orchestra, and with
Alwin Schroeder probably while Britt was with
the Philadelphia Orchestra 1910-1912.
|
1918-1952
died on October 26, 1952 just
following the 1951-1952 season, the May, 1952 BSO European tour,
and Tanglewood.
|
|
Fagerburg (Menaul), Rachel F.
(Ohio? 1957- )
photo: Boston Symphony Orchestra, n.d.
|
viola (appointed to chair of Bernard Kadinoff 36 after
his sudden death. Rachel Fagerburg was viola with the Boston
Pops Esplanade Orchestra - the touring orchestra 1983-1989,
Opera Company of Boston, the Boston Ballet Orchestra,
Renard String Quartet)
Studied at Tanglewood Music Center summer 1980, and
at the Cleveland Institute of Music,
the New England Conservatory class of 1981. Also Eastern Music
Festival - North Carolina.
|
December 1989-present |
|
Farberman, Harold C. (New York 1929- )
Harold Farberman, right with
Arthur Press preparing for a tour
|
percussion (also expanded conducting: Denver Symphony guest conductor 1963,
Colorado Springs Orchestra Music Director 1967–1970, has since guest conducted
a number of orchestras in Europe and Asia)
Studied at the Juilliard School and while with the BSO gained MM in
composition at the New England Conservatory. He recorded Mahler symphonies,
and stylish recordings of symphonies of Michael Haydn with the Bournemouth
Sinfonietta.
|
1951-1963 17 |
|
Farkas, Philip (Illinois 1914-1992)
|
Principal horn (also Kansas City Philharmonic Principal horn 1933-1936
starting at age 18, Chicago Symphony 1936-1941 succeeding Pellegrino Lecce,
Cleveland Orchestra Principal horn 1941-1945, Boston Symphony Co-Principal
horn with Willem Valkenier in the 1945-1946, returned to Cleveland as Principal
horn 1946-1947, Chicago Symphony Principal horn 1947-1960. The taught at Indiana
University 1960-1984)
Studied with Belgian-born Chicago horn teacher
Louis Dufrasne, who also taught two
other Chicago Symphony Principal horns:
Helen Kotas Hirsh
and Frank Brouk.
|
1945-1946 |
|
Fedrovsky, Paul Leonidovich (Russia 1890-1958) married to soprano
Olga Averino and son-in-law of
Nicholas K. Avierino
photo thanks to grandson Nicholas T. Lasoff
|
violin (also one of the early advocates of historically accurate baroque
performance as
member of the Boston Society for Ancient Instruments, playing the discant viol)
Studied at Zurich Conservatory 1909 and Vienna Conservatory 1910. Left Soviet Russia via China
and Japan, by the same timing and route as Naoum Blinder, Concertmaster of the San Francisco
Symphony 1932-1957 (Blinder Japan to San Francisco and Fedorovsky Japan to Vancouver).
|
1925-1955 |
|
Feldman, Ronald L.
(New York 1947- )
|
cello (also Assistant conductor Boston Pops in 1989, founding
member of Collage New Music, Greylock Trio, conductor of the
Mystic Valley Chamber Orchestra, conductor of Extension Works,
conductor Worcester Symphony, Music Director New England
Philharmonic, conductor Berkshire Symphony)
Studied at Boston University CFA 1970. Now teaches at Williams
College.
|
1967-2001
(age only 19 joining BSO) 74
|
|
Férir, Émile Auguste
(Belgium 1873-1949)
Émile Férir in the 1920s
|
Principal viola (also Lamoureux Orchestra of Paris in 1892, also Scottish Symphony -
Glasgow Principal viola 1893, also Queen Hall Orchestra - London Principal viola
1897-1903, Kruse String Quartet - London about 1898-1900,
Philadelphia Orchestra Principal viola 1918-1919,
New York Symphony, Los Angeles Philharmonic Principal viola
1925-1926. Also Berkshire String Quartet, funded by Elizabeth
Sprague Coolidge consisting of Hugo Kortschak first, Jacques Gordon
second, Émile Férir viola, and Emmeran Stoeber cello in early
1920s)
Conservatoire Royal de Musique - Brussels, winning his Premier prix in
1891 180.
|
1903-1918 |
|
Ferrillo, John
(Massachusetts 1955- )
|
Principal oboe (also Metropolitan Opera Co-Principal oboe 1987-2001)
Studied first with his mother, a music teacher with a Masters degree in music education.
He then gained entrance to the Curtis Institute, graduating in the Class of 1977.
Also active in music festivals, including the Blossom Music Festival - Ohio and the
Marlboro Music Festival - Vermont. For six years
during the late 1970s and early 1980s, John Ferrillo taught at the University of West Virginia.
While at the Metropolitan Opera, John Ferrillor taught at the Juilliard School
He now teaches at Boston University and the New England Conservatory.
|
summer 2001-present |
|
Fiasca, John Baldwin
(Wisconsin 1923-1960) |
viola
Studied at the Wisconsin College of Music and at the Juilliard School
155.
|
1954-1960
Fiasca died of a heart attack on May 14, 1960 in Fukuoka, Japan
during the 1960 BSO Asia tour, age only 37.
|
|
Fiedler, Arthur (Massachusetts 1894-1979) son of Emanuel Fiedler |
violin, viola (also conductor Boston Pops) |
1915-1932 |
| | |
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|
|
Fiedler, Bernard (born Galicia, now Poland 1878-1942) brother of
Gustav and Emanuel Fiedler |
violin |
1897-1942 |
|
Fiedler, Emanuel (born in Neu-Sandetz, Galicia, now Nowy Sacz, Poland 1860-1944)
brother of Gustav and Bernard Fiedler, father of Arthur Fiedler |
violin |
1885-1910 |
|
Fiedler, Gustav (Poland 1872-1938) brother of Bernard
and Emanuel Fiedler |
violin |
1918-1919 |
|
Fiekowsky, Sheila
(Michigan 1951- )
|
violin (also Cambridge String Quartet, Newton Symphony Concertmaster,
Chamber Preludes concert)
Studied at the Curtis Institute Class of 1973, also Yale School of
Music MA. A long distance runner for many years, including several
marathons.
|
1975-present |
|
Fine, Burton (Pennsylvania 1930- )
Burton Fine with Tom Newell 1963 |
Violin in the 1963-1964 season. 1964-1965 upon the departure of
Joseph de Pasquale, Burton Fine was advanced to Principal Viola
1964-1992, violin.
Studied at the Curtis Institute Class of 1948. Also studied chemistry
at the University of Pennsylvania and received a Ph.D.
in chemistry from Illinois Tech. Was a research chemist for
NASA.
|
1963-December 2004 (on sabbatical 1987-1988) |
|
Firth, Everett J. "Vic"
(Massachusetts 1930- )
|
Principal timpani 1956-2001, timpani 1952-1956
Studied first with his music teacher father Everett E. Firth on the cornet.
Then switched to percussion in high school. In 1948, entered the
New England Conservatory graduating in the class of 1952. Among others,
Firth studied with his predecessor as Principal timpani
Roman Szulc.
Vic Firth also later taught at the New England Conservatory.
He was founder of Vic Firth Inc.
having about 150 employees and said to be the world's
largest manufacturer of drum sticks, and suppler of
other percussion products (www.vicfirth.com).
|
1952-2001 |
|
Fischer, Paul Clemens
(Germany 1858-after 1922)
Likely Paul Clemens Fischer, left and Antonio De Ribas, right in this 1882
composite photo-collage of the Boston Symphony Orchestra
|
oboe
Paul Clemens Fischer, born in Ronneburg, near Leipzig, Germany
February 9, 1858 came to Boston in June, 1881, perhaps specifically
to join the newly organizing Boston Symphony. He played oboe
sitting in the second chair next to Principal oboe Dr. Antionio De Ribas
for the first season 1881-1882. Thereafter, Fischer remained in Boston,
teaching and playing in theater and other Boston orchestras.
|
1881-1882 |
|
Fiumara, Placido
(Italy 1859-1917)
Placido Fiumara in 1909
|
second violin 1885-1888, leader of the second violins (Principal
Second violin in today's terms) 1888-1917. (also Boston Symphony
Sextette whose membership in 1909 was:
William F. Krafft first violin,
Placido Fiumara second violin,
John Mullaly viola,
Ludwig Nast cello,
Max Kunze double bass, who was also group leader
171)
Came to Boston from Italy at age 10, and studied with Julius Eichberg
(1824-1893), Director of the Boston Conservatory 152.
Placido Fiumara died November 20, 1917 during the beginning of
the BSO 1917-1918 season. Newspaper accounts said "...He was
stricken just as he was about to leave for a concert at Symphony
Hall..." 152.
|
1885-1917 |
|
Flockton, John M.
(Massachusetts 1856-after 1909)
|
double bass (also the Boston Cadet Band led by J. Thomas Baldwin
161)
|
1881-1882 |
|
Folgmann, Dr. Emil Ernst Erich
(Germany 1889-after 1946)
|
cello (also Philadelphia Orchestra cello 1919-1920, 1921-1927, Lester
Ensemble with Hermann Weinberg in 1930s after both left the Philadelphia
Orchestra. Conductor Philadelphia Civic Symphony 1936)
In 1933, Folgmann received his Ph D. from the University of Pennsylvania and
in 1930s and 1940s practiced as psychologist in Philadelphia (!)
Perhaps music lovers should "have their heads examined".
|
1912-1918 |
|
Foreman, Clint
(Texas 1980- )
|
second flute (also New World Symphony, Miami Florida)
Studied at the Manhattan School of Music MMus, University of North Texas
BMus and BMusic Education. Also has studied for his doctorate in music
at the Shepherd School of Music - Rice University in Texas.
|
September, 2011-present
this second flute chair had been open for two seasons
|
|
Forlani, Nichola
(Italy 1886-1976) |
clarinet |
1918-1921 |
| | |
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|
|
Forster, E. | viola |
1910-1914 |
|
Fossé, Pierre
(France 1873-returned to France)
|
oboe (succeeded Auguste Sautet)
Studied at the Paris Conservatoire Premier prix in about the 1892
Concour.
|
1912-1914 |
|
Fourel, Georges August
(France 1892-1955)
from Boston symphony Orchestra charcoal drawings by
Gerome Brush: Boston Symphony Archives
|
second violin in the 1920-1921 season, following the 1920 musician's strike,
Principal viola 1921-1932, viola 1932-1953 (also Orchestre des Concerts Lamoureux
about 1913-1914, orchestra of l'Opéra de Paris in about 1915,
l'Orchestre des Concerts-Touche and the Concerts de Monte-Carlo
1918-1920)
Studied first at the Municipal Conservatoire of Douai - north of France,
then at the Paris Conservatoire Premier in viola in the 1913 Concour.
Taught at Middlebury College in Vermont in the 1930s.
|
1921-1953 |
|
Fox, Paul H.
(Germany 1852-after 1917) |
flute |
1881-1885, 1886-1887, 1889-1891, 1892-1912 |
|
Fradkin, Fredric "Freddy"
(New York 1892-1963)
|
Concertmaster (also Wiener Concert-Verein Concertmaster - Vienna,
Russian Symphony of New York Concertmaster, Diaghilev Ballet Russe
orchestra 1916 US tour Concertmaster.)
Following Fradkin's dismissal during the BSO orchestra strike,
Fradkin was Concertmaster of the New York Capital Theater Orchestra
1922-1924. Fradkin then left music to open a restaurant)
Studied at the Paris Conservatoire Premier prix in violin in 1910.
|
1918-1920
(dismissed because of support of the 1920 musicians strike)
|
|
Frankel, Irving
(then Austria, now Poland 1897-1985)
detail of photo Boston Symphony Archives, n.d.
|
double bass (one of the earliest members of the Boston Esplanade Orchestra)
Studied with his father Carl, and at the New England Conservatory with
Max Kunze.
|
1919-1967 (48 years !) |
|
Franko, Sam (1857-1937) brother of Nahan Franco |
violin |
1885-1886
In his memoires 43,
Franko claimed '...after six weeks, I resigned...' from the Boston Symphony
|
|
Freeman, Henry S.
(New York 1909-1997)
|
Principal double bass 1965-1967, double bass 1945-1965
Studied at the Eastman School of Music graduated 1930. Freeman was the
first double bass player to graduate from the Eastman School. Resigned
from the Boston Symphony to join his violinist wife Florence Knope Freeman
(1909-2002) at the Denver Symphony in 1967.
|
1945-1967 |
|
Freiberg, Gottfried von
(Austria 1909-1962)
| Principal horn (also Principal horn Vienna Philharmonic)
|
1936-1937 |
|
French, Catherine I.
(Canada 1962- )
|
violin (also Collage New Music, Calyx Piano Trio,
1993 Marlboro Music Festival)
Indiana University BA 1990, and Juilliard School MA 1994.
|
1994-present |
|
Freygang, Ernst Alexander
(Germany 1838-after 1887)
Freygang in this 1882 composite photograph-drawing
|
harp |
1881-1886 |
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|
|
Fried, Paul
(New Jersey 1947- )
|
Assistant Principal flute 1970-1982,
Principal Flute Boston Pops 1976-1982 (also later Co-Principal
flute Pittsburgh Symphony)
Studied at the Juilliard School. Fried was the solo flute in the
Boston Pops recordings Pops Around the World and Pops in Space.
He also recorded Virtuoso Flute Trios; see his interesting
website: www.paulfried.com
|
1970-1982 |
|
Fries, Wulf Christian Julius (Germany 1825-1902) brother of August Fries,
both pioneer Boston classical musicians. 49
 |
cello
(also Mendelssohn Quintette Club for 23 years49,
member of the "Beethoven Quartette" in 1873
composed of pioneering Boston musicians
Charles Allen, first,
Julius Akeroyd, second,
Henry Heindl, viola,
and Wolf Fries, cello 63. Also Boston Musical
Fund Society, Harvard Orchestral Association, Handel and
Haydn Society, Orchestra 46)
See picture of the Mendelssohn Quintette Club by clicking on
Thomas Ryan.
|
1881-1882 |
|
Fritzsche, 0tto George (
Germany 1869- ) |
bass clarinet. Fritzsche was the first bass clarinet
appointed by the Boston Symphony in its first 21 seasons
of existance (excepting a single season by
Charles L. Staats) Also
Leipzig Gewandhaus Orchestra about 1890-1892, and
Sousa Band in 1898 and the Sousa European tour of 1900.
Studied at the Leipzig Conservatory about 1889 or 1890.
|
1901-1907 |
|
Fuhrmann, Max Gustav Wilhelm
(Germany 1877-1944) |
bassoon, contra-bassoon
(also Gürzenich Orchestra of Cologne, Los Angeles Philharmonic) |
1912-1920 left following the 1920 musicians strike |
|
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|
|
Gantzberg, Julius (Germany 1853- ) |
percussion |
1888-1891 |
|
Gardner, Carl Edward
(Massachusetts 1885- )
|
timpani |
1915-1920 |
|
Gauger, Thomas (Illinois 1935- )
|
percussion (also Oklahoma City Symphony Principal percussion,
Collage New Music, The Wuz jazz group, Ray Eberle Band)
Studied at the University of Illinois.
|
1963-2005 |
|
Gazouleas, Edward P. (1960- ) married to Kazuko Matsusaka
|
viola (also Pittsburgh Symphony)
(took the third chair viola position of Betty Benthin) 36
Studied at the Curtis Institute Class of 1984.
|
August, 1990-present |
|
Geber, Stephen Edwin (California 1942- )
|
cello (also Cleveland Orchestra Principal cello 1973-2003,
Cleveland Orchestra String Quartet, Music Guild String Quartet
with Gerald Gelbloom first,
Max Winder second,
Bernard Kadinoff viola,
Stephen Geber 83)
Studied with his cellist parents and at the
Eastman School of Music BMus 1965. Following his retirement
from the Cleveland Orchestra has become Head of the Cello
Department of the Cleveland Institute of Music.
|
1965-1973 |
|
Gebhardt, William Carl
(Boston 1884-1962) |
horn (also St. Louis Symphony)
A long serving teacher, in 1945, Gebhardt published his
Orchestral Studies for French Horn.
|
1907-1913, 1918-1927, 1933-1948 |
|
Go to:
[A] [B] [C]
[D] [E] [F]
[G] [H] [I]
[J] [K] [L]
[M] [N]
[O] [P] [Q]
[R] [S] [T]
[U] [V] [W]
[X] [Y] [Z]
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|
|
Geiersbach, Karl |
viola | 1884-1886 |
|
Gelbloom, Gerald (Canada 1926-1982) |
violin (also Cleveland Orchestra 1947-1949, Baltimore Symphony and Hartford
Symphony Concertmaster 1955-1960, Music Guild String Quartet
with Gerald Gelbloom first,
Max Winder second,
Bernard Kadinoff viola,
Stephen Geber cello)
Studied at the Juilliard School and University of Hartford.
|
1961-1982
(died suddenly during Pops season June 2, 1982 age 56) 12
|
|
Genis, Timothy E. husband of
Cathy Basrak
(California 1966- )
|
Assistant timpani May 1993-2004, Principal timpani 2004-present
(also as a student, played in the San Francisco Symphony Youth
Orchestra. also Rochester Philharmonic while at the Eastman School,
Hong Kong Philharmonic, Radio City Music Hall Orchestra while at
Juilliard, Honolulu Symphony 1991-1993)
Studied at the Tanglewood Institute, the Eastman School of Music
and the Juilliard School.
Interestingly, as a student was a member of the San Francisco Boys’
Chorus and participated in the performances of Mahler’s Eighth
Symphony that opened Davies Hall in 1981.
| May 1993-present |
|
Genovese, Alfred (Massachusetts 1931- )

|
Principal oboe (45 years in major US orchestras: Baltimore Symphony 1953-1956, St. Louis
Symphony 1956-1959, Cleveland Orchestra 1959-1960, Metropolitan Opera 1960-1977)
Alfred Genovese was the last student of Marcel Tabuteau to
graduate from the Curtis Institute Class of 1953.
|
1977-1998 |
|
Gerardi, Antonio (Massachusetts 1891-1981) |
violin (also New York Philharmonic) |
1912-1927 |
|
Gerhardt, Gustav G. (Germany 1856-1939) father of
Siegfried Gerhardt |
double bass |
1885-1926 |
|
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|
|
Gerhardt, Siegfried William (Massachusetts 1891-after 1951)
son of Gustav Gerhardt |
viola (was one of 5 - out of 10 - violists hired for
the 1920-1921 season, following the 1920 musicians
strike)
|
1920-1951 |
|
Gewirtz, Joseph (Massachusetts 1893-1985) |
violin (also Detroit Symphony, National Symphony Orchestra of New York,
New York Philharmonic) |
1913-1918 |
|
Ghitalla, Armando A. (Illinois 1925-2001)
|
Principal trumpet 1966-1979, 1951-1966 third trumpet, Assistant first
trumpet, Associate Principal trumpet in about 1960. (also New York City Opera
while a Juilliard student, Houston Symphony about 1948-1950)
Studied at the Juilliard School graduating in three years in 1948.
|
1951-1979 |
|
Gibson, William McHargue
(Oklahoma 1916-2002)
|
Principal trombone (also National Symphony of Washington Principal
trombone 1939-1940, Philadelphia Orchestra second trombone 1940-1942, Indianapolis
Symphony Principal trombone about 1942-1945, New York City Center Symphony Principal
trombone about 1945-1946, Pittsburgh Symphony about 1946-1955, Opera Company
of Boston Principal trombone after 1977.)
Gibson studied at the Curtis Institute Class of 1939.
|
1955-1975 (succeeded Jacob Raichman)
Gibson continued to assist the BSO trombone section in 1975-1977
seasons before his final retirement
|
|
Giese, Fritz. K. E.
(Netherlands 1959-1896)
|
Principal cello (Mendelssohn Quintette Club 49, original member of the
Kneisel Quartet 1885–1889, the Philharmonic Club of
Boston 156)
Fritz Giese was widely regarded a fine cellist, particularly when playing
with the
Kneisel Quartet
in the 1880s. However "...owing to his unfortunate
drinking habits was seldom heard at his best..." 157. Fritz
Giese emigrated from the Netherlands at age 19, and died from alcohol
in Boston aged only 37.
|
1884-1889 |
|
Gietzen, Alfred (birth name "Fulgence Gietzen"
23)
(Belgium 1874-1966)
| viola (also l'Orchestre Colonne, Minneapolis Symphony) |
1904-1918 |
|
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|
|
Gillet, Fernand (France 1882-1980)
|
Principal oboe (also Principal oboe Lamoureux Orchestra 1901-1924, Paris Opera
1902-1924 at first stand with his uncle for a decade, Concerts Koussevitzky)
Nephew of the famous oboe teacher Georges Gillet (1854-1920). Fernand Gillet
was a flyer in World War 1, and received the Croix de Guerre. Continued
teaching into his nineties.
|
1925-1946 |
|
Girard, Henri (France 1888-1976)
Henri Girard, left, with cellist
Emil Droeghmans
|
double bass (also the Garde Republicaine band - Paris)
Came to US as part of a French good-will tour of the Garde
Republicaine Band, summer 1918. Monteux selected Girard
for the Boston Symphony to help fill the many string
vacencies following the 1920 musicians' strike.
Studied with his father, starting with the double bass, and then
cello, but he played double bass during all of his professional
career.
|
1920-1966 29
46 years of service ! |
|
Gitter, Rebecca
(Canada 1978- )
photo: Boston Symphony Orchestra, n.d.
|
viola (also the current
Boston String Quartet:
Tamara Smirnova first,
Alexander Velizon second,
Rebecca Gitter viola,
Mihail Jojatu cello. She was
also offered appointment to the Detroit Symphony at the same
time as her BSO appointment)
Studied at the Cleveland Institute of Music BMus 2001. Active in
summer music festivals, she played at the Taos School of Music
Festival - New Mexico and the Marlboro Festival - Vermont.
| August, 2001-present |
| | |
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|
|
Goddard, Alfred James Sr.
(England 1842-1900)
|
trombone (also Royal Orchestra - the band of Queen Victoria,
Baslow Band - Staffordshire, England)
|
1886-1887 |
|
Goguen, Gerard J. (Maine 1925-2002)
| trumpet (also US Army military bands during
World War 2, Central Florida Symphony 1951-1952)
New England Conservatory class of 1951. After retiring,
Goguen ran a classic car parts business as a hobby.
In 1984, he created a car museum in Westminster, Vermont.
He was also a ski instructor in Vermont.
|
1952-1978 32 |
|
Golde, F. Emil
(Germany 1859-1898)
detail of 1891 Boston Musical Herald photo: Boston Symphony Archives
|
tuba (also played double bass, also Boston Instrumental Club:
Daniel Kunze violin,
Frank Schuchmann violin,
Edward Marble viola,
Rudolf Nagel cello,
Emil Golde double bass,
Friedrich Mueller oboe, G. B. Van Hantvoord flute,
Charles Staats clarinet,
Pierre Mueller trumpet,
Carl Schumann horn,
Heinrich Lorbeer horn, directed by
Walter Swornsbourne)
Double bass player in New Hampshire hotels in summers in the
1890s. Also played double bass with the Kneisel Quartet 164.
Appointed to the New England Conservatory in 1896 165.
He died in New Hampshire on June 22, 1898 at the end of the
Boston Pops season four months short of his 39th birthday.
|
1888-1898 |
|
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|
|
Goldschmidt, G. (perhaps Guido Goldschmidt born
in Vienna in 1850)
detail of 1891 Boston Musical Herald photo: Boston Symphony Archives
|
Principal clarinet (also Molé Chamber Music Concert Club:
Charles Molé flute,
Friedrich Mueller oboe,
G. Goldschmidt clarinet,
Adolf Guetter bassoon and
Frank Hain horn 166)
|
1889-1894 |
|
Goldstein, Aaron father of
Herman Goldstein
(Romania 1855-1903) |
double bass (gave chamber concerts with his two violinist sons, Jerome Goldstein
and Aaron Goldstein)
Listed as residing in the Boston Asylum for the Insane in the summer of
1900. Wife Harriette Goldstein listed him as having died there in 1903.
The Boston Globe lists his death on October 20, 1903 172.
|
1882-1895 |
|
Goldstein, Herman Henri son of
Aaron Goldstein
(Massachusetts 1886- )
Herman Goldstein in 1912
|
violin (also conductor of Boston theater orchestra,
also Boston Symphony
Sextette whose membership in 1912 was:
Herman Goldstein first violin,
Placido Fiumara second violin,
Walter Blumenau viola,
Ludwig Nast cello,
Max Kunze double bass, who was also group leader
171)
Studied first with his father,
Aaron Goldstein.
|
1907-1920
(left following 1920 musicians strike) |
|
Goldstein, Solomon E. (or Samuel E.)
seems to be uncle of
Aaron Goldstein
(Romania 1856-1930) |
violin
|
1885-1925 |
|
Gomberg, Ralph Lewis
(Massachusetts 1921-2006) brother in law of
George Zazofsky
and brother of New York Philharmonic Principal oboe
Harold Gomberg
|
Principal oboe (also All-American Youth Orchestra Principal oboe 1940, Baltimore
Symphony Principal oboe, New York City Center Orchestra Principal oboe, Mutual
Broadcasting orchestra Principal oboe)
Studied at the Curtis Institute (as did brothers Harold, Leo, and Robert, and
sister Margret) Class of 1941.
|
1950-1987 |
|
Gordon, Peter (New York 1945- ) |
horn (second third horn for two seasons, also Metropolitan Opera, Toledo Symphony,
freelancer in New York City)
|
1976-1978 |
|
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|
|
Gordon, Theodore |
violin |
1892-1893 |
|
Gorodetzky, Leon L. (France 1887-1993) |
violin |
1920-1954 |
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|
|
Graeser, Heinrich (Austria 1885-seems to have returned to Europe)
|
violin |
1926-1928 |
|
Green, Reuben (Massachusetts 1914-1978) died just before season, September 5, 1978
| Assistant Principal viola, viola (also radio and dance orchestras)
Studied with Richard Bergin and Georges Fourel.
|
1950-1978 |
|
Greenberg, Henry
(Poland 1895-1956)
|
double bass (also NBC Symphony)
Studied at the Warsaw Conservatory.
|
1939-1952 |
|
Greene, Henry A. may be brother to double bass musician
Septimus Greene double bass with the Seattle Symphony and
San Francisco Symphony
(England circa 1857- )
|
double bass (also Listemann Concert Company, with
Bernard Listemann, first Concertmaster of the
Boston Symphony 1881-1885,
Carl Meisel, violin,
August Stein, double bass,
Adolf Sailer, cello, and and Listemann's brother
Fritz Listemann, violin and piano)
From family information, it may be that English-born Benjamin Greene, Henry A. Greene and
Septimus Greene were musician brothers, with
Henry Greene playing double bass with
the Boston Symphony,
and
Septimus Greene
playing double bass with the Seattle Symphony
under
Henry Hadley, and again with the San Francisco Symphony under Hadley.
|
1881-1894 |
|
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|
|
Grethen, Adolph (1863?- ) |
violin |
1882-1884 |
|
Grisez, Georges (France 1884-1946 died during Baltimore Symphony concert)
|
Principal clarinet (also Société des Concerts du Conservatoire Orchestra
1903-1904, Boston Symphony Principal clarinet 1904-1914, Georges Longy Club
while in Boston, member of the New York Chamber Society in 1921,
Philadelphia Orchestra Principal clarinet 1922-1923, Minneapolis Symphony
Principal clarinet about 1923-1934, NBC Symphony 1938, Baltimore Symphony
1939-1946)
Studied at the Paris Conservatoire, prix in about 1903.
|
1904-1914 |
|
Grover, Harry Faxon (Massachusetts 1881- ) |
viola |
1919-1946 |
|
Grunberg (or Grünberg), Eugen
(Austria 1862-1928)
|
viola
Appointed to the New England Conservatory in 1896 165.
|
1889-1892, 1893-1896 |
|
Grunberg, Maurice (Massachusetts, 1886-1951) seems not related to Eugen Grunberg
|
violin (also National Symphony Orchestra of New York) |
1911-1919 |
|
Grundey, Théodore (1901 Belgium- ) |
trumpet (Liège Royal Conservatory trumpet Premier prix in 1922 Concour) |
1930-1935 |
|
Guenzel, Frederick Hermann
(Germany 1849-before 1910)
detail of BSO 1900 photo: Boston Symphony Archives
|
Principal bassoon 1886-1891, Second bassoon and
contrabassoon 1891-1905
(also Molé Chamber Music Concert Club)
|
1886-1906 |
|
Guetter, Adolf (Germany circa 1866-after 1912) uncle of
Walter Guetter
Principal bassoon of the Chicago Symphony and Philadelphia Orchestra
|
Principal bassoon (also Leipzig Gewandhaus, Royal Court Opera (Königliches Oper),
Berlin. also Molé Chamber Music Concert Club:
Charles Molé flute,
Friedrich Mueller oboe,
G. Goldschmidt clarinet,
Adolf Guetter bassoon and
Frank Hain horn 166)
Recruited for Boston by Artur Nikisch.
Returned to Berlin teaching at Klindworth-Scharwenka Conservatory.
|
1891-1894 |
|
Gumpricht, Anthony (Massachusetts of German parents 1850- ) |
horn |
1881-1882 |
|
Gundersen, Robert Alexander
(Massachusetts 1895-1941)
from Boston symphony Orchestra charcoal drawings by
Gerome Brush: Boston Symphony Archives
|
violin and Assistant Concertmaster of the Boston Pops in the 1930s.
(also Gundersen String Quartet: Robert Gundersen first,
Hubert Sauvlet
second,
Charles Van Wynbergen
viola,
Jacobus Langendoen
cello)
|
1913-1941
died during the 1941 Tanglewood summer season, July 14, 1941
|
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|
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|
|
Habenicht, Walther Friedrich
(Germany 1877- ) |
Principal second violin (also Kiel Philharmonic) |
1912-1918 |
|
Hackebarth, Albert Heinrich (1854-after 1914) |
Principal horn 1890-1905, Co-Principal horn 1905-1906,
horn 1906-1913 1 (also Georges Longy Club)
Appointed to the New England Conservatory in 1896 165.
|
1882-1885, 1890-1913 |
|
Hadcock, Peter W. (Michigan 1940-1993)
|
Clarinet, Assistant Principal clarinet (also Buffalo Philharmonic bass clarinet
and Principal clarinet)
Studied at the Eastman School. His wife, Aline Benoit played clarinet with
the Portland Symphony - Maine and the Rhode Island Philharmonic.
|
1965-1990 35 |
|
Hadley, Arthur D.
(Massachusetts, 1875-1936) brother of the conductor
Henry Hadley (1871-1937)
|
cello (also Principal cello San Francisco Symphony 1914-1915 under his
brother Henry Hadley, first Music Director of the San Francisco
Symphony)
Arthur Hadley with Jessie M. Downer-Eaton (1872-about 1954) and Louis Eaton
(1872-1852) founded the Eaton-Hadley Trio based in Boston which gave the
Boston premier of the Rachmaninoff Trio élégiaque.
|
1904-1912 |
|
Hahn, F. E. |
violin |
1892-1897 |
|
Hain, Frank J.
(Bohemia-Czech 1866-1944)
|
Third horn (also Molé Chamber Music Concert Club:
Charles Molé flute,
Friedrich Mueller oboe,
G. Goldschmidt clarinet,
Adolf Guetter bassoon and
Frank Hain horn 166)
|
1891-1925 |
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|
|
Haldeman, Henry B. (Pennsylvania 1860-after 1900)
|
violin (also Music Director of the Bowdoin Square Theatre -
Boston beginning in 1892)
|
1881-1883 |
|
Hallberg, Gordon (Illinois 1939- )
|
trombone (also MIT Brass Ensemble)
Studied at the University of Iowa.
|
1971-1985 (sabbatical 1983) |
|
Hamelin, Armand (France 1907- ) son of
Gaston Hamelin
|
clarinet |
1929-1930 |
|
Hamelin, Gaston (France 1884-1960s?)
|
Principal clarinet
Serge Koussevitzky did not want Hamelin to play his Henri Selmer
(1858-1941) manufactured metal clarinet 39. Following
the 1929-1930 season, Gaston Hamelin, his wife, daughter, and
his son Armand returned to France. Hamelin was a long-time musician
of l'Orchestre National de La Radiodiffusion Française, of which
the wind quintet is shown left (Gaston Hamelin second from right)
|
1926-1930 |
|
Hamilton, Vaughn Earl (Maine 1887-after 1950)
|
violin
Long term New England Conservatory teacher among whose students
was Harry Ellis Dickson.
|
1920-1933 |
|
Hampe, Carl G. (Germany 1857-1935)
|
Principal trombone
(also several bands, including a circus band, also Bilse
Orchestra, Berlin - Benjamin Bilse 1816-1902, a sort of Johann Strauss
composer/conductor of Germany - 54 Bilse musicians broke away to found
the Berlin Philharmonic in 1882 50) |
1886-1891, 1892-1914, 1920-1925 |
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|
|
Hanneman, D. |
violin |
1888-1893 |
|
Hansen, Einar B. (Denmark 1890-?1976) |
violin (also Bremen Philharmonic, Dresden Philharmonic) |
1926-1965 |
|
Hansotte, Lucien Eugene (born in Belgium, raised in Switzerland 1891-1972)
Lucien Hansotte, left, with Georges Mager, trumpet, Roy Harris (standing),
Jacob Raichman, trombone, at the time of the 1943 BSO premiere of the Harris
Symphony no 5 (which opens with extended brass and percussion)
|
trombone
(Assistant or tenor trombone with Principal trombone Jacob Raichman
for 27 seasons) |
1925-1952 |
|
Hartmann, Hermann H. (born Wisconsin March 22, 1859, but raised in Boston 45)
|
violin (New England Conservatory of Music at least 1881-1895) |
1881-1882, 1884-1885 |
|
Hausknecht, Jean (Germany 1847- ) |
contra-bassoon (also Cincinnati Symphony, New York Philharmonic) |
1881-1882 |
|
Hayne, E. |
violin |
1912-1914 |
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|
|
Hearne, Joseph F. (Ohio 1942- )
|
bass (also the Incredible String Quartet, a quartet of four
Double basses)
Studied at the Juilliard School, left at age 20 in 1962 to join the
Boston Symphony.
|
1962-present |
|
Heberlein, Hermann K. (Germany 1859- ) |
cello (also Boston Turnverein) |
1899-1908 |
|
Hedberg, Earl L. (Rhode Island 1915-2003) |
viola |
1956-1982 |
|
Heim, Gustav Friedrick
(Germany 1879-1933)
Died in New York City after a sudden illness October 30, 1933 age only 54
|
Principal trumpet (also Orchestra of the Louisiana Purchase Exposition
trumpet 1904, Trumpet for an amazing number of orchestras: Philadelphia
Orchestra Principal trumpet 1905-1907, Boston Symphony third trumpet
1914-1915 then Principal 1915-1920, Detroit Symphony Principal trumpet
1920-1921, New York Philharmonic Principal trumpet 1921-1923, Cleveland
Orchestra Principal trumpet 1923-1924, New York Symphony trumpet 1925-1928,
American Symphonic Ensemble of New York Principal trumpet 1929-1930)
Studied at the local music school in his home town
Schleusingen, Germany from 1893-1897.
|
1906-1920 |
|
Heindl (or Heind'l), Alexander C.
(Germany 1835-after 1897) brother of
Edward Heindl and
Henry Heindl.
|
Principal cello 1881-1889, cello 1890-1894
(also Handel and Haydn Society Orchestra 46,
Mendelssohn Quintet Club for two seasons 49,
also in the
Emil Mollenhauer Boston Festival
Orchestra)
|
1881-1894
|
|
Heindl (or Heind'l), Alexander (Jr) (Massachusetts 1872-about 1918),
son of
Henry Heindl
|
cello (from 1892, shared music teaching quarters with his
musician brothers, Edward Heindl (Jr), Henry Heindl (Jr),
Max Heindl, and Hans Heindl, all musicians sons of
BSO viola
Henry Heindl Sr.)
"Alexander Heindl" made some of the earliest acoustic cello
recordings for Victor Talking Machine Company from 1900, the earliest
year that
Eldridge Johnson made Victor recordings
, until 1904. Given the dates
and the artists Victor was using for recordings at the time, these recordings
are nearly certainly (in my opinion) by Alexander Heindl, cello of the Boston
Symphony 1900-1907, making them very likely the earliest by a BSO
musician. See also Doug Yeo's very interesting account of the 1906 Victor
recordings of BSO trombones Carl Hampe, August Mausebach, Leroy Kenfield,
and perhaps Max Kluge, by clicking on
Doug Yeo 1906 Trombone Quartet
|
1900-1907 |
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|
|
Heindl (or Heind'l), Edward Martin Sr.
(Germany 1837-1896)
brother of
Alexander Heindl and
Henry Heindl
|
Principal flute (also Handel and Haydn
Society Orchestra 46, Mendelssohn Quintet Club for
12 seasons 49)
About Edward Heindl's death, in The Story of the Flute
Macauley Fitzgibbon tells a strange story: "... Heind'l...became
a leading player in Boston, and is reported to have possessed a very
pure tone and good execution. He died of a disease contracted from an
infected flute which a stranger had requested him to try..."
120
|
1881-1896
(died during the 1896 season) |
|
Heindl (or Heind'l), Henry Sr.
(Germany 1843-after 1899), brother of
Alexander Heindl and
Edward Heindl, father of
Alexander Heindl (Jr)
|
viola (also father of four Boston musicians, Alex (1872-1915), Henry Jr. (1873- ),
Max (1877- ), Hans (1882- ), one of whom
Alex
joined the Boston Symphony as a cellist.)
|
1881-1911 |
|
Hekking, Anton
(Netherlands 1856-1935)
Hekking circa 1910
|
Principal cello (also Berlin Philharmonic Principal cello 1882-1888,
Mendelssohn Quintette Club - Boston 49, Kniesel String Quartet,
New York Symphony Principal cello 1891-1893, Hekking Trio - Berlin, then to Stern
Conservatory, Berlin)
Studied studied first with his cellist father Robert Gerard Hekking
(1820-1875)and then gained entry to the Paris Conservatoire.
Gained his Premier prix for cello in the 1878 Concour. Anton Hekking
was also brother of cellist André Hekking (1866-1925), long of the Paris
Conservatoire, and cousin of cellist Gérard Hekking (1879-1942). A practical
joker, during a rehearsal he once filled his cello with insects which
escaped when the cello began to vibrate, one reason he was not accepted
back by the Berlin Philharmonic on his return from Boston.
|
1889-1891 |
|
Helleberg, John F. (or Johannes) brother of
August Helleberg
(Denmark 1856-after 1910)
|
bassoon, contra-bassoon (also Philadelphia Orchestra bassoon
1900-1901, the Metropolitan Opera Orchestra,
New York Symphony under Walter Damrosch. John Helleberg may
also have played tuba in the John Philip Sousa Band as did
his famous brother
August Helleberg)
Studied first with his father Christen Helleberg Pedersen, a musician
sergeant in the Danish army. His brother
August Helleberg was one
of the great trombone and tuba players in the US in the early
20th century.
|
1901-1910 |
|
Hemmann, Hugo (1859-after 1916) brother of violinist Friedhold Hemmann and cellist
Carl Hemmann both of New York Philharmonic in 1870s |
Principal oboe |
1882-1883 |
|
Henegar, Gregg H. (1953- )
|
contrabassoon (also Houston Symphony )
|
1992-present |
| | |
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|
|
Henkle, Ralph Lazarus (Russia 1888-1973) |
violin (also National Symphony Orchestra of New York, New York Philharmonic)
|
1918-1920 (left following 1920 musicians strike) |
|
Herforth, Harry Best (Pennsylvania 1916- )
Harry age 90 and still playing |
trumpet (also Cleveland Orchestra) |
1946-1951 |
|
Hess, Max (1878-1975)
Max Hess in 1914 |
Co-Principal horn 1905-1906 1, Principal horn 1906-1913,
Third horn 1913-1925 |
1905-1925 |
|
Hess, Willy (Germany 1859-1939)
|
Concertmaster (also Frankfurt Opera Orchestra, orchestra of Rotterdam, Hallé Orchestra of
Manchester, Gürzenich Orchestra of Cologne) |
1904-1907, 1908-1910 |
|
Higgins, Charles. F. (1840?- ) |
violin |
1881-1883, 1884-1889 |
|
Hillyer, Raphael (New York 1914- )
with his usual instrument - a viola
|
violin (also for 23 years, viola in Juilliard String Quartet) |
1942-1946 |
| | |
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|
|
Hobart, Max E. (Nebraska 1936- )
|
violin 1965-1970, Assistant Concertmaster 1970-1992
(also New Orleans Symphony, National Symphony of Washington
DC, Cleveland Orchestra 1961-1965, also conductor of the
North Shore Philharmonic - Massachusetts)
Studied at the University of Southern California
|
1965-1992 |
|
Hobson, Ann - SEE
Ann Stevens Hobson Pilot
|
Principal harp 1980-2009, harp 1969-1980
|
1969-2009
|
|
Hoffmann, Ernst Heinrich son of
Jacques Hoffman
(Massachusetts 1899-1956)
Ernst Hoffmann in 1942
|
violin (also developed a successful conducting career; conducted the Breslau
Opera - Germany 1924-1934, Music Director Houston Symphony 1936-1947)
Ernst Hoffmann tragically died in an automobile accident January 3, 1956,
driving back from Texas.
|
1920-1921 |
|
Hoffmann, Jacques (born in Pustkovec, then Austro-Hungaria, now Czech 1868-1938)
father of Ernst Hoffmann
|
violin (also Vienna Opera and Vienna Philharmonic violin 1885-1887.
also founder the Hoffman Quartet in 1902 with Jacques Hoffmann first,
Adolf Bak second, Karl Rissland viola and Carl Barth cello. also
conducted the Harvard Alumni Orchestra in 1920s)
Studied at the Vienna Conservatory graduating in 1885.
|
1890-1926 |
|
Hoherman, Martin M.
(Poland 1912-1998) |
Assistant Principal cello 1961-1982, cello 1953-1961
(also Principal cello of the Boston Pops 1961-1982,
Bel Arte Trio: Ruth Posselt (wife of
Richard Burgin) violin,
Joseph de Pasquale viola, Martin Hohermann cello)
Harry Ellis Dickson writes that Martin Hoherman "...
came to the United States from his native Poland by way
of Singapore and Hong Kong..." 168.
|
1953-1982 |
|
Holmes, John A.
(Ohio 1918-1998)
|
Principal Oboe 1947-1950, Assistant Principal oboe 1950-1977
(also Oklahoma Symphony, Kansas City Symphony, Buffalo Philharmonic,
Cleveland Orchestra summer concerts, National Symphony of Washington,
St. Louis Symphony)
|
1947-1977 |
| | |
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|
|
Holy (Holý), Alfred
(Portugal-born to Czech parents 1866-1948)
|
Principal harp also German Opera, Prague 1885-1896,
Royal Court Opera, Berlin ('Königliche Hofoper') Opera 1896-1903 serving
with Wilhelm Posse and Franz Poenitzin Berlin, Vienna State Opera
(Wiener Staatsoper) 1903-1913 recruited by Gustav Mahler.
Studied at the Prague Conservatory graduating in about 1895.
Father Josef Holý was a horn player including at the Czech National Theater
Orchestra as Principal horn in 1868. Alfred Holý returned to Vienna, where he
died in 1948.
|
1913-1928 |
|
Horowitz, Jason (1971- )
|
violin (also Munich Chamber Orchestra, Colorado Symphony)
New England Conservatory class of 1993, and NEC AD 1996.
|
summer 2006-present |
|
Hoyer, Hermann A. (Germany 1855- ) |
viola (also Boston Turnverein) |
1887-1912 |
|
Huang, Si-Jing (China 1967- ) (husband of
Nicole Monahan)
|
violin
|
1998-present 35 |
|
Huber, Ernest (or Ernst)
(Austria 1876-1942) |
double bass (also Philadelphia Orchestra double bass 1919-1920, National Symphony of New York
double bass, Los Angeles Philharmonic double bass)
|
1907-1919 |
|
Hubner, Ernest (also listed as Ernst Hübner or Ernst Huebner in Detroit Symphony
records)
(Germany 1878-1946)
|
horn (also Berlin Philharmonic, Detroit Symphony horn at least 1929-1946,
the year in which he died, playing with with Albert Stagliano and
James Stagliano Principal and Second horns and also Erwin Miersch
Fourth horn in Detroit in the 1930s)
|
1912-1919
(succeeded Carl Schumann) |
| | |
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|
|
Hudgins, J. William
(Texas 1959- )
|
percussion (also Florida Symphony - Tampa percussion 1982-1990)
Studied at the Peabody Institute - Baltimore BMus 1980. also Temple University - Philadelphia
MMus 1982. Active in summer music festivals, including the Tanglewood Music Center as a
Fellow in 1982 and 1983 and the Aspen Music Festival - Colorado. Teaches at the
New England Conservatory - Boston.
|
November, 1990-August 2011 |
|
Hudgins, William R.
(1957- )
photo: Stu Rosner, n.d.
|
Principal clarinet 1994-present, Associate Principal clarinet 1992-1994
(also Orquesta Sinfonica Municipal - Venezuela, Charleston Symphony, Atlanta Opera)
Studied at Boston University with his predecessor, BSO Principal clarinet
Harold 'Buddy' Wright. Also studied with
Pasquale Cardillo, including at the Tanglewood Music Center
in the summer of 1979, and at the Aspen Music Festival.
|
1992-present
succeeded Harold 'Buddy' Wright |
|
Human, Theodore
(Russia 1851-1933)
|
violin (also Beethoven Club chamber music, Chicago Symphony 1891-1892, New York Symphony)
Human studied composition with Boston Symphony conductor
Georg Henschel
|
1882-1891 |
|
Humphrey, George Norwood
(Ohio 1904-1980)
George Humphrey, left, with his good friend and quartet partner Karl Zeiss, cello
|
viola - started violin late at age 19 (also Minneapolis Symphony
1930-1931, Wheeling Symphony,
also Tanglewood Quartet 1953-1970:
Rolland Tapley first,
Stanley Benson second,
George Humphrey viola,
Karl Zeise cello)
Studied at the New England Conservatory class of 1929,
and also Curtis Institute for one year.
|
1934-1977 |
|
Hwang, Bo Youp
(Korea 1947- )
photo: Boston Symphony Orchestra, n.d.
|
violin (also Milwaukee Symphony Assistant Concertmaster,
also Francesco Quartet)
Studied at the School of Music and Fine Arts - Seoul and at the University of Seoul. also
the University of Wisconsin. As well as the classic concerti, Bo Youp Hwang has
been featured in John Williams Evening at Pops concerts in famous Hollywood music.
|
1972-present |
|
|
[ J
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| |
| | |
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|
|
Jacob, René Auguste (France 1894-1969) |
violin 1928-1929, viola 1929-1939 |
1928-1939 |
|
Jacquet, Léon (France 1865-1898 died July 4, 1898
in the shipwreck of 'La Bourgogne'
on summer holiday from BSO) |
Principal flute (also Paris Opera, l'Orchestre de la Société
des Concerts du Conservatoire) |
1895-1898 |
|
Jaeger, Friedrich Alfred Emil (Germany 1880-1962) |
double bass (also listed as tuba 1918-1919) |
1910-1920 |
|
Jaenicke, Bruno Gustav
(Germany 1887-1946)
suffered a heart attack in late 1942
during 1942-1943 NY Phil season and died young
on Christmas day, 1946 42 age 59)
|
horn (also Wiesbaden Hofkapelle Orchestra - Germany Principal horn
beginning about 1899, Detroit Symphony Principal horn about 1918-1921,
New York Philharmonic Principal horn 1921-1943). One of the great horns
of the 20th century, which can still be witnessed by the December
11-13, 1928 recording of Strauss's Ein Heldenleben with Jaenicke
and New York Concertmaster
Scipione Guidi
and conducted by Willem Mengelberg. 
After Bruno Jaenicke suffered a heart attack in late 1942, Harold Meek,
then a student an horn player in the Rochester Civic Orchestra finished
the 1942-1943 season in New York for Jaenicke 42. In the
1943-1944 season, Arthur Rodzinski dismissed 14 New York Philharmonic
musicians, including five Principals, of which Bruno Jaenicke was one.
Rodzinski selected Rudolph Puletz, Jr. as his new Principal
horn of the New York Philharmonic.
|
1913-1918 |
|
Jeanneret, Marc
(France 1938- )
|
viola (also Orchestre National de France Assistant Principal viola,
Paris Opera viola for 2 years, Indianapolis Symphony Principal viola in about 1965-1968,
Baltimore Symphony Principal viola, Pittsburgh Symphony Assistant Principal viola,
Via Nova String Quartet)
Studied at the Paris Conservatoire Premier prix in about the 1959 Concour,
Indiana University performer's certificate about 1966. Came to the US playing
with the Paul Kuentz Chamber Orchestra in 1963 and 1964. Marc Jeanneret will retire
from the Boston Symphony after the August 2012 Tanglewood season after 35 seasons
of great contribution to the BSO.
|
1977-until August 2012 |
|
Jennewein, Leonard or Leonhard
(Germany 1833-after 1917) |
double bass |
1881-1894 |
|
Jojatu, Mihail
(Romania 1976- )
photo: Boston Symphony Orchestra, n.d.
|
cello 2001-2003, Fourth chair cello 2003-present (also a founder of the
Boston Cello Quartet:
Blaise Déjardin,
Adam Esbensen,
Mihail Jojatu,
and
Alexandre LeCarme,
also the current
Boston String Quartet:
Tamara Smirnova first,
Alexander Velizon second,
Rebecca Gitter viola,
Mihail Jojatu cello)
Studied at the Boston Conservatory of Music and Boston University.
In June, 2011, Mihail Jojatu performed the Friedrich Gulda (1930-2000)
Concerto for Cello and Wind Orchestra with Keith Lockhart and the
Boston Pops.
| 2001-present |
|
Jonas, Ernst (Germany 1852-after 1910) |
cello |
1882-1886 |
|
Jones, O. |
trumpet |
1927-1928 |
|
Juht, Ludwig Alexsander
(Estonia 1894-1957)
|
double bass (also State Symphony Orchestra of Helsinglors,
Finland Principal double bass, Estonian Symphony Orchestra, Estonia
Opera)
Studied double bass with his father, with A. Helder and C. Bech in
Estonia and at the St. Petersburg Conservatory, and
later at the Royal Academy of Music - Berlin.
|
1934-1957
Ludwig Juht unfortunately missed the 1956 Russian tour due to ill
health and died during the 1956-1957 season on January 20, 1957.
|
|
|
[ K
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|
|
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|
|
Kadinoff, Bernard L.
(New York 1921-1987) 37
|
viola (also NBC Symphony, Boston Opera Orchestra, Music Guild String Quartet
with Gerald Gelbloom first,
Max Winder second,
Bernard Kadinoff viola,
Stephen Geber cello)
Studied at the Juilliard School in late 1940s.
|
1951-1987
(died following the Tanglewood season) |
|
Kaestl, M. |
violin |
1892-1893 |
|
Kahila, Kauko Emil "Koko"
(Massachusetts 1920- )
|
bass trombone (also Houston Symphony bass trombone 1941-1944, St. Louis
Symphony bass trombone 1944-1952)
Studied at the New England Conservatory 1941. Kahila had the opportunity in
1941 to audition for the position of his teacher when Hans Lillebach left for
Cleveland, but out of respect did not do so, the chair going to John Coffey.
|
1952-1972 |
|
Kandler, Fritz F. (Germany 1880-may have returned to Germany) |
timpani |
1907-1918, 1920-1923 |
|
Kang, Elita (New York 1974- )
|
Assistant Concertmaster 2001-present, violin 1997-2001 |
1997-present |
|
Kang, Juliette (Canada 1976- )
|
Assistant Concertmaster 2003-2005 (also Kennedy Center Opera Orchestra
Washington DC Principal second violin 1999-2000, Metropolitan Opera Orchestra
2001-2003, went to Philadelphia as Associate Concertmaster in 2005)
Studied at the Curtis Institute Class of 1991, also Juilliard School MMus 2001.
Married to cellist Thomas Edward Kraines Curtis Institute Class of 1992, and
also Juilliard School MMus 2001.
|
2003-2005 |
|
Kaplan, Phillip (Massachusetts 1914-2009)
|
flute (also Principal flute of the National Symphony of New York,
a training orchestra, New York Philharmonic flute about 1933-1939,
New Friends of Music Society - Boston, Boston Lyric Opera)
Studied at the New England Conservatory graduated 1933.
|
1939-1970 |
|
Kapuscinski, Richard Roman
(Wisconsin 1921-1991)
Kapuscinski with the La Salle String Quartet
|
cello (also Baltimore Symphony, La Salle Quartet 1946-1955)
Studied with Leonard Rose, probably at Juilliard in 1945-1946.
Kapuscinski left the BSO to teach at Oberlin College, where he died after
20 years of teaching.
|
1955-1967
in 1966-1967 one season exchange with Japan Philharmonic
|
|
Karol, Robert
(Pennsylvania 1925- ) cousin of
Norman Carol
|
viola |
1950-1977
in 1966-1967 one season exchange with Japan Philharmonic
Symphony Orchestra |
| | |
RETURN TO TOP
|
|
Kassman, Nicholai (Russia 1887-1947)
from Boston symphony Orchestra charcoal drawings by
Gerome Brush: Boston Symphony Archives
|
violin
Studied at the St. Petersburg Conservatory.
|
1921-1947
died in June during the Boston Pops period at the end of the
1946-1947 season.
|
|
Katsuta, Soichi
(Japan )
|
cello |
1966-1967
one season exchange with Japan Philharmonic
Symphony Orchestra |
|
Katz, Mickey
(Israel circa 1979- )
photo: Boston Symphony Orchestra, n.d.
|
cello (also Israel Defense Force String Quartet and Israel Defense Force Orchestra)
Tanglewood Fellow in 2000. New England Conservatory BMus class of 2003.
Active in summer music festivals, including the Marlboro Festival - Vermont and took
part in the Musicians from Marlboro tour.
| 2004-present |
|
Katzen, Daniel
(New York 1952- )
| horn (also Phoenix Symphony, San Diego Symphony, (Chicago)
Grant Park Symphony)
University of Arizona School of Music - Tucson Associate Professor of Horn
September 2008-present. While in Boston, taught at Boston University and the
New England Conservatory 1981-2008, a
| April 1979-August, 2008 34 |
|
Kautzenbach, Arthur (Germany 1881- ) |
cello, also occasional Boston Pops conductor 1908-1909 |
1907-1910 |
|
Kautzenbach, Wilhelm (or William) (Germany 1887- ) |
viola (also National Symphony Orchestra of New York) |
1910-1912, 1914-1920
|
|
Kavalovski, Charles 'Chuck'
(Minnesota 1936- )
Dr. Kavalovski, holding a Ph.D.
in nuclear physics from University of Minnesota |
Principal horn (also Denver Symphony Principal horn)
|
1972-1996 sabbatical leave 1992-1993 |
|
Kaza, Roger (New York 1955- )
|
horn (also Kansas City Symphony, St. Louis Symphony)
Studied at the New England Conservatory.
|
1980-1982 |
|
Keaney, Paul (Massachusetts 1912-1994)
|
horn (also US Navy musician 1944-1946)
Studied at the Longy School - Boston
|
1937-1944, 1946-1971 31 |
| | |
RETURN TO TOP
|
|
Kearney, A. E.
| trumpet (also Detroit Symphony)
|
listed for 1920-1921 season, but Kearney departed late 1920, after only
a few months with the BSO |
|
Keller, Josef (Germany 1876-1942) brother of
Karl Keller |
cello (also Maquarre Sextet, Kuntz Sextet - see Daniel Kuntz)
|
1898-1918, 1919-1928 |
|
Keller, Karl August (Germany 1870- ) brother of
Josef Keller |
double bass (also the Kuntz Sextet - see Daniel Kuntz)
|
1895-1910, 1921-1925 |
|
Kelley, Alvah Jackson (Massachusetts 1879-1942) |
double bass | 1920-1933 |
|
Kenfield, LeRoy S. (Massachusetts 1867-1934)
|
bass trombone (also Emma Juch Opera Company)
One of six boys from Thompson Island
School (for indigent boys) over the years to become
Boston Symphony musicians. David H. Moore,
also a trombone player was another.
|
1900-1934
LeRoy Kenfield died October 5, 1934, less than 4 months after
the end of the Boston Pops season (when Kenfield would have retired from the BSO
after 35 years of service.)
|
|
Kimber, Christopher J. (Ohio 1937- ) |
violin (also the Baltimore Symphony)
Studied at the Juilliard School. After the Boston Symphony
taught at Ohio State University.
|
1967-1971 |
|
Kirchner, Alwin (Germany 1859-after 1930)
|
bassoon (also Chicago Symphony bassoon 1891-1892,
Waldorf-Astoria Orchestra - New York City in the 1910s under
Music Director and former BSO viola
Joseph Knecht,
New York Theater orchestra musician 1920s)
|
1895-1896 |
|
Klein, Max |
violin |
1883-1886 |
|
Kloepfel, Louis F. (Germany 1867-1936)
|
Principal trumpet 1898-1914, trumpet 1914-1927 (also
Leipzig Gewandhaus Principal trumpet, New York Symphony
Principal trumpet 1891-1898, National Symphony of New York
Principal trumpet 1895-1896 at the same time he served in
the New York Symphony under Walter Damrosch, apparently
possible in that era of lighter concert schedules.)
Studied at the Leipzig Conservatory.
|
1898-1927 |
| | |
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|
|
Kluge, Max R. H. (Germany 1860-1930) |
viola (also Boston Turnverein, was one of 5 - out of
10 - violists hired for the 1920-1921 season,
following the 1920 musicians strike)
|
1885-1913, 1920-1925 |
|
Knecht, Joseph or Josef
(Austria - now the Ukraine - 1863- )
|
viola (also Music Director of the Waldorf-Astoria Hotel Orchestra
1908 to 1925. Said to be a serious orchestra, giving Sunday concerts
for twenty years)
|
1887-1897 |
|
Kneer, J(oseph)
|
violin (perhaps also Metropolitan Opera Orchestra ?)
|
1887-1890
|
|
Kneisel, Franz (Romania 1865-1926)
|
Concertmaster. Brought in by Gericke to replace Bernard Listemann, who apparently
was considered too willful. Kneisel left to work full-time with the
Kneisel String Quartet
, the most famous quartet in the US prior to the
Flonzaley Quartet. (also Bilse Orchestra of Berlin 1883-1885,
Kneisel String Quartet 1885–1917)
Studied at the Vienna Conservatory. Conducted the Boston Pops in 1888.
|
1885-1903 |
|
Kneisel, Josef (Austria 1853- ) Josef's relationship to
Franz Kneisel not yet
established - likely they were brothers |
violin |
1885-1904 |
|
Knight, Walter (Massachusetts 1894- ) |
flute (also made flutes) |
1918-1919 |
|
Knudson, Clarence Frithjof
(Massachusetts 1903-1996) |
Principal Second Violin |
1920-1975 13 |
|
Knudsen, Ronald T.
(Nebraska about 1931- ) father of
Sato Knudsen
|
violin (also Baltimore Symphony, Detroit Symphony. One of the
original musicians of Collage New Music, and a founder of the Curtisville
Consortium - 1970). Increasingly involved in conducting, including the Brockton
Symphony (suburban Boston) 1970-1988, Newton Symphony (suburban Boston) Music
Director 1982-1995. New Philharmonia Orchestra (suburban Boston) 1995- present.
Boston Pops conductor including in 1990 a concert featuring son
Sato as cello soloist.
Studied at Peabody Conservatory of Music 1952-1959.
|
1965-present |
|
Knudsen, Sato (Maryland 1955- )
son of Ronald Knudsen
|
cello (also San Antonio Symphony Associate Principal cello 1980-1983,
during student years also played with Boston Pops Orchestra, Boston Opera
Company, New Hampshire Symphony, and Worcester Symphony. Active in the
Hawthorne String Quartet)
Studied at Bowdoin College and the New England Conservatory.
|
1983-present |
| | |
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|
|
Knudson, Clarence (Massachusetts 1903-1996)
|
violin 1920-1934, Principal second violin 1934-1975
(also Chardon String Quartet:
Norbert Lauga first,
Clarence Knudson second,
Jean Cauhapé viola,
Yves Chardon cello)
Studied at the New England Conservatory.
|
1920-1975 (45 years with the Boston Symphony - but who's counting?) |
|
Koessler, Maurice (or Morris) C. P.
(born Strasbourg, then Germany, later France 1889- )
|
violin (also Staatskapelle Berlin about 1910-1912)
Taught violin and also studied at Oberlin College
1916-at least 1922.
|
1912-1916 |
|
Kohlert, J. |
flute - (note: V. Kohlert was a famous Bohemian instrument manufacturer in the 1800s and
later, including flutes, but J. Kohlert is so far not identified)
|
1885-1886 |
|
Kolster, August (Germany 1851- ) |
violin (orchestra musician in Geneva, Switzerland prior to coming to
US in 1883)
Two sons, Charles and Frederick studied Electrical Engineering at
Harvard in 1910s. Frederick later invented a radio direction finding
device, and founded a manufacturing company of radio receivers in the
1920s.
|
1883-1912 |
|
Korman, John M. (Canada 1938-1998)
|
violin (also St. Louis Symphony Associate Concertmaster 1971-1998
with his wife Joan, Assistant Principal viola)
Studied at the University of Southern California, UCLA
Bachelor in Electrical Engineering, while subbing in the Los Angeles
Philharmonic. After the Boston Symphony, was a first violin with the
St. Louis Symphony. Sadly, John Korman died of a stroke in St. Louis
in 1998, age only 59.
|
1966-1971 |
|
Kornsand, Emil (France 1894-1973)
|
viola 1939-1950, violin 1950-1961
(also NBC Symphony in 1938, in the 1940s, Galimir
String Quartet, Felix Galimir first, Emil Kornsand second violin, Lotte Hammerschlag viola,
and Fritz Magg, cello.
Magg was Principal cello of the Metropolitan Opera) Emil
Kornsand was also a composer and the BSO premiered his
Metamorphosis in 1957.
|
1939-1961 |
|
Korth, Max Eugen (Germany 1854-1900)
died in Boston May 13, 1900 age only 46
47 |
cello (also Boston Turnverein, played in smaller chamber music
concerts during the 1890s)
|
1881-1890 |
|
Krafft, (Frederick) William "Willy"
(Germany 1871-1925)
Born in Germany, but at age 1, came to Boston
|
violin (also the Smalley Piano Trio in the 1910s,
New York Philharmonic violin section during World War 1,
also Boston Symphony Sextette whose
membership in 1909 was:
William F. Krafft first violin,
Placido Fiumara second violin,
John Mullaly viola,
Ludwig Nast cello,
Max Kunze double bass, who was also group leader
171)
Willy Krafft died in Boston just prior to the beginning of the
Boston Symphony 1925-1926 season on August 31, 1925, age only
54 66. Born in May, 1871, Krafft must have been one
of the youngest musicians to join the BSO, being 17 in
October, 1888.
|
1888-1912, 1921-1925 |
|
Krasselt, Rudolf (Germany 1879-1954) |
Principal cello (also played at the first desk of the Berlin
Philharmonic under Artur Nikisch 1897-1898. Berlin Philharmonic
Principal cello at age 19 1898-1900. Vienna Opera Principal cello
1900-1903)
After leaving Boston, Krasselt concentrated on conducting in
Germany. Kapellmeister Kiel Opera 1911-1913, German Opera
(Deutsche Oper) Charlottenburg, near Berlin beginning 1913.
Krasselt taught conducting at the Berlin Akademische Hochschule
für Musik beginning 1920, where Kurt Weill (1900-1950) and
Berthold Goldschmidt (1903-1996) were among his students.
Music Director of the Staatsoper Hannover 1924-1943.
|
1903-1904
unable to join the Orchestra until October, 1903, arriving only for
the second concert of the season due to German military service 48
|
|
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[A] [B] [C]
[D] [E] [F]
[G] [H] [I]
[J] [K] [L]
[M] [N]
[O] [P] [Q]
[R] [S] [T]
[U] [V] [W]
[X] [Y] [Z]
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|
>
|
Krauss, O. H. |
viola |
1894-1909 |
|
Kreinin, Boris (Russia 1874-1931) |
violin |
1925-1932
listed for 1931-1932 season, but died
October 22, 1931 hit by a truck |
|
Krips, Alfred (Berlin 1901-1974)
|
Assistant Concertmaster 1947-1972, violin 1933-1947
(also Berlin State Opera)
|
1933-1972 |
|
Kuchment (Vilker-Kuchment), Valeria Vilker
(Russia 1939- )
|
violin (also Concertmaster of three other Boston-area
groups: Boston Philharmonic, the Harvard Chamber Orchestra,
and Handel & Haydn Society Orchestra)
Studied at Gnesiny State Musical Pedagogical Institute
- Moscow BMus, Tchaikovsky Conservatory (Moscow
Conservatory).
|
1986-present |
|
Kuehn, R. |
violin |
1885-1887, 1888-1891 |
|
Kuntz, Augustus (Germany 1841-after 1904)
uncle of
Daniel Kuntz |
violin |
1896-1910 (also Kuntz Sextet)
|
|
Kuntz, Daniel (Germany 1860-1959)
nephew of
Augustus Kuntz.
Died in 1959, age 99, the last surviving musician from
the original season of the Boston Symphony 99.
Daniel Kunze at age 90
|
violin (also Adamowski Quartet, Kuntz Sextet. Kuntz also conducted a
summer orchestra in Lake Placid, New York, and the summer
orchestra of Poland Springs Hotel, Maine. also conductor of the
Boston Symphony Ensemble, a chamber symphony for summer
concerts with
Julius Theodorowicz,
Louis Speyer, and others
69. also Boston Instrumental Club:
Daniel Kunze violin,
Frank Schuchmann violin,
Edward Marble viola,
Rudolf Nagel cello,
Emil Golde double bass,
Friedrich Mueller oboe, G. B. Van Hantvoord flute,
Charles Staats clarinet,
Pierre Mueller trumpet,
Carl Schumann horn,
Heinrich Lorbeer horn, directed by
Walter Swornsbourne)
August and Daniel Kuntz emigrated together to Boston in
1874 68. In the Summer of 1892, played
in the Orchestra at Beyreuth under Herman Levi and Hans
Richter 68.
|
1881-1914 |
|
Kunze, Max Oscar
(Germany 1874-1939)
|
Principal double bass (also Berlin Philharmonic under Hans von Bülow.
also Boston Symphony
Sextette whose membership in 1909 was:
William F. Krafft first violin,
Placido Fiumara second violin,
John Mullaly viola,
Ludwig Nast cello,
Max Kunze double bass, who was also group leader
171)
Max Kunze came to the US in 1893 under the impresario Flo Ziegfeld
to play music in various orchestras of the Chicago World's Fair. He
was hired as Principal double bass in Boston by Emil Paur, who probably knew
Kunze from Berlin. Kunze taught for many years at the New England
Conservatory.
|
1894-1932 |
|
Kurkdjie, (Lawrence) Nazar
(Syria 1895-1978)
|
violin (Geneva Symphony - Switzerland,
Boston Symphony 1919-1920, Cleveland Orchestra 1920-1922,
1932-1939 led the Kurkdjie Ensemble and the L. Nazar Kurkdjie Orchestra for
WTAM and WHK radio Cleveland and later in Hollywood, the KLAC, the NBC radio
orchestra under the name of "Mr. Lawrence". As a Hollywood
musician, he also directed orchestras for Harry James and Bing Crosby,
Phil Harris orchestra)
Taught at Baldwin-Wallace Conservatory - Ohio in 1920s into about
1939. Jack Benny claimed that Lawrence Kurkdjie was his most important
violin teacher 162. Billed as Nazar Kurkdjie in performance,
his friends called him Lawrence.
|
1919-1920 |
|
Kurth, Richard |
violin |
1883-1891, 1892-1926 |
|
|
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|
|
LaFosse, Marcel Jean (France 1894-1968) |
trumpet (uncle and teacher of André Côme) |
1926-1927, 1928-1958 may have stayed in France 1927-1928 |
|
Lafricain, Edward N. (Canada 1852-1921) |
Principal trumpet 1887-1888, trumpet 1888-1893, 1896-1897, 1900-1902
(also New York Philharmonic) |
1887-1893, 1896-1897, 1900-1902
|
|
Lange, Stephen (Texas 1973- )
|
trombone (also San Antonio Symphony 1999-2000, St. Louis Symphony
Assistant Principal trombone 2000-2010, a founder of
The Trombones of the Saint Louis Symphony)
Studied at Indiana University BSc, BMus and Performance Certificate, and
also at the Juilliard School MMus 1999.
| 2010-present |
|
Langendoen, Jacobus Cornelius 'Jaap'
(Netherlands 1890-1973) Born in the Netherlands, but raised in South Africa,
returning to the Netherlands at age 16)
|
cello (also Wentworth Hotel orchestra in New Hampshire during
summers, where he also died 75.
(also Gundersen String Quartet:
Robert Gundersen
first,
Hubert Sauvlet
second,
Charles Van Wynbergen
viola,
Jacobus Langendoen
cello)
Langendoen conducted the Boston University
student orchestra, where he taught)
Langendoen also recorded for Technichord Records, based in Brookline,
Massachusetts during the 1930s and 1940s. Langendoen came to the US in
1920 as part of Monteux's rebuilding of the BSO, following the March,
1920 musicians' strike, replacing
Georges Miquelle. Langendoen's father
Willem Jacobsz Langendoen (1865-about 1918) was also a musician.
|
1920-1962
42 seasons; his tenure was identical to Concertmaster
Richard Bergin.
|
|
Langley, Allan Lincoln
(Rhode Island 1892-1949)
|
viola 1918-1919, violin 1919-1920 (also a musician and conductor
of the St. James Cafe ensemble in Boston)
Studied first with his music teacher father Alfred Langley in Newport,
Rhode Island, and then at Brown University in Rhode Island Class of
1912. Then at the New England Conservatory in 1917. After inheriting
money, in the 1920s became an active composer in New York City,
but without any particular success 192, although he had
compositions performed by the Boston Symphony and the New York
Philharmonic.
|
1918-1920 |
|
Lannoye, Marcel Louis H.
(Belgium 1898-1961) |
horn (also la Monnaie Opera, Brussels, Carol Rosa Opera Orchestra, England.
Later Los Angeles Philharmonic Third horn, and Mexico City Philharmonic)
After Boston and the Los Angeles Philharmonic, Lannoye became
Third horn in Mexico City 0under Carlos Chavez.
|
1928-1944 |
|
Larrison, Spencer Lee
(New York 1942- )
|
violin |
1967-1975 |
|
Lauga, Norbert René
(France 1905-1992)
from Boston symphony Orchestra charcoal drawings by
Gerome Brush: Boston Symphony Archives
|
violin (also Concerts Straram Concertmaster - Paris,
Chardon String Quartet:
Norbert Lauga first,
Clarence Knudson second,
Jean Cauhapé viola,
Yves Chardon cello)
Studied at the Conservatoire de Paris Premier prix 1922.
|
1928-1959 |
|
Laurent, Georges
(France 1886-1964) |
Principal flute |
1918-1952 |
|
Laus, Abdon Flavien
(Algeria, then a French territory 1888-1945)
|
bassoon (also Ballets Russes Orchestra, where he played in premiere
of Le Sacre du Printemps May 29, 1913)
|
1918-1945 died during Tanglewood summer season July 29, 1945
|
|
Lebailly, Victor Edmond
(France 1872-returned to France)
| Principal clarinet (also Théâtre de l’Opéra-Comique Orchestra,
l'Orchestre de la Société des Concerts du Conservatoire, Georges Longy Society,
Taffanal's Société de musique de chambre pour instruments à vent) |
1901-1904
|
|
Lecarme, Alexandre
(France )
photo: Boston Symphony Orchestra, n.d.
|
cello (also founded Tancrede Trio and a founder of the
Boston Cello Quartet:
Blaise Déjardin,
Adam Esbensen,
Mihail Jojatu,
and
Alexandre LeCarme)
Studied at the Paris Conservatoire Premier Prix in the 1997 Concour,
also Boston University MMus and Artist's Diploma. Also active in
music festivals, including Rockport Chamber Music Festival, Copley
Society Series - Massachusetts, Temple Emmanuel Chamber Music
Series - Massachusetts, Domain Forget Festival - Québec.
| 2008-present |
|
Lee, Julianne
(Korea 1984- )
|
violin
Studied at the New England Conservatory doctorate 2007
| 2006-present |
|
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|
|
Lefkowitz, Ronan Lee
(England 1953- )
Born in England, raised in Massachusetts
|
violin (also International Youth Symphony Orchestra, Hawthorne String
Quartet, Francisco String Quartet, Collage New Music)
Studied at Harvard University BMus 1975. His father, Murray Lefkowitz
was head of the Music History Department of Boston University, and
Ronan Lefkowitz studied with Joseph Silverstein at Boston University and
then also taught at BU.
|
1976-present |
|
Lefranc, Jean
(France 1884-after 1947)
|
Viola 1925-1932, Principal viola 1932-1947, succeeding Georges
Fourel, (also Théâtre de l'Opéra Comique Orchestra, Colonne Orchestra,
Concerts Koussevitzky - Paris)
Studied at the Paris Conservatoire, Premier prix in the
1907 Concour.
|
1925-1947 |
|
Leguía, Luis Grey (California 1935- )
|
cello (also Houston Symphony, National Symphony of Washington DC,
the Metropolitan Opera)
Studied at the Ecole Normale - Paris and the Juilliard School.
Performed the premiers of cello works by Walter Piston, Robert Parris,
and Vincent Frohne. Leguia is well-known for his development of a
carbon fiber cello, and other stringed instruments from this material.
|
1963-2007 16, 29 |
|
Lehner, Eugen Emil (or Eugene)
(Hungary 1906-1997)
Kolisch Quartet: Felix Khuner violin, Eugen Lehner viola, Benar Heifitz
cello, Rudolf Kolisch violin playing left-handed
|
viola (also Kolisch Quartet: Rudolf Kolisch first, Felix Khuner
second, Eugen Lehner viola, Benar Heifitz cello)
Studied at the Royal Conservatory of Music - Budapest with Jeno
Hubay (1858-1937) who also taught Joseph Szigeti and Eugene Ormandy.
Leader of the Kolisch Quartet, Rudolf Kolisch, after suffering an
accident in his youth could
not use his left hand for fingering, so used his left hand for
bowing. Amazingly, Kolisch was able to train himself to play
left-handed as can be seen in the photograph to the left.
|
1939-1982 |
|
Leibovici, Samuel Joseph
(born in Romania 54 and raised in Paris 1897-1962 )
|
violin (also Paris Opéra and Concerts Koussevitzky - Paris)
Studied at the Paris Conservatoire Premier prix in about the 1914 Concour.
|
1926-1962
(died early in the of 1962-1963 season on September 4, 1962)
|
|
Lemaire, Jean-Jacques
(France 1873-1945)
|
double bass |
1926-1939 |
|
Lemcke, C. |
tuba
The 1920-1921 season was somewhat chaotic after the BSO musicians
strike. For tuba, both "A. Wichman" and "C. Lemcke" were
listed in the tuba chair in 1920-1921. In fact, Wichman seems to have been with
the orchestra for only a part of the season.
|
1920-1921 partial season
|
|
Lenom, Désiré Clément (Belgium 1865-1957)
|
oboe (also conducted Boston Pops 1913-1916) |
1901-1925 (left BSO at the same time as Georges Longy, taught
in NYC and Boston |
|
Leveen, Percy Paul
(Massachusetts 1892-1974)
from Boston symphony Orchestra charcoal drawings by
Gerome Brush: Boston Symphony Archives
|
violin (in 1915, played violin in vaudeville until
entering the BSO in the 1919-1920 season. During summers in
the 1930s, Leveen was responsible for music programming at
the Canadian Pacific hotels.)
Studied at the New England Conservatory 1910-1913, then
in Prague, Czechoslovakia, and admitted to the
Hochschule für Musik, Charlottenburg, Germany 1914,
but had to return with the start of World War 1. For a
number of years, Leveen was responsible for the BSO
musicians' Pension Fund, and was head of the Musicians'
Committee.
|
1919-1944 |
|
Levy, Amnon (Israel 1933- )
|
violin (also Minnesota Orchestra, Los Angeles
Philharmonic)
Studied at the Israel Conservatory 1945-1950, the Juilliard
School 1950-1952, the Curtis Institute graduated Class of
1955.
|
1964-2009 |
|
Levy, Benjamin (New York 1980- )
|
double bass, summer 2003-2007, third chair double bass 2007-present
(also Boston Musica Viva, and Collage New Music)
Studied at the New England Conservatory class of 2002. Also
member of Classical Tangent,
a group combining classical and folk origin music.
|
summer 2003-present |
|
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|
|
Lichtenberg, Leopold
(California of Polish parents 1861-1935)
|
violin (also Theodore Thomas Orchestra of New York)
After studying locally in San Francisco, began studied under
Henryk Wieniawski (1835-1880) at the Brussels Royal Conservatory
about 1877-1880. Taught at the National Conservatory - New York
City.
|
1882-1885 |
|
Lilleback, Hans Valdemar Durck (Walter)
(Denmark 1882-1971)
|
bass trombone (also New York Symphony trombone including
1920 European tour, New York Philharmonic bass trombone 1921-1924,
Sousa Band, also Cleveland Orchestra 1941-1948 succeeding John Coffey)
In 1930, Lilleback and Felix Leifels organized the Civic Symphony
Orchestra of New York to give low priced concerts 73
|
1934-1941 |
|
Lin, Lucia
(Illinois 1962- )
|
violin 1985-1988, Assistant Concertmaster 1988-1991, violin 1991-1996,
Assistant Concertmaster 1996-1998, violin 1998-present. (also Acting
Concertmaster Milwaukee Symphony 1991-1992, Co-Concertmaster London
Symphony 1994-1996, Muir String Quartet, founding member of Boston Trio
and of Innuendo, a chamber group)
Studied at the University of Illinois and Rice University Shepherd School
of Music MMus. Recordings include for New World records, The Stream Flows,
Bright Sheng (1955- ) see right, and Gabriela Lena Frank (1972- )
|
1985-present
|
|
Lippoldt, Louis
(Germany 1843-after 1924) |
horn |
1881-1886 |
|
Lipson, Jerome J.
(Massachusetts 1916-1994)
photo: Boston Symphony Orchestra, 1983
|
viola (also Zimbler Sinfonietta, founding
member of the Stockbridge String Quartet:
Stockbridge
String Quartet:
Julius Schulman
first,
William Marshall
second, Jerome Lipson viola,
Mischa Nieland cello)
Studied at the Curtis Institute Class of 1938.
|
1946-1991 joined the Boston Symphony 6 months after returning
from World War 2 military service.
On retiring, Lipson was the last of the Koussevitzky-selected
BSO musicians 11 .
|
|
Listemann, Bernard (or Bernhardt)
(Germany 1841-1917) brother of
Fritz Listemann
 |
Concertmaster (also Court Orchestra of Rudolstadt, Germany 169,
Leipzig Gewandhaus Orchestra, Theodore Thomas Orchestra of New York,
founder Listemann Concert Company, with his brother
Fritz Listemann,
violin and piano,
August Stein, double bass,
Carl Meisel, viola, and
Adolf Sailer, cello)
Bernard Listemann's teachers included Ferdinand David
(1810-1873), Henri Vieuxtemps (1820-1881), Joseph Joachim
(1831-1907) (wow - what teachers)
|
1881-1885 |
|
Listemann, Fritz (1839-1909) brother of
Bernard Listemann
|
violin (also Theodore Thomas Orchestra of New York, Listemann Concert Company, with
his brother
Bernard Listemann, the first Concertmaster
of the Boston Symphony 1881-1885,
August Stein, double bass,
Carl Meisel, viola, and
Adolf Sailer, cello)
Studied at the Leipzig Conservatorium, and privately with
Ferdinand David (1810-1873) and Karl Wilhelm Uhlrich (1815-1874)
169.
|
1881-1885 |
|
Litke, Hugo E.
(Germany 1863- ) also brother of
Paul Litke, best friend of
Carl Barth
detail of BSO 1900 photo: Boston Symphony Archives
|
Principal bassoon 1894-1901, second bassoon 1907-1908
- succeeded by
Edward Mueller
(also Chicago Symphony Principal bassoon 1891-1893, also
Georges Longy Club:
Georges Longy, oboe,
André Maquarre
, flute,
Alexandre Selmer
, clarinet,
Albert Hackebarth
, horn,
Hugo Litke
, bassoon and Heinrick Gebbard, piano)
Theodore Thomas engaged Hugo Litke to come to the US for the
initial two seasons of Theodore Thomas's Chicago Orchestra
as it was then called.
|
1894-1901, 1907-1908 |
|
Litke, Paul brother of
Hugo Litke
(Germany 1870- )
detail of BSO 1900 photo: Boston Symphony Archives
|
bassoon and contrabassoon (also substitute bassoon
Chicago Orchestra under Theodore Thomas with brother Hugo Litke)
|
1896-1901 |
|
Liu, Hui
(China about 1972- )
|
Assistant Principal viola (also Chicago Symphony viola 1997-1999,
Los Angeles Philharmonic viola 1999-present)
Hui Liu studied at Boston University earning his Artist Diploma and at the Curtis Institute
BMus Class of 1995. Also active in summer music festivals, including the Marlboro Festival - Vermont,
Tanglewood Festival - Massachusetts, Ravinia Festival - Illinois, and the Edinburgh Festival
- Scotland. Teaches at the California State University - Los Angeles
|
1995-1997 |
|
Loeffler, Charles Martin
(Germany 1861-1935) brother of
Erich Loeffler
| violin - seems to have been Associate Concertmaster (also Pasdeloup Orchestra)
later composer of late-romantic/impressionistic works
such as A Pagan Poem of 1906.
|
1882-1903 |
|
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|
|
Loeffler, Erich
(Germany 1863- ) brother of
Martin Loeffler
|
cello
In 1909, Erich and Martin Loeffler's mother died in Germany.
Then, according to "...Erich disappeared from his apartment
on Columbus Avene [New York City]..." 151
Erich Loeffler was found later in 1909 wandering the
streets in New York City. He did not seem active in
US symphonies thereafter.
|
1882-1909 |
|
Longy, Gustave Georges Leópold (France 1868-1930)
|
Principal oboe (also Colonne Orchestra, founded Georges Longy Club 1899-1920)
|
1898-1925 |
|
Lorbeer, Heinrich E. (or Henry)
(Germany 1865-1943)
|
Fourth horn (also St. Petersburg orchestra, Leipzig Gewandhaus
Orchestra, Boston Instrumental Club:
Daniel Kunze violin,
Frank Schuchmann violin,
Edward Marble viola,
Rudolf Nagel cello,
Emil Golde double bass,
Friedrich Mueller oboe, G. B. Van Hantvoord flute,
Charles Staats clarinet,
Pierre Mueller trumpet,
Carl Schumann horn,
Heinrich Lorbeer horn, directed by
Walter Swornsbourne)
|
1891-1937 |
|
Lorenz, Otto H. W.
(Germany 1851-before 1920) |
tuba (also the Boston Cadet Band led by J. Thomas Baldwin
161)
|
1907-1913 |
|
Lowe, Malcolm
(Canada 1953- ) husband of
Nisanne Lowe
Malcolm with pianist son Brendan Lowe
|
Concertmaster (also l'Orchestre symphonique de Québec Concertmaster -
Québec-City)
Studied at the Regina Conservatory of Music - Saskatchewan,
Curtis Institute Class of 1974. Tenth Concertmaster of the Boston
Symphony since Bernard Listemann in 1881, joining
a history of greats. Among his fine recordings was Leon Kirchner:
Concerto For Violin, Cello And Piano with Gilbert Kalish piano
and Jules Eskin cello (see right)
|
1984-present
|
|
Lowe, Nisanne A. (New York 1954- )
wife of
Malcolm Lowe
|
violin (also Chicago Symphony 1976-1977, Marlboro Music Festival
1971)
Studied at Eastman School, Juilliard and the Curtis Institute.
|
1982-1986 |
|
Ludwig, Carl F. (Germany 1872-1954) son of
Carl Richard Ludwig
|
percussion (also flute) |
1905-1907, 1918-1930 |
|
Ludwig, Carl Richard (Germany 1846- ) father of
Carl F. Ludwig
|
timpani |
1890-1910 |
|
Ludwig, Mark (Pennsylvania about 1959- )
son of
Philadelphia Orchestra violin Irving Ludwig
, and brother of Philadelphia
Orchestra violin
Michael Ludwig
|
viola (also Kansas City Philharmonic Co-Principal viola, Hawthorne String
Quartet, a founder of the Terezín Chamber Music Foundation, New Chamber
Players - Philadelphia, Philadelphia Opera Company, Concerto Soloists of
Philadelphia, Trenton Symphony Orchestra)
Studied at the Curtis Institute Class of 1980.
|
1982-present |
|
Ludwig, Oscar
(Austria - now Czech 1877-1937)
from Boston symphony Orchestra charcoal drawings by
Gerome Brush: Boston Symphony Archives
|
double bass (also Berlin Philharmonic ?)
|
1908-1938
(note: died during the 1937-1938 season
December 18, 1937) |
|
Luetcke, Olivia
(New York 1923-1985)
|
harp (and second woman to serve in the BSO after
Ann De Guichard 26)
Luetcke was succeeded by
Ann Hobson Pilot as Principal harp
|
1951-1969 26 |
|
Lukatsky, Joseph (New York 1913- ) |
oboe (also Pittsburgh Symphony English horn) |
1938-1951 |
Boston Symphony Orchestra with Serge Koussevitzky in Symphony Hall, 1930
|
|
|
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|
|
Macdonald, Walter Grant
(Massachusetts 1901-1955) |
horn (also Cleveland Orchestra Principal horn 1926-1927, Clevland Orchestra
horn 1927-1928. As Cleveland Principal, the horn section under Macdonald was:
Walter Macdonald, Bertram Haigh, Edward E. Grant, Roman Cras, Vaclav Kec,
and Ernest Paananen)
Studied at the New England Conservatory class of 1921.
|
1932-1955
Walter Macdonald died suddenly during the Boston Symphony 1954-1955
season on March 30, 1955.
|
|
Mackey, Richard (Pennsylvania 1929- )
|
horn (also Kansas City, San Antonio Symphony, Detroit Symphony, New Orleans
Symphony, Cleveland Orchestra 1955-1963, Japan Philharmonic Principal horn
1963-1965, Hollywood studio sessions player about 1965-1973, Boston Symphony
January 1973-August 2005)
Studied at the New England Conservatory class of 1950.
|
January 1973-August 2005 |
|
Madsen, George Peter
(Massachusetts 1906-1986)
|
piccolo (also chamber group The Aeolians George Madsen, flute,
Minot Beale, violin,
Carl Stockbridge, cello,
Nellie Zimmer, harp. The Aeolians also recorded for Victor in the 1930s)
Studied at the New England Conservatory. Died in retirement in Florida
following open heart surgery.
|
1935-1965 |
|
Mager, Georges Charles
(France 1884-1950)
|
Principal trumpet 1920-1950, trumpet 1919-1920,
viola (!) 1918-1919 while waiting for an opening in
the BSO trumpet section.
Studied at the Paris Conservatoire beginning in 1901 where he won his Second prix
in 1905 and Premier prix in the 1906 Concour. Came to US as part of a French good-will
tour of the Garde républicaine Band, summer 1918. Three musicians from the Garde
républicaine band were hired into the Boston Symphony by Henri Rabaud for the
1918-1919 season:
Louis Speyer English horn,
Georges Laurent flute, and
Georges Mager trumpet (although in the first season,
Mager played viola sitting next to Afthur Fiedler!).
|
1918-1950 |
|
Mahn, Frederick H.
(Massachusetts 1868-1936) |
violin (also in the
Emil Mollenhauer Boston Festival
Orchestra) |
1887-1888, 1889-1925 |
|
Malkin, Joseph
(then Russia, now Ukraine 1979-1969)
|
Principal cello (also Chicago Symphony Principal cello 1919-1922,
In 1924-1925, Malkin toured accompanying Metropolitan Opera soprano
Geraldine Farrar. 1925-1927, also Principal cello with the
New York Symphony 1925-1927, New York Philharmonic cello 1943-1949)
Studied at the Paris Conservatoire and received his Premier prix in
cello in 1898. In Boston, founded the Malkin Conservatory 1933-1943.
|
1914-1919 |
|
Mann, Joseph F.
(Czech 1868-1953)
|
trumpet |
1891-1937
after retiring as player, continued as assistant
librarian until 1952, 61 years of service |
|
Manoly, Ludwig Emanuel
(Hungary 1855-1932)
|
Principal; double bass (also Mendelssohn Quintet Club for two seasons 49,
Theodore Thomas Orchestra, New York Philharmonic, Metropolitan
Opera Orchestra)
|
1882-1885 |
|
Manusevitch, Victor E.
(Russia 1902-1983)
|
violin (also conductor Cambridge Civic Symphony in 1960s, 1970s)
|
1944-1970 |
|
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|
|
Maquarre, André (Belgium 1875-1933) brother of Daniel Maquarre
|
Principal flute to 20 seasons, Boston Pops conductor (also
Philadelphia Orchestra Principal flute 1918-1921, Georges Longy Club
while in Boston, New York Chamber Music Society Principal flute 1921-1922,
Los Angeles Philharmonic Principal flute from 1922-1929.)
Studied with his flutist father, Clement Maquarre, then Paris Conservatoire
Premiere prix for flute in 1893. André Maquarre returned to France in about
1930 and became a member of La Société des auteurs, compositeurs et éditeurs
de musique, a government-organized company responsible for the management
of authors and composers rights and copyrights, where he died in 1936.
|
1898-1918 |
|
Maquarre, Daniel
(Belgium 1881-after 1930) brother of
André Maquarre
|
flute (also Lamoureux Orchestra and Colonne Orchestra - Paris
Principal flute 1900-1902, Philadelphia Orchestra Principal flute
1910-1918, New York Symphony Principal flute 1918-1919, National
Symphony of New York 1920-1924 58, with the National Symphony of
New York merging with the New York Philharmonic in 1921.
Late 1920s, Daniel Maquarre was an independent musician in New York City,
including for growing live radio broadcasts. Radio performances
included of the Classical Trio: Stefano de Stefano harp,
Luclen Klrsch cello and Daniel Maquarre flute 179)
Studied with his flutist father, Clement Maquarre, then Paris Conservatoire,
where he won a first 'Accessit', or runner-up flute prize in 1894 and Premier
Prix in about the 1899 Concour. Daniel Maquarre may have departed
from the Boston Symphony due to a scandal. According to newspaper
accounts, Daniel Maquarre was arrested in San Francisco in 1909 "...
upon telegraphic advices from Boston Police where he la wanted
upon an Indictment charging him wlth a serious offense for eloping
with Mrs. Matilda Lenom..." 176. Matilda Lenom
was the wife of
Clément Lenom
, fellow Belgian and second oboe of the
Boston Symphony 1901-1925. (No doubt a juicy story and scandal
at the time. Clément Lenom remarried that same year). Daniel Maquarre
seems to have returned to France in about 1930.
|
1903-1909 |
|
Marble, Edward Bates
(1860-1943) |
violin (also Boston Instrumental Club:
Daniel Kunze violin,
Frank Schuchmann violin,
Edward Marble viola,
Rudolf Nagel cello,
Emil Golde double bass,
Friedrich Mueller oboe, G. B. Van Hantvoord flute,
Charles Staats clarinet,
Pierre Mueller trumpet,
Carl Schumann horn,
Heinrich Lorbeer horn, directed by
Walter Swornsbourne)
|
1882-1907, 1908-1913 |
|
Mariotti, Vincent
(Italy 1890-1941) |
violin |
1922-1941
died six months after the end of the 1940-1941 season December 28, 1941
|
|
Marjollet, Léon Désiré
(France 1893-1956)
|
cello (also the Boston Symphony Quartet: Carlos Pinfield first,
Lloyd Stonestreet second, Harry Grover viola, Léon Marjollet cello)
Studied at the Paris Conservatoire Concour of about 1913, before
entering French Army 1914-1918. Recruited by Monteux following the
1920 Boston Symphony musician's strike.
|
1920-1957
(listed for the 1956-1957 season, Marjollet died in Paris
September 20, 1956 during the BSO European Tour)
|
|
Markey, James
photo: New York Philharmonic, Chris Lee
|
Bass trombone (also New York Philharmonic Associate Principal trombone 1997-June 2007,
Bass trombone June 2007-August 2012. also Pittsburgh Symphony Principal trombone)
Studied at the Juilliard School BMus 2005 and MMus 2006. Active in summer festivals,
including the Sun Valley Summer Symphony - Idaho during the last decade.
|
starting August, 2012
succeeding the great
Doug Yeo
|
|
Marquardt, John (Johann)
(Germany 1859-after 1930)
|
violin (also Philharmonic String Quartet, based in Cleveland 1889-1891,
first violin Theodore Thomas Orchestra in Chicago 1892-1893,
Concertmaster Tivoli Opera House - San Francisco 1900-1902,
Concertmaster Philadelphia Orchestra 1902-1903)
Studied violin at the Akademischen Hochschule für Musik in Berlin
in late 1870s.
|
1886-1889 |
|
Marshall, John Patton (Massachusetts 1877-1941) |
organ (Dean, Boston University School of Music, like Arthur Fiedler,
enjoyed watching fires) |
1930-1938 |
|
Marshall, William
(Louisiana )
|
Assistant Principal Second violin (also the Stockbridge String Quartet:
Julius Schulman
first, William Marshall second,
Jerome Lipson viola,
Mischa Nieland cello)
Studied at Northwestern University, Chicago.
|
1952-1974 13 |
|
Martin, Leslie R. "Tiny"
(Washington 1921-1989) 22
|
double bass (also the Seattle Symphony Principal double bass, and WUZ, a
jazz group of BSO musicians)
Studied at the University of Washington.
|
1957-1987 22 |
|
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|
|
Martin, Michael (Georgia ) brother of
Christopher Martin Chicago Symphony Principal trumpet
|
trumpet (auditioned by a number of orchestras, beginning of
what promises to be a leading career)
As a student, played in the Civic Orchestra of Chicago, the training orchestra
of the Chicago Symphony 2006-2009. Studied as a Fellow at the
Tanglewood Music Center 2006 and 2008.
Studied at Northwestern University - Chicago BMus and MMus in trumpet performance.
Active in summer music festivals, including the Pacific Music Festival - Japan
and the Grand Teton Music Festival - Wyoming.
|
October 2010-present
|
|
Martin, Thomas
(Wisconsin 1941- ) 22
|
Associate Principal clarinet 1994-present, acting Principal clarinet 1993-1994,
Assistant Principal clarinet 1984-1993 (also Alabama Symphony Principal
clarinet, Hawthorne String Quartet, member of the Walden Chamber Players:
Tatiana Dimitriades
violin, Irina Muresanu violin,
Alexander Velinzon violin, Yehonatan Berick
violin, Christof Huebner viola, Ashima Scripp cello, Donald Palma double bass,
Marianne Gedigian flute, Laura Ahlbeck oboe,
Thomas Martin clarinet,
Richard Ranti bassoon,
Clark Matthews horn, Jonathan Bass piano)
Studied at the Eastman School of Music, and master classes at the
Paris Conservatoire. Premiered the André Previn's
Diversions with the composer at 2010 Prague Spring,
and the East Coast premier of Eliot Carter's Clarinet Concerto
at Tanglewood 1998, and again at Tanglewood for the 2008 celebration
of the Carter Centenary, as well as Carter's Poems of Louis
Zukofsky, with soprano Lucy Shelton.
|
1984-present
André Previn at the piano with Thomas Martin in Prague at the premiere of Diversions
in 2010.
|
|
Martinson, Haldan H.
(California 1971- )
|
Principal Second Violin 2000-present, violin November, 1998-2000
(also Hawthorne Sting Quartet, and Boston Symphony Chamber Players, including
a fine Martinu recording on NAXOS with Fenwick Smith,
New England Conservatory MM 1997)
| November, 1998-present |
|
Masters, Ralph
(South Carolina 1910-1983)
|
bassoon (also Chicago Symphony bassoon 1945-1946)
Taught at the orchestra school of the Columbia Music Festival - South Carolina in
1939 177. Masters was also a producer of bassoon reeds for the schools in
the Chicago area in the 1940s. After Chicago and Boston, Masters became a sessions
musician in Hollywood studios while also selling California real estate.
|
1947-1949 |
|
Matheny, Hugh Wood
(North Carolina 1937-1996)
|
oboe (also Indianapolis Symphony) |
1964-1970 |
|
Matsusaka, Kazuko C. married to Edward Gazouleas
(1961- )
photo: Boston Symphony Orchestra, n.d.
|
viola (also active in Pittsburgh - Pennsylvania 1987-1990, including the Pittsburgh Opera
Orchestra, the Pittsburgh Ballet Theater, and the Pittsburgh New Music Ensemble)
Studied at the Indiana University School of Music, and at the Hartt College of Music -
Connecticut BMus, and at the State University of New York MMus.
She was a Tanglewood Fellow in 1985. Also active in summer music festivals,
including the Norfolk Music Festival - Canada and the Yellow Barn Music Festival - Vermont.
|
1991-present |
|
Mattersteig, Paul Heinrich
(Germany 1878-1956)
|
tuba (also Los Angeles) |
1913-1920 |
|
Mauricci, Vincent J.
(Massachusetts 1917- )
|
viola (also National Orchestra Association student orchestra,
All-American Youth Orchestra in summer 1940 under Stokowski,
also Kramer Chamber Music Ensemble in 1950s)
Studied at the New England Conservatory.
|
1951-1982 |
|
Mäusebach (or Mausebach), Fredrick August (Germany 1866-1938)
|
trombone (also Metropolitan Opera, New York Symphony, also
several bands) |
1898-1925 |
|
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|
|
Mayer, Pierre Emil (France 1891-1982)
Pierre Mayer with Doriot Dwyer flute |
violin (also Straram Orchestra, l'Orchestre de la Suisse Romande,
l'Orchestre de la Société des Concerts du Conservatoire) |
1925-1959 |
|
Mayes, Samuel Houston (1917-1990) married to
Winifred Schaefer Winograd (Mayes)
|
Principal cello (also Philadelphia Orchestra cello 1936-1948, Co-Principal
cello 1939-1943, Principal cello 1943-1948 and 1964-1973, Los Angeles
Philharmonic Principal cello 1974-1975)
Studied at the Curtis Institute Class of 1937, played in the Philadelphia
Orchestra cello section prior to graduation. Met and married Winifred Schaefer
while in Boston. Samuel Mayes had a genuine American west background: one of
his grandfathers was a Cherokee chief, and two Oklahoma counties were
named for his forbearers, Rogers County and Mayes County.
|
1948-1964 |
|
Mazzeo, Rosario (Rhode Island 1911-1997)
Mazzeo circa 1980
|
Eb clarinet 1933-1939, bass clarinet 1939-1966, Personnel manager
1942-1966 (also Boston Chamber Music Society)
Mazzeo studied with
Gaston Hamelin and with Gustave Langenus -
New York Philharmonic. Mazzeo was also Chairman of the woodwind
department at the New England Conservatory of Music.
|
1933-1966 |
|
McCarty, Patricia (Kansas 1949?- )
married to Ronald Wilkison
|
Assistant Principal viola (also toured with the Lenox
Quartet)
Studied at the University of Michigan. Her performance of
the Bach Six Cello Suites as performed with her bowings and
interpretation on the viola are a tour-de-force on two Ashmont
CDs 6100 with baroque taste and modern virtuoso technique.
|
1979-1993
sabbatical leave 1991-1992 |
|
McConathy, Osborne W.
(Massachusetts 1908-2005)
|
horn (also conducted the Newark Symphony - New Jersey)
Studied with his father, Osborne G. McConathy (1875-1947), professor of music at
Northwestern University, Chicago. Also at New York University - New York
and at the Juilliard School MMus. He was a scholar in music of
the Elizabethan period.
|
1944-1966 |
|
McDonald, Walter Grant
(Massachusetts 1901-1955)
|
horn |
1932-1955 |
|
McEwen, Mark
(Canada about 1962- )
|
oboe (also Florida Orchestra - Tampa, also the Staatsbad Meinberg Orchestra - Germany)
Studied at the Curtis Institute BMus Class of 1983.
Also active in summer music festivals, including the Music Festival of Taipei - Taiwan,
and the Elora Music Festival - Canada, and summers at the Santa Fe Opera where he
played English horn. Teaches at the New England Conservatory and Boston University.
|
September, 1996-present |
|
McGauley, Joseph D.
(New York 1951- )
|
violin (also Albany Symphony violin, New Haven Symphony violin, Boston Ballet
Assistant Concertmaster)
Studied at State University of New York - Albany BA Mus., and Yale University
MMus. He pursued Ph.D. studies at Boston University.
|
1978-August 2010 51 |
|
McKay, Matthew
(Virginia about 1987- )
|
percussion (also Oregon Symphony percussion 2010-2012)
Studied as a teen with National Symphony of Washington DC timpanist John Tafoya through
the National Symphony Youth Fellowship program. New England Conservatory
under
William Hudgins BMus 2009. Studied with
Timothy Genis at Boston University, MMus 2011. Summer fellowship
programs including the Tanglewood Music Center (2 times), Spoleto Music Festival - South Carolina,
the Schleswig-Holstein Music Festival - Germany. Also the National Orchestral Institute - Maryland,
as did his friend and fellow newly-appointed Boston Symphony percussionist
Kyle Brightwell.
Older brother Tim McKay is also a percussionist.
|
beginning September, 2012
|
|
Meek, Harold L.
(1915-1999)
|
horn (also Principal horn Rochester Philharmonic)
Studied at the Eastman School, graduated in 1941 with his
performer’s certificate and BMus.
|
1943-1963 17 |
|
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|
|
Meisel, Carl (Germany 1829-1908) |
violin (also original
Germania Orchestra 49, succeeded Frances Rhia in
1854 as second violin of the Mendelssohn Quintette 49, Beethoven Club
chamber music group, also Listemann Concert Company, with
Bernard Listemann, first Concertmaster of the
Boston Symphony 1881-1885, August Stein, double bass,
Adolf Sailer, cello,
Henry Greene, double bass and and Listemann's
brother Fritz Listemann, violin and piano)
|
1881-1882, 1883-1885 |
|
Melzian, Louis Werner (Germany 1852- ) |
tuba, also string double bass |
1885-1888 |
|
Menkis, Jonathan (New Jersey 1959- )
|
Assistant Principal horn (also Sacramento Symphony Associate Principal
horn, New Orleans Philharmonic Assistant Principal horn, Colorado Philharmonic)
Studied at Ithaca College BA 1981.
|
1984-present |
|
Merrill, Carl E. (Massachusetts 1871- ) |
trumpet |
1904-1914 |
|
Messerschmidt, August A. G. (Germany 1831-1894) |
double bass (also one season St. Louis Symphony) |
1881-1883 |
|
Messina, Saverio
(Massachusetts 1900-1993)
from Boston symphony Orchestra charcoal drawings by
Gerome Brush: Boston Symphony Archives
|
violin
Messina was a street musician with his Italian father in Boston, where
he took violin lessons. Joined the BSO following the 1920 Boston Symphony
musicians strike, when 32 musicians left the orchestra. Studied at
Boston University in his forties, MMus 1944. Retiring in 1960,
he founded the Southwest Boston Senior Services Inc. which
aided the elderly in Boston.
|
1920-1960 |
|
Metzger, Peter (Germany 1848- ) |
second Bb clarinet (long-term second chair BSO clarinet played
frequently with the Georges Longy Club)
|
1882-1905 |
|
Meyer, F. (Fritz ?) |
bass trombone for 3 seasons before arrival of the
great LeRoy S. Kleinfield
|
1897-1900 |
|
Meyers, Cynthia
(Pennsylvania 1963- )
photo: Boston Symphony Orchestra, n.d.
|
piccolo (also Omaha Symphony Principal flute about 1988-1997,
Houston Symphony Principal piccolo about 1997-2006)
Studied at Carnegie-Mellon University B Fine Arts, Cleveland Institute of
Music MMus, also studying piccolo while in Cleveland. Active in summer
music festivals, including the Grand Teton Music Festival - Wyoming.
|
2006-present |
|
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|
|
Michael, John B. |
violin |
1885-1900 |
|
Miersch, Erwin Adolf
(born Strasbourg, then Germany, later France 1886-1969)
|
horn (also Detroit Symphony probably 1926-1935 with Albert Stagliano
and James Stagliano Principal and Second horns and also Ernest Hubner
(listed at Ernst Huebner), also Cleveland Orchestra Fourth horn 1924-1926,
1936-1951)
As a teacher, published Melodious Studies for French Horn, still
used today.
|
1913-1919 |
|
Miersch, Carl Alexander Johannes brother of Paul Miersch, Principal
cello of New York Symphony
(Germany 1865-1916)
|
violin (also Concertmaster of the symphony in Graz, Austria. also Handel and Haydn
Society Orchestra 46)
Studied under Edouard Rappoldi (1839-1900) at the Dresden Conservatorium - Germany.
Emigrated to the US in 1883. After Boston, taught briefly at the Athens music conservatory
in Greece, before returning to the US in 1902. Began teaching at the Cincinnati
Conservatory in 1910. 178
|
1891-1892 |
|
Milcke, Maurice Mountford
(Connecticut 1883-1965)
|
violin (also a New York City theater musician in the 1930s)
Recorded unissued violin disks for the Victor Talking Machine Company in 1913. Also taught
at Princeton University - New Jersey in 1914. He was also a composer of church music.
|
1905-1917 |
|
Miller, Jonathan
(New York ) born in New York but grew up in California
photo: Boston Symphony 1983
|
cello (also Hartford Symphony Principal cello, San Diego Symphony Principal cello)
Studied literature at the University of California - Berkeley before concentrating
on the cello, and then at the Juilliard School. Founder of Boston Artists Ensemble
(website www.bostonartistsensemble.org/). also toured with the New York String Sextet.
He is active with Gramercy Trio: Sharan Leventhal violin, Jonathan Miller cello,
Randall Hodgkinson piano with recordings including Shadow Bands music of
Scott Wheeler (1952- ) and a CD of the music of Donald Martino (1931-2005).
Miller taught at the New England Conservatory and at the Boston Conservatory.
|
1971-present
|
|
Mimart, Paul (France 1874-1950) brother of Prosper Mimart, Paris Conservatoire
clarinet professor 52 |
clarinet 1905-1906, 1917-1918, 1919-1920, bass clarinet 1920-1939
(also Orchestra of the Théâtre de l'Opéra Comique, Longy Club) Mimart
premiered his friend Debussy's Rhapsody for B-flat and
Petit Pièce. |
1905-1906, 1917-1918, 1919-1939 |
|
Mingels, Edward Tredge (Germany 1855-after 1920) |
cello (also in the
Emil Mollenhauer Boston Festival
Orchestra)
|
1885-1891, 1893-1902, 1918-1919 |
|
Miquelle, Georges (1896-1977) |
cello (also Orchestre de la Société des Concerts du Conservatoire,
New York Chamber Music Society, Detroit Symphony,
Boston Symphony Ensemble, a chamber symphony for summer
concerts with Julius Theodorowicz,
Louis Speyer, and others
69.)
Studied at the Paris Conservatoire, Premier prix in the Concour of
1915 69. Came to US as part of a
French good-will tour of the Garde Republicaine Band, summer 1918,
as did Louis Speyer.
|
1918-1920
seems to have left the BSO consequent to the 1920
musician's strike.
|
|
Mizuno, Ikuko (Japan 1942- )
|
violin (also Saito Kinen Orchestra)
Studied at the Toho-Gakuen School of Music - Tokyo,
Boston University MMus, member of Pi Kappa Lambda honor society.
|
1969-present |
|
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|
|
Moerschel, Joel P. (Illinois 1948- )
|
cello (also Corning Philharmonic, Rochester Philharmonic while studying
at the Eastman School, Musica Nova, Eastman Honors String Quartet, founding
member of Francesco String Quartet, also Collage New Music)
Studied at Chicago Musical College, Eastman School BMus.
|
1970-2003 (on sabbatical 1985-1986) |
|
Moldauer, Arnold (Austria? 1846- )
|
violin |
1885-1907 |
|
Molé, Charles
(France 1857-1905)
detail of 1891 Boston Musical Herald photo: Boston Symphony Archives
showing Artur Nikisch in foreground and Charles Molé behind
|
Principal flute (also Orchestra of the Théâtre de l'Opéra Comique,
Paris about 1884-1887, New York Symphony 1903-1905,
also Molé Chamber Music Concert Club:
Charles Molé flute,
Friedrich Mueller oboe,
G. Goldschmidt clarinet,
Adolf Guetter bassoon and
Frank Hain horn 166)
Charles Molé studied at the Paris Conservatoire, Premier prix for
flute in the 1874 Concour.
|
1887-1896
Charles Molé died during
New York season, January 8, 1905. Molé died Sunday evening following
a Sunday afternoon matinee New York Symphony concert, age only 47.
|
|
Moleux, Georges Edmond (France 1900-1966) died shortly after retirement,
December 7, 1966
Georges Moleux, with Rosario Mazzio behind
|
Principal double bass 1939-1966, double bass 1930-1939. Also a gifted
clarinet player, who was Principal clarinet of the
Monte Carlo Opera Orchestra. For many years, onductor of the
New England Conservatory Concert Band, modeled on the band of
the Garde Républicaine in Paris.
Studied at the Paris Conservatoire. His Premier prix at the
Conservatoire in about 1921 was for both double double bass and for
clarinet, with a third award for solfège
54) |
1930-1966 |
|
Mollenhauer, (Hugh) Emil
(New York 1855-1927)
|
violin (also Theodore Thomas Orchestra, New York Philharmonic, Brooklyn Philharmonic.
Conducting career of Boston Municipal Band, Stewart's Boston Concert Band, Peoples Symphony,
Apollo Club of Boston)
In 1889 55, Mollenhauer, along with
George W. Stewart left the Boston Symphony to organize the Boston Festival Orchestra
that performed primarily summer festivals, such as the popular May Festivals in the 1890s
and 1900s, with serious programs, not just "pops".
George W. Stewart was both organizer and
sometime musician in these festivals, and Mollenhauer was conductor and sometimes Concertmaster.
Emil Mollenhauer was Music Director of the Handel and Haydn Society from 1900 until
his death in 1927 53). Mollenhauer's violinists father Frederick Mollenhauer and
uncle Edward (Eduard) Mollenhauer came to U.S. with Louis Antoine Jullien orchestra in 1854.
49
|
1884-1889 |
|
Monahan, Nicole wife of
Si-Jing Huang
(1971- )
|
violin (also Charleston Symphony, Norfolk Chamber Orchestra)
|
April, 1995-present |
|
Moon, Marvin
(Pennsylvania 1980- )
photo: Philadelphia Orchestra, n.d.
|
viola 2005-2007 (also Chamber Orchestra of Philadelphia,
left BSO for his home town Philadelphia Orchestra)
Studied at Boyer College of Music - Temple University preparatory and Curtis Institute
Class of 2003.
|
2005-2007 |
|
Moore, David. H.
(Canada 1847-before 1920)
either David H. Moore or
Alfred Rigg, the two trombones of the first
BSO season in this 1882 photo collage
(only one of them was included in the collage)
|
second trombone
(David Moore was born in Nova Scotia in November, 1847 and
his wife Margaret in Middlesex, England in November, 1850. They both
emigrated to Boston with their families as children, David in 1855,
and Margaret in 1853. By age 3, David Moore had lost his father, and
in July 1860, he was attending the Thompson Island Farm School.
This is a school for indigent boys, famous also for producing some of
the best brass musicians from their instrumental program.
LeRoy Kenfield also studied at the
Thomson Island School. From at least 1870, David Moore was
an active musician and teacher, and likely active in bands,
although records of this have not yet been located.)
|
1881-1886 |
|
Morrison, Timothy (Oregon 1955- )
|
Assistant Principal trumpet (and Pops Principal), Associate
Principal trumpet 1987-1997, Fourth trumpet 1980-1984 (also
New Hampshire Symphony Principal trumpet, State Symphony of Mexico, Empire Brass,
moved to Hollywood sessions and then returned)
Studied at the New England Conservatory.
|
1980-1984, 1987-1997 |
|
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|
|
Mosbach, Joseph Henry (or Heinrich) (Germany 1888-1967)
|
Principal bassoon 1916-1918, contrabassoon 1910-1916
(also Detroit Symphony Principal bassoon for 21 seasons)
|
1910-1918 |
|
Moss, Leonard G.
(New York 1918-2006)
photo: Boston Symphony Archives
|
violin (also NYC Broadway shows, New Opera Company and Ballet
Theater - New York, Dallas Symphony, CBS Radio Orchestra,
Cleveland Orchestra 1949-1953, Boston Symphony 1953-1995)
Studied at the Curtis Institute Class of 1936 and the Peabody Conservatory.
|
1953-1995
42 seasons of service |
|
Moyer, William
(Ohio 1929- )
photo: Boston Symphony Archive
|
trombone 1952-1966, personnel manager 1966-1987
After marriage, moved to Vinalhaven Island, Maine where his friend Boston Symphony
tuba Kilton Vinal Smith recommended Moyer audition with the Symphony.
Moyer studied at the Oberlin Conservatory.
During the 1980s and 1990s, with Boston University and BSO musicians,
William Moyer Moyer formed the String Training
and Education Program for Minority Students (STEP) to prepare minority
youth for a musical career.
|
1952-1966, Personnel Manager 1966-1987
in 1971 as Personnel Manager
|
|
Mueller, Edward (Germany 1885-may have returned to Germany)
|
second bassoon - succeeded
Hugo Litke
|
1908-1922 (joined the BSO together with his good friend: double bass
Oscar Ludwig)
|
|
Mueller, Friedrich C.
(Germany about 1863-1936) |
oboe and English horn 1885-1894, English horn 1894-1925
(also Boston Instrumental Club:
Daniel Kunze violin,
Frank Schuchmann violin,
Edward Marble viola,
Rudolf Nagel cello,
Emil Golde double bass,
Friedrich Mueller oboe, G. B. Van Hantvoord flute,
Charles Staats clarinet,
Pierre Mueller trumpet,
Carl Schumann horn,
Heinrich Lorbeer horn, directed by
Walter Swornsbourne and the
Molé Chamber Music Concert Club:
Charles Molé flute,
Friedrich Mueller oboe,
G. Goldschmidt clarinet,
Adolf Guetter bassoon and
Frank Hain horn 166)
|
1885-1925 |
|
Mueller, (Jean Baptiste) Pierre
(Luxembourg 1846-probably 1901) |
trumpet (also Worcester Festival Orchestra 1891-1893, 1896,
also Boston Instrumental Club:
Daniel Kunze violin,
Frank Schuchmann violin,
Edward Marble viola,
Rudolf Nagel cello,
Emil Golde double bass,
Friedrich Mueller oboe, G. B. Van Hantvoord flute,
Charles Staats clarinet,
Pierre Mueller trumpet,
Carl Schumann horn,
Heinrich Lorbeer horn, directed by
Walter Swornsbourne)
|
1888-1900 |
|
Mueller, Wilhelm (Germany 1834-1897) |
cello |
1882-1885 |
|
Mullaly, Henry G. (England 1853-after 1920) brother of John Mullaly
|
violin (also Handel and Haydn Society Orchestra 46)
|
1881-1883 |
|
Mullaly, John Charles
(England 1847-1934)
|
violin, viola (also Handel and Haydn Society Orchestra 46,
also in 1877, the conductor and leader of the Boston Cadet Band 161.
also Boston Symphony
Sextette whose membership in 1909 was:
William F. Krafft first violin,
Placido Fiumara second violin,
John Mullaly viola,
Ludwig Nast cello,
Max Kunze double bass, who was also group leader
171)
John Mullaly was also a music contractor for the Boston Symphony
33. John Mullaly was hired back into the orchestra
following the 1920 musicians' strike as a violist at age 73.
He was 78 at his retirement, the oldest serving musician of the
Boston Symphony - so far)
|
1884-1885, 1886-1890, 1905-1913, 1920-1925
|
|
Murray, John D.
(Scotland about 1893-1975)
|
violin
About 1910 as a teen, John Murray mined coal in Scotland, while
at the same time studying the violin. In 1913, John Murray came
to Boston and studied at the New England Conservatory. During
World War 1, John Murray joined the Royal Flying Squad in Canada.
In January, 1919 following the war, John Murray returned to
Boston. Following the 1920 musicians strike, John Murray was
one of 17 violinists hired for the 1920-1921 season.
|
1920-1951 |
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|
|
Nagel, Rudolf
(Germany 1868- )
Rudolf Nagel in 1917 when he played in the Mischa Elman String Quartet
|
cello (also the Mischa Elman String Quartet,
Boston Instrumental Club:
Daniel Kunze violin,
Frank Schuchmann violin,
Edward Marble viola,
Rudolf Nagel cello,
Emil Golde double bass,
Friedrich Mueller oboe, G. B. Van Hantvoord flute,
Charles Staats clarinet,
Pierre Mueller trumpet,
Carl Schumann horn,
Heinrich Lorbeer horn, directed by
Walter Swornsbourne)
|
1894-1920 (left following 1920 musicians strike) |
|
Nagy, Laszlo James "Jim"
(New York 1908-1992)
|
violin (also St. Louis Symphony)
Studied at Washington University - St. Louis. Nagy was active in the
"Jimmy Fund", a Boston-based charity for childhood cancer.
|
1944-1985 (sabbatical leave May-August 1982) |
|
Nappi, Giovanni
(Italy 1883-1939) |
trumpet |
1915-1919 |
|
Nast, Ludwig Max
(born Strasbourg, then Germany, later France 1872-1933)
Ludwig Nast in 1909
|
cello (also Kiev Symphony Orchestra - Russia Principal cello,
Philadelphia Orchestra cello 1902-1904,
later Detroit Symphony from about 1920-about 1933,
also Mendelssohn Piano Trio: Ray Groff violin, Ludwig Nast cello,
Victor Baxter piano in 1910s, also Boston Symphony Sextette whose
membership in 1909 was:
William F. Krafft first violin,
Placido Fiumara second violin,
John Mullaly viola,
Ludwig Nast cello,
Max Kunze double bass, who was also group leader
171, also the Boston Symphony Quartet consisting of:
Arthur Brooke flute,
Ludwig Nast cello,
Hubert Sauvlet violin, and
Theodore Cella harp 181)
Studied at the Strasbourg Conservatoire.
|
1904-1919 |
|
Neidlinger, Buell (New York 1936- )
Buell not in white tie and tails
|
double bass (also Houston Symphony in about 1961-1965,
New York freelance musician, Los Angeles Chamber Orchestra
Principal double bass beginning in 1971, also became a Hollywood studio
musician while in Los Angeles about 1971-1990s)
Studied at Yale University and with many jazz greats.
When Buell became interested in Jazz as he says in his bio he did
his "...jazz apprenticeships with Joe Sullivan, Herbie Nichols,
Dick Wellstood, Vic Dickenson, and Oran 'Hot Lips' Page. Taught at
New England Conservatory, helping found a jazz faculty.
|
1967-1970 |
|
Nelsen, Suzanne married to
David Ohanian
(Canada 1973- )
photo: Boston Symphony Orchestra, n.d.
|
bassoon (also National Youth Orchestra of Canada, and Montreal
Symphony)
Studied at McGill University BMus, and at the Hague Conservatory -
Netherlands UM degree. Active in summer music festivals, including
the Banff Festival - Alberta and the Boris Brott Festival - Ontario.
|
2000-present |
|
Neumann, S. (Austria ) |
timpani |
1910-1922 |
|
Newell, Thomas E.
(Ohio 1929- )
Burton Fine, left and Thomas Newell when they joined the
BSO in 1963
|
third horn (also Houston Symphony about 1959-1963)
|
1963-1972 |
|
Nichols, William C.
(Massachusetts 1828- )
Nichols in this 1882 collage photograph
|
tuba, orchestra librarian (also Germania band, Handel and Haydn Society Orchestra
46) |
1881-1891 |
|
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|
|
Nieland, Mischa (Pennsylvania 1911-2000)
|
cello (also Baltimore Symphony, National Symphony of Washington DC
Assistant Principal cello, Pro Musica String Quartet, Stockbridge
String Quartet:
Julius Schulman
first,
William Marshall
second,
Jerome Lipson viola,
Mischa Nieland cello)
Studied at the Curtis Institute and the Peabody Conservatory.
|
1943-1988 |
|
Nitchman, Jennifer (Maryland about 1973- )
 |
flute (also St. Louis Symphony) returned to St. Louis after the 2008-2009 BSO season
|
2008-2009 |
|
Noack, Sylvain
(Netherlands 1881-1953)
|
Assistant Concertmaster - succeeded
Richard Czerwonky
(also Concertgebouw Orchestra Assistant Concertmaster
about 1903-1906, Aix-la-Chapelle
Orchestra Concertmaster 1906-1907, Los Angeles Philharmonic
Concertmaster in 1920s, also the Boston String Quartet,
Sylvain Noack first, Otto Roth second, Emil Férir viola,
Alwin Schroeder cello and the Noack String Quartet,
Sylvain Noack first, Milton Feher second,
Sven Reher viola, Kurt Reher cello)
Studied with André Spoor, Concertgebouw Concertmaster, and the Amsterdam
Conservatory graduating with Premier prix in 1901.
|
1908-1919 |
|
Nordstrom, Craig Kyle
(Colorado 1949- )
|
bass clarinet (also United States Marine Band, Colorado Philharmonic,
Vancouver Symphony, Cincinnati Symphony)
Studied at Northwestern University and Catholic University - Washington
MMus.
|
1979-present |
|
Novacek (Nováček), Ottokar Eugen
(Hungary 1866-1900)
|
violin (also the Leipzig Gewandhaus Orchestra,
National Symphony of New York.
also in 1899 the Bendix String Quartet:
Max Bendix first,
Eugene Boegner second,
Ottokar Novacek viola,
Leo Schulz cello 173)
Shown at left with his cellist father Martin Novacek (1834-1906) and his
younger brothers Karl and Victor, forming the Novacek Quartet
(Ottokar, with violin is seated). In the early 1900s, cardiac disease
forced Novacek to cease playing, and he turned to composition,
including 'Perpetuum mobile'
|
1891-1892 |
|
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|
Oft, Toby H.
(Oregon 1976- )
|
Principal trombone, and bass trumpet, euphonium
(also Sarasota Orchestra, San Diego Symphony. also, a founder of the
Boston Symphony Brass Quintet:
Thomas Rolfs trumpet,
James Sommerville horn,
Mike Roylance tuba,
Thomas Siders second trumpet,
Toby Oft trombone)
Studied at Indiana University, BA and Northwestern University MMus 2000.
Teaches at the New England Conservatory and Boston University. as well as coaching at
the Tanglewood Music Center, active with the New World Symphony - Florida.
visit Toby Oft's excellent BSO trombone website www.tobyoft.com and
his recent recordings on NAXOS and Boston Symphony Live
|
2008-present
listen to Toby Oft in BSO live performances, such as this 2008 Mahler Symphony no 6
|
|
Ohanian, (John) David married to
Suzanne Nelsen
(Connecticut 1945- )
|
third horn (also Empire Brass, Canadian Brass 1986-1998) |
1970-1981 |
|
Oliver, Francisco ( -1932)
|
double bass |
1925-1932
Died during the 1931-1932 season May 9, 1932 of a heart
attack.
|
|
Oliver, Freeman Adams (Massachusetts 1860-1932) |
violin (also long time Boston violin dealer, and musician
in Boston theater orchestras)
|
1881-1887 |
|
Olson, Robert (Minnesota 1933- )
|
double bass (also Minneapolis Symphony, Santa Fe Opera in summers in early
1960s, Kansas City Philharmonic, St. Paul Chamber Orchestra)
Studied at the University of Minnesota.
|
1967-2003 |
|
Ondricek (or Ondříček), Karl J. (Czech 1863-1943) |
violin and Concertmaster of the Boston Pops (also replaced Otto Roth in 1899
as second violin of Kneisel Quartet). His father and brothers were violinists,
and brother František (1857-1922) gave the premiere of the Dvorak Violin
Concerto in 1883. |
1893-1906
|
|
Ono, Konosuke (Japan 1936- ) |
viola |
1966-1967 one season exchange
with Japan Philharmonic Symphony Orchestra |
|
Orleans, James (New Jersey 1952- )
|
double bass (also Handel & Haydn Society orchestra 1982, Milwaukee Symphony
1982-1983, Collage New Music)
Studied at the University of Indiana and Boston Conservatoyr of
Music magna cum laude in 1981.
|
1983-present
|
|
Orosz, Josef A. (Ohio 1903-1983)
|
In the utility trombone position 1943-1966, then Assistant
Principal trombone 1966-1970. Also bass tuba, euphonium, and
Principal trombone in the Boston Pops. (as Pops musicians, jokingly
said to have played the trombone solo of Bolero more
frequently than any player in Boston history.)
Studied at the New England Conservatory.
|
1943-1970 |
|
Ostling, Elizabeth A. (New Jersey 1972- )
|
Assistant Principal flute 1994-1997, Associate Principal flute 1997-present,
acting Principal flute March 1995-2004
Studied at the Curtis Institute Class of 1994. Premiered the
Michael Gandolfi Geppetto's Workshop for Flute and Piano
in 1998.
|
1994-present |
|
Ostrovsky, Fredy (Bulgaria 1921-2006)
| violin (also Glenn Miller Army Air Corps Band,
Radio City Music Hall Orchestra, New Hampshire Philharmonic
Concertmaster, )
Studied at the Vienna Conservatory 1934-1937, Berkshire Music
Center 1940.
|
1952-1993 41 years 8 |
|
|
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|
|
Pabst, G. |
double bass |
1885-1887 |
|
Page, Willis Howard (New York 1918- )
|
Assistant Principal double bass 1946-1955, double bass 1940-1943, 1945-1946
(also conductor of Buffalo Philharmonic Pops 1954-1959, Nashville
Symphony Music Director 1959-1967)
Received a performer's degree in both double bass and tuba at
the Eastman School of Music 54
|
1940-1955 |
|
Panasevich, Leo Nicholas
(New York 1921-2007)
|
violin (also Monte Carlo Opera Orchestra Concertmaster,
National Symphony of Washington DC Concertmaster, founding
member of the Cambridge Quartet)
Studied at the Juilliard School.
|
1951-1997 10 |
|
Panenka, Ernst
(Austria 1905-1990)
detail of Boston Symphony Orchestra 1947
|
bassoon (also Vienna Volksoper Orchestra)
Studied at the Vienna Music Academy (Konservatorium der Gesellschaft der
Musikfreunde). He was a long-term teacher at the New England Conservatory.
Panenka was also an avid amateur astronomer, constructing several telescopes.
|
1930-1975
(45 seasons !)
from Boston symphony Orchestra charcoal drawings by
Gerome Brush: Boston Symphony Archives
|
|
Pappoutsakis, James ('Jimmy') husband to harpist
Louise Came
(Egypt 1909-1990) moved to Boston as a child
Pappoutsakis in 1963
|
Assistant Principal flute 1939-1977, flute 1937-1939
Studied at the New England Conservatory. Taught at the New England
Conservatory and later at Boston University
and the Longy School of Music. A heavy smoker, Pappoutsakis died of emphysema
in 1979 shortly after retiring from the Boston Symphony
|
1937-1977
in 1937 on his appointment to the Boston Symphony
|
|
Park (Chen), Laura
(about 1963- )
|
violin (also Philadelphia Orchestra 1984-1992, Brooklyn Philharmonic,
Chicago Lyric Opera)
Curtis Institute Class of 1984 |
1991-1997 |
|
Parronchi, Bernard
(New York 1895-1982) |
cello (also Cincinnati Symphony Orchestra. 1918-1930, Principal cello
National Symphony, Washington) |
1945-1965 |
|
Patterson, Jerome H.
(New York 1943- )
|
cello (also New Haven Symphony, Baltimore Symphony, Pittsburgh
Symphony, Puerto Rico Symphony)
Studied at the Juilliard School and the University of Hartford
Hartt School of Music.
|
1967-December, 2007 34 |
|
Patz, Gustav A.
(Germany 1836-after 1910) |
viola |
1881-1887, 1888-1891 |
|
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|
|
Pauer, Otto H. (England 1884-1941) |
viola (to NYC and Erno Rapee's Rialto Theater Orchestra, then went to
Fox Hollywood studios in 1930s) |
1911-1914 |
|
Pearce, Andrew
(California 1962- )
|
cello
Studied at the University of Southern California BMus 1983. Head of the Chamber Music program at the
Vancouver Academy of Music - Canada in 1989. Active in summer music festivals, including the
Vancouver Chamber Music Festival - Canada and the Grand Teton Music Festival - Wyoming.
With Fenwick Smith, Andrew Pearce recorded the Philippe Gaubert (1879-1941) works for flute,
cello, and piano for NAXOS.
|
1997-2011
|
|
Pechmann, (Franz) Leo (
Germany 1853-after 1900) |
oboe (also Sousa Band, later seems to have a career of musical vaudeville
acts) |
1883-1884 |
|
Perret, Gustave
(France 1887-seems to have returned to France) |
trumpet |
1920-1933 |
|
Phair, Joshua Aloysius
(England 1873-after 1930) |
horn (went to New York as theater musician) |
1905-1913 |
|
Pietropaolo, (Placido) Joseph
(Massachusetts 1934- )
|
viola (also Brandeis Fellowship Quartet)
Studied at the New England Conservatory. As Fulbright scholar, Pietropaolo
studied at the Accademia di Santa Cecilia - Rome 1959.
|
1960-1999 (39 years) |
|
Pigassou, Georges
(France about 1896- ) |
bass clarinet (also musician of Société musicale indépendante, Paris
for contemporary French music)
|
1930-1931 |
|
Piller, Boaz
(Netherlands 1887-1964) |
bassoon 1916-1920, contrabassoon 1920-1952 |
1916-1952 |
|
Pilot, Ann Stevens Hobson
(Pennsylvania 1943- )
|
Principal harp 1980-2009, Second harp 1969-1980 (also Pittsburgh Symphony
substitute Second harp 1965–1966, National Symphony of Washington DC
1966-1969)
Studied piano first with her mother Grace Stevens Smith,
switched to harp at the Philadelphia High School for Girls,
Philadelphia Musical Academy and the Maine Harp Colony
with
Alice Chalifoux, continuing at the
Cleveland Institute of Music BMus 1966.
see her very interesting website www.annhobsonpilot.com
|
1969-2009
(40 seasons !) |
|
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|
|
Pinfield, Carlos Edgar
(Massachusetts 1889-1956) died the
year after retiring, October 15, 1956
|
violin |
1912-1918, 1919-1955
(42 seasons !) |
|
Pinto, Ayrton Ferreira
(Brazil 1933-2009)
|
violin, piano, celesta
(also Orquestra Sinfônica do Estado de São Paulo
1976-1988) |
1959-1976
returned to São Paulo, Brazil |
|
Plaster, Richard E.
(North Carolina 1927- )
|
contrabassoon (also North Carolina Symphony, US Army Ground Forces
Band, Baltimore Symphony, New York Woodwind Quintet)
Studied at the Juilliard School MMus.
|
1952-1992 |
|
Pogrebniak, Serge
(then Russia, now Belarus 1884-1964)
photo: Boston Symphony Archives 1928
|
horn, in the horn section with George Boettcher Principal horn, Serge Pogrebriak,
Cornelis Van Den Berg, Heinrich Lorbeer, Willem Valkenier, Marcel Lannoye,
George Blot. (moved to New York City as a freelance musician)
Emigrated to the US from Moscow in 1925.
|
1927-1932 |
|
Polatschek, Viktor
(Czech 1889-1948)
|
Principal clarinet (also Vienna State Opera, Vienna Philharmonic 1912-1930)
|
1930-1948
(died suddenly during Tanglewood Festival season on July 17, 1948)
|
|
Polster, Max Gustav
(Germany 1884-1960)
|
timpani (assistant to Albert Ritter until the end of 1934-1935,
an then to Roman Szulc 1935-1936 until his retirement in 1952.
Started as a drummer in his school band.
Came to the US and to the Boston Symphony in 1923 during Pierre
Monteux's rebuilding of the orchestra following the personnel
turnover of the 1920 musician's strike.
|
1923-1952 |
|
Portnoi, Henry
(Massachusetts 1915-1996) 20
photo: Boston Symphony Archives, photo detail
|
Principal double bass 1967-1977, double bass
1943-1967 (also Indianapolis, Pittsburgh, All-American Youth Orchestra)
|
1943-1977 20
|
|
Post, Louis
(Germany 1848-after 1910)
|
viola 1881-1892, contra-bassoon 1882-1894 (also often played in the Boston Festival
summer orchestras organized by
George W. Stewart)
taught at the New England Conservatory |
1881-1894 |
|
Poto, Attilio
(Massachusetts 1915-2003) 51
Attilio Poto (right) with the Boston Symphony. At left is John
Holmes BSO Principal oboe 1947-1950 and in center,
Manuel Valerio, Principal clarinet 1949-1950, Assistant Principal
clarinet 1933-1949 and 1950-1960
|
Second clarinet (also Metropolitan Opera 1939-1940, also conducted many local Boston
Orchestras)
Although born in Boston lived in Italy in the 1920s 51.
As a student, played in the Boston Youth Orchestra and local Boston bands. In 1939,
played clarinet in the National Orchestral Association Orchestra, an orchestra musician
training training group in New York City, and also was a Principal clarinet with
the Metropolitan Opera Orchestra. Throughout his career, Poto pursued conducting,
including of the Massachusetts State Orchestra and the Boston-based Works Progress
Administration Orchestra. He was conductor of the Harvard-Radcliff Orchestra
1950-1955, and conductor of the Concord Orchestra in suburban Boston 1960-1969.
Poto taught at the Boston Conservatory 1950-1992.
|
1948-1950 |
|
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|
|
Pottle, Ralph Russell, Jr.
(Louisiana 1926- )
|
horn
Studied first with Ralph Pottle, Sr. who founded the band and headed the music program
at Southeastern Louisiana University. He then studied at the Music Academy of the West
- California in 1960. Ralph Pottle Jr. returned as Artist In Residence
and teacher at Southeastern Louisiana University after the Boston Symphony.
|
1966-1981 |
|
Pourtau, Léon (1872-1898)
Portrait by Pourtau's friend Félix Vallotton (1865-1925)
|
Principal clarinet (also Lyon Opera Principal clarinet about
1893-1894 150)
Studied at the Paris Conservatoire Premier prix in the Concour of
1891 or 1892. Léon Pourteau achieved recognition as a
pointillist and impressionistic painter, studying with his friend
Georges Seurat (1859-1891).Pourteau died July 4, 1898 in the shipwreck
of La Bourgogne, also with
Léon Jacquet, Principal flute, Jacquet's wife
and child, and with
Albert Weiss, Principal oboe on summer holiday
from BSO)
|
1894-1898 |
|
Press, Arthur (New York 1929- )
|
percussion (also the Little Orchestra of New York,
Radio City Music Hall Principal percussion)
Studied at the Juilliard School.
|
1956-1992 |
|
Procter, Carol Ann (Oklahoma 1942- )
Grew up in Massachusetts
|
cello (also exchange during 1969-1970 season with Japan Philharmonic
26. Also the Springfield Symphony - Massachusetts, Cambridge
Festival Orchesta, New England Harp Trio, Berkshire String Trio)
Studied at the Eastman School and the New England Conservatory
class of 1963, MMus 1965. Granted a Fulbright scholarship
to study in Rome, but accepted the Boston Symphony chair instead.
|
1965-2003
(on sabbatical 1990-1901) |
|
Proctor, Joseph B. (Massachusetts 1860-1932) |
violin |
1881-1885 |
|
Prose, Paul Joseph (Hungary 1892-1974) |
double bass |
1939-1945 |
|
Putnam, Wendy (Wisconsin about 1970- )
|
violin (also New World Symphony, New Orleans Symphony - later renamed Louisiana
Philharmonic, Amerigo Trio) |
1996-present |
|
|
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|
|
Raichman, Jacob
(Russia 1892-1982)
|
Co-Principal trombone (stand partner of Principal trombone Joannès Rochut) 1926-1930,
Principal trombone 1930-1955
(also Imperial Bolshoi Theater Orchestra, Moscow)
|
1926-1955 |
|
Ranti, Richard
(Canada 1962- )
photo: Boston Symphony Orchestra, n.d.
|
Associate Principal bassoon (also Philadelphia Orchestra 1983-1990,
he is founding member of the Walden Chamber Players:
Tatiana Dimitriades
violin, Irina Muresanu violin,
Alexander Velinzon violin, Yehonatan Berick
violin, Christof Huebner viola, Ashima Scripp cello, Donald Palma double bass,
Marianne Gedigian flute, Laura Ahlbeck oboe,
Thomas Martin clarinet,
Richard Ranti bassoon,
Clark Matthews horn, Jonathan Bass piano)
Studied as a student at the Interlochen Arts Academy, the Tanglewood
Music Center - 1982, and then at the Curtis Institute Class of 1983.
He has released his latest bassoon recording on Nonantum Records.
He has also recorded for NAXOS. He teaches at the New England
Conservatory and Boston University. Active in music festivals, including
the Spoleto Festoval - Italy and the Marlboro Festival - Vermont.
See Richard Ranti's interesting website http://people.bu.edu/rranti/
|
1989-present |
|
Rapier, Wayne born Elma Wayne Raper
Texas 1930–2005) 14
|
oboe (also US Marine Corps Band, Indianapolis Symphony, Kansas City
Symphony, Baltimore Symphony Principal oboe about 1956-1960,
Philadelphia Orchestra Associate Principal oboe 1960-1965,
Boston Symphony oboe 1970-1995, Santa Fe Opera during summers,
Trio Concertante with Chicago Symphony
Principal flute
Donald Peck for 20 years)
Studied at the Eastman School, and privately with Marcel Tabuteau
in Philadelphia. Like Philip Farkas, Wayne Rapier was an active
aircraft pilot, as is
Mike Roylance.
|
1970-1995
On sabbatical in 1984
|
|
Rateau, René (France 1909- ) |
flute (following Boston Symphony 1938-1939, l'Orchestre national
de la radiodiffusion, Paris during World War 2, Principal flute
Minnesota Symphony 1945-1946, Chicago Symphony Principal flute
1946-1951. After Chicago René Rateau seems to have returned to
l'Orchestre national de la radiodiffusion as Principal flute)
Studied at the Paris Conservatoire Primier prix in the 1928 Coucour.
At the end of the 1950-1951 season, the new Chicago Music Director
Rafael Kubelik replaced three CSO Principals, in what was locally
called the 'Saturday night massacre': Ignatius Gennusa, Principal
clarinet, Sherman Walt, Principal bassoon, and René Rateau, Principal
flute. René Rateau returned to Paris, Iggy Gennusa went on to the
Baltimore Symphony, and Sherman Walt went on to his legendary career
with the Boston Symphony.
|
1938-1939 |
|
Raykhtsaum, Aza I. (Russia 1950- )
married to Principal cello
Jules Eskin
photo: Boston Symphony Orchestra, n.d.
|
violin (also Leningrad Philharmonic, Leningrad Conservatory
Orchestra Concertmaster, Houston Symphony)
Studied at the Leningrad Conservatory in the class of
Yakov Ryabinkov.
|
1982-present |
|
Reed, Louis (Russia 1896-?1967) |
violin (Reed was one of 17 violinists hired for
the 1920-1921 season, following the 1920 musicians
strike, but lasted only one season)
|
1920-1921 |
|
Regestein, Ernst C. (Germany 1846-1936)
Ernst Regestein in this 1882 composite photograph-drawing
|
bassoon 1881-1882, 1904-1912 |
1881-1882, 1904-1912 |
|
Reibl, Carl (Czech 1855-after 1905) |
cello (came to US in October 1885 to join the Boston
Symphony. Played cello in the
Emil Mollenhauer Boston Festival
Orchestra in 1890 with Victor Herbert, Principal cello, Wulf Fries,
second cello, Carl Reibl, third cello, and Alexander Heindl Sr.
fourth cello - quite a cello array)
|
1885-1894 |
|
Reinhart, Alfred |
double bass (active as music teacher in Boston until moved to New York City in 1918) |
1888-1892, 1894-1895 |
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|
|
Reiter, Joseph brother of
Xavier Reiter
(Germany 1848- )
|
horn (also Baltimore Orchestra - precursor of Baltimore Symphony)
|
1889-1890 |
|
Reiter, Xavier F. brother of
Joseph Reiter
(Germany 1857-1938)
Picture of Xavier Reiter (courtesy of Gregg Squires)
|
horn (also New York Philharmonic, Metropolitan Opera)
Xavier Reiter looked somewhat like Buffalo Bill. Milan Yancich wrote of Reiter: '...[Reiter's]
transportation was a bicycle. He often wore a tam and
a cape training in the wind. He looked like Count Dracula in pursuit of a victim.
His horn was slung across his back as he rode across the Boston Commons on
his bicycle...' 56 |
1886-1890 |
|
Rennert, Bruno (Germany 1871- ) |
violin
Remained in Boston as a musician at least until 1916.
|
1907-1911 |
|
Resch, Alfred (Germany 1888-1978)
|
horn (also National Symphony of New York) |
1913-1918 |
|
Resnikoff, Vladimir B. (Russia 1892-1970)
Resnikoff, left with Dmetri Shostakovich in 1959
| violin (also London Philharmonic, Rochester Philharmonic Concertmaster
1921-1932)
Studied at Brussels Conservatoire. Resnikoff was the founding professor
of violin when the Eastman School of Music was opened in September, 1921
57.
|
1933-1964 |
|
Rettberg, August (Germany 1851-after 1936) |
percussion
Continued to teach at the New England Conservatory until about 1930.
|
1898-1912, 1920-1922 |
|
Rhein, William Alan (Connecticut 1939-1981) |
Assistant Principal double bass 1966-1975, 1977-1981, Principal double bass
1975-1977
Like his student Edwin Barker, William Rhein studied at Juilliard 1956.
|
1966-1981
died Jamuary 30, 1981 during season |
|
Ribarsch, Alexander (Austria 1881-1972) |
violin (also National Symphony Orchestra of New York) |
1907-1920 (left following 1920 musicians strike)
|
|
Riedlinger, H. |
violin |
1920-1925 |
|
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Rietzel, William C.
(Germany 1828-1900)
|
viola (also player of piccolo and viola and later
in 1875-1994 leader of Boston's Germania Band 153,
Llttau Switzerland Band, Liegnitz Band - then Germany, now Poland,
where he met Benjamin Bilse (1816-1902) and joined his band, the
Bilse'sche Kapelle 153)
Studied with his musician father who was leader of the Neugersdorf, Saxony,
Germany band (near Dresden). Reitzel played mainly the piccolo, but was
known as being able to play most instruments (he even taught clarinet and
saxophone at the New England Conservatory ! 154). Reitzel
joined his father's band in 1840 153.
Rietzel came to New York City in 1853 until
1867 playing in bands, mostly piccolo.
|
1881-1894 |
|
Rigg, Alfred
(England 1845-1897)
either Alfred Rigg or
David H. Moore, the two trombones of the first
BSO season in this 1882 photo collage
(only one of them was included in the collage)
|
Principal trombone 1881-1886, trombone (most likely was Bass trombone) 1891-1897
(Also Globe Theater orchestra - Boston,
Naval Batallian Band 1891, also played euphonium
in the Boston Globe band 1894 160, also 1877-at least 1894, the
Boston Cadet Band led by
John C. Mullaly 161, and during most
of its history by J. Thomas Baldwin. Also with the Thomas Baldwin Band
of Boston - Baldwin's Band)
May have studied first with Alfred Rigg's father Sergeant Alexander
Riggs who seems to have been a band musician in the British Army.
Alfred Rigg taught trombone, euphonium, and baritone
at the New England Conservatory 1881-1888.
|
1881-1886, 1891-1897 |
|
Ringwall, Rudolph Carl
(Massachusetts 1891-1978) |
violin (also National Symphony Orchestra of New York, Cleveland
Orchestra 1920-1933)
Studied at the New England Conservatory.
|
1913-1915, 1918-1920
(left following 1920 musician's strike for the Cleveland Orchestra)
|
|
Ripley, Robert (Pennsylvania 1922-2005) 15
|
cello (also Cleveland Orchestra 1942-1943, 1946-1955, Glenn Miller Air Force
Orchestra during World War 2, Boston Symphony 1955-1995)
Curtis Institute Class of 1942, Cleveland Institute BM 1951. Also several
times Chairman of the BSO Player's Committee, representing the Orchestra.
|
1955-1995 |
|
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|
Risman, Julius (Massachusetts 1904-1996) |
violin (also NBC Symphony)
Studied at New England Conservatory with Timothy Adamowski and
Richard Bergin
|
1917-1920, 1925-1926 |
|
Rissland, Karl brother of
Rudolf Rissland of the Chicago Symphony
and New York Symphony
(1872-1960)
Karl Rissland in 1917, viola of the Mischa Elman String Quartet
|
violin (also Mischa Elman String Quartet) |
1894-1920
(may have left with 1920 musician's strike) |
|
Ritter, Albert G.
(Germany 1881-1948) |
timpani
According to George Norwood Humphrey 33, Koussevitzky influenced Ritter
to resign: '...in 10 years, you haf made only 3 mistake; but 2 of them this
season...'. Ritter resigned at end of 1934-1935 season. Albert Ritter died from
gas in his apartment June 10, 1948.
|
1922-1935
|
|
Rochut, Joannès
(France 1881-1952)
| Principal trombone 1925-1930
(also Colonne Orchestra, Concerts Koussevitzky - Paris)
Sometimes Jacob Raichman is listed as Co-Principal trombone with Rochut. Raichman
was stand partner of Joannès Rochut, but sitting in the second chair,
with Rochut being Principal during 1926-1930, until Rochut returned to Paris.
Note: see the interesting Douze Duos de J.S. Bach, arrangements by Rochut
of Bach Two Part Inventions on
Douglas Yeo's website
by clicking here
|
1925-1930 |
|
Rohde, W. |
viola |
1885-1886 |
|
Rolfs, Thomas C. Jr.
(Minnesota 1958- )
photo: Boston Symphony Orchestra, n.d.
|
Principal trumpet 2006-present, joined the BSO in fourth chair in
1991, then Assistant Principal trumpet until appointed Principal trumpet
in the 2006-2007 season, succeeding
Charles Schlueter
. (also St. Paul Chamber Orchestra 1986-1991.
also, a founder of the
Boston Symphony Brass Quintet:
Thomas Rolfs trumpet,
James Sommerville horn,
Mike Roylance tuba,
Thomas Siders second trumpet,
Toby Oft trombone)
Studied at the University of Minnesota BM, 1981 and Northwestern
University MM, 1983.
|
1991-present |
|
Romanul, Victor F.
(1960- )
|
Assistant Concertmaster from 1993-1995, violin 1995-present (also
Pittsburgh Symphony Associate Concertmaster 1981-1986,
active as a soloist in the later 1980s and continuing to present. Romanul
was Ars Poetica Chamber Orchestra Concertmaster - Michigan, a group of leading
US musicians for 3 years. Early in his career, part of the Romanul Chamber
Players: Alexander Romanul, violin, Victor Romanul,
violin/viola; Michael Romanul, cello, Myron Romanul, piano - must be a most
musical family !)
John Williams wrote his
Duo concertante for
Michael Zaretsky and
Victor Romanul (see
picture at right).
|
1993-present
Victor Romanul, John Williams and Michael Zaretsky at
the recording of Duo concertante 2007
|
|
Rosé (Rosenbaum), Eduard
(then Austro-Hungary, now Romania 1859-1943)
Eduard Rosé in 1924
|
cello (also Rosé Quartet, Königlichen Hofoper - or Royal Court Opera,Budapest
before coming to Boston, Weimar Hoftheater 1900-1926, Prinzregententheater - Munich
1904-1914, taught at Weimar State Conservatory 60)
Brother of the great violinist Arnold Rosé, Concertmaster Vienna Philharmonic
for 50 years. Founder with brother Arnold of the Rosé String Quartet
in 1882, but departed in 1883. Eduard Rosé studied cello at the Vienna Conservatory and
took courses with Anton Bruckner (!) 59 Eduard Rosé was married to Mahler's
sister, Emma Mahler. Eduard Rosé died in the Theresienstadt concentration camp in 1943.
|
1891-1900 |
|
Rosen, Jerome
(Michigan 1939- )
|
violin, keyboard (also American Symphony 1967-1968, Cleveland Orchestra
1959-1967, Detroit Symphony Associate Concertmaster 1970-1971,
Boston Pops 1972-1973, Cleveland Piano Trio with James Levine, Lynn Harrell)
Curtis Institute Class of 1959, Cleveland Institute of Music BM.
Also studied mathematics at Western Reserve University. Conducting
apprentice while in Cleveland with George Szell. Now conducting
Independence Sinfonia Orchestra in Montgomery Co., Pennsylvania.
|
1972-1999 |
|
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|
|
Rosen, Sam
(Russia 1894-1964) |
violin (also National Symphony Orchestra of New York) |
1916-1918 |
|
Ross, Wilhelm |
oboe |
1882-1883 |
|
Rotenberg, Sheldon
(Massachusetts 1917- )
|
violin (also Boston String Quartet 1948-1952)
Last musician selected by Koussevitzky to retire from the Orchestra.
|
1948-1991 11
in 1966-1967 one season exchange with Japan Philharmonic Symphony
Orchestra
|
|
Roth, Otto
(Austria 1867-1954)
|
violin
(also second violin of the Kneisel Quartet 1887–1899,
National Symphony Orchestra of New York 58
from 1920)
|
1887-1920
(left following 1920 musicians strike) |
|
Rowe, Elizabeth D.
(Oregon 1974- )
wife of Glen Cherry
|
Principal flute (also Fort Wayne Philharmonic, Baltimore Symphony,
New World Symphony, National Symphony of Washington Assistant Principal flute)
Elizabeth Rowe gave the US premiere of the Elliott Carter Flute Concerto February,
2010 with the BSO and James Levine. It is said that when she auditioned for the BSO, Elizabeth
Rowe competed against 251 other invited candidates !
|
2004-present |
|
Roy, Dennis C.
(Massachusetts 1967- )
in his 'bassment' workshop
|
double bass (also National Symphony of Washington 1990-1993, Rhode Island Philharmonic,
Springfield Symphony - Massachusetts)
New England Conservatory class of 1989. Dennis Roy is also active in
repairing and restoring string double basses in his 'bassment' (www.droysbassment.com).
|
1993-present |
|
Roylance, Mike W. (Washington, D.C. 1967- )
|
tuba and euphonium (also, a founder of the
Boston Symphony Brass Quintet:
Thomas Rolfs trumpet,
James Sommerville horn,
Mike Roylance tuba,
Thomas Siders second trumpet,
Toby Oft trombone)
Graduate studies DePaul University, Chicago. Like Philip Farkas and
Wayne Rapier, Mike Roylance is an active aircraft pilot
|
July, 2003-present |
|
Ruggiero, Matthew J. (now Dr. Ruggiero, earning a Ph.D. following retirement)
(Pennsylvania 1932- )
|
Assistant Principal bassoon 1974-1989, bassoon 1961-1974 (also
National Symphony of Washington DC)
Studied at the Curtis Institute Class of 1957.
|
1961-1989
sabbatical leave 1987-1988
|
|
Ryan, Thomas (England 1827- )
Mendelssohn Quartette, Ryan 4th from left
|
viola
(also Mendelssohn Quintette Club, Boston Musical Fund Society,
Harvard Orchestral Association, Handel & Haydn Society
Orchestra 46. Also a professional clarinet player)
A pioneer in professional US orchestral music, of which there was
virtually none before about 1850. Founding member, Mendelssohn
Quartette Club, shown at left: August Fries, first violin, Edward Lehman,
flute and viola, Wulf Fries, cello,
Thomas Ryan, clarinet and viola, Francis Riha, second violin.
|
1883-1885 |
|
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|
|
Sadony, Peter (Germany 1865-1916, died age only 50)
|
Principal bassoon (also Regensberg Orchestra - Switzerland,
Riga Orchestra - Latvia, at that time part of Russia,
Gürzenich Orchestra - Cologne). First, Concertmaster Willy
Hess came to Boston from Cologne Gürzenich Orchestra in
1904-1905, then Willy Hess's brother Max Hess, Principal
horn in Cologne, and his friend Peter Sadony, bassoon,
came to the Boston Symphony in 1905-1906 season.
Peter Sadony died unexpectedly on September 19, 1916 following
surgery for appendicitis 61, in those pre-antibiotics era.
|
1905-1916 |
|
Sailer, Adolf (or Adolph)
(Switzerland 1860-1895)
died after a short illness September 19, 1895 age only 35 62
|
cello (also Listemann Concert Company, with
Bernard Listemann, first
Concertmaster of the Boston Symphony 1881-1885, August
Stein, double bass, Carl Meisel,
viola, and Listemann's brother Fritz Listemann,
violin and piano)
|
1887-1889 |
|
Salis, J. |
viola |
1919-1920 |
|
Salkowski, John A. (1937- )
John Salkowski double bass (left) and
Louis Leguia BSO cello in their final
Soston Symphony season in 2007
|
double bass (also New Orleans Philharmonic double bass under conductor
Alexander Hilsberg
before the Cleveland Orchestra, also Cleveland Orchestra double bass 1962-1966)
Studied at the Northwestern University School of Music BMus.
|
1966-2007 29 |
|
Sand, Albert
(thenn Russia, now Latvia 1879- )
|
clarinet
Emigrated to the US from Latvia in 1914. At the March 29, 1918 concert,
Albert Sand performed the Mozart Clarinet concerto in A major K622 in
what the program notes indicated was an unpublished "sketch" form 180.
|
1914-1925 |
|
Sanromá, Jesús María 'Chu-chu'
(Puerto Rico 1902-1984)
|
piano, keyboard (Sanromá also made a highly successful recording with the Boston Pops
under Fiedler; Victor DM-392 of the Franz Liszt Totentanz. John Ball in his
book of favorite recordings wrote: "...Sanromá does some phenomenal piano
playing..." 189
Also, it seems a flute player. According to George Norwood Humphrey, on tour in
Buffalo, Koussevitzky and the orchestra were awaiting their train when in the
waiting room, they heard the exotic and haunting bassoon solo that begins
Le Sacre du Printemps. However, it was played on a cheap metal flute
by that joker Chu-chu Sanromá.
|
1929-1940 |
|
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|
|
Sant’Ambrogio, John J.
(New Jersey 1932- )
|
cello (also US Seventh Army Symphony Principal cello 1956-1958. while in Boston,
Principal cello of the Boston Ballet Orchestra. also
Saint Louis Symphony Principal cello 1968-2005)
Studied at Lebanon Valley College - Pennsylvania BA in Music 1954 and at
Ohio State University MMus 1959. Also active in music festivals,
including the Casals Festival - Puerto Rico 1969 and 1970 and
the Grand Teton Music Festival - Wyoming). Taught at Washington University - Saint Louis and
at the Saint Louis Conservatory of Music). His family pursues a musical tradition: daughter
Sara Sant'Ambrogio is cello of the Eroica Trio and daughter Stephanie Sant’Ambrogio
was Concertmaster of the San Antonio Symphony.
|
1959-1968 |
|
Sasson, Michel M.
(Egypt 1935- ) born May 18, 1935 187 not May 18, 1945 as claimed in his
official biography and in interviews 186
Michel Sasson in 1966 x-raying his violin bow in a press release. "...Michel Sassoon, a member of the Boston
Symphony took his violin bow to Beth Israel Hospital for what he called 'an emergency diagnosis'
...a mark on it...Dr. Lavender said was a scratch, not a fracture..." 188
|
violin 1959-1980; entered the Boston Symphony at age 24, not "...at age 17, he won a
position in the Boston Symphony, the youngest musician ever invited to join
the ensemble..." 186 as claimed by his official biography.
(also extensive conducting activities, including the Boston Ballet in the early
1970s, also conductor of the Newton Symphony - suburban Boston beginning 1975.
Also a Conductor of the La Scala Orchestra concerts in the Milan Opera House during
the 1970s. Also Istanbul State Opera Music Director beginning 1994)
Studied at the Paris Conservatoire Premier prix during 1950s, with other now-famous musicians
such as Daniel Charles and Ursula Bagdasarjanz.
|
1959-1980
|
|
Sauer, G. F, |
viola |
1890-1892, 1894-1909 |
|
Sautet, Auguste Marie Louis
(1849-seems to have returned to France)
|
Principal oboe 1887-1890, oboe 1890-1912 (played
frequently with the Georges Longy Club)
Appointed to the New England Conservatory in 1896 165.
|
1887-1912 |
|
Sauvlet, Hubert Adrien Schwedler (Listed as Sauvlet, but born Schwedler)
(Netherlands 1882-1956)
|
violin (also Gundersen String Quartet:
Robert Gundersen
first,
Hubert Sauvlet
second,
Charles Van Wynbergen
viola,
Jacobus Langendoen
cello. also the Boston Symphony Quartet consisting of:
Arthur Brooke flute,
Ludwig Nast cello,
Hubert Sauvlet violin, and
Theodore Cella harp 181)
Born Hubert Adrien Schwedler, and may have adopted
the famous musical family name of "Sauvlet"
which included flautist Antoine Sauvlet (1818-after 1864), and his
brother cellist Hubert Sauvlet (1821-after 1889), and other
famous Dutch musicians. However, may have had a Sauvlet father.
|
1914-1948 |
|
Savitzkaya, Lydia V. (Russia 1887-1967) |
harp (later taught at Vassar in New York, and then to California)
|
1924-1925
first woman to be a permanent Boston Symphony musician
|
|
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Schaefer, Lois E. sister of
Winifred Schaefer Winograd (Mayes)
(Washington 1924- )
|
Piccolo (also Chicago Symphony Assistant Principal flute 1951-1954,
New York City Opera 1955-1965, New York Oratorio
Society and New York freelance, RCA Recording Orchestra,
Boston Symphony piccolo 1965-1990)
Studied at the New England Conservatory artists diploma. Lois
Schaefer premiered the Daniel Pinkham (1923- ) Concerto Piccolo
in May, 1990 at her farewell concert with the Boston Pops. She
played a wooden Powell piccolo as being softer.
26)
|
1965-1990 27 |
|
Schenkman, Peter Quarles
(New York 1937-2006)
|
cello (also US Army Band 1959-1962 and Casals Festival Orchestra - Puerto Rico.
also Boston Opera Company while in Boston.
Saint Louis Symphony Principal cello under Eleazer De Carvalho 1965-1967,
Toronto Symphony Principal
cello 1967-1974. In Toronto, worked for the CBC, including playing in the
CBC Toronto String Quartet)
Studied first with his father Edgar Roy Schenkman, a conductor and his mother
Marguerite Quarles Schenkman, a cellist 183. As a child
prodigy, he appeared with the Norfolk Symphony and the Richmond Symphony -
Virginia as a cello soloist. Then studied at the Curtis Institute
Class of 1959. Active in
summer festivals, including the Marlboro Festival - Vermont,
and the Casals Festival - Puerto Rico (Principal cello during several
seasons). Taught at the University of Toronto; coached National
Youth Orchestra.
|
1962-1965 |
|
Scheurer, Karl C.
(Germany 1885-1982)
|
viola (also Gürzenich Orchestra - Cologne, Berlin Philharmonic,
Minneapolis Symphony Second Concertmaster 1909-1918 and 1930-1951,
Minneapolis Trio consisting of Karl Scheurer
violin, Henry J. Williams harp, Carlo Fischer cello)
Studied at the Hochschule für ausübende Tonkunst - Berlin
|
1907-1909
|
|
Schindler, Georg
(Germany 1877- )
photo: Boston Symphony Archives 1928
|
Second horn, in the horn section with George Boettcher Principal horn,
Serge Pogrebriak, Cornelis Van Den Berg, Heinrich Lorbeer,
Willem Valkenier, Marcel Lannoye, George Blot.
Relocated to Boston from Leipzig, Germany in 1923. Seems to have returned to Europe
in the 1930s.
|
1923-1933 |
|
Schlimper, Charles F. W.
(Massachusetts 1856-1919)
|
viola (also later a music publisher in Boston)
|
1881-1882 |
|
Schlueter, Charles (Illinois 1939- )
|
Principal trumpet 1981-2006 (also Kansas City Philharmonic Principal
trumpet 1962-1964, Milwaukee Symphony Principal trumpet 1964-1967,
Cleveland Orchestra Principal trumpet 1967-1972. Returned to Minnesota
as Principal trumpet of the Minnesota Orchestra 1972-1981)
Studied at the Juilliard School, graduated in 1962. At Juilliard,
William Vacchiano became Charles Schlueter's mentor and friend.
|
1981-2006 |
|
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|
|
Schmedes, Hakon |
violin |
1903-1905 |
|
Schmeisser, Otto Kurt
(1883-1970) |
trumpet (also Detroit Symphony) part of the committee that
designed the Martin 'Committee' trumpet with Renold Schilke,
Vincent Bach, Elden Benge, and some other trumpet greats
|
1923-1926 |
|
Schmid, K. |
horn |
1907-1909 |
|
Schmidt, Ernst
(Germany 1878-about 1945)
|
violin (also Handel and Haydn Society Orchestra 46)
Studied in Darmstadt, Germany. When Karl Muck was arrested on
March 26, 1918 as an "enemy alien",
Ernst Schmidt was selected to become the temporary conductor for the remainder
of the BSO season. Ernst Schmidt was a first violin of the Boston Symphony for four
seasons 1914-1918 and he was conductor of the Boston Pops in the 1915 summer Pops
season and was also an active composer. Ernst Schmidt conducted the concerts of March 29,
April 5 and 6, April 12, 13 and the 1918 Boston Symphony Pension Fund Concert of
April 14, April 19 and 20, April 26 and 17, and the final season concerts of
May 3 and 4, 1918. Ernst Schmidt left the Boston Symphony at the end of the
1917-1918 season to return to Europe and seems to have been a musician with
the Bayreuth Festival Orchestra in Germany. Read about this Karl Muck incident
by clicking on
Karl Muck BSO conductor.
|
1914-1918 |
|
Schmidt, Ernst brother of Louis Schmidt, Jr. |
cello (also Handel and Haydn Society Orchestra 46) |
1882-1885 |
|
Schmidt, Louis, Jr. brother of Ernst Schmidt |
violin |
1882-1885 |
|
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Schmitz, Chester Brian
(Wisconsin, grew up in Iowa 1940- )
|
tuba, contra-bass trombone (also euphonium)
Studied at the State University of Iowa graduated about 1962.
|
1966-September, 2001
Chester Schmitz was on sabbatical leave 1989-1990 -
Gary Ofenloch substituted. Cheser Schmitz
left to join the ministry in Florida
|
|
Schneider, Alfred
(Missouri 1927- )
|
violin (also Rochester Civic and Philharmonic Orchestras
while at Eastman, St. Louis Symphony about 1951-1955,
also conducted the Framingham Symphony - Massachusetts,
Gabrielli Quartet)
Studied at the Eastman School of Music BMus, MMus.
|
1955-1998
(sabbatical leave 1984-1985)
|
|
Schneider, Julius
(1854-after 1900) |
horn |
1885-1893 |
|
Schnitzler, Isidore
(Netherlands 1859-1935) |
violin (also Mendelssohn Quintet Club 49, Chicago Symphony,
Russian Symphony of New York)
|
1892-1900 |
|
Schoewe, Raymond Adolph
(Minnesota 1898-1958)
Died of cancer in Vermont age only 59
|
violin (played in the Boston Symphony while
still studying at the New England Conservatory.
Also Cincinnati Symphony first violin, later taught at the
Cincinnati Conservatory of Music,
conducted the Huntington Symphony - West Virginia about
1941-1951)
Studied at Winona State College (Minnesota) and the
New England Conservatory graduated June, 1921.
|
1920-1921
The 1920-1921 season was chaotic after the
BSO musicians strike. "R. Schoewe" is listed in 1920-1921 violin
section, but he seems only to have played for 1 or 2 months in late 1920.
|
|
Schormann, Edward father-in-law of Frederick C. Zahn
(1842-about 1908) |
horn |
1881-1891 |
|
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|
Schroeder, Alwin
(Germany 1855-1928)
|
Principal cello (also Kneisel String Quartet,
New York Symphony, Margulies Trio -NYC and the
Boston String Quartet)
Said to have been self-taught on the cello.
|
1891-1903, 1910-1912, 1918-1925 |
|
Schuchmann, Frank E.
(Massachusetts 1853-after 1920)
|
violin (also Boston Instrumental Club:
Daniel Kunze violin,
Frank Schuchmann violin,
Edward Marble viola,
Rudolf Nagel cello,
Emil Golde double bass,
Friedrich Mueller oboe, G. B. Van Hantvoord flute,
Charles Staats clarinet,
Pierre Mueller trumpet,
Carl Schumann horn,
Heinrich Lorbeer horn, directed by
Walter Swornsbourne)
Studied with his German-born father George Schuchmann who was
also a musician and with Boston Symphony Concertmaster
Bernard Listemann. Brother George Schuchmann (1857- )
was also a violinist, sent to study in Germany; however, since he did
not want to be drafted into the German army, George immediately returned
to New York City.
|
1881-1907 |
|
Schuecker, Heinrich
(Austria 1867-1913) brother to famed Philadelphia Orchestra harpist
Edmund Schuecker (1860-1911) who also
died young.
Heinrich Schuecker in 1890
|
harp (also Leipzig Gewandhaus Orchestra harp 1884-1891
under Carl Reinecke (1860-1911) as was his brother Edmund Schuecker
175)
Appointed to the New England Conservatory in 1896 165.
Succeeded by
Alfred Holý.
Hearing of Heinrich Schuecker's death, Holý asked Karl Muck about
the opening, and Muck responded by inviting Holý to join the
Boston Symphony.
|
1886-1913
died during the season April 17, 1913, apparently on stage
age only 46.
|
|
Schulman, Julius
(New York 1915-2000)
|
violin (also All-American Youth Orchestra under Stokowski in 1940,
also Philadelphia Orchestra violin 1937-1944, Pittsburgh Symphony violin,
Metropolitan Opera Assistant Concertmaster, New Orleans Symphony Concertmaster,
in Boston the Stockbridge String Quartet:
Julius Schulman first,
William Marshall
second,
Jerome Lipson viola,
Mischa Nieland cello, later a Hollywood studio
recording musician)
Studied at the Curtis Institute Class of 1938. Born October 1, 1915, joining
the the Philadelphia Orchestra in September, 1937 even prior to graduating from
the Curtis Institute, Schulman was age 21 227.
|
1960-1970 |
Stockbridge String Quartet:
Julius Schulman
first,
William Marshall
second,
Mischa Nieland
cello,
Jerome Lipson
viola
|
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Schulz, Leo
|
cello, also occasional Boston Pops conductor 1897.
(also, starting in 1899 the Bendix String Quartet:
Max Bendix first,
Eugene Boegner second,
Ottokar Novacek viola,
Leo Schulz cello 173)
Appointed to the New England Conservatory in 1896 165.
|
1889-1898 |
|
Schumann, Carl
|
horn (also Boston Instrumental Club:
Daniel Kunze violin,
Frank Schuchmann violin,
Edward Marble viola,
Rudolf Nagel cello,
Emil Golde double bass,
Friedrich Mueller oboe, G. B. Van Hantvoord flute,
Charles Staats clarinet,
Pierre Mueller trumpet,
Carl Schumann horn,
Heinrich Lorbeer horn, directed by
Walter Swornsbourne)
|
1881-1912 |
|
Schurig, (Wilhelm) Richard
(Germany 1870-1950)
|
double bass (also Philadelphia Orchestra Principal double bass 1900-1901,
double bass 1901-1902 under Fritz Scheel,
Los Angeles Philharmonic 1920-1930 under Arthur Rodzinski)
Richard Schurig was also a composer, including the opera The Traitor
in 1910.
|
1902-1920 |
|
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Sebring, Richard "Gus;"
(Massachusetts 1956- )
photo: Boston Symphony Orchestra, n.d.
|
Associate Principal horn (also Rochester Philharmonic Principal horn)
Studied at Indiana University, the University of Washington BMus,
the New England Conservatory Class of 1977. He is also the founder
of Musketaquid Music celebrating nature and the environment.
He was the solo horn in the John Williams film score
recording of Saving Private Ryan. Teaches at the New England
Conservatory and the Berklee College of Music.
|
1981-present.
|
|
Sedukh, Polina
(Russia 1980- )
photo: San Francisco Archives, n.d.
|
violin (also Atlantic Symphony in suburban Boston 2002-2003, two suburban Boston groupsl
the Newton Symphony and the Hingham Symphony Orchestra Assistant Concertmaster. also Boston
Virtuosi, went to San Francisco Symphony beginning in 2009-present)
Studied at St. Petersburg Conservatory, Longy School graduate 2002. In Boston, Sedukh
secured a position which had been auditioning for two years. An active marathon runner
who has run the Boston Marathon multiple times, and organized a run from Symphony Hall
Boston to the Tanglewood Festival site.
|
2004-2009 |
|
Seeber, Todd M.
(Washington 1965- )
photo: Boston Symphony Orchestra, n.d.
|
double bass (Buffalo Philharmonic 1986-1988, Handel & Haydn Society Orchestra)
Boston University School of Music graduate in 1985. An active marathon runner
who has run the Boston Marathon multiple times, and organized a run from Symphony Hall
Boston to the Tanglewood Festival site in 2009.
|
May 1988-present |
|
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|
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Seigel, Harvey (Canada )
husband of
Martha Babcock
 |
violin (also National Symphony of Washington DC 1949-1951,
Detroit Symphony under Paul Paray 1951 to 1960, freelance musician
in Toronto 1960-1968, Orchestre symphonique de Montréal 1968-1971,
St. Louis Sinfonietta, Fine Arts Trio of New England,
Mischakoff String Quartet 1954 4)
studied with the great Concertmaster Mischa Mischakoff while in Detroit.
Graduate of the Juilliard School.
|
1971-1997
on sabbatical leave 1993-1994
|
|
Seiniger, Samuel
(1892- ) |
violin |
1912-1943 |
|
Selmer, Alexandre Gabriel
(France 1864-1941)
|
clarinet (also Georges Longy Club, New York Philharmonic
Principal clarinet 1909-1911, Cincinnati Symphony. Long-time
clarinet manufacturer and clarinet teacher)
Studied at the Paris Conservatoire, where his teacher was Cyrille Rose
(1830-1903). Premier prix at the Conservatoire in about 1885. Following
the Conservatoire, Alexandre emigrated to the US in 1885,
and began manufacture of Alexandre
clarinets. He started the Selmer Company in 1904 and also began the
importation of brother Henri Selmer manufactured instruments into
the US. In 1910, Alexandre went back to France to help Henri in the
manufacture of instruments.
|
1898-1901 |
|
Senia, T. B. |
percussion |
1904-1915 |
|
Seydel, Theodor C.
(Germany 1867- ) |
double bass |
1894-1927 |
|
Shames, Jennie S.
(Massachusetts 1957- )
|
violin (also Opera Company of Boston)
Studied at Harvard University BA 1979.
|
November, 1980-present |
|
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|
|
Shapiro, Harry
(Massachusetts 1914- )
| Second horn 1937-1944, 1945-1975 personnel manager (during
World War 2, played in the Army Air Corps Band, Virginia)
Studied at the Juilliard School and the New England Conservatory.
Harry Shapiro, as BSO personnel manager, knowing most Boston area orchestra
musicians, selected the musicians for Sarah Caldwell's Boston Opera Group.
1975-1992. He also taught at Boston University.
|
1937-1944, 1945-1975 |
|
Sheena, Robert A.
(California 1961- )
photo: Boston Symphony Orchestra, n.d.
|
English horn (also Hong Kong Philharmonic Assistant Principal oboe and
English horn 1987-1991, San Antonio Symphony Assistant Principal oboe
and English horn 1991-1994, freelance oboist in Chicago and extra player
with the Chicago Symphony 1985-1987 when the great CSO section included
Ray Still,
Richard Kanter,
Michael Henoch, and
Grover Schiltz)
Studied at the University of California - Berkeley BMus 1983 and
Northwestern University School of Music MMus 1984. Active teaching
schedule at Boston University, Boston Conservatory, the Longy School
of Music at Bard College, New England Conservatory Preparatory, as
well as Tanglewood: Boston University Tanglewood Institute,
Tanglewood Music Center.
|
1994-present |
|
Sher, Richard
(1948- )
| cello (also St. Louis Symphony) |
1966-1967 |
|
Shermont, Roger born Roger Isaac Schermanski son-in-law of
Jacob Raichman
(France 1922- )
|
violin (also French Radio orchestra) |
1950-1979 |
|
Shiragami, Sae
(Japan 1970- )
|
violin (also Houston Symphony Principal Second violin 1998-1999,
went to Cleveland Orchestra in 2001-2002 season)
Studied at the San Francisco Conservatory BM 1993 and
Cleveland Institute MM 1996. Active in chamber concerts and
community programs; organized two concerts for the benefit
of the tsunami victims of the Miyagi prefecture of Japan.
|
1999-2001 |
|
Shirley (originally Paul Johannes Schwerley), Paul John
(then Prussia, now Russia 1886-1984)
|
viola
Paul Shirley was interested in early music and played and gave instruction
on the viola d'amore.
|
1912-1929 |
|
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|
|
Shuebruk, Richard
(England 1854-1933) |
trumpet 1885-1886, Principal trumpet 1886-1887.
Born in Bristol, England, Richard Shuebruk is perhaps remembered in New York
as a trumpet and trombone teacher, publishing a series of Toung Trainers
excercises.
|
1885-1887
|
|
Siders, Thomas
(Illinois 1985- )
|
Assistant Principal/Third trumpet (also New World Symphony 2009-until Boston)
Studied at the University of Texas - Austin BM 2007, and the
Shepherd School of Music - Rice University MM 2009.
|
January, 2010-present |
|
Sidow, Paul
(Germany 1882- ) |
tuba |
1923-1933 |
|
Siegl, F. |
violin |
1920-1927 |
|
Silberman, Herman William
(Massachusetts 1906-1988) |
violin (also WOR radio orchestra, New York, Stradivarius Quartet)
|
1945-1971 |
|
Silberstein, Jascha
(then Stettin, Germany, now Poland 1934- ) |
violin (also Metropolitan Opera Orchestra violin) |
1964-1966 |
|
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|
|
Silverstein, Joseph
(Michigan 1932- )
Joseph Silverstein with Seiji Ozawa in China during 1979 BSO tour
|
Concertmaster 1962-1984, violin 1955-1962
(also Houston Symphony 1950-1953, Philadelphia Orchestra 1953-1954,
Concertmaster, Assistant conductor Denver Symphony 1954-1955,
Boston Symphony 1955-1956 taking the last chair of the second
violins, Concertmaster 1962-1984. Assistant Conductor of the BSO
beginning in 1971. Helped found the Boston Symphony Chamber Players
in 1962 and served as its Music Director until 1983. Conductor
Utah Symphony 1983-1998.
Studied at Silverstein the Curtis Institute 1946-1950, but was
expelled from the Curtis Institute in 1950, at age 17.
He later said "I was too distracted by girls and baseball
4
|
1955-1984
|
|
Simpson, Henry D.
(Massachusetts 1837- ) |
timpani (was a drummer in a Civil War bands)
On faculty New England Conservatory 1881.
|
1881-1898 |
|
Singer, (Edward) Joseph also a cousin of Arnold Jacobs
(1909-1978)
photo: New York Philharmonic
|
seventh horn in 1933, then third horn and alternate first horn
(also New York Philharmonic Principal
horn and Associate Principal 1943-1974)
He studied violin at age 6, changing to viola at age 15.
Singer began his musical career as a viola player with the
Detroit Symphony 1927-1933. Taught at the New York College of Music,
the Mannes College of Music, and then at the Juilliard School
in the 1970s.
|
1933-1943 |
|
Sird, Raymond Henry
(Massachusetts 1926-2008)
|
violin (also Cleveland Orchestra 1952-1955, New Orleans
Symphony 1955-1960, Gabrieli String Quartet)
Studied at the New School of Music - Philadelphia.
|
1960-1977 |
|
Small, Roland R. (Ohio 1934- )
|
bassoon (also Dallas Symphony, National Symphony of Washington DC,
Yomiuri Nippon Symphony, Tokyo 1964-1965, Portland Symphony - Oregon
1965-1967, 1967-1975 Vancouver Symphony)
Studied at Indiana University.
|
1975-1999 |
|
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|
|
Smalley, Ralph Springer (Massachusetts 1878-after 1943) |
cello (also taught cello at Wellesley College in 1917-1918)
Later, in 1920s performed in vaudeville in Boston and New York City playing
cello selections on the same bill as dog acts and the 'Irish Queen of Song'
- a musician's life can be hard.
|
1903-1904, 1906-1912 |
|
Smedvig, Rolf
(Washington 1952- )
 |
Principal trumpet 1979-1981, Assistant Principal trumpet 1971-1979
In 1971-1972 season, at age 19 Rolf Smedvig appointed Assistant P
rincipal trumpet of the Boston Symphony by Seiji Ozawa.
Boston University School of Music. Founding member of the
Empire Brass Quintet. Also conductor of Williamsport (Pennsylvania)
Symphony 1982-1992, Honolulu Symphony, Northwest Chamber Orchestra
(Seattle), guest conductor Tohnhalle Orchestra - Zurich.
|
1971-1981 |
|
Smirnoff, Joel (New York 1950- )
|
violin (also Chicago Ballet Company Concertmaster, founding
member of the Chicago Ensemble, Orchestra of Illinois Concertmaster,
Collage New Music, Juilliard String Quartet second violin 1986-1997,
then first violin 1997-present)
Studied at University of Chicago (history), the Juilliard School
BMus, MMus 1977. Chair of the Violin Department of the Juilliard School
1993-present. President of the Cleveland Institute of Music 2008-present.
Father Zelly Smirnoff played with Toscanini's NBC Symphony,
and was New York sessions violinist.
|
1980-1986 |
|
Smirnova, Tamara
(Russia 1958- )
photo: Boston Symphony Orchestra, n.d.
|
Associate Concertmaster, Boston Pops Concertmaster, violin
(also Zagreb Philharmonic Concertmaster, also the current
Boston String Quartet:
Tamara Smirnova first,
Alexander Velizon second,
Rebecca Gitter viola,
Mihail Jojatu cello)
Studied at the Tchaikovsky Conservatory - Moscow graduating 1981,
Bronze Medal 1985 Queen Elisabeth Competition (Brussels). Also a
regular performer at the Dubrovnik Summer Festival - Croatia.
|
1989-present |
|
Smith, Charles J.
(New Jersey 1919-2008) 21
|
percussion (also Broadway shows, including 600 performances
of Porgy and Bess)
Studied at the Juilliard School. Hired by Serge Koussevitzky directly
from Smith's Broadway musicals career in 1943.
|
1943-1990 35 |
|
Smith, J. Fenwick (Massachusetts 1949- )

| Assistant Principal flute (also Boston Musica Viva, New England
Woodwind Quintet, programming interesting contemporary compositions,
including flute concerti by Lukas Foss, John Harbison and Christopher Rouse.
Studied at the Eastman School of Music BMus 1972, and in Berlin. Also
worked on making flutes with Powell and with William S. Haynes Company.
See Fenwick Smith's interesting website
www.fenwicksmith.com
|
1978-August, 2006 |
|
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|
|
Smith, (Kilton) Vinal
(Maine 1909-1987)
|
Assistant Principal trombone 1936-1943, then like
Eugène Adam,
switched to tuba 1946-1966 (also US Navy Band 1943-1945)
Studied at the New England Conservatory.
Born in Vinalhaven, Maine, where
Rufus Arey, Principal clarinet of
the Philadelphia Orchestra was also born. Vinal
Smith is said to have played an Ed. Kruspe F tuba.
|
1936-1943, 1946-1966 |
|
Snider, Jason
(Arkansas about 1981- )
photo: Boston Symphony Orchestra, n.d.
|
Fourth horn (also Lyric Opera - Chicago Second horn, San Antonio
Symphony Associate Principal horn, Civic Orchestra of Chicago trining
orchestra while at Northwestern)
Studied at Northwestern University BMus with honors, Shepherd School of Music -
Rice University MMus. Also active in summer music festivals, including the
Grant Park Music Festival - Chicago, the Grand Teton Music Festival - Wyoming,
and the Pacific Music Festival - Japan.
|
March, 2007-present |
|
Snow, Albert Williams
(Massachusetts 1878-1939)
from Boston symphony Orchestra charcoal drawings by
Gerome Brush: Boston Symphony Archives
|
organ (also long-time organist at the Emmanuel Episcopal
Church in central Boston, and organ teacher at the New
England Conservatory)
Had a second career arranging classical music and then making
transcription rolls for Skinner organs (like a player piano).
Died during the 1938-1939 BSO season January 6, 1939, age 60.
|
1918-1939 |
|
Sokoloff, Nikolai
(Kiev, then in Russia, now Ukraine 1886-1965)
Nikolai_Sokoloff in 1907
|
violin (also Kiev Municipal Orchestra, Hallé Orchestra - Manchester,
England, San Francisco 'People's Philharmonic Orchestra',
first Music Director of the Cleveland Orchestra 1918-1933
, Administrator of the Federal Music Project, employer
of musicians during depression 1935-1939, Seattle Symphony Music Director
1938-1941, founder of the La Jolla Musical Arts Society
Orchestra and Director 1941-1962)
Studied with his father Gregory Sokoloff, conductor of the
Kiev Municipal Orchestra, and after emigrating to the US
studied with teachers from Yale University 1901-1902,
and in France 1911-1913.
|
1904-1907 |
|
Sommerville, James
(Canada 1962- )
|
Principal horn (also Symphony Nova Scotia - Halifax Principal
horn, Canadian Opera Company - Toronto Principal horn 1985-1986,
and à l'Orchestre symphonique de Montréal Associate Principal
horn 1986-January 1998. Music Director Hamilton Philharmonic.
also, a founder of the Boston Symphony Brass Quintet:
Thomas Rolfs trumpet,
James Sommerville horn,
Mike Roylance tuba,
Thomas Siders second trumpet,
Toby Oft trombone)
Studied at the University of Western Ontario - London, Ontario,
University of Toronto.
|
January 1998-present |
|
Sordillo, Fortunato F.
(Italy 1885-1952)
|
Principal trombone 1918-1920 (also Perkins Concert Band,
Arthur Pryor Band, Sousa Band, Castle Square Opera
Company of Boston circa 1915 organized by Colonel Savage
to present low-priced popular opera productions, and the
Boston Opera Company, music teacher in Boston public schools
in 1940s)
Doug Yeo, Bass Trombone of the Boston Symphony and trombone
scholar discovered the Fortunato Sordillo trombone method
book Art of Jazzing for the Trombone, cover
shown at left with photo of Fortunato Sordillo in his
Sousa Band uniform. The Sousa site lists Sordillo 1912-1914
with Sousa Bank, but his Sousa band cap seems to be early 1920s.
|
1918-1920 |
|
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|
|
Speyer, Louis Marius
(France 1890-1980)
|
English horn 1919-1964, oboe 1919-1924 (began under Rabaud during
the 1918-1919 season 44. Also, the Boston Symphony
Ensemble, a chamber symphony for summer concerts with Julius
Theodorowicz, Georges Miquelle, and others, conducted by
Daniel Kuntz 69.
Studied at the Paris Conservatoire where he gained his second Accessit in
1909, his first Accessit in 1910 and then his Premier prix in the 1911
Concour. Speyer to US as part of a French
good-will tour of the Garde Republicaine Band, summer 1918, as did
Georges Miquelle.
|
Spring of 1919-1964
|
|
Spoor, Simon Hendrik
(Netherlands 1868-1953)
|
viola, violin (also Philadelphia Orchestra
1919-1920)
Studied at the Rotterdam Conservatory
|
1911-1919 |
|
Sprunt, C. |
violin |
1900-1904 |
|
Staats, Charles L.
(New Jersey 1861-after 1930)
click on this thumbnail to see full picture
|
bass clarinet for one season. It seems that the Boston Symphony did
not have another full-time bass clarinet from its inception in 1881
until 0tto Fritzsche was appointed in 1901-1902. (also organized the
Bostonia Sextette Club - see him in upper right of the picture, at
left. also Boston Instrumental Club:
Daniel Kunze violin,
Frank Schuchmann violin,
Edward Marble viola,
Rudolf Nagel cello,
Emil Golde double bass,
Friedrich Mueller oboe, G. B. Van Hantvoord flute,
Charles Staats clarinet,
Pierre Mueller trumpet,
Carl Schumann horn,
Heinrich Lorbeer horn, directed by
Walter Swornsbourne)
Studied at the Paris Conservatory, where his teachers were Cyrille Rose
(1830-1903), who also taught
Alexandre Selmer, and bass clarinetist
Louis-Albert Bretonneau (1856- ).
|
1896-1897 |
|
Stagliano, James (nephew of
Albert Stagliano)
(Italy 1912-1987)
 |
Co-Principal horn 1947-1950, Principal horn 1950-1973
(also Detroit Symphony 1930-1934, St. Louis
Symphony Principal horn 1934-1936, Los Angeles
Philharmonic horn 1936-1944, Cleveland Orchestra 1945-1946,
Boston Symphony 1947-1973, where he was Co-Principal horn with
Willem Valkenier 1947-1950. In California, also a Hollywood
studio musician, particularly with 20th Century Fox and Warner
Brothers including Gone With the Wind. With Sarah Caldwell,
Stagliano was active with the Opera Company of Boston)
Studied with his uncle
Albert Stagliano, Principal horn of the
Detroit Symphony and the Cleveland Orchestra. In Boston,
Stagliano helped found Boston Records for which he and
Boston Symphony colleagues recorded a number of innovative
works including Britten's Serenade for Tenor, Horn and
Strings.
|
1947-1973 |
|
Stanislaus, Henry Horatio
(England 1882-1937)
Henry Stanislaus and his wife Gladys and daughters
Daphne and Virginia 1924
|
oboe (seems to have emigrated to Boston in summer 1914
to join the Boston Symphony under Karl Muck)
Died in Brookline during the 1937-1938 season on December
6, 1937 age only 55. From a family of musicians, his grandparents
said to have been orchestra players in the court of Queen
Victoria 72
|
1914-1938 |
|
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|
|
Stein, August |
double bass (came to Boston with the Saxonia Orchestra about 1850 49,
also Listemann Concert Company, with Bernard
Listemann, first Concertmaster of the Boston Symphony 1881-1885,
Adolf Sailer, cello, Carl Meisel,
viola, and and Listemann's brother Fritz Listemann,
violin and piano)
|
1881-1885, 1887-1888 |
|
Steinke, Bruno
(Germany 1884-1947)
|
cello (also National Symphony Orchestra of New York, also
Philadelphia Orchestra 1919-1920, New York Civic Orchestra in the 1930s,
Principal cello Richmond Symphony - Virginia 1934)
Emigrated to the US in 1912. Steinke also recorded cello works for the
Victor Talking Machine Company in Camden, New Jersey in 1917.
|
1912-1918 |
|
Steinmann, H. |
double bass |
1881-1882 |
|
Sternburg, Simon
(Massachusetts 1889-1967)
|
percussion (also played in the orchestra of the Gem Theater in Boston at the time
of World War 1)
Dr. Edmund Bowles, the music scholar adds that "...Simon Sternburg was a graduate in
chemical engineering from Boston University, developed a widely used lubricating oil for
brass (valve) instruments and was owner of the Rayburn Music Company adjacent to Symphony
Hall..."
|
1922-1952 |
|
Stewart, George W.
(New York 1851-1940)
|
bass trombone
(In 1889 with
Emil Mollenhauer
55, George W. Stewart organized the Boston Festival Orchestra,
with some musicians from the former Boston Germania Orchestra 56, the
Boston Symphony Orchestra and others. The Boston Festival Orchestra varied in
size according to the occasion, and performed primarily summer festivals, such as the
popular May Festivals in the 1890s and 1900s. George W. Stewart was both
organizer and sometime musician in these festivals, and Mollenhauer was conductor
and sometimes Concertmaster. After leaving the Boston Symphony, George W.
Stewart was active in organizing a number of musical events, beyond summer
festivals. Stewart was musical organizer of the 1904 Saint Louis World's
Fair, organized concerts in England, and was musical organizer during 1914-1915
of 1915 Panama-Pacific International Exposition - San Francisco. He also
satisfied the popular demand for bands of that era by organizing the Stewart
Boston Concert Band)
|
1881-1891 |
|
Stievenard, E. |
bass clarinet |
1918-1919 |
|
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|
|
Stockbridge, Arthur Beauvais father of
Carl Stockbridge
(Massachusetts 1851-before 1911)
|
cello |
1881-1883 |
|
Stockbridge, Carl Wales son of
Arthur Stockbridge
(Massachusetts 1884-1942)
from Boston symphony Orchestra charcoal drawings by
Gerome Brush: Boston Symphony Archives
|
cello (also chamber group The Aeolians: George Madsen, flute,
Minot Beale, violin, Carl Stockbridge, cello, Nellie Zimmer, harp.
The Aeolians also recorded for Victor in the 1930s)
Studied with his father,
Arthur Stockbridge, cello of the Boston Symphony
in its first two seasons 1881-1883, and also at the Lowell School.
|
1918-1942
died during the 1942-1943 season December 12, 1942 age
only 58
|
|
Stokking, William Jr. (New Jersey 1933- )
|
cello (also Cleveland Orchestra 1958-1960 and Cleveland Principal cello
1971-1972, Philadelphia Orchestra cello 1960-1966, Principal cello
1973-2005, following retirement, Princeton Chamber Symphony in 2000s)
Dutch-born father, William Stokking Sr. was a professional violinist,
his son his first musical instruction. Studied at the Curtis
Institute, graduating in the Class of 1949.
|
1968-1971 |
|
Stolz, E. |
trombone |
1891-1892 |
|
Stonestreet, Lloyd A. (Massachusetts 1896-1966)
|
violin |
1920-1963 17 |
|
Stovall, John
(Wyoming 1958- )
photo: Boston Symphony Orchestra, n.d.
|
double bass (as a student, played in the Wyoming All-State Orchestra.
Also between 1983-1988, he was a freelance musician in the
Boston area, followed by the Houston Symphony, the New Orleans
Symphony and the Indianapolis Symphony)
Studied at the University of Texas in 1978 and then transferred to
the New England Conservatory BMus class of 1983. Also active in summer
music festivals, including the Tanglewood Music Center in 1981 and 1982,
the Grand Teton Festival - Wyoming, the Aspen Music Festivals - Colorado,
and the Congress of Strings - Washington.
|
1988-present |
|
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|
|
Strasser, Emil
(then Germany, now France 1879-after 1943)
|
clarinet (also Worchester Festival 1893)
Appointed to the New England Conservatory in 1896 165.
Also a manufacturer and repairman of clarinets in Boston.
|
1881-1888 |
|
Strauss, H. |
violin 1881-1882, viola 1884-1887 |
1881-1882, 1884-1887 |
|
Strube, Gustav
(then Saxony, now Germany 1867-1953)
Gustav Strube in 1913
|
violin (also sometime Boston Pops conductor 1900-1910 and a regular conductor of
summer festival orchestras, including the Worchester Music Festival
1909-1914 and the Brockton Music Festival 1897-1900. The Boston Globe April 26, 1903:
"...After five years of most satisfactory and gratifying
service by Messrs Max Zach and Gustav Strube as joint conductors [of the Boston Pops]
the management has decided to make a change. Mr. T. Adamowski, who nine years ago in
old Music hall conducted during the most successful season ever known in the 17 years
of the 'Pops' has been selected to again wield the baton..." 185)
Emigrated to the US from the Hartz Mountain area of Saxony, Germany in 1890.
After the BSO, in 1916 moved to Baltimore to teach at the Peabody Conservatory, and to
conduct the newly formed Baltimore Symphony 1916-1930. In Baltimore, he also
lived with his daughter and physician son-in-law, where he died age 85.
|
1890-1913 |
|
Stumpf, Karl
|
bass clarinet |
1907-1918 |
|
Suck, August P. F.
(1837-1921) brother of Daniel Henry Suck |
cello (also Handel and Haydn Society Orchestra 46) |
1881-1885 |
|
Suck, (Daniel) Henry
(1839-1915) brother of August Suck |
violin - third chair of first violins (also Handel and Haydn
Society Orchestra 46) |
1881-1882 |
|
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|
Sulzen, H, |
violin |
1913-1918 |
|
Svecenski, Louis
(Croatia 1862-1926)
|
Principal viola (also Kneisel String Quartet) |
1885-1903 |
|
Svoboda, Richard
(Nebraska 1956- )
|
Principal bassoon (also Jacksonville Symphony Principal bassoon about
1979-1989)
Studied at the University of Nebraska - Lincoln, BMusEd with distinction
in 1978 112. Performed John William's bassoon work Five Sacred
Trees, and gave the 2007 premiere of Michael Gandolfi's
Concerto for Bassoon. Beginning 2011, Richard Svoboda
is the Chair of Woodwinds at the New England Conservatory.
|
1989-present |
|
Swornsbourne, Walter Wakefield
(England 1865-1936)
|
violin - began at the Boston Symphony at age 17. (also
International Symphony Club with Nikolai Sokoloff violin,
Walter Swornsbourne violin, A. S. Martin violin, George
Bareither double bass, Eric Loeffler, cello, Augustus Battles flute.
After 24 seasons with the Boston Symphony, returned to England,
probably prior to World War 1, where he died December 16, 1936.
|
1882-1908 |
|
Szulc, Roman Joseph (1894-1965) |
timpani |
1935-1956 |
|
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|
|
Tak, Eduard (or Edward or Édouard)
(Netherlands 1881-1943)
Tak in 1921
|
violin (played in a surprising number of US orchestras: Chicago Symphony
first violin 1903-1905, Philadelphia Orchestra violin 1905-1906,
New York Symphony 1906-1907. After New York, Eduard Tak concertized in
Europe. Emil Paur heard Eduard Tak in Berlin 159 and engaged Tak as
Pittsburgh Symphony Concertmaster 1908-1909. Then the New York Symphony
again 1910-1911, San Francisco Symphony Concertmaster 1911-1912,
Boston Symphony violin 1912-1919, New York Philharmonic violin 1921-1931)
Studied at the Amsterdam Conservatory and the Berlin Akademische Hochschule für
Musik. Became a US national in 1921, but seems to have returned to Europe
in the late 1930s and died in Germany on December 28, 1943.
|
1912-1919 |
|
Tapley, Rolland Sylvester
(Massachusetts 1901-1986) 27
|
violin (also the first saxophone of the BSO, Chardon Quartet,
also Tanglewood Quartet 1948-1970:
Rolland Tapley first,
Stanley Benson second,
George Humphrey viola,
Karl Zeise cello)
Tapley was one of 17 violinists hired for the 1920-1921 season,
following the 1920 musicians strike.
|
1920-1979 (age 77 !) 27 |
|
Tartas, Morris Mozes Philip (1888-1983) |
viola (also Philadelphia Orchestra 1919-1920,
National Symphony Orchestra of New York)
|
1918-1919 |
|
Taubert, Otto |
violin (also in the
Emil Mollenhauer Boston Festival
Orchestra) |
1885-1894 |
|
Theodorowicz, Julius (1877-1964)
| Assistant Concertmaster 1919-1946, violin 1898-1903, 1907-1919
(also second violin of the Kneisel Quartet 1902-1907,
Concertmaster of the Boston Symphony Ensemble, a chamber
symphony for summer concerts 69)
|
1898-1903, 1907-1946 |
|
Thillois, (Camille) Fernand
(France 1889-1938)
| Principal of Second violins. Came with brother Simon to US as part of a
French good-will tour of the Garde Republicaine Band, summer 1918.
|
1918-1928 |
|
Thomae, A. |
tuba |
1898-1900 |
|
Thompson, Harold 'Tommy' (1914-1968) killed February 5, 1968 in auto accident
| percussion |
1952-1968 |
|
Thorstenberg, (John) Laurence
(Utah 1925- )
|
oboe and English horn 1954-1956, English horn 1956-1964 (also
US Army Field Band, Utah Symphony, Baltimore Symphony, Dallas Symphony,
Chicago Symphony oboe and English horn 1954-1964, Boston Symphony
English horn 1964-1993)
Studied at the Curtis Institute Class of 1951 - one of the last students
of Marcel Tabuteau. After the Boston Symphony, retired to California.
|
1964-1993
(sabbatical leave 1988-1989)
Marcel Tabuteau (right) with oboe students (l to r) Louis Rosenblatt
(Philadelphia), Laurence Thorstenberg (Chicago and Boston), Laila Storch
(Tabuteau biographer), John Mack (Cleveland)
|
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|
|
Tischer-Zeitz, Hermann (1860-after 1907) |
violin |
1885-1891, 1892-1913 |
|
Tortellier, Paul (1914-1990) |
cello (also Monte-Carlo Orchestra, L'Orchestre de la
Société des Concerts du Conservatoire) |
1937-1940 |
|
Tower, R. E. |
viola |
1881-1883 |
|
Trampler, Walter Hans (1915-1997)
Trampler with his usual instrument - the viola |
violin (also Berlin Radio Orchestra, City Center Opera Orchestra, Chamber Music Society
of Lincoln Center, Yale Quartet) |
1942-1943 |
|
Traupe, W. |
viola, violin |
1901-1905, 1905-1920 (left following 1920 musician's strike) |
|
Trautmann, C. |
violin |
1881-1884 |
|
|
[ U
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|
|
Urack, 0tto
(Germany 1884-after 1940s)
Otto Urack in 1914: detail of BSO photo Boston Symphony Archives
|
Co-Principal cello with Heinrich Warnke and an assistant conductor
to Karl Muck (also while in Boston, Otto Urack
was conductor of the Boston Pops concerts with
André Maquarre 1912-1914. Returning to Germany,
Otto Urack was a staff conductor at the Royal Court Opera, Berlin prior to
World War 1, and following the war with the re-named Berlin State Opera
167 into the 1920s, serving with Leo Blech (1871-1958)
and Fritz Steidry (1883-1968). He also conducted Bayreuth Festival Orchestra,
and was conductor of Staatskapelle Dresden in 1930s.
As well as his later conducting in Europe, while in Boston, Otto Urack
was conductor of the Boston Pops concerts with
André Maquarre 1912-1914.
|
1912-1914 |
|
Uritsky, Vyacheslav (Russia, now Ukraine 1936- )
|
Violin 1975-1979, Assistant Principal Second Violin 1979-present
(also Moscow Philharmonic 1960-1974, Moscow Philharmonic Soloist
Ensemble)
Studied at the Odessa State Conservatory.
|
1975-present |
|
|
[ V
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|
|
Valerio, Manuel C. (1905-1982)
| Principal clarinet 1949-1950, Assistant Principal clarinet
1933-1949, 1950-1960 |
1933-1960
|
|
Valkenier, Willem Adriaan
(Netherlands 1887-1986)
|
Principal horn 1937-1945, Co-Principal 1945-1950, horn 1923-1937
(also Groningen Symphony - Netherlands Third horn, Collegium Musicum -
Winterthur, Switzerland First horn. Breslau Opera - Silesia, later
part of Poland 108, Royal Court Opera, Berlin ('Königliche Hofoper'
, renamed 'Staatsoper unter den Linden') beginning 1914 to about 1923.
Studied with Adolph Preus, a Czech born hornist who had settled in
Rotterdam 108. This connection with Preus was important in
Willem Valkenier's decision to adopt the double horn, since
Preus had already worked with the horn manufacturer C F Schmidt
107.
|
1923-1950 |
|
Van Den Berg, Cornelis (or Cornelius)
(Netherlands 1881- )
|
Third horn, in the horn section with George Boettcher Principal horn,
Serge Pogrebriak, Cornelis Van Den Berg, Heinrich Lorbeer,
Willem Valkenier, Marcel Lannoye, George Blot.
|
1919-1932
(succeeded Ernest Hübner)
|
|
Van Den Berg, W. |
harp |
1920-1921 |
|
Vannini, Augusto (1869-1932)
|
Principal clarinet 1903-1904, clarinet 1904-1926 (also directed
the Boston Symphony Ensemble in the early 1920s and Boston University
Orchestra)
|
1903-1926 |
|
Van Raalte, Albert Joseph (England of Dutch parents 1858- ) seems to have
returned to London |
violin (also Worcester Festival 1874) |
1881-1882 |
|
Van Veen, Hendrik J. (1890-1971) |
viola (also National Symphony Orchestra of New York, then to Hollywood studios in 1930s)
|
1914-1920 (left following 1920 musician's strike)
|
|
Van Wynbergen, Charles Samuel Lion
(Netherlands 1886-1970)
|
viola (also Gundersen String Quartet:
Robert Gundersen
first,
Hubert Sauvlet
second,
Charles Van Wynbergen
viola,
Jacobus Langendoen
cello)
|
1910-1951 (41 seasons!) |
|
Velinzon, Alexander
(Russia 1973- )
photo: Boston Symphony Orchestra, n.d.
|
Assistant Concertmaster 2005-present, violin 2000-2005
(also the Walden Chamber Players - Boston, and LIVEArts Sting Quartet:
Alexander Velinzon
first, Ala Jojatu second, Don Krishnaswami viola,
Blaise Déjardin
cello, also the current
Boston String Quartet:
Tamara Smirnova first,
Alexander Velizon second,
Rebecca Gitter viola,
Mihail Jojatu cello. While in New York City,
Paul Taylor Dance Company - New York City Center Concertmaster,
member of the Walden Chamber Players:
Tatiana Dimitriades
violin, Irina Muresanu violin,
Alexander Velinzon violin, Yehonatan Berick
violin, Christof Huebner viola, Ashima Scripp cello, Donald Palma double bass,
Marianne Gedigian flute, Laura Ahlbeck oboe,
Thomas Martin clarinet,
Richard Ranti bassoon,
Clark Matthews horn, Jonathan Bass piano)
Studied at the Leningrad School for Gifted Children, and in US at the
Manhattan School of Music and the Juilliard School BMus and MMus.
Listen to some great Velinzon music-making with the Walden
Chamber Players on youtube.com
|
January 2000-present
On leave during the 2012-2013 season.
|
|
Versney, Cornelis H. (Netherlands) |
horn - entered horn section in 1919 with Cornelis Van Den Berg but remained
only one season (also Rotterdam Conservatory) |
1919-1920 |
|
Villani, A. |
double bass |
1918-1919 |
|
Vinson, W. Lee (Wilbur Lee)
(Alabama )
|
percussion (Rochester Philharmonic while studying at Eastman, and
United States Navy Band - Washington DC 2000-2004.
As a student, the Interlochen Arts Academy and the Tanglewood
Music Center. Also studied at the Eastman School of Music BMus,
with further study at Boston University in bout 2006-2007.
|
March, 2007-August 2011 |
|
Viscuglia, Felix 'Phil'
(New York 1927-2009)
Phil Viscuglia instructs Boston Youth Orchestra clarinets
in early 1960s
| Bass clarinet, saxophone |
1966-1978 |
|
Vitale, Michael A. (New Hampshire 1942- )
|
violin (also Cincinnati Symphony and Detroit Symphony)
|
1964-1989 |
|
Voisin, René Louis Gabriel (France 1893-1952) father of Roger Voisin
detail of BSO photo Boston Symphony Archives, n.d.
|
trumpet 1928-1952 |
1928-1952 |
|
Voisin, Roger Louis (France 1918-2008)
son of René Voisin
detail of BSO photo Boston Symphony Archives, n.d.
|
Principal trumpet 1950-1966, trumpet 1935-1950, and Second
trumpet 1966-1973, when Armando Ghitalla succeeded Voisin as
Principal trumpet.
Studied at the New England Conservatory Class of 1930. Roger Voisin
caught the attention of Arthur Fiedler who in 1935, recommended
to Koussevitzky that Roger Voisin be hired into the Boston Symphony
trumpet section
|
1935-1973 (at 17, youngest entering BSO musician) |
|
Vondrak, Alois
(Austria 1887-may have returned to Europe in 1940)
|
double bass
Arrived in the US in 1906.
|
1925-1940 |
|
Von Ette, Edward (sometimes Eduard)
(1839-circa 1900) |
viola |
1881-1888 |
|
|
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|
|
Wadenpfuhl, Jay Starnes
(Texas 1950-2010)
|
third horn (also Beaumont Symphony - Texas, US Army Band - Washington DC,
Florida Philharmonic, Fort Worth Symphony, National Symphony of
Washington DC, founding member of Metropolitan Brass of Miami)
Studied at University of Wisconsin - Madison BMus. Died in Boston at age 60
following extended illness associated with acute respiratory distress syndrome,
a severe lung inflamation. Survived by his wife, Michelle Perry, horn of the
Empire Brass.
|
1981-2010 |
|
Wakao, Keisuke
(Tokyo 1962- )
photo: Boston Symphony Orchestra, n.d.
|
Assistant Principal oboe (also the New World Symphony from its
initial season in 1988)
Studied at the Tanglewood Music Center and at the Manhattan School of
Music in 1987 gained his Performance Diploma. An active teacher, he
founded the Keisuke Wakao Oboe Camp in Tokyo beginning in 1988. In Boston,
he teaches at the New England Conservatory and the Longy School of Music.
Also active in summer music festivals, including Ventfort Hall Summer
Chamber Music Concert Series - Massachusetts. In May 2011, Keisuke Wakao
premiered the John Williams Oboe Concerto under the composer with
the Boston Pops.
|
1990-present |
|
Walt, Sherman Abbott
(Minnesota 1923-1989)
detail of photo Boston Symphony Archives
|
Principal bassoon (also Chicago Symphony bassoon 1946-1949,
Principal bassoon 1949-1951)
When Sherman Walt was a teen-ager, Minneapolis Symphony conductor
Dmitri Mitropoulos told Walt's parents "This boy has to play the
bassoon." Walt was admitted to the Curtis Institute, and Mitropoulos
sent Walt a monthly allowance. Walt graduated from Curtis in the Class of 1946
after service in World War 2, including a Bronze Star for valor. Taught
at Boston University and the New England Conservatory.
|
1953-1989
Sadly, Sherman Walt died just months after
retiring from the Boston Symphony, hit by an automobile in suburban Boston on October 26,1989.
|
|
Warnke, Heinrich
(Germany 1870-1938)
|
Principal cello 1905-1914, cello 1914-1918
(also Leipzig Gewandhaus Orchestra in about 1887,
Principal cello of the 'Kaim Orchestra' in Munich 1897-1905,
104 Metropolitan Opera Orchestra Co-Principal cello
1920 until the early 1930s. Died in Germany during the
summer of 1938)
Studied at the Hamburg Conservatory.
|
1905-1918 |
|
Warnke, Johannes (1871- ) |
cello |
1908-1918, 1919-1939 |
|
Waterhouse, William James
(Canada 1917-2003)
detail of BSO photo Boston Symphony Archives, n.d.
|
violin (also Boyd Neel Orchestra - London 1936-1939, London String Orchestra
1936-1939, Silverman Quartet - London 1935-1938, Stornoway Players,
London 1937-1939, Boston Pops Principal second violin 1975-1987. At the same
time as the Boston Pops, Waterhourse played in the Winnipeg Symphony
1975-1987)
Studied violin with his father, John Waterhouse (1877-1970), and at the
Royal Academy of Music, London, LAB. diploma in 1933. Boston University
BMus and MMus 1950.
|
1951-1975 |
|
Wayne, Michael
(born Ontario, raised in Arizona)
photo: Boston Symphony Orchestra, n.d.
|
clarinet (also Kansas City Symphony 2003- )
Studied at the Interlochen Arts Academy. University of Michigan Class of 2003,
and also received a Music Academy of the West study grant in 2003. Active in
summer music festivals, including the Grand Teton Festival - Wyoming,
the Verbier Festival - Switzerland, National Orchestral Institute - Maryland,
Hot Springs Music Festival - Arkansas and the
Colorado Music Festival. Michael Wayne gave the premier of the Michael
Daugherty (1905- ) concerto Brooklyn Bridge at Carnegie Hall in
2005 and later recorded it for Equilibrium Records.
|
2008-present |
|
Weintz, Charles J. (about 1838-after 1900)
|
viola (also a Civil War band musician)
|
1881-1883 |
|
Weiss, Albert
(1864-1898 died July 4, 1898 in the shipwreck of 'La Bourgogne'
on summer holiday from BSO) |
Principal oboe |
1896-1898 |
|
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|
|
Weiss, E. |
violin |
1889-1890 |
|
Welti, Oscar (Switzerland 1894- )
|
viola (Welti was one of 5 - out of 10 - violists hired
for the 1920-1921 season, following the 1920 musicians strike)
After leaving the orchestra, in 1925, Oscar Welti moved to
Halifax, Nova Scotia and became a Canadian citizen.
|
1920-1922 |
|
Wendler, George
(then Germany, now Poland 1883-about 1956)
George Wendler in 1927, prior to his return to Germany
|
Principal horn 1913-1928, horn 1909-1913
Emigrated to the US in 1909 to become fifth horn of the Boston Symphony under
Max Fiedler, and advanced to Principal by Karl Muck. George Wendler was an advocate
of the new F / B flat 'double horn'. The design of the double horn was patented by
Fritz and Walter Kruspe in Germany in 1897. Wemdler was son-in-law of Fritz Kruspe,
and after the Boston Symphony, returned to Germany to direct the Ed. Kruspe company
of Erfurt, Germany for many years.
|
1909-1928 |
|
Wendling, Carl
(born in Strasbourg, then Germany now France 1875-1962)
|
Concertmaster (also, back in Stuttgart, the Wendler String Quartet:
Carl Wendling first, Hans Michaelis second, Philipp Neeter viola, and
Alfred Saal cello 83.
Alfred Saal
had been Principal cello of the Philadelphia Orchestra for two seasons
1904-1906.
Studied with his musician father Georg Wendling. Carl Wendling taught was also a musician.
Between World War 1 and World War 2 back in Germany, Wendling taught at the Stuttgart Conservatory.
|
1907-1908 |
|
Werner, Hans
(Czech 1889-1950)
detail of BSO photo Boston Symphony Archives, n.d.
|
violin , viola (also briefly with National Symphony
Orchestra of New York)
Studied at the Vienna Conseratory.
|
1908-1919, 1921-1950
died during summer Pops season on June 15, 1950
|
|
White, Lawrence R.
(Massachusetts 1907-1987)
Lawrence White in 1929
|
percussion (also WGN Radio staff orchestra - Chicago about
1948-1950,
Grant Park Symphony - Chicago, Lyric Opera Orchestra - Chicago,
briefly percussion with the Chicago Symphony in 1957.
Studied at the New England Conservatory of Music.
During World War 2, Larry White conducted the Army Special Service Orchestra
in the Pacific. The music scholar Dr. Edmund Bowles adds: "...[he was] a renown player
on the vibraphone; he made a 78rpm record for RCA Victor. From 1946 on played timpani in the
Chicago Lyric Opera and then retired to Florida, where he performed in
the local symphony orchestra."
|
1928-1946 |
|
Whitmore, O. A. |
clarinet |
1881-1882 |
|
Wichman, A. |
tuba
The 1920-1921 season was somewhat chaotic after the BSO musicians
strike. For tuba, both "A. Wichman" and "C. Lemcke" were
listed in the tuba chair in 1920-1921. In fact, Wichman departed late 1920.
|
1920-1921 partial season |
|
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|
|
Wiegand, E. |
double bass |
1885-1887 |
|
Wilfinger, Gottfried J. 'Joe'
(Pennsylvania 1929-2002)
photo: Boston Symphony Orchestra archives
|
violin (also member of the Boston Fine Arts
Quartet, active in the Zimbler Sinfonietta)
Studied at the Settlement Music School - Philadelphia,
New England Conservatory.
|
1950-1998 7 |
|
Wilkinson, Ronald Jack (California 1947- )
married to
Patricia McCarty
|
violin 1971-1982, viola 1982-2009 (also Baltimore Symphony, Temple
Institute String Quartet, Francesco String Quartet, Army Band Strolling
Stings in Washington DC for 5 years)
Primarily self-taught, Wilkinson also studied at the American
Federation of Musicians Congress of Strings for summer study.
|
1971-2009
sabbatical leave 1990-1991 |
Winder, Max Gilles (France 1926-1991)
|
violin (also Colonne Orchestra 1945-about 1946,
orchestras in Nice and Cannes, Cleveland Orchestra 1948-1949,
Houston Symphony Associate Concertmaster, Music Guild String Quartet
with Gerald Gelbloom first,
Max Winder second,
Bernard Kadinoff viola,
Stephen Geber cello 83)
Studied at the Paris Conservatoire Premier prix in about 1945.
|
1962-1991 |
|
Winograd (Mayes), Winifred Schaefer (Washington 1919- )
married to Principal cello
Samuel Mayes,
she had been married to Arthur Winograd (1920-2010), cellist of the Juilliard
String Quartet. Also sister of
Lois Schaefer flute of the Boston Symphony and Chicago Symphony
Samuel and Winifred in retirement
|
cello (also cello Philadelphia Orchestra 1964-1970 and Assistant Principal
cello 1970-1977)
Studied at the Curtis Institute Class of 1942. First woman to be a
Boston Symphony string player.
|
1957-1964 |
|
Winter, Michael
(California )
|
Third horn, which position had been vacant for several seasons
(also Buffalo Philharmonic acting Principal horn, Syracuse Symphony Principal
horn 2008-2012. also, while in Boston, and active freelance musician, including the
Boston Ballet, Longwood Symphony, and the Boston Pops)
Studied first with his grandfather, respected horn teacher Dr. James Winter, and later
with Jim Thatcher and John Mason. then studied at the New England Conservatory.
|
beginning September, 2012
|
|
Winternitz, Felix
(Austria 1872-1948)
|
violin (also in the
Emil Mollenhauer Boston Festival
Orchestra, long-time New England
Conservatory professor, Worcester Festival - Massachusetts 1893)
Minot Beale and
Sheldon Rotenberg
were Winternitz New England Conservatory violin
students. The actor Roland Winters, who played Charlie Chan in 1940s B movies
and later Elvis Presley's father in Blue Hawaii was Felix Winternitz's son.
|
1889-1890 3 |
|
Witek, Anton
(Austria 1872-1933)
|
Concertmaster (also Berlin Philharmonic Concertmaster 1894-1909 28.
founded the Berlin Philharmonic Trio, including with his Swedish pianist
wife Avita Witek, and with
Joseph Malkin, later Principal cello of the Boston Symphony.
Studied with Antonin Bennewitz (1833-1926), Director of the Prague Conservatory. Witek
also formed a trio with Avita Witek and Joseph Malkin in Boston, and after
the Boston Symphony, Anton Witek taught in Boston for the next decade.
|
1910-1918 |
|
Wittmann, Florian Robert
(Austria 1887-after 1941)
|
viola (also National Symphony Orchestra of New York
probably 1920-1922, Philadelphia Orchestra 1922-1923)
Seems to have returned to Europe and is recorded as being in the
Dachau Concentration Camp on May 6, 1940 and transferred to
July 12, 1941 to Buchenwald.
|
1913-1920
(left following 1920 Boston Symphony
musicians strike)
|
|
Wolfe, Lawrence
(Massachusetts 1951- )
|
double bass 1970-1981, Assistant Principal double bass 1981-present (also
active in Collage New Music,
Studied at the New England Conservatory. In his youth, he began as a trombone
player, but switched to the Double Bass because of a throat condition. A
composer, his trumpet concerto was premiered by John Williams and the
Boston Pops with Timothy Morrison as soloist.
|
1970-present |
|
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|
|
Wright, Benjamin
(Indiana? about 1976- )
Boston Symphony Orchestra photo, Michael J. Lutch, n.d.
|
Fourth trumpet July 2002-January 2010, acting Assistant Principal
trumpet 2006-2009, Second trumpet January 2010-present
(also Kennedy Center Opera 1997-2000, Chicago Symphony Fourth / Utility Trumpet
January, 2000-2002)
From a musicial family, Wright studied first with his trumpet-playing
uncle, and was a student at the Interlochen Arts Academy - Michigan.
Then studied at the Cleveland Institute of Music BMus 1997.
|
July 2002-present |
|
Wright, Harold "Buddy" (1926-1993)
died suddenly at end of the 1992-1993 season
August 11, 1993 at the Marlboro Festival of a heart attack
|
Principal clarinet (also Houston Symphony, Dallas Symphony, National Symphony
of Washington DC Principal clarinet, also
for a number of years the Casals Festival Orchestra and the Marlboro
Festival Orchestra in the summers, where he and his wife lived)
Studied at the Curtis Institute Class of 1951.
|
1970-1993 |
|
Wurtzler, Bela Istvan (Hungary 1923-2007)
|
double bass (also Budapest Philharmonic and Budapest Opera 1947-1956,
Detroit Symphony Assistant Principal double bass 1956-1961)
Studied at the Franz Liszt Academy - Budapest.
|
1962-1993 |
|
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Yampolsky, Victor (1942- )
|
Principal second violin, violin (later conductor
Atlantic Symphony Orchestra, Omaha Symphony) |
1973-1977 |
|
Yancich, Charles Theodore (Indiana 1924- ) brother of
Milan Yancich (1921-2007)
|
Associate Principal horn 1954-1980 and acting Principal horn
1971-1972, horn 1980-1983
Brother of Milan Yancich, horn of the Chicago Symphony, Cleveland Orchestra,
and Rochester Philharmonic.
|
1954-1983 |
|
Yeo, Douglas Edward
(California, but grew up in Queens, NYC 1955- )
photo: Boston Symphony Orchestra, n.d.
|
bass trombone and contrabass trombone, bass trumpet, serpent, ophicleide
(also Baltimore Symphony 1981-1985, New England Brass Band). Studied initially at
Indiana University and then trombone at Wheaton College - Illinois 1976
with
Edward Kleinhammer
(as did his friend
Eric Carlson of the Philadelphia Orchestra
). also New York University MA 1979.
(visit Doug Yeo's excellent trombone website: www.yeodoug.com)
Doug's Serpent DVD (and there are other DVDs)
is now available by
clicking here. Other CDs include Two of a Mind,
Le Monde du Serpent, Cornerstone including hymns and gospel songs.
At the end of the 2011-2012 season, Doug Yeo completed 27 glorious
years of BSO music making. He has relocated to Arizona, as Professor
of Trombone at the School of Music of Arizona State University - Tempe.
|
1985-until August 2012
(
James Markey announced as Doug's successor)
(sabbatical leave December 2008 - June 2009)
|
|
Young, Owen
photo: Boston Symphony Orchestra, n.d.
|
cello (also Yale Symphony Principal cello and the
New Haven Symphony 1986-1987. Consequent to earning an Orchestra
Fellowship in 1987, Young played with the Atlanta Symphony -
1988 and the Boston Symphony 1988-1989. Joined the Pittsburgh
Symphony 1989-1991. Founding member of Innuendo,
a chamber ensemble)
Studied at Yale University School of Music, BA cum laude, MMus.
Active in summer festivals, including Banff Centre for the
Arts - Alberta, Brevard Music Center - Florida, Aspen Music Festival -
Colorado, Davos Music Festival - Switzerland, and the Tanglewood Music
Festival. Teaches at the Boston Conservatory, the Longy School of Music
and with Project STEP (String Training and Educational Program for
Students of Color). Great video You've Got a Friend with James
Taylor: see www.oprah.com
|
August 1991-present |
|
|
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Zach, Max Wilhelm
(1864-1921) |
Principal viola |
1886-1907 |
|
Zaretsky, Michael
(Russia 1946- )
photo: Boston Symphony Orchestra, n.d.
|
viola (also Moscow Philharmonic String Quartet, Moscow Radio and TV
Symphony Orchestra, Jerusalem Broadcasting Symphony Principal viola)
Studied at the Central Music School - Moscow, Moscow State
Conservatory graduating cum laude. John Williams wrote his
Duo concertante for
Michael Zaretsky and
Victor Romanul (see
picture at right).
visit Michael Zaretsky's interesting website www.michaelzaretsky.net
|
1973-present
Victor Romanul, John Williams and Michael Zaretsky at
the recording of Duo concertante 2007
|
|
Zahn, Frederick C. 'Fritz'
(Germany 1862-1940) |
viola 1891-1910, 1920-1926, percussion 1910-1926 |
1891-1926 |
|
Zazofsky, George
(Massachusetts 1914-1983)
married
Ralph Gomberg's sister Edyth
|
Assistant Concertmaster 1954-1970, violin 1941-1954 (also Stokowski's
All-American Youth Orchestra in both the 1940 and 1941 tours.
Zimbler Sinfonietta Concertmaster and Music Director, succeeding
Josef Zimbler)
Studied at the Curtis Institute Class of 1941, where he was one of the Concertmasters
of the Curtis Symphony. His son violinist, Peter Zazofsky also attended Curtis,
Class of 1976. Peter Zazofsky in 1979 co-founded the Muir String Quartet with
Steven Ansell
|
1941-1970 5
sabbatical 1968-1969
|
|
Zeise, Karl W.
(Massachusetts 1901-1992)
|
cello and an electronic cello. In 1928 and 1929, Stokowski
had Karl Zeise play an electronic cello with loudspeaker developed
by Léon Theremin (1896-1993), used unsuccessfully to reinforce bass
crescendi of the orchestra. (also Cleveland Orchestra 1926-1927,
Philadelphia Orchestra 1922-1924, 1928-1932,
Boston Symphony 1939-1970,
also Tanglewood Quartet 1948-1970:
Rolland Tapley first,
Stanley Benson second,
George Humphrey viola,
Karl Zeise cello)
Studied with Alwin Schroeder, Boston Symphony Principal cello.
Tanglewood has since 1993 awarded a "Karl Zeise Memorial Cello
Award", now important.
|
1939-1970 |
|
Zhang, Yuncong (China 1983- )
|
violin (also Oberlin Contemporary Music Ensemble)
Founding violinist of the Echoi Contemporary Ensemble. Studied at the
Oberlin Conservatory of Music and Manhattan School of Music.
|
January, 2010-present
|
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Zhou, Jessica (China 1977- )
|
harp (also Principal harp New York City Opera 2004-2009,
Boston Chamber Music Society)
Studied at Juilliard School, gaining bachelor and master degrees.
|
2009-present |
|
Zide, Louis (1906-1985) |
violin |
1927-1935 |
|
Zighera, Alfred (France 1898-1978) (brother of
Bernard Zighera)
in 1949 |
Assistant Principal cello (also l'Orchestre de la Société des concerts du
Conservatoire, Concerts Koussevitzky)
|
1925-1963 17 |
|
Zighera, Bernard (France 1904-1984) (brother of
Alfred Zighera)
|
Principal harp, piano |
1926-1980 |
|
Zimbler, Josef
(Bohemia, now Czech 1900-1959)
cousin of
Arthur Fiedler
Walter Macdonald, left, Josef Zimbler center and Jean Devergie in 1930s
|
cello (also founded the Boston Sinfonietta, or Zimbler Sinfonietta, of BSO players
in 1947)
Studied at the Prague Conservatory.
Josef Zimbler was regularly active as a contractor of musicians both for
the Boston Symphony/Boston Pops, and for external groups including
the Zimbler Sinfonietta.
| 1933-1959
(died during the 1958-1959
season on April 11, 1959, age only 59 28)
|
|
Zoon, Jacques (Netherlands 1961- )
|
Principal flute (also Residentie Orchestra - the Hague Principal flute
Concertgebouw Orchestra Principal flute 1988-1994, Chamber Orchestra of
Europe Principal flute, Principal flute of the Boston Symphony for 5
seasons)
Studied at the Sweelinck Conservatory in Amsterdam. In 2001, Jacques Zoon
took an 18 month leave from the Boston Symphony, and in 2002, decided not
to return. Zoon has relocated to Switzerland, teaching at the Geneva
Conservatoire and pursuing a solo career.
|
1997-2002 |
|
Zsiga, Louis T. (1888-1968) |
violin (also Bridgeport Symphony) |
1918-1919 |
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Zung, Manuel (Russia 1902-1999)
|
violin (also Zimbler Sinfonietta)
Studied with Eugen Grunbert
|
1925-1965 |
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